Friday, July 26, 2024

A Few More Hot Books

 

Here are a few more hot summer books - especially for those who study things like the Cuban Revolution or want to read a debut novel from a promising new author.  

____________________________



Out of the Rain
J. Malcom Garcia

Seven Stories Press - July 16

[from the publisher]
Out of the Rain takes us into the growing world of the homeless in the United States, particularly in San Francisco. Here we read their powerful stories, which examine not just poverty but bottom-of-the-barrel destitution, and in many cases self-destruction.

Tom, who runs a social services agency, doesn’t play by a book of rules as much as try to bring some humanity to his work. Then there is Walter, a homeless man who can’t save himself from booze but is ready to help others. Throughout this novel told from various perspectives, the reader is introduced in intimate detail to the lives of social services workers trying to find open shelter beds and simultaneously navigating federal programs. Homeless men and women are battling sobriety and addiction and simply trying to find sustainable work and decent housing.

Based on the author’s experience working with homeless people in San Francisco as a social services worker in the 1980s and 1990s, this novel vividly takes the reader into the heads of combat veterans, junkies, prostitutes and the unemployed. J. Malcolm Garcia left social services to pursue journalism so he could write about the people he worked with and share their stories—and humanity—with the broader public.

“There weren’t enough shelter beds, weren’t enough detoxes, weren’t enough jobs, weren’t enough anything for the people I wanted to help.” —Tom, social worker, in Out of the Rain

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Remembering Che: My Life with Che Guevara
Aleida March
 - Translated by Pilar Aguilar
Seven Stories Press - July 9

[from the publisher]
When Aleida March first met Che Guevara, she was a twenty-year-old combatant from the provinces of Cuba, he an already legendary revolutionary and larger-than-life leader. And yet there was another, more human side to Che, one Aleida was given special access to, first as his trusted compañera and later as the love of his life.

With great immediacy and poignancy, Aleida recounts the story of their epic romance—their fitful courtship against the backdrop of the Cuban revolutionary war, their marriage at the war’s end and the birth of their four children, up through Che’s tragic assassination in Bolivia less than ten years later. Featuring excerpts from their letters, nearly one hundred never-before-seen photographs from their private collection, and a moving short story Che wrote for Aleida, here is an intimate look at the man behind the legend and the tenacious, courageous woman who knew him best—a story of passionate love, wrenching sacrifice, and unwavering heroism.

Later.

______________________


Manuel Ramos writes crime fiction. Read his latest story, Northside Nocturne, in the award-winning anthology Denver Noir, edited by Cynthia Swanson, published by Akashic Books.

Thursday, July 25, 2024

Chicanonautica: Apocalyptic Independence Daze

by Ernest Hogan



Not many signs of the apocalyptic holiday as we drove up. Only one flag along the I-17. A modest sprinkling of them in Sedona. And we were still free enough to have tacos on the 4th of July.


From our hotel balcony, we watched the clouds change color on the Red Rock Mountains as dragonflies and bats flitted by.



The night was quiet. No fireworks. No manifestations of a deranged election. Just what we needed as Phoenix cooks in the killer heat.

The next morning I looked at photos and videos that my family texted me from California.


On our way to the Coffee Pot for breakfast, a coyote dashed across the road. Emily saved its life with horn honk. I had huevos rancheros. MuyAmericano.



The streets were empty, quiet. Everybody was still asleep. What do they do here for the 4th?


At a Goodwill, I found a copy of Man and Impact in the Americas by “veteran space reporter” E.P. Grondine about “the effects of asteroid and comet impacts on preColombian cultures, including the Maya, with “eyewitness accounts” of Hopewell societies and the Mississipians. Like someone left it there for me. Again.



We did a quick hike along Midgley Bridge until it got too hot, then cruised Oak Creek Canyon.


What a beautiful country. Too bad all these assholes want to convert it all into liquid assets. Assets for assholes. What ya gonna buy when the planet's gone?


Once again, the Sedona political signs were names, smiling faces–and female!--and Wild West iconography.



We approached Cottonwood, ZIPPERMAN, CONSTITUTIONAL CONSERVATIVE country. On the road to Jerome a brand-new house flew the traditional stars and stripes and the black, white, and blue fascist version underneath.


In Prescott, the World’s Oldest Rodeo was still going on, Whiskey Row was a mob scene with flags, but not as much as it’s been in the past. There was no parking, so instead of having lunch there, we went to Bill’s Grill and had burgers.



As we left, there was a LET’S GO BRANDON sticker on a pickup. All the political signs were local. One candidate declared TRUMP APPOINTED in small letters.


