Thursday, December 19, 2024

Poetry Connection: Connecting with Local Poets in Goleta, CA

Melinda Palacio, Santa Barbara Poet Laureate 

David Starkey, Cie Gumucio
Anna Mathews, Daniel Thomas, Shirley Geok-lin Lim, and Dylan Farrell




In a case of IYKYK, then you know that the Goleta Valley Poetry Series is one of the best kept secrets in our local poetry scene. Poet Laureate Emeritus, David Starkey, runs the series twice a year. He pairs seasoned and youth poets, with the help of Cie Gumucio who is the Santa Barbara County Coordinator and Poet Teacher with Cal Poets in the Schools. Starkey says he adopted the idea from a New England poetry series, The Liar’s Bench. This month’s Goleta Valley edition was outstanding. Perhaps knowing that the series might be put on hold due to the library’s upcoming renovation made each reader stand out for me. There was something special l about each of the poets. The librarian’s are committed to the poetry series and just might come up with a creative way to keep it going throughout the renovation. Let’s hope they come up with a solution to keep the biannual series going. Meanwhile, if you want to write more poetry in the new year, sign up for David Starkey’s Ekphrastic Poetry Workshop at the Central Library next month on Sunday, January 12. 


The line-up included Dos Pueblos High School student and 2023 Poetry Out Loud Regional winner, Anna Mathews (you may recall Anna Mathews from previous columns), 6th Grader at Mountain View Elementary, Dylan Farrell, Daniel Thomas, and Professor Emerita Shirley Geok-lin Lim, who merits her own write-up, look for more in a future poetry connection column. A proud Goleta resident, the UCSB Professor Emeritus said she was happy to be presenting at her local branch.


Anna Mathews is a poet to watch. As a Poetry Out Loud Regional winner, she knows how to deliver a poem, even offers some hand choreography. Her powerful poems linger in the ear and heart. Dylan Farrell, age 12, opened the reading series. He said it was his first poetry reading. However, he seemed so at ease at the podium, you would think he was a much older, seasoned poet. 



Nightmare 

written by Dylan Farrell

6th Grade , Mountain View Elementary


Nightmare 

Tonight in the darkness, an image struck me

a land where love is a dream and hate is a dark reality where you find

strength in pain and beauty in death

when I arose from my slumber I vowed not to let this dark illusion become

a reality

yet my wounded heart fell

so I looked out the window, a portal and I threw my heart out

I projected my thoughts in to the infant void

I screamed my mind to are beautiful country trying in vain to rid my life of

this nightmare

And the void answered back showing me a land of dreams a land where

you can unshackle your chains and set down your burdens

where love is your guide and hate is only a dark thought in the back of

your mind

As I looked through my portal my wounds hurt less and my scars

healed

yet my nightmare remanded It haunted me endlessly so I spoke

“‘I have tried fighting you and I have tried pushing you away so all that's

left to do is to embrace you” and so I did

And I have never stopped

I hold it still to this day and for some strange reason I see things differently

when I see things hurt and tinged with despair

I look back to where we started

I look at a nightmare and I see a dream



Dylan wrote the poem after a presentation and lesson to his 6th-grade class on how poets and politics have intersected over the years by Cie Gumucio. The class discussed Martin Luther King’s I have a Dream speech, Maya Angelou’s poem, Still, I Rise, and they watched and listened to Amanda Gorman’s The Hill We Climb. Cie asked the students to reflect on the inspiring words of each poet and write their own poems about their hopes for the future. 


This week’s poetry connection features a poem by Dylan Farrell and two by Daniel Thomas who is equally at home writing about music and stillness. There’s a spiritual, yin and yang quality to his work. His collection of poems include, Leaving the Base Camp at Dawn (2022) and Deep Pockets (2018). He has an MFA in poetry from Seattle Pacific University, as well as an MA in film and a BA in literature. 



THE FADO SINGER

Daniel Thomas


The word itself contains shadows,

as if the singer stands poised

between the saddened past

and the always fickle future, in a now

lit only by a glaring spotlight

that shines the sequins of her silver

dress and deepens the night sky

hidden in her eyes of black onyx.

Her long arms gesture to the balcony

and her voice trembles through

a languid melody in a minor key,

while three guitars pluck percussive

notes that frame her liquid arcs

like the simple setting of a fine

carnelian stone. Her Portuguese words

grant me liberty to hear only

rhythm and melody and the mouthed and trilled

consonants and vowels that might speak

of lost love, or death beside us

in the dim hall, or the deep sorrow

in these things we live beside. And so

I am transfixed by the origin of drama,

before plot or theme, just

the one life that shines through

her face, stares into darkness, sings

the pure song of her dangling fate.



GREEN PEARLS

Daniel Thomas


When illness stills you, and worry weights

your limbs—when you rub your eyes to wake up

and the rose light of evening slants

across the dusty table—you take a walk,

but the neighborhood is empty—even the birds

have flown, taking with them the furnishings

of sound that make the world inhabitable.

You remember Midwest autumns—how herds

of maple leaves skittered across the blacktop.

Nestled among tree trunks and leafless shrubs,

they found their place of winter rest.

You, too, hurry down the driveway, brittle

as the dried husk of a seed pod. But within you—

green pearls in a frail shell.


*an earlier version of this column appears in the Santa Barbara Independent

Where Are All the Vacant Lots?

