Monday, May 13, 2024

NPR's Code Switch: In 'Chicano Frankenstein,' the undead are the new underpaid labor force

 


Daniel A. Olivas's novel, Chicano Frankenstein (Forest Avenue Press), puts a new spin on the age-old Frankenstein story. In this retelling, 12 million "reanimated" people provide a cheap workforce for the United States...and face a very familiar type of bigotry. On this episode, NPR's Code Switch host B.A. Parkers speaks to Olivas about what this sci-fi story can help us understand about our real and current immigration system. We also ask, in a world of racism, bigotry, and politicking, who is the real monster?

You may listen to the episode here or wherever you enjoy your favorite podcasts.

***

What's CODE SWITCH? It's the fearless conversations about race that you've been waiting for. Hosted by journalists of color, our podcast tackles the subject of race with empathy and humor. We explore how race affects every part of society — from politics and pop culture to history, food and everything in between. This podcast makes all of us part of the conversation — because we're all part of the story. Code Switch was named Apple Podcasts' first-ever Show of the Year in 2020.


Thursday, May 09, 2024

On the Road with the Calexico Kid, More than a Game, A Pilgrimage

                                                                                          

          Note: This is a revision of a Bloga essay I wrote two years ago. More a mission than an essay, I hope readers are moved by Primo Villanueva's story as I was, especially when I learned UCLA Athletics had never inducted him into its athletic Hall of Fame. Maybe it's about time.                                                                                                                                                                  

Making sure everyone who sees knows

  I recently came across faded photos of my dad, his cousin Rufino "Peanuts" Escarcega behind the camera, and his friends posing at the side of a 1952 or ’53 light colored Chevy. It could be my dad’s car. Our family owned a 1953 light green Chevy. On the driver’s door, someone painted the words: “CALEXICO, Comet ‘Primo’ V,’” and underneath, in large caps, “UCLA.” On second thought, I don't think my mom would have allowed anyone to paint words on our car, not even for Primo.

     I wish my dad was here to tell me the story behind the photos. My best guess is it’s 1954. The photos document a trip my dad, his cousin, and his friends took to Berkeley to watch the Bruin football team battle Cal's tough Bears. Other grainy photos show Cal’s Memorial Stadium, the game inside, and my dad’s friends on the Berkeley streets. I don’t think they would have made the trip if it wasn’t for Primo.

                                                                                           

Awaiting the long trip north

     The newspapers dubbed Villanueva, the “Calexico Kid.” A graduate of Calexico High School, a small farming town in the Imperial Valley bordering Mexicali, Primo led UCLA to its first, and only, National Football title in 1954. He racked up more total yards than any other Bruin on the team. Following their young Mexican hero, my dad and his friends weren’t just going to a college football game. They were on a pilgrimage.

     It’s a small photo, and I think I see Dario Sanchez kneeling by the driver’s door. Beside Dario, standing to the rear, it looks like my dad. Next to him in the foreground is George Saenz, and behind George is Richard Sanchez, Dario’s brother. They pose proudly next to Primo’s name. Primo, short for Primitivo, his father’s name.

      Okay, understand, a road trip to Berkeley from West Los Angeles, in the early 1950s, without freeways or major highways, was one hell of a drive. I don’t doubt they had a few “handy sixes” to help them tick off the miles. Why? Because in another photo, Freddie Santana has his arm around my dad’s neck, my dad’s head on his friend’s shoulder. Men, especially Chicanos, don’t usually pose that way in public unless they’ve already knocked back a few. Luckily, "Peanuts," their trusty non-drinking driver, always took the steering wheel.

      Think of it, to reach the San Fernando Valley from West L.A., they had to twist their way around the old Sepulveda Pass, up and over the Santa Monica Mountains, in a car with no power anything. To cross the Valley was a grind, all the way on Sepulveda Blvd, stopping at red lights through every little settlement in San Fernando, Sherman Oaks, Encino, Van Nuys, Reseda, Pacoima, Sylmar, etc. etc. and onto the Saugus, Newhall, and the Grapevine, up Highway 99, then cut across somewhere, maybe outside Modesto, and head west towards the Bay Area. There were few hotels, gas stations, restaurants, or facilities for travelers, and if you were a dark-skin Mexican, forget about it. I can just see them pulling into a Pixley gas station and say, "Fill-er-up, "Primo V" on the side door.

