Saturday, September 05, 2026

Noir day or night

Special Dispatch for Labor Day Weekend: A Pre-Order Opportunity

La Bloga columnist Margaret Elysia Garcia sends this video for your appreciation. Garcia is author of the El Martillo Press collection, Chicana Noir and Other Stories,"> coming October 2026. Pre-order at the publisher's website (link here).

Chicana Noir might not be familiar to some readers, whereas "noir" has long been a staple of publishing, and a La Bloga favorite genre, e.g. Akashic Books' cityname noir series: https://labloga.blogspot.com/2015/10/review-chicago-noir-classics-news-on.html

Preview readers lavish compliments upon the writer and her stories. For example, Jesus Salvador Treviño observes, ""Margaret Elysia Garcia’s writing is enthralling, introspective and honest. In Chicana Noir and Other Stories, she elevates commonplace people and events and infuses them with metaphoric and, at times, horrific meaning."

Ariel Gore shares her view that ""In Chicana Noir and Other Stories, the real horror isn't supernatural—it's adjuncting without health insurance. From the fever dream of "Chicana Noir Story #1" to the revenge fantasy of "The Last Cruise," Margaret Elysia Garcia writes with the urgency of someone who knows that survival itself is resistance. Garcia's narrators exist in the margins"

From El Martillo's website, "Macondo fellow Margaret Elysia Garcia is the author of the poetry collection the daughterland (El Martillo Press, 2023), of the short story collection Graft (Tolsun Books, 2022), and the poetry chapbooks Iconistas!, and Burn Scars, (Lit Kit Collective, 2025, 2022). She’s the co-editor of the anthology Red Flag Warning: Mutual Aid and Survival in California’s Fire Country (AK Press, 2025). Her second short story collection Chicana Noir and Other Stories will be published in 2026 by El Martillo Press. She's the recipient of Chapman University's non-tuition fellowship for Creative Writing."



Thursday, September 03, 2026

Chicanonautica: Making Ancient Chicano Sci-Fi Wisdom New and Improved

by Ernest Hogan



Look out, aspiring writers and seekers of knowledge, I will be committing a series of deliberate acts of unregistered education again at the Fall 2026 session of the Palabras del Pueblo Writing Workshop, on the Saturdays and Sundays of October 3-4 and 10-11, on Zoom, so you can do it in your pajamas or underwear, though I plan on wearing a nice shirt. 


This time I’m calling it New, Improved, Ancient Chicano Sci-Fi Wisdom.



So, why make the Ancient Chicano Sci-Fi Wisdom new and improved? 


Well, it’s because it’s got ancient roots, it’s working on the future and constantly mutating.


I was going to say “evolving,” but that’s a slow process, and what’s happening with all things Chicano lately is sudden and unexpected. ¡SAS! Like a loose gamma ray zapping a DNA sequence causing something . . . weird.


You’ve probably noticed that these aren’t great times for Chicanos. Not only are Hollywood and New York avoiding putting out creative works on the diverse global market and making us rich and improving the overall quality of life and culture for the human race, but we are under attack.

 

There. I said it. I shouldn’t have to go into details-just plug into a random news source . . . 


Meanwhile, we still have these incredible imaginations because of the complex, constantly changing cultural mix that we . . . are. I’ve been doing it most of my life. Chicano is a sci-fi state of being. Xicanxfuturism refuses to die. Ciberbandidos arise . . .



My bizarre experiences have taught me, and I need to help those who dare to write while part of the Latinoid continuum. I’m one of the more successful Chicano writers of my generation. I don’t have any secret formula for writing success, but I have a career beyond the expectations of most of the people I know. I learned a few things along the way.


I also try to keep it entertaining.


My warped brain will also be available for picking while I create a new story over the two weekends and share my unconventional creative processes.


Yeah, I meant it to be plural.


And I’m not giving up on creating new worlds.


From the markets of Teotihuacán to the farthest edges of the Intergalactic Barrio.


Some find it inspiring.


So sign up now!



Ernest Hogan is trudging through this infernal summer, besides the abovementioned class, Xicanxfuturism: Gritos for Tomorrow / Codex II finally has an official publication date–December 15, 2026!--so get ready for another Paco Cohen, Mariachi of Mars adventure, as well as some interesting things brewing in the University of New Mexico. Stay tuned ciberbandidxes! (Pronounce that ciberbandidEQUISES.)