                                                                                     
Ready for the bulldozer but no more vacant lots
 
    I Stepped out of my house this December morning under a bright California sun pasted against a deep blue sky…. “Pasted,” I like that, except it’s not mine. I stole it from T.S. Eliot, I think from one of his biggies, maybe Prufrock or the Wasteland. No matter. Writers steal from each other all the time. What the hell. There are only so many words in the dictionary, and even fewer in each of our personal vocabularies, so why not lift one or two metaphors when we need them.  
     I think of my childhood, winter and summer breaks, the sun nearly always there to greet us, kids, whenever we left home. L.A., the land of sunshine and cool ocean breezes. That’s the thing about living in the same general area where I was raised, a lot of memories around each block, down the street, or even a few miles away. They come flooding back, as I age, especially childhood memories, what Joyce saw as, "The Portrait of the Artist as a Young Man." 
      We were a motley crew of suburban youngsters, and if we didn’t have to go to work with a parent or relative, we’d meet at someone’s house, like budding outlaw bikers, but instead of choppers, our Schwinn cruisers, in different states of modification, parked along the curb, the cool ones, without kickstands, dropped to the ground. 
     Like Brando in the "Wild One," we usually wore jeans, white, or multi-colored t-shirts, and “tennis shoes” (the word “sneakers” absent in our vocabulary). In fact, one time a nurse asked me to remove my “sneakers” during a physical exam, and, shyly, I started to undo my belt and lower my pants, whereupon she cried, “No, no, no. I meant your shoes.” 
     How was I to know? Martin’s Shoes on Santa Monica Boulevard, in West L.A., only carried what we all called “Tennis shoes.” Keds’ high tops were king. The shoe store owner, Marty, a short Jewish man, a real charmer, never used the word “sneakers”. I think it was more an East Coast moniker for rubber soled, canvas shoes, and caught hold in California as more New Yorkers came west and began settling in the area. Later, a few kids started buying the slick-looking Converse, the ones whose parents could afford them. Keds was the official tennis shoe of the working class. 
     Depending on circumstances at home, like chores and work, there might be anywhere from five to fifteen kids on bikes parked along the curb, planning our morning excursion. In our more imaginative moments, we’d get adventurous and take a long ride up to Sunset Boulevard, into the Santa Monica Mountains, take the trails down to the creek at Camp Josepho, a Boy Scout camp in a wide canyon. That was an all-day hump and took our parents’ permission. 
     Sometimes, we’d ride through industrial streets and alleys, looking into dumpsters behind factories, to dig up whatever treasures they were throwing away, like slightly defective ceramics, electronics, even model airplanes, Winmack and Magnavox just up the street on Bundy Drive, not far from the Olympic Drive-in Theater. 
     In less creative times, we’d head to the neighborhood park, just up the street and play a pickup game of whatever sport was in season, usually enough kids for two teams. If it was summer, we’d always end up in the pool, or what our parents called the “plunge.” 
     But nothing compared to the vacant lots sitting there waiting to be invaded. We'd ride to one and play war, Germans vs. Americans, Cowboys vs, Indians, pretend we were Tarzan in the jungle, or just run around, and if havoc can be raised, we'd raise it, the dust and dirt filling the air. 
     There seemed to be vacant lots everywhere, just barren plots of land filled with piles of dirt, uprooted trees, weeds, and debris, like old lumber and chunks of concrete. We’d choose sides and build forts, find a cache of dirt clods for weapons, and go at it for hours. I have no idea why we never had a serious accident, no eyes poked out or broken skulls. 
     The beauty of playing in vacant lots is that each one was different, some bigger and shaped differently than others, each with its own character, perfect for games or make-believe worlds. In some, we’d find soft dirt and dig tunnels and caves, crawling through on our knees from one end to the other. A few lots had been vacant for a long time, so there were trees and shrubs, perfect for hiding and pretending we were in the jungle or the woods. 
     Once, we played war and decided to bring Daisy BB rifles. Of course, we had rules, our own Geneva Convention. I remember one rule was something like no shooting above the waist, so as not blind anybody. This particular vacant lot had trees and shrubs, tall mounds of earth, and deep holes, perfect for war. Everybody on both teams moved fast, running and diving from one hiding place to another. We'd fire but never hit our moving targets. 
     Then, in the heat of battle, I saw my friend Bobby stick his head out from behind a tree, his neck a juicy target, Geneva Convention be damned. Bobby stayed that way. I took aim but didn’t think I was a good enough shot to hit him, but I pulled the trigger, anyway. Next thing, I hear a yelp, “Ah!” Then sobs. “You hit me! You hit me.” 
     We stopped the battle and ran to his side. The tears were rolling down, his face scrunched like a prune. I apologized, saying I never thought I could hit him. It was an accident. Besides, what was he doing sticking his head out like that. “Let me see,” I said. 
     We all gathered around and looked. There was the BB, just under the skin, a small bubble, no blood, so it didn’t break the flesh. Bobby ran home. I followed, wanting to get my version of events to his mother before I became the villain. 
     His mom who spoke only Spanish but understood English, wanted to know everything. We started with the vacant lot, to which she replied, like many of our parents, “I told you to stay away from those places. They’re dangerous.” She took a pair of tweezers and quickly removed the BB from Bobby’s neck and placed a band aide over the red spot. After everything calmed down, I went home.
     I confessed to my mom, told her everything that happened, fearing the worst, corporal punishment, banishment to my room, or the dreaded, "Wait until your dad gets home." Instead, she started laughing at me, a pathetic child waiting to receive a death sentence. She called Bobby's mom to make sure he was okay. She said she hoped I learned my lesson, and she didn’t want me hanging out at vacant lots, anymore. They weren't only dangerous, but they were private property. 
     At the time, there was only one farm left in town, a lone survivor among the WWII stucco homes and new apartments popping up everywhere. Mr. Giannini would be out on his tractor each morning to plow the field. For a week, we saw he wasn’t out there. My dad told me Mr. Giannini sold his farm to a real estate developer, who was going to put up a bunch of apartments, but not for a few months. The farm took up an entire block. It would be the best vacant lot in town, like our own Western Front. 
     When the guys said they were going to old man Giannini's to play war, I knew I had to decline, remembering my mom’s warning. She let me off easy the last time. So, for me, my vacant lot days were over. 
     Still, as I drive through town each morning, my ritual, I keep my eye out for vacant lots, the kind where we used to play. I don't see any, not a one. When developers demolish a building, today, fencing quickly surrounds it, and within weeks, new construction begins, and in a few months, a new monster building rises from the ashes. There are new buildings everywhere, some really gigantic, mostly office buildings and condos, stylish, way too expensive for the average person's budget, but somebody's got money because they're rented out pretty fast. Gone are most of the old wood frame homes, a lost generation.
     One time, I drove around, specifically, looking for vacant lots, the kind where we once played – nothing, not a one, not in Venice, Culver City, or Santa Monica. They don’t exist anymore, neither do large groups of kids on bikes, or kids at the park, playing pickup games of football, baseball, or basketball. Even the fields at the park say "Reserved" for private schools, during the day. 
     It's like everything is organized, rules, rules, rules. If kids want to play, they have to pay a hundred-or-so-bucks to join a team, institutionalized, like everything else, planned, little spontaneity, everything about the almighty buck.
     I still have hope, as I drive through town, I'll find one vacant lot and a gaggle of kids running around widely, free as the proverbial "wind."