                                                                                       

On the streets of Berkeley
                              

     Now, they might have taken the coastal route, old, slow Highway 101, also no easy feat, meandering through farming towns from Oxnard to Santa Barbara, Arroyo Grande, San Luis Obispo, Atascadero to Salinas, then west to San Jose and into Berkeley, what, maybe a 12-to-14-hour drive, pilgrims on the way to a holy site, Cal the Mecca of early college football on the West Coast.

     As I study the photograph, I think, man, UCLA football must have been a powerful draw to get them to make that journey, a self-anointed "Calexico Comet" PR machine. Then I remember, it wasn’t just UCLA football they followed as kids, hoofing it to Westwood from their homes in Sawtelle to watch the Bruins practice. No, it wasn’t just that. It was Primo Villanueva, and the pride these Chicanos, now grown men, must have felt as the kid from Calexico wowed L.A. fans each weekend under the bright lights.

                                                                                                

Patience, like all pilgrims

     Primo played for one of the greatest football coaches to ever walk the sidelines, Red Sanders. What must it have been like for Primo, a minister’s son, a kid from the poor side of town, in a farming town that was poor anyway, to know a football icon wanted him to move to Los Angeles and play for his team, at the time, one of the best in the country, and a university in Westwood, filled with mostly wealthy "White" kids, who have had the best of everything, including education?

                                                                                         

"Halftime," another tradition in the ritual 

     To many of us Chicanos in Los Angeles, even non-UCLA fans, Primo was a god. He’d dominated high school football, basketball, and other sports in Calexico, the Imperial Valley, and San Diego County. At UCLA, he became an idol to thousands of kids across Los Angeles and California, and at a time when Chicano kids needed someone to look up to.

     When Hollywood and the media flooded us in the ‘50s with images of Mexicans as lazy, dirty, thieves, and slackers, Primo showed the true side of our community, where the majority were law-abiding, hardworking people contributing to the development of this country, striving to educate their kids, and give them a good life, or like my dad and his friends, WWII vets, who had been prepared to sacrifice everything.

    Primo, as a running back, led UCLA’s offensive with 886 yards. He helped UCLA to an undefeated year, 9-0. If that wasn’t enough, he also played defensive back, helped win the PCC League and take the Bruins to a national championship, where they beat Maryland, the defending champs.

                                                                                       

One of the college greats

     This kid, he was a kid, barely 19, when he arrived in Westwood, came in on the heels of the finest UCLA quarterbacks, of the day, Paul Cameron, yet, some say, Primo had a better arm than Cameron. When Primo took the helm his senior year, he shone brightly among UCLA’s superstars, powerhouse athletes like All Americans Jack Elena, Jim Salisbury, and Bob Davenport. We aren’t talking about good athletes here. We are talking about the best in the nation, playing for one of the toughest coaches. Open the L.A. Times after any UCLA game, and Primo’s name would be plastered on the sports page.

     As a kid, I remember my dad, his relatives, and friends couldn’t stop talking about Primo. Sometimes, my cousin Rufino Jr. and I would be the only kids scrunched in the car, "Peanuts," as always, drove each Friday night to the Coliseum. We had to get there early to see the players step down from the bus and walk into the Coliseum tunnel, fans calling out to their favorite players. My dad called Primo’s name. He’d always wave. After the game, the fans rushed on to the field to touch or shake hands with the players. One time, my dad pushed his way through the crowd, so I could gawk up at the towering Chicano in a UCLA football uniform, number 19.

     After the field had emptied, we still weren’t done. My dad and his friends waited for the players to walk up the ramp, in coats and ties, out of the Coliseum, and into the adoring fans, shaking hands and giving autographs. I can still hear my dad and his friends yelling, as if they were kids, “Primo! Primo! Primo!” A few times he'd stop by to chat. They weren't embarrassed to wrangle him to one side.