Wednesday, September 02, 2026

My Home Is in My Backpack -Mi casa especial

 


Written by Eugenia Perrella

Illustrated by Angela Salerno 




Publisher: Floris Books

Publication date: October 7, 2025

Language: English

ISBN-10: 1782509259

ISBN-13: 978-1782509257

Reading age: 4 - 7 years



A Chicago Public Library Best Picture Book of 2025


Clara and her family are forced to leave everything behind in this poignant but hopeful story of forced migration, told through the eyes of a young refugee.


"We all carry our special homes with us – in our backpacks and pockets, and in our hearts."


Every day Clara and her family walk a long way. Sometimes they talk and joke, sometimes they must hide and keep silent. At night, in their village of tents, Clara visits her new friends to hear about their special homes: the things that light up the darkness for them.


But Clara hopes someday soon their journey will end, and she can put down her backpack and find a safe place for her special home to stay.




Publisher: AMANUTA

Publication date: January 1, 2020

ISBN-10: 9563643151

ISBN-13: 978-9563643152

Item Weight: 9.5 ounces

Reading age: 10 years and up



Con su mirada inocente y a la vez profunda, Clara nos cuenta el largo viaje que emprende junto a su familia. Nos relata con una sensibilidad mágica la historia de su migración. Mientras avanza por selvas, ríos y caminos difíciles, ella descubre que no ha perdido su casa, sino que ahora tiene una casa especial. Siente que lo esencial viaja con ella, porque hay cosas que ni el tiempo ni el lugar pueden cambiar. Y comprende que cada uno, a su manera, tiene su casa especial. En este instante, mientras leemos estas líneas, hay niños y niñas que marchan, caminan sin pausa en busca de un lugar mejor. Muchas veces encuentran, aunque otras tantas el camino se hace largo y difícil. Por eso, esta historia, en la que lo valioso muchas veces es intangible y lo verdadero abraza con el sentimiento más puro, intenta honrar la valentía de todos esos niños y niñas. Deseamos con absoluta esperanza que, con sus ojos mágicos y corazón virtuoso, puedan refugiarse en su casa especial.





Review


'Both poignant and buoyant: a touching tribute to love and the endurance of the human spirit.'—Kirkus Reviews, Starred Review


'A family's forced migration prompts a new way of seeing home in this sensitively rendered tale of change. Arresting.'—Publishers Weekly, Starred Review


'A superb book that evokes empathy for families facing forced migration, examining the topic in an accessible way for children.'—BookPage, Starred Review


'The text, smoothly translated from Spanish, addresses a difficult topic in a hopeful, accessible way but touches on the journey's difficulties.'—Horn Book




Eugenia Perrella is a journalist and children's author from Buenos Aires, Argentina. She specializes in international news and brings her passion for keeping others informed into her writing for children. Eugenia is the author of more than a dozen children's books.


Angela Salerno is a graphic designer and illustrator from Argentina, whose work often highlights social justice issues. Angela has illustrated several children's books. She lives in Valencia, Spain.







Tuesday, September 01, 2026

La Bloga Spotlights Poets Laureate

Keeping Poetry Alive: Poets Laureate Across the Nation

Michael Sedano

La Bloga launches a series spotlighting Poets Laureate and their work to foster literacy and poetry in their community or state. Inspired by the Laureate program in Altadena, California, La Bloga encourages other communities to establish a Laureateship.

Who Are Laureates?

The United States Congress supports a Poet Laureate Consultant in Poetry to the Library of Congress, more readily known as the US Poet Laureate. The Consultancy, dating to 1947 (link  https://www.writersdigest.com/write-better-poetry/who-are-the-united-states-poet-laureate-consultants-in-poetry) features a roster of esteemed poets. The US Laureateship has bestowed its honor recently on leading voices such as Juan Felipe Herrera, Ada Limon, Joy Harjo. 