Wednesday, December 18, 2024

Broccoli and Cauliflower: Best Friends Forever/ Brócoli y Coliflor: Mejores amigos por siempre



Written by Romilda Byrd. 

Illustrated by Tincho Schmidt.


Paperback: ‎46 pages

ISBN-13: ‎979-8991798914

Reading age: 3 - 8 years


Broccoli and Cauliflower's friendship grows through perseverance, 

composting, and the magic of gardening.


Broccoli and Cauliflower: Best Friends Forever is a delightful children's book that follows the story of two inseparable friends, Broccoli and Cauliflower, who live in a vibrant garden. Throughout the book, they face challenges, learning valuable lessons about perseverance, the power of composting, and teamwork.

As they nurture their garden, Broccoli and Cauliflower discover that plants, like friendships, need patience and dedication to thrive. Together, they transform waste into nutrients through composting, showing how effort and perseverance can grow not only their garden but also their bond as friends. This book teaches children the importance of ecology, gardening, and friendship, all in a story full of adventure, color, and life.



Brócoli y Coliflor: Mejores amigos por siempre: La amistad de Brócoli y Coliflor crece a través de la perseverancia, el compostaje y la magia de la jardinería. 

Brócoli y Coliflor: Amigos por Siempre es un encantador libro infantil que sigue la historia de dos amigos inseparables, Brócoli y Coliflor, que viven en un jardín vibrante. A lo largo del libro, enfrentan desafíos, aprendiendo valiosas lecciones sobre la perseverancia, el poder del compostaje y el trabajo en equipo.

Mientras cuidan su jardín, Brócoli y Coliflor descubren que las plantas, al igual que las amistades, necesitan paciencia y dedicación para prosperar. Juntos, transforman desechos en nutrientes a través del compostaje, mostrando cómo el esfuerzo y la perseverancia pueden hacer crecer no solo su jardín, sino también su vínculo como amigos. Este libro enseña a los niños la importancia de la ecología, la jardinería y la amistad, todo en una historia llena de aventura, color y vida.


Romilda Byrd is a passionate writer and advocate for sustainable living, drawing inspiration from her rich cultural heritage and love of nature. Born and raised in El Salvador, Romilda developed a deep connection to the land and its bounty, a passion instilled in her by her father, who taught her the joys of growing her own vegetables. Now residing in the United States, she channels this love of the earth into her writing, creating stories that inspire children and adults alike to appreciate the wonders of nature.

Romilda’s works, including The Life of Tomato and Broccoli and Couliflower: Best Friends Forever, blend engaging narratives with educational themes, making complex concepts accessible to young readers. Her books often focus on the life cycles of plants and the importance of patience, responsibility, and perseverance, all wrapped in stories that are as entertaining as they are enlightening. With each new book, Romilda aims to foster a deeper connection between her readers and the natural world, encouraging sustainable practices and healthy living.

In addition to her writing, Romilda is deeply committed to her role as a mother and educator, continually seeking ways to integrate her love of agriculture and storytelling into her family’s daily life. She enjoys spending time in her garden, where she grows a variety of vegetables and fruits, and shares these experiences with her children, nurturing their curiosity about the environment. Her books are a reflection of her dedication to raising environmentally conscious children who understand the value of the food they eat and the importance of caring for the planet.

Romilda Byrd’s books are available on Amazon, where they have been praised for their heartwarming stories, beautiful illustrations, and the meaningful lessons they impart. Through her writing, Romilda continues to inspire a new generation of readers to connect with nature, embrace sustainable living, and find joy in the simple act of growing and nurturing life.