There was one Kari Lake sign. Kari who?


Gigantic flags did look majestic billowing in the wind.



At the newly remodeled Sunset Point Rest Area there was a poster reminding us what to do in case of a disaster. 


It got hotter as we returned to Phoenix. No sign of asteroids or comets. Or Maya or Hopewells or Mississippians. No hints about the future, either.



Ernest Hogan is the Father of Chicano Science Fiction. Read his Guerrilla Mural of a Siren’s Song while it’s still legal. In October, he will be teaching his “Gonzo Science Fiction,Chicano Style” online at the Palabras del Pueblo Writing Workshop—apply now!

Wednesday, July 24, 2024

FREE TWO NIGHTS OF MACONDO READING

  

From https://macondowriters.com

 

The Macondo Writers Workshop is an association of socially-engaged writers working to advance creativity, foster generosity, and serve community. Founded in 1995 by writer Sandra Cisneros and named after the town in Gabriel García Márquez’s One Hundred Years of Solitude, the workshop gathers writers from all genres who work on geographic, cultural, economic, gender, and spiritual borders and who are committed to activism in their writing and work.

 

 

JOIN US FOR TWO NIGHTS OF MACONDO READING THIS SUMMER. 


Macondista Open Mic reading

Thursday, July 25, 7:00-9:30 pm

Dicke Hall 104 at Trinity University

San Antonio, Texas

 


Guest Faculty Reading

Saturday, July 27, 7-8:15 p.m.

Ruth Taylor Recital Hall at Trinity University

San Antonio, Texas

 


Free and open to the public. Free parking is available. We are committed to ensuring our event is accessible to all participants. If you have specific accessibility needs or require accommodations to fully participate, please contact us at macondowriters@gmail.com as soon as possible. Your request will help us create an inclusive and welcoming environment for everyone.



Tuesday, July 23, 2024

Women Who Submit: 2024 Submission Conference

Michael Sedano's La Bloga-Tuesday shares a close-up look at stellar workshops featured in the August 10 "Submission Conference" created by a dynamic association of writers supporting writers, Women Who Submit (link).

This year's Conference theme gives the WWS event an important distinction unique to this Los Angeles writers conference:

Beyond the Writing: Building Community, Advocacy, and a Literary Career

The 8:30 to 6:00 day of literary panels, workshops, and performances takes place at historic Plaza  de la Raza in Lincoln Heights on the second Saturday in August. 


Follow the links to learn the hourly schedule, scan the list of vendors participating in the trade show element of this public event. From the linked page:

The 2024 WWS Submission Conference on Saturday, August 10, 2024 at Plaza de la Raza in Lincoln Heights will feature a day of literary panels, workshops, performances, and vendors centering women and nonbinary writers, editors, publishers, community members, and business owners. 

The third in a series, the 2024 conference is the first to be offered in person thanks to a partnership with Plaza de la Raza and a grant from the Latino Community Foundation and California Arts Council. 

Select remote options will be available for those experiencing barriers to attending due to health, finances, travel, family care, and more. 

The Women Who Submit Submission submission conference is a biennial one-day speaker program created by women and nonbinary writers for women and nonbinary writers to empower marginalized voices to submit work for publication and achieve success in publishing and academia.

Click this link to register for the conference.

Audience in 2023 WWS event a


Click this link to register for the conference.




Click this link to register for the conference.




Click this link to register for the conference.




Click this link to register for the conference.



Click this link to register for the conference.
