     Primo did exactly what he promised his mom, in a letter printed in the Calexico Chronicle, “I’ll make every effort to achieve success in my future schooling and will always feel I share my athletic honors or victories with the people of Calexico.” (Eric Preven, City Watch)

     Coincidentally, my wife hails from Calexico, California. Her brothers played high school football, and, of course, I had to ask them if they knew Primo. Her oldest brother, who received a football and athletic scholarship to Dartmouth, told me when he played for Calexico High School, the coach gave him Primo’s helmet, mainly because it was the largest and the only one that fit.

     My father-in-law, Fernando, who also played high school football in Calexico, told me fans would caravan from Calexico and across the Imperial Valley, each season, to watch Primo play. He said on one trip, he and his friends got into a bad car accident, but even that didn’t stop them from attending the game. After stopping to get patched up, they made it to the Coliseum, wrapped in bandages, watching Primo pull out another victory.

     In December 1954, returning home, a National Title for UCLA under his belt, Primo received the keys to the cities of Calexico and Mexicali and rode in a parade through town. The big city hadn’t changed him. Coaches and teachers said he was still the same person he was when he left.

     I have visited Calexico over the years disappointed, today, there is little recognition of Primo, or his younger brother Danny, a punter and field goal kicker for UCLA, the Los Angeles Rams, and the Dallas Cowboys. I would have thought for sure the high school might be named after Primo, or if not, at least the football field, gym, locker room, maybe even a swimming pool, to keep his name alive, a role model for the newest generations of Calexico Bulldogs.

     But I was also disappointed to learn Primo wasn’t even in the UCLA Football Hall of Fame. How could that be? From his tailback position, which in 1954 was more like a quarterback, he ran, passed, caught passes, and blocked clearing the way for others to score. He returned punts and kickoffs. He not only played offense but defense, intercepting a key pass from Stanford’s great quarterback, John Brodie, as sportswriter Dick Hyland wrote it, "If Villanueva was the hero, Stanford was the victim.... The Calexico kid stopped the Stanford drive...by picking off John Brodie's pass and engineering a 46-yard march to the first Bruin touchdown."

     Primo was an All-American football star. But no, nothing, no mention of the man, not at UCLA or in Calexico, at a time when heroes are so desperately needed. In his hometown, most public facilities are named after…who knows, ex principals, superintendents, parents of city council or school board members? When books, films, and plays need powerful characters in stories, why not a Primo Villanueva?

     Here was a kid, who one day was playing football in front of a few hundred fans in high school, and in the next years was playing in front of 101,000 fans in the heart of Los Angeles, at a time when college football was more popular than the pros, and each Friday night all eyes were on the Coliseum.

     Doesn’t it only seem right that his own university should induct him into its Hall of Fame. Maybe it’s about time. How about a few emails to UCLA’s new athletic director, Martin Jarmond: ad@athletics.ucla.edu. My guess is even he might not have heard of one of UCLA’s greats, the Calexico Kid. A simple, "Please induct Primo Villanueva into UCLA's Football Hall of Fame," would do.

Wednesday, May 08, 2024

Do I Belong Here? ¿Es este mi lugar? received the 2024 Paterson Prize for Young People



I am so happy to share the news that Do I Belong Here? ¿Es este mi lugar? received the 2024 Paterson Prize for Young People in the category of Grades Pre K-3. The award is given by the Poetry Center at PCCC, Passaic County Community College, in New Jersey. 


The Book Ted Kooser: More Than a Local Wonder written by Carla Ketner and published by University of Nebraska Press also received the award in the category of Grades Pre K-3. . 


To find the winners in all the different categories, click this link https://www.poetrycenterpccc.com/news-winners/2024/4/30/2024-paterson-prize-for-books-for-young-people-winners

 



An immigrant boy stands “in the middle of a whirlwind of children,” and wonders where he is supposed to go. Finally, a woman speaks to him in a language he doesn’t understand and takes him to his classroom. A boy named Carlos helps orient him, but later when he reads aloud, everyone laughs at him. And when he gets an “F” on an assignment, he is sure “I do not belong here.”  

 

But gradually the boy begins to learn English. He works hard. He always pays attention, finishes his homework and—most importantly—never gives up. He begins to recognize words. “I understand now. Open is abrir, books are libros and page is página.”  And when the kids invite him to play soccer, he thinks, “Maybe I belong here.” As the boy’s grades improve and he make friends, he realizes, “I belong here.” And when he sees a girl looking lost, sure she doesn’t belong, he can say with certainty: “Not yet. But you will.”  