Fifty US states and the Navajo nation appoint Poets Laureate. Numerous communities recognize local writers as their Poet Laureate. There’s a widespread poetry community in our culture, as this roster of state Laureates illustrates (link  https://poets.org/text/current-us-and-state-poets-laureate )

Spotlight on:

Today, La Bloga-Tuesday is happy to feature José B. González, Poet Laureate of Connecticut. The state has a State Troubador and a Laureate. According to the state’s website, 

Connecticut’s State Troubadour and Poets Laureate are ambassadors of the arts. These inspiring artists are nominated by Connecticut residents and evaluated by a peer panel and the Connecticut Office of the Arts (COA) for their distinction within their fields, portfolios of work, and contributions to the arts community. The COA is committed to building a community that is respectful and responsive to the diverse talents, skills, and abilities of all people.


González’ recognition is well-earned. A Macondo alumnus, José founded the notable Latina Latino  literary resource, Latino Stories (link https://latinostories.com ), which has been sharing literary news and insights for twenty years. La Bloga reached out to Laureate González and he shares the following:

When I first got the news about being a state poet laureate, I heard the ancestors rejoicing in their native tongues. I hope to remind those who need reminding that "immigrant" is not a dirty word, but that it is a word full of honor, sacrifice and dignity. I am proud of running LatinoStories.Com and celebrating La Raza authors for over 20 years. La Bloga is the only site that has done it for longer. And the way I see it, when I get an honor like this one, it's because someone took the time to say let's take a moment to read and listen to him. This is all a round-about way of saying, thank you to La Bloga for all you do.


Meet the Laureate

Connecticut’s Poet Laureate, José B. González is one of the most sought after speakers in the U.S today. He was born in San Salvador, El Salvador and immigrated to New London, Connecticut at the age of eight.  He knew no English and now holds a Ph.D. in English. A nationally known speaker, Dr. González has presented at various colleges such as Harvard, Rutgers, and Cornell University; countries including Mexico, Spain, and El Salvador; and institutions including the Smithsonian Latino Center and the Smithsonian Museum of the American Indian. He has been a featured Moth storyteller, a contributor to National Public Radio and has published poetry in such journals as Boston Review, Quercus Review, Callaloo, and Acentos Review, and anthologies including the Norton Introduction to Literature,  Theatre Under My Skin: Contemporary Salvadoran Poetry, Wandering Song: Central American Writing in the United States, and Latino Boom: An Anthology of U.S. Latino Literature, which he also co-edited. His poetry was a part of the first ever Latino exhibit at the Smithsonian American History Museum.

A Fulbright Scholar, he has received national and regional awards for his teaching, for his efforts to improve the conditions of Latinos pursuing a college degree or a career in higher education, and for his poetry. One of the major Salvadoran-American poets in the U.S., he is the author of the poetry collections, Toys Made of Rock (Bilingual Press), and When Love Was Reels (Arte Publico), and is the founder and editor of LatinoStories.Com.

Dr. González infuses his presentations with a mix of poetry, humor and social commentary. He holds a Master’s in Teaching English from Brown University and a Ph.D. in English from the University of Rhode Island and is an alumnus of Sandra Cisneros’ Macondo Writers Workshop.


Connecticut Poet Laureate Online Floricanto

English Words from https://www.splitthisrock.org/poetry-database/poem/english-words

By José B. González

my mouth agape           for these english words          made of stone
their sharpness              could split my tongue,            but one by one
i’ll use them                     to build a wall,                           one by one
i’ll stack them                 on top of each other                smooth them
and scrape way              the sounds that                         silence me.

 

Breaking away to the u.s. from https://poets.org/poem/breaking-away-us

José B. González

finally,
a day so perfect that
this morning’s awakening bombs
are overtaken by a woman’s wind chimes
of “tamales, tamales.”

on the way to the airport
iguanas hang upside down,
even they smile.

along farms and fields
rotten bullet seeds
are overtaken by flowering weeds.

on the side of the highway
a tall Maquilishuat tree gives
birth to premature pink petals
&
inside a plane headed north,
yani & i fly so high
that we can’t tell
cornfields from fences;
it’s such a perfect
final day.

From Toys Made of Rock (Bilingual Press/Editorial Bilingüe, 2015). Copyright © 2015 by José B. González. Used with the permission of Bilingual Press/Editorial Bilingüe.