Tuesday, December 17, 2024

Guest Columnist: Literary and Academic Cultural Appropriations

Guest Columnist María Elena Gaitán: Shape Shifting for Power

Michael Sedano

 

Back in August, 2005, La Bloga's Manuel Ramos explored two instances of writers posing as Chicano authors. "The Strange Cases of Danny Santiago and Amado Muro." (link opens new window)

 

The column initiated a lively give-and-take among commenters regarding identity and content versus harms inherent in a made-up authorship. Among the more damning acts of one imposter is his hubris to ignore being unmasked. Ramos shares, "The Simon & Schuster editor who bought Santiago's book stated that the author had hidden his identity and masqueraded as a Chicano (using Chicano slang in his letters to the editor) and, even after his identity had been exposed, expressed his intention to continue writing as Danny Santiago."

 

Today's La Bloga-Tuesday Guest Columnist, María Elena Gaitán, addresses a case of a "Pretendian" working in a prominent university. She emphasizes a rationale: "Academia often breeds complicity by encouraging students and faculty alike to remain quiet about issues of identity fraud, appropriation, and harm in order to protect the institution. We will not be complicit in such silences."

 

La Bloga shares the essay that originates with Gaitán's Substack website. The message comes as an example of struggles raza activists confront in defense of their vision of Peoplehood. Few know of issues like Gaitán documents. These happen at the kernel level of cultural development, higher education. Here, errors echo and span careers, influencing hundreds if not thousands of minds. There's one chance to get it right and Gaitan intends to have a role in getting it right.

 

Read and comment on María Elena Gaitán's call to get it right in the case of an appropriated identity and the UCLA Department of Chicana/o and Central American Studies. Gaitán's bio follows Part II of today's extended column.


                             

The UCLA Pretendian
SHAPE SHIFTING FOR POWER

By María Elena Gaitán ~ Chola Con Cello

 

“First they tried to get rid of us. Then they tried to assimilate us. And when all those things failed, they said, 'Well, if we can't get rid of you, we'll just become you.”                       

 

~Riley Yesno, Anishinaabe scholar and writer~

 

A Pretend Indian is a person who falsely claims to be indigenous. But Pretendianism is far more harmful than mere pretending. It is an act of colonial violence that has plagued Canada in the recent period, and also exists throughout the United States.

 

This stolen identity claim allows the race-shifter, mostly but not always a white person, to move from cultural appropriation to cultural identity theft, someone who takes advantage, benefits and steals the possibilities and opportunities intended for indigenous people, by passing as one.

 

In the U.S. we have seen this with people like Rachel Dolezal, a white woman who headed the Spokane NAACP and taught in Africana Studies, claiming to be African American but wasn’t. We saw it when Senator Elizabeth Warren claimed to be Cherokee, a powerful white woman who benefitted from her false claim at Harvard Law School, but wasn’t, and we have seen singer/song-writer Buffy Saint-Marie claim to be Cree and Algonquin but isn’t.

 

Now in academia… meet UCLA Chicana Studies professor and graduate student advisor, Maylei Blackwell, who first claimed to be a Chicana scholar and later emerged as a two-spirit Cherokee oral historian scholar and healer …but isn’t.

 

Pretendians Defining Chicana Scholarship

Blackwell, who teaches and guides graduate students, first positioned herself as a “Chicana” scholar.

 

That’s how she introduced herself to me some 25 years ago, when she called me on the phone one day to demand a statement about a white feminist political event I attended as a Chicana activist student in 1971 in Houston Texas.

 

“Did you lead the walkout?” Blackwell demanded on the other end of the phone.

“Who are you, and why are you asking me?” I said.

I’m a Chicana scholar writing about that Conference.” she answered. “Were you the one who led the Walk Out? I want to hear it from you for my book, and if you don’t tell me then I’ll just publish what I have without you.”

 

I could tell from Blackwell’s tone that she was daring me to defend the Walk Out she accused me of leading, an action she could’ve never understood because she’s not a Chicana, she has not lived the struggle. In fact, the Walk Out is a form of resistance that practically shut down the school system in East L.A. 3 years earlier in 1968, when high school students Walked Out demanding an end to discrimination against Mexican American students in schools. Their demands included bilingual education, the teaching of Mexican American culture and history and hiring more Mexican American teachers and administrators.

 

Some of the young women who went to the Houston Conference in 1971 were no doubt part of those Walk Outs or had supported and been politically forged by them. But decades later, this was Blackwell’s crude invitation for me to put my political life experience at the service of her first book, Chicana Power, a slogan she usurped for the title of the book upon which she has built her entire career, a book based on lazy research about an overblown event. I refused.

 

“The people who pretend to be us are not our allies, no matter how much they “respect” and “honour” and “help” through uplifting us through their good works. They are discrediting not only their own achievements but all of our achievements by making a mockery of the sacred…”         ~K.J. McCusker~

 

 

Chicana Power — Fake it Till You Make It

Originally a highly criticized essay, Blackwell’s first book, Chicana Power is based on this 1971 Conference and has always been under suspicion for its inaccuracies and use of chisme and hearsay to defame and revile the over 300 Chicana student activists who protested the white feminist agenda imposed by the organizers. More than half of the Conference Walked Out in protest.

 

Years later, Blackwell would cast the protestors as retrograde villains in her book; according to her we were rude, inexperienced, backward and ungrateful. So Blackwell branded us as ‘Loyalists’, meaning we were Loyal to the men and to machismo, lackeys who could not think for ourselves. Las malas. At the same time, she anointed the ‘Feminists’, meaning those who didn’t walk out, those who stayed behind, those who approved the Conference resolutions, as visionaries. Las buenas.