 

Award-winning children’s book author René Colato Laínez teams up again with illustrator Fabricio Vanden Broeck to explore the experiences of newcomers in schools and affirm that yes! They do belong. With beautiful acrylic-on-wood illustrations depicting children at school, this bilingual kids’ book by a Salvadoran immigrant tells an important story that will resonate with all kids who want nothing more than to belong.  

 

“VERDICT: A bilingual text that offers an empathetic look at how immigrant children start to learn little by little, and adapt to their surroundings and friends. Recommended for all shelves.”—School Library Journal (starred review)

 

RENÉ COLATO LAÍNEZ is the author of numerous picture books for children, including My Shoes and I / Mis zapatos y yo (Piñata Books, 2019), Mamá the Alien / Mamá la extraterrestre (Lee & Low Books, 2016), From North to South / Del norte al sur (Children’s Book Press, 2013), René Has Two Last Names / René tiene dos apellidos (Arte Público Press, 2009) and I Am René, the Boy / Soy René, el niño (Arte Público Press, 2005). He is an elementary school teacher in Los Angeles, California.

 

FABRICIO VANDEN BROECK is a designer, illustrator, painter and professor of design at the Universidad Autónoma Metropolitana-Azcapotzalco in Mexico City. He illustrated My Shoes and I / Mis zapatos y yo (Piñata Books, 2019).




 

Tuesday, May 07, 2024

Foto Essay: One Day in the Life of LitFest In the Dena

5 de Mayo Was No Match for Poetry
Michael Sedano


The first weekend in May arrived with a full schedule of poetry readings in communities across the land. The nation's cultural life appears fully re-awakened in the wake of the GOPlague years that kept the nation sequestered and isolated. Literary events were stiff competition for Cinco de Mayo stuff.

This was particularly the case in Altadena and Pasadena, California, where a two-day book and reading festival, "LitFest In the Dena 2024" filled the elegantly cavernous halls comprising Mountain View Mausoleum.

Aside from a pizza truck and a tea purveyor,  the business of the annual LitFest is literature. Festival organizers, Light Bringer Project (link) and literary journal Locavore Lit LA (link), managed five simultaneous panels in chapel, garden, and gallery spaces. 

Choosing a program among hundreds of readers across two days, posed painful decisions.
Listeners seeking the Poetry Hall found themselves seated halfway into the mausoleum's focal point, its 180-foot-long Great Gallery where sixty-four varieties of Italian marble and tile work, stained glass windows, and mural-covered vaulted ceilings created a sublime setting for poets.

La Bloga-Tuesday shared a few Sunday hours at the festival, giving us time with the 
"Pasadena Rose Poets", including Hazel Clayton Harrison, Carla Sameth, Gerda Govine, and Damian; "Embodied Landscapes Water, Wildlife, and the Geographies that Shape Us", featuring Sehba Sarwar, Erika Ayón, Olga García Echeverría, Jamie Asaye FitzGerald, and Alicia Vogl Saenz.


I attended with a special focus upon Golden Foothills Press' book release (link) and reading celebrating the work of Altadena's Co-Poet Laureate, Carla Sameth, and Peter J. Harris. Harris is editor of the anthology (link).

Publisher Dr. Thelma T. Reyna can finally relax with the months-long labor of bringing the
anthology to life, from idea to actuality.

The Altadena Poetry Review: Anthology 2024 features over a hundred writers. Publisher Thelma T. Reyna used her LitFest time allocation to invite readings from the book by Carla Sameth, Hazel Clayton Harrison, Sehba Sarwar, Lester Lennon, Mary Torregrossa, Pauli Dutton, Don Kingfisher Campbell, Elline Lipkin, GT Foster, Jackie Chou, Victor Cass, Dra. Martha Rivas, Sarah Flores, Emily Silich, and John Martinez.

