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Revolutionary Women of Texas and Mexico:
Portraits of Soldaderas, Saints, and Subversives
Edited by Kathy Sosa, Ellen Riojas Clark and Jennifer Speed
Foreword by Dolores Huerta
Afterword by Norma Elia Cantú
Illustrated by Kathy Sosa and Lionel Sosa
Trinity University Press - December, 2020
[from the publisher's website]
Much ink has been spilled over the men of the Mexican Revolution, but far less has been written about its women. Kathy Sosa, Ellen Riojas Clark, and Jennifer Speed set out to right this wrong in Revolutionary Women of Texas and Mexico, which celebrates the women of early Texas and Mexico who refused to walk a traditional path. The anthology embraces an expansive definition of the word revolutionary by looking at female role models and subversives from the last century and who stood up for their visions and ideals and continue to stand for them today.
[from the publisher's website]
Much ink has been spilled over the men of the Mexican Revolution, but far less has been written about its women. Kathy Sosa, Ellen Riojas Clark, and Jennifer Speed set out to right this wrong in Revolutionary Women of Texas and Mexico, which celebrates the women of early Texas and Mexico who refused to walk a traditional path. The anthology embraces an expansive definition of the word revolutionary by looking at female role models and subversives from the last century and who stood up for their visions and ideals and continue to stand for them today.
Eighteen portraits provide readers with a glimpse into each figure's life and place in history. At the heart of the portraits are the women of the Mexican Revolution (1910–1920)—like the soldaderas who shadowed the Mexican armies, tasked with caring for and treating the wounded troops. Filling in the gaps are iconic godmothers like the Virgin of Guadalupe and La Malinche, whose stories are seamlessly woven into the collective history of Texas and Mexico. Portraits of artists Frida Kahlo and Nahui Olin and activists Emma Tenayuca and Genoveva Morales take readers from post revolutionary Mexico into the present. Each portrait includes a biography, an original pen-and-ink illustration, and a historical or literary piece by a contemporary writer who was inspired by their subject’s legacy. Sandra Cisneros, Laura Esquivel, Elena Poniatowska, Carmen Tafolla, and others bring their experience to bear in their pieces, and Jennifer Speed’s introduction contextualizes each woman in her cultural-historical moment. A foreword by civil rights activist Dolores Huerta and an afterword by scholar Norma Elia Cantú bookend this powerful celebration of women who revolutionized their worlds.
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Yxta Maya Murray
TriQuarterly Books - January 15
[from the publisher's website]
In her funny, idiosyncratic, and propulsive new novel, Art Is Everything, Yxta Maya Murray offers us a portrait of a Chicana artist as a woman on the margins. L.A. native Amanda Ruiz is a successful performance artist who is madly in love with her girlfriend, a wealthy and pragmatic actuary named Xochitl. Everything seems under control: Amanda’s grumpy father is living peacefully in Koreatown; Amanda is about to enjoy a residency at the Guggenheim Museum in New York and, once she gets her NEA, she’s going to film a groundbreaking autocritical documentary in Mexico.
But then everything starts to fall apart when Xochitl’s biological clock begins beeping, Amanda’s father dies, and she endures a sexual assault. What happens to an artist when her emotional support vanishes along with her feelings of safety and her finances? Written as a series of web posts, Instagram essays, Snapchat freakouts, rejected Yelp reviews, Facebook screeds, and SmugMug streams-of-consciousness that merge volcanic confession with eagle-eyed art criticism, Art Is Everything shows us the painful but joyous development of a mid-career artist whose world implodes just as she has a breakthrough.
Yxta Maya Murray is a writer and law professor living in Los Angeles. Her novels include The Good Girl’s Guide to Getting Kidnapped, The King’s Gold: An Old World Novel of Adventure, and The Queen Jade: A Novel. Her fiction has appeared in Ploughshares, the Georgia Review, the Southern Review, and the Los Angeles Review of Books. She has won a Whiting Writer's Award and an Art Writer's Grant, and she has been a finalist for the ASME Award in Fiction. Her art criticism can be found in Artforum, ARTnews, Artillery, and other periodicals.