 

Long before she self-identified as a Cherokee scholar, Blackwell’s mediocre research for the essay that became the book, caused Dr. Shirlene Soto, Chicana historian at CSUN, to point out the following:

 

• scholarscompass.vcu.edu Ethnic Studies Review Volume 26: 2

The strength of the essays varies considerably. For example, Maylei Blackwell’s essay on Chicana print culture falters in its effort to provide a balanced historical accountAccusations are repeated without adequate documentation. For instance in her discussion of the walkout at the 1971 Houston Mujeres por la Raza meeting, Blackwell reports that “several claim” that “the women who staged the walkout” were “sent” to Houston” by a certain faction of Chicano nationalists based in Los Angeles with whom the splinter group was affiliated”. Who were these women and what point is the author making? …

Reviewed by: Shirlene Soto California State University, Northridge

 

Blackwell, a non-Chicana, is the first academic to ever discredit and slander over 300 Chicana activists at a single event that she historicized and misrepresented to fit her own sectarian narrative about the false birth of Chicana feminism. But nothing could be further from the truth. This 1971 Conference was not the birth of Chicana feminism. It was the site of a messy ideological abortion, and Blackwell has the dubious honor of being the first ‘scholar’ to denigrate and devalue the hundreds of activist Chicanas who protested this attempt to usurp the voices of an entire movement by Walking Out and removing our bodies from the conference, refusing to participate.

 

The 1971 La Raza Women’s Conference

In Early May, over 600 Chicana student activists from all over the country, from the cities and from the fields, from the little and not so little towns, came to Barrio Magnolia, once called ‘Little Mexico,’ the largest Mexican settlement and oldest Barrio in Houston, Texas, to attend Conferencia de Mujeres Por La Raza, including me.

 

Through word of mouth and organizational relationships, we arrived in much larger numbers than they had dreamed of. Why? Because we were young women activists with greater mobility and resources than our mothers had ever known, and this allowed so many of us to communicate, travel and attend political activities in various parts of the country, including this Conference. This was the Chicano Movement, and we were in it.

 

Most importantly, we went because we responded to the expression Viva La Raza, meaning Long Live Our People, an active slogan of the Chicano Movement, that the organizers hijacked to announce a Conference that had nothing to do with the Chicano Movement. It had much more to do with the white feminist ideologies that were emerging from Europe and the Democratic Party at the time.

 

Using the expression La Raza in the Conference call, was both deliberate and naïve. It was certainly not intended only as a call to the Mexican American Democratic Party Ladies. Didn’t the conference organizers realize they could not just grab a Chicano Movement slogan like La Raza without calling to activist Chicanas? 

 

What was their goal? To declare and publish a set of predetermined resolutions that would define Chicana feminism for all of us, whether we agreed to it or not, as if Chicana feminism could be born at one pinche YWCA conference. So, we showed up and all hell broke loose.

 

The TV news broadcaster who organized the Conference together with the YWCA, usurped La Raza (from ¡Viva La Raza!), an expression the YWCA didn’t even know how to spell until they hosted this event. The organizers were never part of the Chicano Movement. To the contrary, some, like Francisca Flores, were political activists and leaders in the Democratic Party, heavily influenced by the privileged white feminist ideologies of the time, including the influence of the National Women’s Political Caucus, (founded 2 months later), whose leadership included ex Playboy Bunny and CIA agent, Gloria Steinem, founder of MS Magazine.

 

More than 600 young activist Chicana students went to Houston at our own expense, expecting to participate in a Movimiento conference, not a conference where you had to RSVP or where they charged admission and had no place for you to sleep, a Conference where there were many white ladies walking about in suits and beehives. 

 

We were in the Movimiento, organizing on many political fronts and already having internal discussions about birth control (since so many of us were on the pill) and women’s reproductive rights especially forced sterilization, a human rights violation many of us knew about because it had happened to women in our lives.

 

In the Movimiento, Chicanas made the trains run on time. We faced all the dangers, outside and inside of the Movimiento and put ourselves, our bodies and lives in peril any day of the week, on the picket line, fasting for justice, boycotting grapes and lettuce and any other product that came from the suffering of farm workers, facing police brutality and jail time, marching across the state and bearing witness to the conditions of our own people, often the poorest of all. We protested the Catholic Church as well as the war in Vietnam where Chicano men were dying in disproportionate numbers. 

 

We fought for the freedom of political prisoners, including Ricardo Chavez Ortiz an extraordinary and humble Mexican working man in East L.A., a husband and father of four who had faced untold racist hardships and then one day he hijacked a jet with an unloaded pistol. His only demand? A chance to be heard, to address the Spanish-language media about the hardships he was facing as a Mexican immigrant. 

 

We Chicana activists who protested the brutality of the militarized police force in our daily lives and the shitty racist public schools in our neighborhoods, We who established community health clinics and literacy programs including for people who were incarcerated, We who stood in front of Safeway asking customers to boycott non-union produce at the risk of being cursed and spit on, We who held press conferences and fought relentlessly for ethnic studies, who organized to demand that Cal State L.A. rename one of its buildings ‘Zapata Tower’ and for the establishment of a Chicano Studies Department I barely recognize today, We who were struggling for the establishment of a third political party El Partido de La Raza Unida, We who put our bodies and lives in danger for this and much more —were activist Chicana students, young and militant and caught up in the mass movements for peace, justice and self-determination that raged across the country, if not the world.

