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| cover design/art by Santa Barraza |
"There is a street corner in the city of Laredo, Tejas, known as the doorway to the United States and Mexico, where two streets converge like the history of Tejana writers. It was upon the sight of this corner sign, Malinche and Guadalupe, that the writers and editors of the first ever Tejana literature anthology, Inés Hernández-Ávila and Norma Elia Cantú, decided upon the name for their book." (Anjanette Gautier, ¡Ahora Sí!)
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| Professors and editors, Inés Hernández-Ávila and Norma Elia Cantú Photo by Anita Quintanilla |
Norma Elia Cantú: Thank you so much for announcing this groundbreaking anthology!
Amelia M.L.
Montes: How did you become involved with
this project?
Norma Elia
Cantú: One of my doctoral students,
Larissa Mercado-Lopez, was doing a Directed Readings Course with me and looking
at Tejana poets in the archives in Austin. We talked of someday collecting
Tejana poetry from the late 1800 to the present, but we tabled the project and
never got to it. So, when I was first
approached by Inés Hernández-Ávila to collaborate on this collection, I jumped
at the chance. It was a truly wonderful
collaboration as we each brought to the project different and complimentary
skills and contacts.
Amelia M.L.
Montes: How does this anthology
contribute to Latina/Chicana voices in the U.S.?
Norma Elia
Cantú: The anthology contributes to the
Latina/Chicana literary corpus by highlighting Tejana voices. I am sure we could collect the writings by
Latinas/Chicanas in the various regions, but this one is particularly close to
my heart and I truly believe that it constitutes a major contribution to Latina
letters as it spans a period of over 50 years of literary production in the
state and includes some of the more important Tejana writers of the
Chicana/Chicano movement and some of the most important contemporary Tejana writers.
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| Left to right: Sylvia Herrera, Sylvia Ledesma, Susana Almanza, Norma E. Cantú, Inés Hernández-Ávila, ire'ne lara silva Photo by Bryce Milligan |
Amelia M.L.
Montes: Describe your contribution to
the anthology. What was the inspiration for the work you chose and what you chose from your own writings?
Norma Elia Cantú: We worked
collaboratively to solicit contributions.
Then we worked together to choose those we included and organized the
pieces into the major divisions or sections of the book all the while keeping
in mind the overarching theme of land and rootedness that we had decided would
form the framework for the pieces that we chose.
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| Left to right: Celeste De Luna, Emmy Perez Photo by Celeste De Luna |
My pieces touch
on various themes that fit in the various sections. For instance, the poem for Manuela Solis
Sager is an attempt to highlight the important activist work of one of our
Tejana foremothers. As in much of my
work, the border is central to my pieces and I wanted to highlight the essence
of Tejanidad that being from the border entails. I guess that’s what inspired me, the women
who preceded me, and the land of my birth.
I would like to
invite everyone to jump in and spend time with these fabulous Tejanas whose
contributions weave a beautiful tapestry of Tejanidad. I know that those of us who heard from over
half of the contributors at the book launch in Austin in February were moved to
tears and to laughter. We marveled at
the tremendous talent of so many Tejanas gathered between the covers of the
book and graced with Santa Barraza’s artwork!
Amelia M.L
Montes: Thank you so much, Dr. Cantú. Poet and fiction writer, ire’ne lara silva, was one of the
organizers of the symposium that took place in February. Below is her summary of the event. We thought it important to include this
information as a historical record of the contributors in the anthology (the writers and artists) who
attended. Gracias to ire'ne!
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| Left to right: Angela Valenzuela, ire'ne lara silva, Rosemary Catacalos, Anel I. Flores Photo by Anita Quintanilla |
From ire’ne lara silva:
On February
26-27th 2016, the Entre Guadalupe y Malinche Anthology Release and Symposium took place at the
ESB-Mexican American Cultural Center in Austin, Texas. All events were free and open to the
public. We had standing room only crowds
at the opening night reading Friday, February 26th, with editors,
Norma E. Cantú and Inés Hernández-Ávila, and featured writers:
Bárbara Renaud
González Celeste Guzmán Mendoza Mary
Guerrero Milligan
Tammy Melody
Gómez Emmy Pérez Edith Silvas
Susana Almanza Oralia Garza de Cortés ire’ne lara silva
Evangelina Vigil Liliana Valenzuela Sylvia Ledesma
Sylvia Herrera Raquel Valles-Senties
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| Left to Right: Gloria Amescua, Liliana Valenzuela Photo by Anita Quintanilla |
On Saturday,
February 27th, we had five panels and workshops including: “Gathering our Stories: The Process of Creating Entre Guadalupe y
Malinche: Tejanas in Literature and Art”
with Norma E. Cantú and Inés Hernández-Ávila, moderated by Emmy Pérez; “When
Our Lady of Guadalupe, La Malinche/La Llorona Were Feminists: How Spirituality, Legend, and Reclaiming ‘La
Malinche’ Saved Chicana Feminism,” workshop and discussion group led by Martha
Cotera; “Witnessing/Writing: Stories of Home” led by Norma E. Cantú and Inés
Hernández-Ávila; “Telling It Tejana,” discussion panel led by Celeste de Luna
and Verónica Ortegón; “Circle Dialogue,” led by Susan Morales Guerra.
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| Workshop led by Martha Cotera photo by Anita Quintanilla |
We then closed
with another standing room only reading at 4:00p.m. with:
Rosemary
Catacalos Gloria
Amescua María Limón
Enedina Vásquez Angela
Valenzuela Susan Morales Guerra
Mary Sue Galindo Josephine Cásarez Laura Lopez
Anel Flores Verónica Ortegón María Teresa Pedroche
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| Left to right: ire'ne lara silva, Inés Hernández-Ávila, Norma E. Cantú, Barbara Renaud Gonzalez Photo by Bryce Milligan |
Thank you also to photographers Anita Quintanilla, Celeste De Luna, Celeste Guzman Mendoza, and Bryce Milligan who took these wonderful photographs.
Felicidades from
La Bloga!
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| Photo by Celeste Guzman Mendoza |
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