Q&A: Mary Torregrossa 

Elline Lipkin

Emily Silich



Sarah Flores

John Martinez



Victor Cass

Jackie Chou

Hazel Clayton Harrison


Don Kingfisher Campbell



Mary Torregrossa

GT Foster

Dra. Martha Rivas


Meet Altadena Co-Poets Laureate 2024-2026

Lester Lennon

Sebha Sarwar



Monday, May 06, 2024

Poesía de resiliencia por Temeyissa Patalé Justine

 

Poesía de resiliencia por Temeyissa Patalé Justine


 

El poemario Corazón de agua de Xánath Caraza refleja de manera global los cambios sociales, individuales y colectivos provocados por el advenimiento de la pandemia Covid-19 así como las cuestiones éticas, curativas y existenciales puestas de relieve por esta crisis mundial. Los poemas siguientes: “Confinamiento”, “Nostalgia” y “Esperanza” ofrecen perspectivas sobre la manera cómo la pandemia transformó la vida de los ciudadanos de manera permanente. La pandemia creó “distancia virtual”, situación incómoda en la que se encuentra la poeta.

El poema epónimo, “Corazón de agua”, presenta la metáfora del agua. Este poema evoca la imagen del agua como origen y fuente de vida, comparándola con un corazón que late y gira. La poeta destaca la importancia del agua en la historia y en la naturaleza, describiendo su fluidez y su capacidad de sanar y purificar. La metáfora del agua como fuente de vida y curación toma su sentido en la medida en que la pandemia ha mostrado los límites de la ciencia moderna. Es la razón por la cual la poeta invita al agua a penetrar en su tintero y llevar “el dolor”, simbolizando la creatividad que el agua puede traer y su papel curador en estos tiempos de crisis. Se destaca la idea de que el agua es un elemento vital que fluye y se expande, llevando consigo el dolor y purificando todo a su paso. Este poema transmite una sensación de conexión con la naturaleza. La poeta materializa su admiración hacia la fuerza y la belleza del agua. Celebrando la vida y la energía mediante las funciones del agua, la poeta invita al lector a sumergirse en su belleza y su poder sanador.

Además Corazón de agua presenta los desafíos, las emociones experimentadas después de la muerte de sus parientes, sus vecinos, sus colegas…  También explora los temas de la nostalgia y la distancia debido al aislamiento del confinamiento y las muertes de personas conocidas. La poeta encuentra esperanza y consolación escribiendo versos porque: 

“con la poesía disipamos

los tiempos oscuros

 

Palabras que sanan

Los aislados corazones”

Vivir en tiempos de Covid-19 fuera de su tierra parece un infierno para la poeta. Ella se reconcilia intentando buscar energía en la nostalgia de tiempos sin pandemia.  De este modo, el poemario pinta con versos la soledad y la angustia vividas.  El poema “Confinamiento” es el que habla de manera explícita de esta crisis. Éste reflexiona sobre la experiencia del confinamiento durante la pandemia del Covid-19. El poema destaca la importancia de revalorar nuestras prioridades y encontrar la felicidad a pesar de las circunstancias adversas. El poema enfatiza la necesidad de crear rutinas dentro de las rutinas impuestas por el confinamiento, buscando luz de esperanza en la oscuridad y el silencio de la mañana. Las cuatro paredes del hogar se convierten así en un espacio donde la creatividad puede florecer. Se trata de tener la fe a través del ulular del viento abriendo las ventanas y contemplando el amanecer. Así como redescubrir la belleza de la noche estrellada desde su ventana, se presenta como un momento de alegría en medio de la soledad impuesta por el confinamiento.

Por último, cabe mencionar que el poemario invita a encontrar la belleza y la inspiración en las pequeñas cosas de la vida cotidiana, incluso en medio de la adversidad y la soledad del confinamiento. La poesía sirve como una herramienta para encontrar luz y esperanza en tiempos oscuros, gozar del presente. Corazón de agua ofrece un testimonio emotivo y artístico de este periodo histórico capturando las facetas de las experiencias y peripecias vividas por la poeta.