 

Some of us were boconas and peleoneras who always spoke out when we wanted to, although not without repercussions. And of course there was male supremacy in the Chicano Movement, especially but not exclusively in the military-like groups and in certain activist families. But weren’t the worst and most deadly forms of patriarchy already being practiced by white men, the ones who started wars and affected everyone’s lives with their racist, classist, sexist and oppressive policies and structures?

 

Didn’t we have a right to come to our own conclusions in our own time, about solutions to issues of gender inequality and reproductive rights including forced sterilization, a topic that the conference agenda refused to adopt? Didn’t we have a right to evolve our own political consciousness without white feminism being shoved down our throats by Democratic Party ideologues and the YWCA? Didn’t we deserve to be remembered as courageous, intelligent Chicanas who resisted white feminism and the YWCA (with its ridiculous albeit well intended 3-year plan to eradicate racism), rather than being dragged through the mud of Maylei Blackwell’s vulgar ambition, accused of being ‘Loyalists’ sent by the men, idiots who were ordered to disrupt this Conference.

 

On the last day, the Conference organizers prepared to approve resolutions that included matters of sexuality and family ties, issues that Chicanas had not yet taken up formally amongst ourselves as a Movement, even though Chicanas in certain groups were expressing issues of gender equality and respect from the men. At the conference, these issues were being driven by white feminism and were not only controversial and audacious, but politically and culturally offensive and divisive.

 

Yes, in fact I am the person who got up at the Conference to call for the Walk Out, a Walk Out that symbolized our rejection of an imposed racist, classist agenda, that excluded the local poor and working Mexican women in Magnolia, Houston’s oldest barrio, where the shiny new YWCA was located. Even journalist scholar Betita Martínez said the event had not dealt with the issues of poor and working women.

 

But I did not do this alone. Every day of the conference, the growing numbers of dissident Chicana activist students, notably from UCLA and Cal State LA, had been caucusing and worried about the disturbing agenda and resolutions at a YWCA hosted event, where our voices and opinions were being silenced. On the last day, I was asked by the dissident women to call for a Walk Out, we would boycott (another activist action) the imposed conference resolutions and agenda. So I did and it was an honor.

 

The Women of Barrio Magnolia

Over 300 Chicanas walked out of the air-conditioned YWCA and walked into Houston’s Barrio Magnolia. We gathered at the park across the street and spread out into the neighborhood, knocking door to door for about a 3–4 block radius. We introduced ourselves and invited the resident women of Barrio Magnolia to join us at the Park for a dialogue and encounter of our own. Una Plática. We told them the YWCA had organized a conference for women to which they had not been invited, and that we Walked Out when we found out. We wanted to know their names, their opinions about their lives, what they needed and how they felt as Mexican women living in Gringolandia, and they responded.

 

Soon after we knocked on their doors, the women of Barrio Magnolia came by the dozens with their babies and small children. They brought food, snacks and drinks and spoke with us at length about their own conditions of life, aspirations and problems, much of it rooted in poverty, and we listened. Some people took notes, but our mistake was in not being prepared to fully document our actions and the results of our community encounter, neither in published writing nor in photographs, because we had no idea this was going to happen, nor could we have guessed that years later a fake Chicana would create her own self-serving story about the hundreds of dissidents she discredited, while the ones who stayed at the conference and put their stamp of approval on the ‘feminist’ resolutions, were celebrated by Blackwell as the visionaries.

 

Las Desaparecidas

Another warped and grossly inaccurate article written and published about the 1971 Conference was by Mirta Vidal, a Eurocentric Argentine academic from the Socialist Workers Party coming from France, where the starting point of second-wave feminism was born. But Vidal failed to mention in her sectarian feminist description of the ill-fated event, that over one-half of the Conference attendees had walked out in protest! Instead, she put us in our place by writing an opinion piece titled WOMEN: New voice of La Raza, where she completely erased us from history. According to her, The Walk Out never happened, over 300 Chicana student activists were never there, never had a voice, we were disembodied, rendered mere absence and disappeared by Mirta Vidal.

 

The pretenders never pay the price of their actions: it’s always those who have supported them that do. Their lies disrupt an incredibly delicate balance of Indigenous and non-Indigenous relations — our infighting makes us look confused and weak. Playing Indian creates more prejudice and hostility…And we have to call it what it is: violence. It’s far worse than getting slapped in the face; the mockery of who we are is traumatizing because it continues to shake the foundation of our philosophy and spirituality. It creates fractures where we should be building, creating concordance and strength.

~K.J. McCusker~

 

Part II
Pretendians Defining Indigenous Scholarship


Most recently, Blackwell received a book prize from NAISA (Native American Indian Studies Association) — the premiere international & interdisciplinary professional organization for scholars, graduate students, independent researchers, and community members interested in all aspects of Indigenous Studies, for her latest book, Scales of Resistance: Indigenous Women’s Transborder Activism. But thanks to the Cherokee Scholars at NAISA, this summer they rescinded Blackwell’s book prize because “the author’s claims to Cherokee heritage are misleading and a misrepresentation of Cherokee norms of belonging. Therefore, the author’s misrepresentation of these norms casts doubt on the quality of the book for a Native American and Indigenous Studies audience.” In other words, Maylei Blackwell’s claims to Cherokee ancestry and ‘scholarship’ were rejected.

 

“NAISA Council has the ultimate authority to determine which works of academic scholarship are recognized with its publication awards.”

 

The NAISA revocation of her book prize and the challenge to her claims as a Cherokee person, were soon followed by an apology from the UCLA Chair of Chicana/Chicano and Central American Studies.

