Here we go. Presenting new literary titles for your enjoyment and education, including the latest from a friend of La Bloga who happens to be a great writer, Luis Alberto Urrea.
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Gina Apostol
Manuel Ramos writes crime fiction. Read his latest story, Northside Nocturne, in Denver Noir, edited by Cynthia Swanson, published by Akashic Books.
Soho Press - May 3
[from the publisher]
Rosario, a Filipina novelist in New York City, has just learned of her mother’s death in the Philippines. Instead of rushing home, she puts off her return by embarking on a remote investigation into her family’s history and her mother’s supposed inheritance, a place called La Tercera, which may or may not exist. Rosario catalogs generations of Delgado family bequests and detritus: maps of uncertain purpose, rusted chicken coops, a secret journal, the words to songs sung at the family home during visits from Imelda Marcos.
Each life Rosario explores opens onto an array of other lives and raises a multitude of new questions. But as the search for La Tercera becomes increasingly labyrinthine, Rosario’s mother and the entire Delgado family emerge in all their dizzying complexity: traitors and heroes, reactionaries and revolutionaries. Meanwhile, another narrative takes shape—of the country’s erased history of exploitation and slaughter at the hands of American occupying forces.
La Tercera is Gina Apostol’s most ambitious, personal, and encompassing novel: a story about what seems impossible—capturing the truth of the past—and the terrible cost to a family, or a country, that fails to try.
Rosario, a Filipina novelist in New York City, has just learned of her mother’s death in the Philippines. Instead of rushing home, she puts off her return by embarking on a remote investigation into her family’s history and her mother’s supposed inheritance, a place called La Tercera, which may or may not exist. Rosario catalogs generations of Delgado family bequests and detritus: maps of uncertain purpose, rusted chicken coops, a secret journal, the words to songs sung at the family home during visits from Imelda Marcos.
Each life Rosario explores opens onto an array of other lives and raises a multitude of new questions. But as the search for La Tercera becomes increasingly labyrinthine, Rosario’s mother and the entire Delgado family emerge in all their dizzying complexity: traitors and heroes, reactionaries and revolutionaries. Meanwhile, another narrative takes shape—of the country’s erased history of exploitation and slaughter at the hands of American occupying forces.
La Tercera is Gina Apostol’s most ambitious, personal, and encompassing novel: a story about what seems impossible—capturing the truth of the past—and the terrible cost to a family, or a country, that fails to try.
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Hector Tobar
MCD - May 9
[from the publisher]
"Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation.
Investigating topics that include the US-Mexico border "wall," Frida Kahlo, urban segregation, gangs, queer Latino utopias, and the emergence of the cartel genre in TV and film, Tobar journeys across the country to expose something truer about the meaning of "Latino" in the twenty-first century.
[from the publisher]
"Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation.
Investigating topics that include the US-Mexico border "wall," Frida Kahlo, urban segregation, gangs, queer Latino utopias, and the emergence of the cartel genre in TV and film, Tobar journeys across the country to expose something truer about the meaning of "Latino" in the twenty-first century.
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Juan Gabriel Vásquez
Riverhead Books - May 9
[from the publisher]
The Colombian film director, Sergio Cabrera, is in Barcelona for a retrospective of his work. It’s a hard time for him: his father, famous actor Fausto Cabrera, has just died; his marriage is in crisis; and his home country has rejected peace agreements that might have ended more than fifty years of war. In the course of a few intense days, as his films are on exhibit, Sergio recalls the events that marked his family’s unusual and dramatic lives: especially his father’s, his sister Marianella’s and his own.
Growing up in Colombia as the children of famous actors, Sergio and Marianella were privileged and artistic, until their parents became disillusioned with bourgeois conventions and moved the entire family to China. Mao’s Cultural Revolution was underway and the family lived in an entirely ex-pat hotel where they learned Chinese and joined the revolution, became members of the Red Guard, and trained as guerilla fighters. When they returned to Colombia to support the revolution there, they were sent into the countryside to join the guerilla force, were shot at and nearly died. Out of these lives molded by ideology and zealotry, came an artistic second life for Sergio as he escaped the movement and became his country’s most celebrated film director.