              

Maroua, Camerún, África




Corazón de agua / Heart of Water de Xánath Caraza

(Somos en Escrito Literary Foundation Press, 2024)

Traducido por Sandra Kingery

ISBN: 979-8-9902068-2-3

 

Thursday, May 02, 2024

Chicanonautica: Arizona Beyond 1864

by Ernest Hogan 

It’s like good ol’ AZ can’t stand having the Ukraine, Gaza, Israel, and Iran get all the attention. Who would have thought that the Arizona Supreme Court was planning on setting off this bombshell? Right after Trump did his mealy mouth announcement about letting abortion be a states right deal if he gets his old job back. Ain’t that kind of jumping the gun? They either can’t wait until after the election, or they no longer feel God’s Chosen Candidate is going to be a shoe-in in November, or they’re now thinking that maybe their dreams of shredding the Constitution and establishing a fundamentalist nation are just more empty promises.


And suddenly, all these Arizona Republicans—even the loathed Kari Lake—are speaking out, declaring that maybe knocking Arizona back to 1864 is not a good idea. 


Could it be that a lot of the GOP don’t believe that DJT was chosen by God Almighty Himself?


I remember how about a decade or so back, a lot of Arizonans thought of the Republican Party as a cult—though they never used the word.  They were confused by things like satire. One woman came into the Borders where I worked, demanding her money back because a book she thought would be singing the praises of George W. Bush made fun of him.


“How am I supposed to tell if these books are serious?” she asked.


I turned the book over and showed the word “Humor” next to the price. It only confused her more.


Later, I overheard a guy explaining to a perplexed friend that Stephen Colbert wasn’t a real Republican—this was in the days of his original show. Guess a lot of folks took his fake conservative act seriously.


Now, I still don’t see much evidence that an election is going on in Arizona. Plenty in the media, but none in the streets. A year ago, people were waving their Trump flags, but now, nada.


I’ve yet to see one of those Trump Bibles, anywhere.


I have noticed that, even though the rest of the country laughs at Arizona, as a whole, it becomes more like it with every election. 


Could this be a preview of what will happen in November?


Or will it just get crazier? Like a sequel to Luis Buñuel’s The Milky Way. Only instead of school girls reciting blood thirsty doctrines while a characters fantasizes about a Pope being put in front of a firing squad with such intensity that people around him can hear the gunshots, will there be angels in digital urban camouflage uniforms pointing Glocks at us and instructing us how to vote?


And who knows what will be happening at the border, and college campuses . . .


Meanwhile, we’ve got drones and missiles flying back and forth while everybody debates on the social media what it all means. 21st century warfare has evolved into big budget performance art with body counts.

 

I could swear I just heard Buñuel’s ghost scream “Cut!”


Did he just say, “Self-immolation?”


Ernest Hogan’s account of the Trump administration is in Our Creative Realidades: A Nonfiction Anthology,and Guerrilla Mural of a Siren’s Song: 15 Gonzo Science Fiction is also available.

Wednesday, May 01, 2024

Teacher Appreciation Giveaway and A Triple Book Launch Party!


From Lee & Low Books

www.leeandlow.com

 


Teacher Appreciation Week Giveaway

We see all you hard-working educators out there.

 

THANK YOU for everything you do to instill a love of learning and reading in young people.

 

In celebration of Teacher Appreciation Week, LEE & LOW is giving away a library of 700+ paperbacks from our exclusive Bebop Books imprint to 6 lucky educators.

 

Bebop Books are delightful, child-centered stories that support literacy learning. Appealing texts and pictures by outstanding authors and illustrators from diverse backgrounds engage children as they begin their journeys to becoming successful, independent readers.

 

Complete this form to enter for a chance to win by May 12, 2024!

https://forms.zohopublic.com/leelowbooks/form/2024TeacherAppreciationWeekSweepstakes/formperma/TmTVRKt1XutoNuItgbu1nrYNPn__wxeV5a-gU9bzP10

 

 

 ****

 



Saturday May4th 2024 

From 1pm to 4pm

Luna's Press Books & The Room to Grow

3790 Mission St. (cross street is Richland)

 

 

Please join us on Saturday May 4, 2024. Salvadoran award-winning Graphic Designer/Muralist Malee Cuellar will be visiting from El Salvador, joined by local fine artist/illustrator Elizabeth Gómez and author Jorge Tetl Argueta. Author René Colato Laínez will also be joining us from Los Angeles. It’s going to be a very special event for kids with presentations and arts and crafts. The event will take place at The Room to Grow Preschool directly nextdoor to Luna’s Press Bookstore. Please join us and share.