In her funny, idiosyncratic, and propulsive new novel, Art Is Everything, Yxta Maya Murray offers us a portrait of a Chicana artist as a woman on the margins. L.A. native Amanda Ruiz is a successful performance artist who is madly in love with her girlfriend, a wealthy and pragmatic actuary named Xochitl. Everything seems under control: Amanda’s grumpy father is living peacefully in Koreatown; Amanda is about to enjoy a residency at the Guggenheim Museum in New York and, once she gets her NEA, she’s going to film a groundbreaking autocritical documentary in Mexico.
But then everything starts to fall apart when Xochitl’s biological clock begins beeping, Amanda’s father dies, and she endures a sexual assault. What happens to an artist when her emotional support vanishes along with her feelings of safety and her finances? Written as a series of web posts, Instagram essays, Snapchat freakouts, rejected Yelp reviews, Facebook screeds, and SmugMug streams-of-consciousness that merge volcanic confession with eagle-eyed art criticism, Art Is Everything shows us the painful but joyous development of a mid-career artist whose world implodes just as she has a breakthrough.
Yxta Maya Murray is a writer and law professor living in Los Angeles. Her novels include The Good Girl’s Guide to Getting Kidnapped, The King’s Gold: An Old World Novel of Adventure, and The Queen Jade: A Novel. Her fiction has appeared in Ploughshares, the Georgia Review, the Southern Review, and the Los Angeles Review of Books. She has won a Whiting Writer's Award and an Art Writer's Grant, and she has been a finalist for the ASME Award in Fiction. Her art criticism can be found in Artforum, ARTnews, Artillery, and other periodicals.
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Preparatory Notes for Future Masterpieces: A Novel
Maceo Montoya
University of Nevada Press - April 27
[from the publisher's website]
From critically acclaimed author Maceo Montoya comes an inventive and adventurous satirical novel about a Mexican-American artist’s efforts to fulfill his vision: to paint masterful works of art. His plans include a move to Paris to join the ranks of his artistic hero, Gustave Courbet—except it’s 1943, and he’s stuck in the backwoods of New Mexico. Penniless and prone to epileptic fits, even his mother thinks he’s crazy.
Ernie Lobato has just inherited his deceased uncle’s manuscript and drawings. At the urging of his colleague, an activist and history buff (Lorraine Rios), Ernie sends the materials to a professor of Chicanx literature (Dr. Samuel Pizarro). Throughout the novel, Dr. Pizarro shares his insights and comments on the uncle’s legacy in a series of annotations to his text and illustrations.
As Ernie’s uncle battles a world that is unkind to “starving artists,” he runs into other tormented twentieth-century artists, writers, and activists with ambitions to match his own: a young itinerant preacher (Reies López Tijerina); the “greatest insane artist” (Martín Ramirez); and Oscar Zeta Acosta who is hellbent on self-destruction. Will the fortuitous encounters with these prophetic figures result in his own genius being recognized? Or will his uncompromising nature consign him to what he fears most?
Told through a combination of words and images in the tradition of classic works such as Don Quixote and Alice in Wonderland, Preparatory Notes for Future Masterpieces features fifty-one vivid black-and-white pen drawings. This complex and engaging story also doubles as literary criticism, commenting on how outsiders’ stories fit into the larger context of the Chicanx literary canon. A unique and multilayered story that embraces both contradiction and possibility, it also sheds new light on the current state of Chicanx literature while, at the same time, contributing to it.
Propulsive, humorous, and full of life, this candid novel will be loved not only by Beat fiction fans but by contemporary fiction lovers as well.
Maceo Montoya is an award-winning author, artist, and educator who has published books in a variety of genres. His books include The Scoundrel and the Optimist (awarded the 2011 International Latino Book Award for "Best First Book" and Latino Stories named him one of its "Top Ten New Latino Writers to Watch), The Deportation of Wopper Barraza, Letters to the Poet from His Brother, You Must Fight Them: A Novella and Stories (finalist for Foreword Review's INDIEFAB Book of the Year Award) among others. Montoya's paintings, drawings, and prints have been featured in exhibitions and publications throughout the country as well as internationally. He is currently an associate professor in the Chicana/o Studies Department at the University of California, Davis where he teaches courses on Chicanx culture and literature.