From the Spanish Civil War to the exile of his family to Latin America, and from the Cultural Revolution in China to the guerrilla movements of 1960s Colombia, Sergio and his family’s experience is extraordinary by any standards. Equal parts family saga and epic historical novel, Retrospective reveals the story of one man and his family — based on real people and events — and a devastating portrait of the forces that shaped their lives, and for half a century turned the world upside down.
The Colombian film director, Sergio Cabrera, is in Barcelona for a retrospective of his work. It’s a hard time for him: his father, famous actor Fausto Cabrera, has just died; his marriage is in crisis; and his home country has rejected peace agreements that might have ended more than fifty years of war. In the course of a few intense days, as his films are on exhibit, Sergio recalls the events that marked his family’s unusual and dramatic lives: especially his father’s, his sister Marianella’s and his own.
Growing up in Colombia as the children of famous actors, Sergio and Marianella were privileged and artistic, until their parents became disillusioned with bourgeois conventions and moved the entire family to China. Mao’s Cultural Revolution was underway and the family lived in an entirely ex-pat hotel where they learned Chinese and joined the revolution, became members of the Red Guard, and trained as guerilla fighters. When they returned to Colombia to support the revolution there, they were sent into the countryside to join the guerilla force, were shot at and nearly died. Out of these lives molded by ideology and zealotry, came an artistic second life for Sergio as he escaped the movement and became his country’s most celebrated film director.
From the Spanish Civil War to the exile of his family to Latin America, and from the Cultural Revolution in China to the guerrilla movements of 1960s Colombia, Sergio and his family’s experience is extraordinary by any standards. Equal parts family saga and epic historical novel, Retrospective reveals the story of one man and his family — based on real people and events — and a devastating portrait of the forces that shaped their lives, and for half a century turned the world upside down.
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Luis Alberto Urrea
Little, Brown - May 30
[from the publisher]
In the tradition of The Nightingale and Transcription, this is a searing epic based on the magnificent and true story of courageous Red Cross women.
In 1943, Irene Woodward abandons an abusive fiancé in New York to enlist with the Red Cross and head to Europe. She makes fast friends in training with Dorothy Dunford, a towering Midwesterner with a ferocious wit. Together they are part of an elite group of women, nicknamed Donut Dollies, who command military vehicles called Clubmobiles at the front line, providing camaraderie and a taste of home that may be the only solace before troops head into battle.
After D-Day, these two intrepid friends join the Allied soldiers streaming into France. Their time in Europe will see them embroiled in danger, from the Battle of the Bulge to the liberation of Buchenwald. Through her friendship with Dorothy, and a love affair with a courageous American fighter pilot named Hans, Irene learns to trust again. Her most fervent hope, which becomes more precarious by the day, is for all three of them to survive the war intact.
Taking as inspiration his mother’s own Red Cross service, Luis Alberto Urrea has delivered an overlooked story of women’s heroism in World War II. With its affecting and uplifting portrait of friendship and valor in harrowing circumstances, Good Night, Irene powerfully demonstrates yet again that Urrea’s “gifts as a storyteller are prodigious” (NPR).
In the tradition of The Nightingale and Transcription, this is a searing epic based on the magnificent and true story of courageous Red Cross women.
In 1943, Irene Woodward abandons an abusive fiancé in New York to enlist with the Red Cross and head to Europe. She makes fast friends in training with Dorothy Dunford, a towering Midwesterner with a ferocious wit. Together they are part of an elite group of women, nicknamed Donut Dollies, who command military vehicles called Clubmobiles at the front line, providing camaraderie and a taste of home that may be the only solace before troops head into battle.
After D-Day, these two intrepid friends join the Allied soldiers streaming into France. Their time in Europe will see them embroiled in danger, from the Battle of the Bulge to the liberation of Buchenwald. Through her friendship with Dorothy, and a love affair with a courageous American fighter pilot named Hans, Irene learns to trust again. Her most fervent hope, which becomes more precarious by the day, is for all three of them to survive the war intact.
Taking as inspiration his mother’s own Red Cross service, Luis Alberto Urrea has delivered an overlooked story of women’s heroism in World War II. With its affecting and uplifting portrait of friendship and valor in harrowing circumstances, Good Night, Irene powerfully demonstrates yet again that Urrea’s “gifts as a storyteller are prodigious” (NPR).
Later.
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Manuel Ramos writes crime fiction. Read his latest story, Northside Nocturne, in Denver Noir, edited by Cynthia Swanson, published by Akashic Books.
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