Thursday, July 18, 2024

Things We'll Never Know and Never Understand

                                                                                     
Some things, like beauty, we'll never understand

     I didn’t see the attempted assassination of Donald Trump live. I heard it on the car radio, an interruption of regular programming. The announcer knew enough to tell listeners the former president’s ear had been grazed by a bullet, but initial reports said he was fine. Of course, the D.J. (I was listening to a rock ‘n roll station) said more information was still coming in. 
     He didn’t need to remind me of J.F.K.’s assassination, when preliminary reports said the president had been shot. Severity? Unknown. There was still hope. Later, news reports said President Kennedy had died. And, here we are, sixty-two years later, after piles of books, documentaries, and movies of the assassination, we still don’t know why Lee Harvey Oswald killed Kennedy, maybe R.F.K.’s investigation into the Mafia, maybe Cuba, or even LBJ’s obsession for the presidency. We’ll never know. 
     I’ve chosen not to dig into the attempted assassination of Trump, just what I hear on the news. A twenty-year-old kid (at my age a 20-year-old is a kid) climbed onto a roof of a commercial building 148 yards away from where Trump was speaking, shot several times with an AR-15 (the civilian version of a military M-16), wounded the former president, and, tragically, killed a bystander, a firefighter, we’re told, protecting his family, and left others wounded. 
     One report said the kid’s dad bought him the weapon a few days earlier. Another report said it was the dad’s weapon, and he let the kid use it to go to the shooting range. A few days earlier, the kid had purchased 50 rounds of ammunition. An AR-15, like an M-16, of which I’m more familiar from my days in Vietnam, takes a magazine, a metal container the size of a narrow paperback novel. It’s spring-loaded and holds twenty-rounds, 5.56 mm, able to penetrate a steel helmet at 500 yards (required by the Army). As each round is fired, another round springs upwards, into the chamber and closer to the firing pin. 
     The Colt Company, supposedly, recommended we didn’t fill the magazine to capacity. Better to put in 18 rounds, not so tight, and less chance of the rifle jamming, for which it was famous, many a soldier losing his life because of it. I remember seeing an image of a dead U.S. soldier, in the heat of battle, smoke all around him, his M-16 broken down, and a cleaning rod sticking out one end, notorious for jamming when dirty. News flash! Most jungles are dirty, and muddy. The U.S. military had a rock-solid contract with the Colt Company. 
     Some people said, lucky for the former president, the kid was a bad shot. I agreed the former president was lucky but, respectfully, disagreed the kid was a bad shot. Unless, he was trained, like a soldier, with the AR-15, he was a pretty damn good shot but not very sabe of weapons. Like the M-16, the AR-15 is an assault rifle, and, as our drill instructors had informed us, good for Vietnam, and guerilla warfare, because, chances were, if we made contact, the enemy would be within a hundred meters of our position, a hundred-meters, about the length of a football field, often, separated by dense jungle. We didn’t need to be good shots, just good enough to spray the jungle, single-shot or full-automatic, and kill anybody shooting back at us. 
     I knew some guys, soldiers raised in rural America, hunters, who could pick off a target at one, even two-hundred yards with an M-16. They were rare. Snipers in Vietnam never used an M-16. They chose the heavier, trustier, M-14, with a scope, accurate up to 500 yards. Some chose WWII carbines. Today, it’s high-tech, like the Remington M24, yup, a sure thing. At 200 yards, hitting a target is like a pro hooper making a layup. 
     So, I think to myself, why didn’t this kid, the attempted assassin, take a more accurate hunting rifle or carbine? Maybe he knew the AR-15’s rounds tumble when they hit targets, ripping and tearing everything inside, and upon exiting taking out damn near a body’s entire back. That’s why doctors who operate on patients after a shooting, when an AR-15 is used, especially if children are involved, often say there’s little left to stitch back together. So, maybe the kid figured even if he got close to his target that would be good enough to do the job. 
     To confuse things, politically, reports say the kid was a registered Republican who recently gave $15 to a Democratic political operation. Was he messing with us? It does make for interesting propaganda, for both parties, in today’s America, where each party is ready to pounce on the other. I will say, here, at this point in my brief meandering, I was relieved to hear the shooter wasn’t black, Latino, Muslim, Asian, gay, or in the country illegally, or we might be witnessing an ugly retaliation against the innocent. We (yes, I include myself since I tan deeply in summer), in cities across the country, have already been targeted by those who consider themselves America's gatekeepers, those who believe the myth that the country was meant only for “whites,” and, somehow, they “whites” are not immigrants. Yet even the term "white" is suspect.
     For those who think such a statement lends to some sort of racist bent, let me remind folks, Irish, Scots, Italians, Slavs, even Germans, in the past, weren’t considered “white.” In Europe, and in the colonies, they were “less than,” ripe for serving others, for turning into slaves and indentured servants. Some Europeans considered Irish “black.” The British colonists warned their brethren to stay free of the German (or Prussian) rabble who would do nothing more than taint their pure bloodline. 
     Yet, if one considers the majority of recent violence -- by recent I mean within the past ten years -- specific ethnic and religious groups have been targeted, their neighborhoods, stores, churches, temples, and mosques. Then there are the lone rebels, those who target children in schools, some, emotionally disturbed shooters, often children themselves, taking their hatred out on teachers and students they believe made their lives a living hell, the ones Alex Jones calls “fabricated,” as in none of it ever happened. It was all a hoax, like Sandy Hook, a hoax. 
     What I do believe, though, the attack on the Capital on January 6, exposed many Americans operating in the shadows, the ones who can't be designated as domestic terrorists, those committed to white supremacy or white nationalism, those who don’t think twice about using violence to meet their ends. Nobody knows who they are, until they appear.
     To call a people “vermin” is to equate them with rabid animals. To label them, collectively, as “murders” and “rapists,” is to place targets on their backs. To push conspiracy theories, about child sex plots in pizza parlors, and Jewish space lazars, sets the crazies free. 
     Yes, I know, some argue, like with “love,” all is fair in “politics and war.” The vile language is simply part of the propaganda, whether the person believes it or not. You can say anything to win. If you can’t stand the heat, get out of the kitchen, kind of thinking. 
     Was there something someone said about Mr. Trump, something hateful, wildly hyperbolic, or even poignant that resonated in the head of his possible assassin? We’ll never know. Maybe he just wanted to make a name for himself. So much we’ll never know, not really, like why they executed Jesus, Socrates (though he chose his own poison), Abe Lincoln, JFK, MLK, RFK, or Malcolm X. Yeah, we know what “they” told us, what “they” wanted us to know, thought we could handle, or how our competing religions interpreted in verse, as in Jesus’ case. 
     So many secrets we’ll never know, like why some assassinations fail, why some live and some die? Maybe some just aren't martyr material. Malcolm X might have gotten closest to the truth when he said, after President Kennedy’s assassination, “The chickens have come home to roost.” Another way of putting it, I guess, is "you reap what you sew." Is there some sin deeper in our society that we're missing, that our leaders keep from us?
     What gives me hope is what I’ve experienced, wherever I’ve travelled in this country, and outside of it, are that most Americans, regardless of our differences, are accepting, decent people who want the best for each other, will, sometimes, die for each other, as I saw in combat. That’s something we must hang onto.