Sing with Me: The Story of Selena Quintanilla
Diana López
Illustrated by Teresa Martínez
Maceo Montoya
University of Nevada Press - April 27
[from the publisher's website]
From critically acclaimed author Maceo Montoya comes an inventive and adventurous satirical novel about a Mexican-American artist’s efforts to fulfill his vision: to paint masterful works of art. His plans include a move to Paris to join the ranks of his artistic hero, Gustave Courbet—except it’s 1943, and he’s stuck in the backwoods of New Mexico. Penniless and prone to epileptic fits, even his mother thinks he’s crazy.
Ernie Lobato has just inherited his deceased uncle’s manuscript and drawings. At the urging of his colleague, an activist and history buff (Lorraine Rios), Ernie sends the materials to a professor of Chicanx literature (Dr. Samuel Pizarro). Throughout the novel, Dr. Pizarro shares his insights and comments on the uncle’s legacy in a series of annotations to his text and illustrations.
As Ernie’s uncle battles a world that is unkind to “starving artists,” he runs into other tormented twentieth-century artists, writers, and activists with ambitions to match his own: a young itinerant preacher (Reies López Tijerina); the “greatest insane artist” (Martín Ramirez); and Oscar Zeta Acosta who is hellbent on self-destruction. Will the fortuitous encounters with these prophetic figures result in his own genius being recognized? Or will his uncompromising nature consign him to what he fears most?
Told through a combination of words and images in the tradition of classic works such as Don Quixote and Alice in Wonderland, Preparatory Notes for Future Masterpieces features fifty-one vivid black-and-white pen drawings. This complex and engaging story also doubles as literary criticism, commenting on how outsiders’ stories fit into the larger context of the Chicanx literary canon. A unique and multilayered story that embraces both contradiction and possibility, it also sheds new light on the current state of Chicanx literature while, at the same time, contributing to it.
Propulsive, humorous, and full of life, this candid novel will be loved not only by Beat fiction fans but by contemporary fiction lovers as well.
Maceo Montoya is an award-winning author, artist, and educator who has published books in a variety of genres. His books include The Scoundrel and the Optimist (awarded the 2011 International Latino Book Award for "Best First Book" and Latino Stories named him one of its "Top Ten New Latino Writers to Watch), The Deportation of Wopper Barraza, Letters to the Poet from His Brother, You Must Fight Them: A Novella and Stories (finalist for Foreword Review's INDIEFAB Book of the Year Award) among others. Montoya's paintings, drawings, and prints have been featured in exhibitions and publications throughout the country as well as internationally. He is currently an associate professor in the Chicana/o Studies Department at the University of California, Davis where he teaches courses on Chicanx culture and literature.
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Sing with Me: The Story of Selena Quintanilla
Diana López
Illustrated by Teresa Martínez
Spanish edition translated by Carmen Tafolla
Dial Books - July 6
[from the publisher's website]
An exuberant picture book celebrating the life and legacy of Selena Quintanilla, beloved Queen of Tejano music.
From a very early age, young Selena knew how to connect with people and bring them together with music. Sing with Me follows Selena’s rise to stardom, from front-lining her family’s band at rodeos and quinceañeras to performing in front of tens of thousands at the Houston Astrodome. Young readers will be empowered by Selena’s dedication–learning Spanish as a teenager, designing her own clothes, and traveling around the country with her family–sharing her pride in her Mexican-American roots and her love of music and fashion with the world.
Dial Books - July 6
[from the publisher's website]
An exuberant picture book celebrating the life and legacy of Selena Quintanilla, beloved Queen of Tejano music.
From a very early age, young Selena knew how to connect with people and bring them together with music. Sing with Me follows Selena’s rise to stardom, from front-lining her family’s band at rodeos and quinceañeras to performing in front of tens of thousands at the Houston Astrodome. Young readers will be empowered by Selena’s dedication–learning Spanish as a teenager, designing her own clothes, and traveling around the country with her family–sharing her pride in her Mexican-American roots and her love of music and fashion with the world.
Later.
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Manuel Ramos writes crime fiction. His latest novel, Angels in the Wind, will be published by Arte Público Press April 30.
Manuel Ramos writes crime fiction. His latest novel, Angels in the Wind, will be published by Arte Público Press April 30.
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