 

Message from the Chair

Faculty of the UCLA Department of Chicana/o and Central American Studies offer our gratitude to the members and the Council of the Native American and Indigenous Studies Association (NAISA) for bringing to light that our colleague, Maylei Blackwell, has been misrepresenting herself as Cherokee. Upon receiving the news, we have taken this moment to learn and stand in solidarity with the Cherokee Nation, the Eastern Band of Cherokee Indians, and the United Keetoowah Band of Cherokee Indians. We recognize that Indigenous communities are diverse in their understandings and norms regarding membership, belonging, and citizenship; and we respect the sovereignty of the Cherokee whose norms of belonging are very clearly defined. Upon Blackwell’s admission, we are also reflecting on the multi-layered harms such misrepresentation has caused. Within our department, we are committed to supporting current and former students — some of whom chose to work with her precisely because they believed she was Indigenous — as they are especially affected. As we continue to grapple with questions around the layers of harm and possibilities for accountability, we look to Indigenous scholars’ work. We recognize their labor and contributions on these painful matters.

 

The apology was promptly taken down, followed by a public letter from an anonymous collective of over 20 Chicana/o and Central American UCLA Studies Graduate Students, calling for Maylei Blackwell’s resignation.

 

Mea Culpa: Shedding Pretendian Crocodile Tears

Less than a week before the NAISA announcement on August 5, 2024, when Blackwell already knew she was in hot water, she posted a damage control ‘Letter of Apology and Accountability’ on her website on July 31, 2024, in which she blames her own deceased white mother and family lore for her Pretendian life! Quite a statement for a self-identified feminist scholar and researcher, who never bothered to research her own ancestry until she was exposed.

 

She says:

“I very recently have come to question the story my mother told me about who I am. These existential questions have shaken the very Earth I stand upon and who I know myself to be in the world…This past spring of 2024, I started to do my own genealogical research. Through this process I eventually began to question my family’s claims to Cherokee ancestry. By July, the only evidence I had found was that my mother’s side of the family is white…I am not Cherokee, regardless of what I was told. I am taking responsibility for the harms I have caused by not investigating this claim earlier. I profoundly regret any harm my credulous acceptance of my family’s stories has caused. For these reasons, I have ceased identifying as a Cherokee descendant.” https://mayleiblackwell.com/ancestry/

 

Blackwell, neither Cherokee nor Chicana, as she claimed in our conversation years ago, has shapeshifted according to her personal needs, including the thousands of dollars in research grants and other resources and recognition she must have received as a Pretendian, while constructing a career by sowing seeds of discord and disunity, deepening conflicts among Chicanas and among Indigenous women, instead of providing dialogue and spaces for us to come together, to heal and grow — all of this while passing as ‘one of us’.

 

Pretendian Maylei Blackwell has made it her business to make us fit her narrow-whitewashed version of feminism, and she did this by going whole-hog shopping in our lives, in the intimacy of our spirituality and cultural practices, while she built herself a successful counterfeit career without any repercussions, until now.

 

Thanks to NAISA she has finally been revealed as a Pretendian, after rising through the ranks in academia falsely representing our voices, theorizing about our lives and political movements as Chicanas and Indigenous women, becoming a thought leader and positioning herself for academic recognition and a fat retirement plan with good health benefits at UCLA, based on lies.

 

And Now The Pretendian Defendians…

I never imagined how many sycophants and toadies would defend Blackwell’s Mea Culpa ‘Letter of Apology and Accountability’ when she posted it on her own Facebook page. Without ever bothering to mention that NAISA was revoking her book prize and rejecting her claims to Cherokee heritage, she conveniently described herself as the unsuspecting explorer and discoverer of her own fake identity. The professional researcher found out through her own initiative, then ‘shocked’ beyond words…announced to the world, that she is not Cherokee… just hours before the NAISA announcement.

 

I was flabbergasted to see the great majority of responses to her FB post that were consoling and expressed comforting reassurances of solidarity with the Pretendian professor, including a recent Chicana Mac Arthur Fellow who proudly declared “I stand with you,” putting the influence of her recent Genius Award at the service of a Pretendian. There were also responses by disoriented students, friends and fellow academics who (with few exceptions) went to great lengths to soothe the poor woman’s anguish, torment, suffering and victimhood. Pobrecita Maylei Blackwell. But not really.

 

“A key feature of structural racism in the U.S. in the historical and institutional siphoning of material wealth from indigenous people and other people of color and its redirection toward white individuals and families, communities and institutions, white race shifters thus serve white supremacy, no matter their liberal individual good intent…they are still complicit in the structural appropriation of resources from indigenous communities. Race shifters direct conversations away from the priorities of the indigenous collective.”

~ Dr. Kim Tallbear~

 

Why is Academia Such a Haven For Fakes?

The presence of Maylei Blackwell in the César E Chavez Chicana/Chicano and Central American Studies Department at UCLA, remains an abomination. Her false identity claims, her arrogance in discrediting and slandering hundreds of activist Chicanas at a political event that happened in 1971 (when Blackwell was a toddler); her damaging interactions with Indigenous women by setting up ideological confrontations while pretending to teach decoloniality, all the while knowing full well that gender has been understood in distinctly different ways across societies; these are forms of academic dishonesty, academic misconduct, academic fraud and lack of academic integrity bar none. She should immediately step down from a position that rightfully belongs to someone who has not committed violence and is not lying through their teeth about who they really are, to take advantage of what is not theirs.