Wednesday, July 17, 2024

The Sons of El Rey


By Alex Espinoza 


Publisher: ‎Simon & Schuster 

Language: ‎English

Hardcover: ‎384 pages

ISBN-10: ‎1668032783

ISBN-13: ‎978-1668032787


A timeless, epic novel about a family of luchadores contending with forbidden love and secrets in Mexico City, Los Angeles, and beyond.

Ernesto Vega has lived many lives, from pig farmer to construction worker to famed luchador El Rey Coyote, yet he has always worn a mask. He was discovered by a local lucha libre trainer at a time when luchadores—Mexican wrestlers donning flamboyant masks and capes—were treated as daredevils or rock stars. Ernesto found fame, rapidly gaining name rec­ognition across Mexico, but at great expense, nearly costing him his marriage to his wife Elena.

Years later, in East Los Angeles, his son, Freddy Vega, is struggling to save his father’s gym while Freddy’s own son, Julian, is searching for professional and romantic fulfillment as a Mexican American gay man refusing to be defined by stereotypes.

With alternating perspectives, Ernesto and Elena take you from the ranches of Michoacán to the makeshift colonias of Mexico City. Freddy describes life in the suburban streets of 1980s Los Angeles and the community their family built, as Julian descends deep into our present-day culture of hook-up apps, lucha burlesque shows, and the dark underbelly of West Hollywood. The Sons of El Rey is an intimate portrait of a family wading against time and legacy, yet always choosing the fight.


Review

“One cannot help but be drawn into The Sons of El Rey. Alex Espinoza has drawn rich, fascinating characters and offers a detailed picture of Mexico at a politically turbulent time and Los Angeles at key moments in its recent history. In his novel, lucha libre is not only a cultural phenomenon, it is also a powerful metaphor for masculine power as a mask covering complex feelings of inadequacy. Through the rich family saga he has created, Espinosa also explores various forms of male love: paternal, companionate, and erotic.” —NEW YORK JOURNAL OF BOOKS

"Full of powerful unfolding revelations, The Sons of El Rey has claimed its title as the great American lucha libre novel."—CAROLYN KELLOGG, Pittsburgh-Post Gazette

“The seamlessly interwoven story lines bring each character to vivid life, and Espinoza shines in the lucha libre scenes... This is a knockout.” —PUBLISHERS WEEKLY

“Tender and revelatory… Espinoza's prose hits with raw emotional power.” —SHELF AWARENESS

“From rural Mexico to Ajusco, the outskirts of Mexico City to Los Angeles, their stories unfold in surprising ways.” —BOOKLIST


Alex Espinoza was born in Tijuana, Mexico, and raised in suburban Los Angeles. He is the author of the novels Still Water Saints and The Five Acts of Diego León, as well as a book of nonfiction, Cruising: An Intimate History of a Radical Pastime. Alex teaches at UC-Riverside where he serves as the Tomás Rivera Endowed Chair of Creative Writing.