Thursday, April 02, 2026

Chicanonautica: An Immodest Proposal for a Xicanxfuturist Holiday

by Ernest Hogan



Just when it looked like they were going to forget about us Chicanos and go blowing up the world, we get a bombshell bullseye right in La Cultura.

 

I’m talking about the César Chávez revelations.


It’s amazing how fast the bureaucratic entities got to cancelling. Why couldn’t they do that to the perpetrator in the White House? But I’m not here to complain about double standards in law enforcement, I’m dedicating this post to the ruined holiday and what to do with the mangled remnants, and offer some Xicanxfuturist visions.



César Chávez Day was always awkward. Cinco de Mayo was hijacked by the alcoholics (there are a number of Aztec gods dedicated to alcohol consumption with appropriate rituals that could be revived, but that's a whole other pendejada). The truth is, nobody ever knew what to do or C. C. Day. Barbecue? Tacos? Too bad there’s no TV coverage of the ancient ball game that is undergoing a revival in the Yucatán . . .


The problem was César’s saintly image. It was always supposed to be serious business. There aren’t many pictures of him smiling. How are we supposed to have any kind of fun?


The media and academia packaged him as their token Chicano: “See kids, he believed in nonviolence, so resist any genetic predisposition you may have to stabbing anyone. Now, back to the wonderful story of Western Civilization . . .”


What has happened to Olga Casado? — toros:toreros


We could honor Dolores Huerta, Raquel Welch, Linda Ronstadt, Gloria Anzaldúa, and other Chicanas. And what about remembering Frida Kahlo, Claudia Sheinbaum, and even Spaniard Olga Casado and the New Wave of women who are rocking the world of bullfighting?


There have been a helluvalot of Chicanos—and Chicanas!—who have done a lot of amazing things. Heroic things. Things that are just plain interesting. 


As a writer I find it all great material. It’s what makes my work so original.


And not just heroes to worship—I personally believe that’s a bad idea. We don’t need no stinking cults of personality. Why not celebrate us?


Farmworkers Day? Sí Se Puede Day? Chicano Day?  Chicana Day? Xicanxfuturist Day? Hmm . . .


Then, as I was brainstorming this piece, Arizona Highways came out with its April 2026 issue "Celebrating Mexican Heritage in Arizona.” And right there on the cover ESCARAMUZA! Check out Anita Snow’s article, “Reins Supreme," about teams (with the Amazonas and Corazón as part of their names) based in Phoenix. It’s got gorgeous photos by Adriana Zehbrauskas.



For those of you who don't know about the sport, it’s the female

sector of charrería, Mexican rodeo. (Didn’t the cowboy thing start with Mexican vaqueros? What language is the word rodeo, anyway?) Eight charras (more than cowgirls) in colorful adelita dresses (¡Viva La Revoluçión!), riding sidesaddle, come at each other in a dangerous way that will get your adrenaline pumping faster than any feature-length Hollywood horse opera.


Gets me fantasizing about the Surrealistic Burrito Western of My Dreams . . . How about a climactic scene with a rapist trapped in the middle of all those charging hooves?


Maybe, if we don’t let the fascists have their way, there will be coverage of a Dolores Huerta Escaramuza Tournament on March 31 and maybe combined with an ancient ball game championship and some toreras practicing their art. The fiesta of the future!



Ernest Hogan is busy with the business of being a Xicanxfuturist and the Father of Chicano Science Fiction.

Wednesday, April 01, 2026

A Hero's Guide to Summer Vacation - Manual de un héroe para las vacaciones de verano



Written by Pablo Cartaya



*Publisher: Kokila

*Print length: 288 pages

*ISBN-10: 0451479750

*ISBN-13: 978-0451479754

*Reading age: 8 - 12 years

*Grade level: 3 - 7


NEW YORK TIMES BESTSELLER • Reality proves more epic than fantasy in this family road trip story starring a reluctant young hero and his curmudgeonly grandfather.