 

Read more of José B. González work at this page (link).https://josebgonzalez.com/sample-publications/


 

Sunday, August 30, 2026

“Ascalapha odorata” por Xánath Caraza

“Ascalapha odorata” por Xánath Caraza

 

"Ascalapha odorata" por Xanath Caraza

 

Ascalapha odorata

 

“Regina dio un grito en medio de la oscuridad y el aleteo cesó por un instante. Entró a la casa de su niñez cerca de las tres de la mañana. No quería hacer ruido para no despertar a su madre. Había entrado sigilosamente evitando tropezar con los muebles de los cuales recordaba con exactitud su ubicación. En medio de la oscuridad y para su sorpresa, un ruido que identificó como graznido, la recibió en la sala. A continuación sintió un aleteo alborotado en el rostro, se le erizó la piel y el corazón se le aceleró. Recordó que de niña se había quedado encerrada en el baño del traspatio junto con tres mariposas negras que más bien parecían murciélagos. En realidad eran polillas tropicales, Ascalapha odorata. Recordó el aletear enloquecido de las mariposas negras, como ella les llamaba, precisamente frente a su cara, también en la oscuridad, pero el aleteo de esta noche, además de inesperado, era pesado, se distinguía por el sonido que provocaba el aire entre las plumas y el abrir y cerrar de lo que parecían ser un par de alas.”

 

Fragmento del cuento “Ascalapha odorata / Ascalapha odorata” incluido en Metztli de Xánath Caraza (Capítulo Siete, 2018). Traducido por Sandra Kingery y Kaitlyn Hipple. Metztli recibió Segundo Lugar como Mejor Colección de Cuento en español para los International Latino Book Awards en 2019.

 

Imagen por New Letters on the Air.

 

"Ascalapha odorata" por Xanath Caraza

 

Ascalapha odorata

 

“Regina let out a scream in the midst of the darkness and for a moment the fluttering stopped. She had entered her childhood home at around 3:00 in the morning. She didn’t want to make any noise so as not to wake her mother. She had snuck inside quietly, avoiding bumping into the furniture, the location of which she remembered exactly. To her surprise, a squawk-like sound in the middle of the darkness welcomed her into the living room. Immediately after that, she felt a frenetic fluttering against her face, making her hair stand on end and her heart race. She remembered when she was a little girl and she’d gotten locked in the backyard bathroom along with three insects. She thought they were black butterflies, although they actually looked like bats. In reality, they were tropical moths, Ascalapha odorata. She remembered the frenzied fluttering of those black butterflies, right in front of her face, in the darkness that time as well, but tonight’s fluttering, in addition to being unexpected, was heavy, distinguished by the sound the air made between feathers and the opening and closing of what seemed to be a pair of wings.”

 

 

Fragmento del cuento “Ascalapha Odorata / Ascalapha Odorata” incluido en Metztli de Xánath Caraza (Capítulo Siete, 2018). Traducido por Sandra Kingery y Kaitlyn Hipple. Metztli recibió Segundo Lugar como Mejor Colección de Cuento en español para los International Latino Book Awards en 2019.

 

Imagen por New Letters on the Air.

 

Xanath Caraza

Friday, August 28, 2026

August and Fiesta Come to a Close

 Melinda Palacio, Santa Barbara Poet Laureate 2023-2025

 

Vienna Cervantes, Julia Temler, Elise Swanson Ochoa, Justin Young

Melinda Palacio, Marcelo Gonzales, Colin Hayward, Father Larry, Leslie Lund 


 

 It's hard to believe that August is almost over. The month flew by, beginning with Fiesta in Santa Barbara. I had flamenco performances and attended even more performances and participated in the parade. Several friends celebrated birthdays, including my sister Emily, whose birthday was overshadowed by a death in the family. Sedano had a birthday, my father had a birthday. Florencia had a birthday. But grief has a sobering way of commanding the moment. I also lost a dear friend in New Orleans. And the world lost Dolly Parton. What I wanted to share here was the Inaugural Fiesta Poetry Competition in Santa Barbara that took place during Fiesta, the first week of August. It was fun being a judge in this inaugural contest.