 

After all the damages she has caused by conflating her fake indigenous ancestry with the real struggles of Chicanas and Native women of the Americas, after the damage to the students who studied under her, the ones who believed her claims to Cherokee ancestry and who used and cited her ‘scholarship’ in their own work, the ones who thought she was a two-spirit Cherokee healer, Blackwell leaves a trail of tears most recently expressed by UCLA graduate students who are now calling for her resignation.

 

Call them by Their True Name: Harmful Pretendian.  (link) 

 

Yes. Blackwell needs to step down after decades of misrepresenting our voices and stealing our stories, of defaming and slandering hundreds of young activist Chicanas while claiming to be an oral historian, causing and deepening divisions while being paid as a thought leader and institutional decision maker; while lying about her own Chicana and then Indigenous ancestry, someone who has posed and risen through the professional ranks through acts of settler colonial appropriation.

 

With honorable and significant exceptions, the field of Chicana Studies is lacking in sufficient serious (let alone inspirational) scholarly works to inform our lives and help us understand the world, not disorient and make us hate each other based on falsehoods. This void, this lack of solid academic research and publications about Chicanas was the perfect crack for a Pretendian to grow in.

 

It is disturbing to think of how many generations of unsuspecting Chicana and Chicano university students have been assigned to read Blackwell’s first book and been shaped by her deformed theories and corrupted feminist histories. Yet her racist, narrow, revisionist ideas have been fully capable of vilifying hundreds of Chicana activists, all because we refused to kowtow to white feminism at one YWCA hosted conference in 1971.

 

In effect, through her works, Blackwell’s career has been constructed by sowing seeds of discord and disunity, and deepening conflicts among Chicanas and among Indigenous women, instead of creating a theoretical space for us to cultivate unity and come together — all this while passing as ‘one of us’.

 

Not long ago, in her eagerness to impose her own settler colonial, sectarian, feminist beliefs based on totally mistaken norms of monism (the opposite of dualism), Blackwell held meetings of indigenous women in L.A. and during their dialogues, rather than magnifying an equitable and inclusive concept of feminism as a part of dual rights, under an ancestral cultural concept where the human being is a dual being, both female and male, instead Blackwell did the opposite. 

 

Using her academic Pretendian credentials, she choreographed confrontational encounters between the different groups of indigenous women in an ongoing quest to impose her own Pretendian concept of ‘indigenous feminism,’ and then published her little well-funded experiment.

 

Based on her idea of what it means to be a ‘feminist’, what Pretendian Maylei Blackwell has done best over time, besides lying about her cultural identities, is to create and deepen dissent, weaponizing divisions among Chicanas and among Indigenous women across geographical borders, sowing and exploiting whatever differences may exist among us, dividing and labeling us according to her own settler colonial feminist academic views.

 

Blackwell has used academia to designate who are the good and acceptable Chicanas and Indigenous women, and who are the bad ones. Whose thoughts, behaviors and cultural practices are correct and forward thinking, and who is backward and out of it. She has stolen and reinvented stories, histories and cultures for her own benefit to position herself as the expert of us, when in fact she is an outsider who is reinforcing and escalating difference, so she can referee the battles from the comfort of her Ivory Tower. In the meantime, she grabs more grants, resources and sycophants, to do settler colonial academic work by continuing to build recognition and fabricate intellectual authority.

 

As she continues to build her career on the backs of Chicanas and Indigenous women, the question of how she got there is central. While there is no doubt Blackwell has pushed her way into and violated our most intimate cultural and spiritual spaces, how did she get there? UCLA hired her.

 

The University of California must stop hiring Pretendians because Blackwell is not the only one. Have the Regents ever discussed policies and procedures to address this abuse of power and unethical behavior? Is there any guidance or rules crafted in consultation with NAISA about how to approach the matter? Without guidelines, the Maylei Blackwells will continue to travel through our worlds, our customs, realities, suffering and historic traumas, usurping our identities and shape shifting like colonial settlers on an ideological rampage snapping photos and taking notes along the way. . . because no one made them prove their false claims. 

 

Maylei Blackwell has used academia well, including the guidance of her internationally respected thesis advisor, Angela Davis, and the mentorship of the esteemed Chicana scholar and publisher, Norma Alarcón. In the meantime, more grants, more awards, more resources and recognition have been garnered to do Settler Colonial Academic Wanna Be Two-Spirit Healer work, intellectually violent, spiritually and materially abusive, and profoundly damaging in the end.

 

________________________________

 

Sincere thanks, respect and appreciation to all the people who I learned from and/or who spoke with me or shared resources to help me render this complex narrative, most especially to NAISA and the Cherokee Scholars without whom we would still be in the dark; to the memory of Dr. Shirlene Soto and the beloved Betita Martinez; and to the UCLA graduate students collective from the Chicana/Chicano and Central American Studies, who had the courage to take a position in solidarity with the Cherokee People, calling for Maylei Blackwell to step down from her unmerited position as a UCLA scholar.
 
Many thanks to Dr. Kathryn Sophia Belle and La Belle Vie writing community that has held me up and given me courage to say what I said.
 
Finally, sincere thanks to Em Sedano and La Bloga for sharing this essay.
 

 

Meet María Elena Gaitán

foto: Misha Erwitt
 

María Elena Gaitán is a writer, translator/interpreter, musician, performance artist, teacher and truth-teller from the People’s Republic of East L.A. The topic of this essay will appear in a chapter in her upcoming memoir.