A Pura Belpré Children’s Author Honor Book

Gonzalo Alberto Sánchez García has never considered himself the hero of his own story. He’s an observer, quietly snapshotting landscapes and drawing the creatures he imagines emerging from them. Forced to spend the summer with his estranged grandfather, Alberto William García—the very famous reclusive author—Gonzalo doesn't expect to learn that heroes and monsters are not only the stuff of fantasy.

But that’s precisely what happens when Gonzalo’s CEO mother, Veronica, sends Alberto on tour to promote the final book in his fantasy series for children and Gonzalo must tag along, even though he feels no connection to his grandfather or the books. Together, they embark on a cross-country road trip from Mendocino to Miami in a classic 1968 Oldsmobile Cutlass S convertible named Mathilde. Over the course of ten epic days on the highway, they will slay demons, real and imagined; confront old stories to write new ones; and learn what it truly means to show up for your family.


Manual de un héroe para las vacaciones de verano


Tres generaciones, tres mil millas, un verano inolvidable.

Gonzalo Alberto Sánchez García nunca se ha considerado el héroe de su propia historia. Es un observador silencioso, que captura paisajes y dibuja a los animalitos que imagina en ellos. Obligado a pasar el verano con su abuelo a quien no ve muy seguido, Alberto William García —el famoso autor ermitaño— Gonzalo no espera descubrir que los héroes y los monstruos existan más allá de la fantasía.

Pero eso es precisamente lo que ocurre cuando la madre de Gonzalo, Verónica, una exitosa ejecutiva, envía a Alberto de gira para promocionar el nuevo libro de su serie de fantasía infantil, y Gonzalo debe acompañarlo, a pesar de no sentir conexión alguna con su abuelo o con sus libros. Juntos, emprenden un viaje por carretera de costa a costa, desde Mendocino hasta Miami, en un clásico Oldsmobile Cutlass S Convertible de 1968 al que llaman Mathilde. A lo largo de diez días épicos en la carretera, enfrentarán demonios, reales e imaginados; revisitarán viejas historias que servirán para escribir nuevas; y aprenderán lo que realmente significa estar presente para la familia.



Review

“A touching intergenerational road trip epic that juxtaposes heavy themes surrounding loss with playful yet sophisticated interpretations of artistic integrity.” —Publishers Weekly, starred review

“Cartaya weaves humor, heartbreak, and a host of literary tropes and techniques into this complex tale of three grieving road trippers.”—Booklist, starred review

“Wondrous.” —Shelf Awareness, starred review 

“Cleverly structured and sweetly engaging.”—Kirkus Reviews

“In this exploration of grief, generational impact, and healing, readers will find a book they can’t put down.” —School Library Journal

“This intergenerational book spins each character's grief together and then, gives them a hero.” —Edith Campbell for School Library Journal’s Pearl’s & Ruby’s blog

“Con humor, corazón y mucho viaje interior, esta novela es ideal para tweens que buscan una lectura cálida y emocionante, perfecta para el verano.” —People En Español


Pablo Cartaya is a sought-after speaker, actor, educator, and the award-winning author of The Epic Fail of Arturo Zamora, Marcus Vega Doesn't Speak Spanish, Each Tiny Spark, The Last Beekeeper, and Curveball. Learn more about Pablo at PabloCartaya.com and follow him online @PHCartaya.

Las novelas de Pablo Cartaya exploran la identidad, el lugar y los espacios intermedios. Su primera novela sobre un niño que defiende a su comunidad, El épico fracaso de Arturo Zamora, recibió críticas con tres estrellas y es un Libro de Honor del Pura Belpré 2018. Cuando Pablo no escribe, pasa tiempo con su familia o sueña con su próximo viaje a Puerto Rico. Conoce más sobre Pablo en pablocartaya.com y sígalo en Twitter @phcartaya.