Earlier this month, the winners of the inaugural Old Spanish Days Fiesta Poetry competition were announced on the steps of the Santa Barbara Public Library in front of the artwork Tympanum. I was one of the judges and noted the diverse perspective of the poems. The winning poems in three categories, Adult, Teen, and Youth, say so much about how Santa Barbara encourages and promotes diversity within its artistic and cultural institutions. Colin Hayward, 2026 Fiesta El Presidente said he wanted to create a bigger tent for Old Spanish Days. Not only is poetry now a part of Fiesta, but Old Spanish Days has another first, a Fiesta Poet Laureate, Father Larry Gosselin.


Adult Winner, Elise Swanson Ochoa’s poem, “Ode to Old Spanish Days,” is a history lesson on her Swedish and Mexican heritage, seen through the lens of Fiesta. Elise is an optometrist in Goleta who started taking poetry classes through adult ed in 2018. The runner up, Justen Young is a musician and his poem was sparse compared to Elise’s long, expansive poem. Young says he hears the poem as a song and there’s a musicality to his title, “Shakers.”


It was a pleasure meeting the Teen Winner, Marcelo Gonzales because his family is steeped in Fiesta given his brother is this year’s Spirit of Fiesta Runner Up. Since I started learning Flamenco, I have seen Emilio dance at the Historical Museum several times. He and his parents, Rosa and Robert, were proud to see Marcelo win for his poem, “A Fiesta Day Never to Forget.” Marcelo says his brother’s dancing inspired his prose poem and its celebratory feel. The Teen Runner Up, Jacob John was unable to attend the ceremony.


Youth Winner, Vienna Cervantes and Runner Up, Julia Temler wrote sophisticated poems for being the youngest poets to compete. It may have taken 103 years, but adding poetry to the Old Spanish Days Fiesta festivities is a boon for everyone. 

 

*part of this column was previously published in the SB Independent 


 

Thursday, August 27, 2026

Bring in the Goldfish, Sammy

                                                                                      
Narciso "Mike" Escarcega, one voice in a generation
                                                                                    
     It was sometime in 2001, when I went to interview my uncle Narciso “Mike” Escarcega, whose voice captured a generation of voices, Chicanos of the WWII, the children of immigrants. 
     Mike was on a mission, sitting in his living room, peering through the screen door waiting for the clock to strike 3:00 P.M., so he could hobble out to his camper truck and move it back to the parking spot in front of his house. Factories and car repair shops crowded the once vacant stretch of land across the street from his house, butting up to the Southern Pacific railroad tracks, so now he fights the employees for parking on street cleaning day, when the city hands out tickets. 
     At 84, Mike’s knees were weak, arthritis, from years of gardening in Westwood and Beverly Hills. Even into his 60s, he was still riding motorcycles across the Mojave Desert, or hunting ducks at the Salton Sea, and fishing in the high Sierras. 
     "Bastards try to take all the parking," he said, and laughed. "But I'll get 'em." 
     He had light skin, hair white, his eyes greenish blue, and no hint of an accent when he spoke English, so it’s jolting when he switched to Spanish, mostly to curse an idiotic past event. Like many men of the WWII generation, he possessed a strong sense of "self," and could become easily annoyed with people who lacked common sense. He refused to wear a hearing aid, so he spoke haltingly, pausing, thinking, and sometimes answering in half-phrases. My uncle was not one to mince words. When a thought crossed his mind, it immediately came out of his mouth. "Yeah, my mom came from New Mexico," he said, pronouncing it Metzico. "My family was from Chihuahua. Recently, I heard someone from our family in Chihuahua was living here, in Culver City. He was working as a butcher. I told my nephew Johnny Sanchez I'd like to meet him, but Johnny told me the guy already moved back to Chihuahua. But, ah, well, I don't know much about it." 
     Mike's mother Josefina Rios Escarcega and his father were the first in the family to arrive in the U.S., in the early 1900s. Josefina's two sisters, Santos, my grandmother, and Saturnina, my aunt, followed. 
     All three families eventually settled on L.A.'s Westside, or what Mike called—Sawtelle, near the Old Soldier’s Home, the Veterans Administration, today. He said, "I was born near Gallup, New Metzico. My brother Peanuts [Rufino Escarcega] knew all about it. I think the place was called Howard or Hobart, something like that…in 1920. Before he passed away, Peanuts traveled all over, going back to New Metzico, to the town to learn how my dad was killed. Peanuts brought me back my birth certificate. They found the town, a mining town where my dad died. I asked Peanuts why he wanted to go back there? He said, ‘I wanted to know how he died.' I think he said it was by one of those little trains in the mines, or something like that, and after my dad died there was just us kids Peanuts, Roy, me, Vera, Elia, and my mom. Vera was the oldest.” 
      I interrupted, “So, your mom came to L.A. by herself, with all those kids, after your dad died?” 
      "Yeah. It must 'a been hard for my mom, traveling with all of us kids. We came from New Metzico following some people to San Bernardino where we picked tomatoes, walnuts and all that. I remember being little, riding with a guy in one of those old-time wagons, sitting in the back, him driving the horses. I remember that. He would go pick up the watermelons and walnuts in the field.” 
     “Do you remember where you were living at the time?” 
     "Yeah, my mother moved to Fontana, a little village. It was a community of Chicanos, like a little track of homes, you know, a house…just one room, a hallway and a kitchen," he laughed. "Yeah, we came first. Then your grandmother, Santos, came. My mom sent for her.” 
     “I didn’t realize,” I said. “I mean, I know your mom came first, but I didn’t know why my grandmother had come. Do you remember when you first arrived in Los Angeles?” 
     "My mom worked at Olvera Street, maybe 1925. I remember playing around all the trains. She worked there selling food. She went there because she knew some people from New Metzico there. We used to go to the Rose Parade in Pasadena when we were young. The people from New Metzico lived there, in Pasadena, near Colorado Avenue, and we would go visit them.” 
     “I never knew you lived in downtown Los Angeles.” 
     "Oh, yeah. We lived in L.A. in Olvera Street then moved to a building up there on Bunker Hill. I used to go upstairs and look down over everything. Next thing I knew, umm, my mom asked us, 'You guys like it here?' And well, we all said…NO!!!!'Okay,' she said, 'then let's go.'” 
     “And you came west?” 
     "Yeah, we ended up in a house right near the school on Sawtelle Avenue, in a white house. Oh, hell, I don't think it's there anymore.” 
     “What kind of work did your mom do?” 
     "She got a restaurant. She was the owner, over there in Sherman, you know, what’s West Hollywood today. She'd take the bus every day from West L.A. Then the next thing I knew she had a restaurant right here in Sawtelle, where the veterans were, by the Veterans Bar, a couple of blocks down the street from the Soldiers’ Home, just off Santa Monica Boulevard. I think the building is still there. Sometimes I would drive by there just to look at it.” 
     “It’s gone,” I said. “My dad took me by there, right on the corner of Mississippi and Sawtelle. It’s an office building now. It’s right across from the UCLA Thrift store.” 
     “Oh, anyway, it was right there where Sammy Goldfish lived,” Mike laughed at the memory. 
     “You knew a kid name Sammy Goldfish?” 
                                                                                                
Others from West L.A., first-generation Chicanos

     "No, we just called him Sammy Goldfish. Yeah, he used to live in the hotel with his mother. It's still there [on Sawtelle Boulevard]. Your uncle, Nick, gave him the name; you know, making fun of him because every day his mom used to make him bring in the goldfish. They were Jewish. She’d yell, like they were still New York, you know. 'Bring in the goldfish, Sammy!'” He laughed, “Oh, Christ, I can still hear her, 'bring in the goldfish, Sammy.' Every day she would put the goldfish outside, and Sammy would have to bring it in every night. Nick and the rest of us used to laugh like hell when she said it, 'Bring in the goldfish, Sammy.'” 
     “Did you work in your mom’s restaurant?” 
     "No, I didn't work in my mom's restaurant. We were too young. Me and Peanuts didn't do nothing…." He laughed, hard. "Vera was the oldest. She worked there, but not Elia. She was too little, but your dad's half-sisters Grace and Jenny worked there. But I don't know, Raymond, you dad, said my mom sold the restaurant to your grandmother, Santos. I don't know. I'm not so sure. I don't think she did. She had the one in Sherman and another up on…oh, let's see. Oh, yeah, on San Vicente, up there by the Western Front., by the Veterans Administration.” 
     “My dad told me my grandfather suggested Josefina and Santos should re-name the restaurant to La Manana because when it came time to pay for the food, everybody would say, “Manana.”