Tuesday, September 08, 2026

Origin of the Gluten-free Chicano, Quiche for Real Gente

2026 Hatch Chile Season: The Gluten-free Chicano’s 2018 Debut

Michael Sedano

My Barbara had been diagnosed with Dementia of the Alzheimer’s type earlier that year, 2018, and the full impact of the disease had not struck me. I was all “la – dee – dah” about the future, or lack thereof. At least in writing. I remember the meeting with the neurologist. As he described the progression I doubled up in my chair and cried, “I don’t want to lose her!” Barbara, the doc, and our daughter looked at me unable to offer the slightest consolation.

Time

All we had was Time. I always capitalize “time” in context of the dementia. Alzheimer’s people have only Time; no hope, no cure, no treatment. Time to change the medications. Time to deal with progressive changes. Time to remember. Time to rue what inevitably happens. Time happens then after-Alzheimer’s time begins.

I write because it’s hard to cry when you don’t want to pay big bucks to repair a keyboard. I write because writing is therapy, an escape and a confrontation. I write because writing is preferred to shaking one’s fist at the unfeeling universe who would answer that unasked question, “why not you?” “why not her?”

So I wrote about other matters and invited my alter ego, The Gluten-free Chicano, to take over from my reality-avoiding self. Following the reprise, with updates, of that 2018 dismal day, I share a 2026 gluten-free chile relleno quiche recipe.  

 

One peeled chile, freeze the rest.

Gluten and Edible Comestibles 2018

Gluten is another word for fearful dining. I’ve read some people go to restaurants with cards explaining everything and hand these to waitstaff. My way relies on a canned answer to what’s it gonna be? “I cannot eat anything that has flour or wheat. Can you please alert me if I order anything with flour or wheat?”

 

People with gluten allergy get sick when they consume wheat, barley, rye, and US-grown oats. Rice, corn, and potatoes are fine food for most people with the gluten bug. Certain gente who eat food contaminated with wheat, their bodies start itching incredibly, maybe they throw up and get horrid stomachs. One time a restaurant served me champurrado—that’s supposed to be safe--and my throat swelled up just enough to distract my attention from the maddening itch.

 

Gluten intolerance—the worst is celiac disease--appears to be a growing condition in America. The gluten-free foods industry, inclusive of magazines, runs strong from Canada to Argentina. I was delighted when an Italian restaurant in Montréal on a visit in 2010 served gluten-free pasta. The newsstand on Soto sells at least one Argentine celiaco magazine. 

 

 

Foodstuffs & Mexican Cooking

Dad's Redlands, Ca Horno


Everything a chicano cooks is chicano food. When I make a baloney sandwich, for example, I slather Best Foods mayonnaise on a leaf of lettuce, lay down two slices of Oscar Mayer and a sliced tomato, slather Morehouse mustard on a second leaf of lettuce, and that’s a Gluten-free chicano baloney sandwich. 

 

La Bloga won’t practice culinary nationalism. Note, however, among the many beauties of chicanexican cooking is its naturally gluten-free ingredients. The Gluten-Free Chicano cooks traditional preparations as well as gluten-free adaptations of fare such as chiles rellenos, soufflé, pankekis.

 

gluten-free individual cheese soufflées

 

 

Restaurants & Eateries

 

Restaurants & Eateries fall into four groups of gluten awareness: 

Never Mind, just a salad.

Bad Dog!

Right Attitude…

Please, May I Have Some More?

 

Time brings change. In the best way, for celiacs and the gluten-intolerant populace. Nowadays restaurants carry a “gf” bug on the menu, and good places will alter a dish, like chicken piccata, to serve a welcome gluten-free version. That said, the four restaurant categories accurately describe the gluten-free eating taxonomy. in 2026

 

Never Mind, just a salad. 

These are noodle houses, pizza parlors, bakeries, places featuring deep fried breaded entrées. A green salad or such is likely to be uncontaminated. Eat elsewhere is usually the better choice.

 

Bad dog!

A significant majority of restaurants and food workers handle food questions with professionalism. Establishments who employ eye-rollers or exasperated tipas tipos are bad dog! places, as are those who ought to do better but fail.

The price of dining at Disney Hall shouldn't include allergic reactions, but this was the possibility at St. Valentine's dinner at Patina. One ingredient looks like black pearl barley to me, so I ask the order taker, who informs me most snottily, "Sir, that is a 'legume.'" That's not information, so I request he ask the chef what kind of 'legume' this might be. The waiter instead repeats his know-nothing response, this time more forcefully. "Sir, as I said, it is a 'legume.'" Please ask, I insist. The fellow disappears for a moment, returns exasperatedly and repeats the legume tale again. I doubt the fellow asks the chef. Diners should not be paying a hundred bolas to be poisoned by ignorant staff. Bad dog!, Patina. 
(Patina is a now-defunct eatery, Michelin star notwithstanding.)

 

Egregious surprise was in store the final time I visited the trop chèr Ruth’s Cris Steak House in Pasadena. I’d enjoyed Ruth’s Cris meals in Vegas, Houston, and Phoenix and welcomed the chain to the neighborhood. I was especially encouraged that the newspaper advertisement touted Ruth Cris' gluten-aware menu and staff. 

 

I compliment the waitstaff on the restaurant’s gluten-adverse advertising, advised the person of my need for gluten-free ingredients, and order. The salad arrives with croutons. When the steak arrives it has a pat of butter on top. I ask if that is just butter and the chastened waitstaff checks. He returns to whisk away the steak—the butter has flour. Bad dog!, Ruth's Cris Steak House.

 

One theme restaurant menu touts a gluten-free version of its double chocolate brownie hot fudge volcano delight dessert. Dang, that sounds pretty tasty until the waitstaff clarifies the gluten-free version is ice cream and a different chocolate sauce. Bad dog!, Claim Jumper. (Claim Jumper in Arcadia is now closed).


Maybe these places have improved. I doubt I'll ever return to find out.

 

Right attitude.

An attitude is a predisposition to act one way rather than another. But attitude is not action.

A restaurant in trendy Eagle Rock emails invitations to come dine on its imaginative Mexican food. The majority of delectables include a wheat ingredient. I complain. The advertiser replies almost immediately with a “you're not the only one so we’ll look into it”. A ver, if CaCao Mexicatessen follows through on its right attitude.
 (I never got answered, and after a single visit, didn't return to CaCao, the attitude stunk. I saw you the first time, sabes?)

 

 

Please, may I have some more?

P.F. Chang’s is a celiac’s dream restaurant. A separate gluten-free page in the menu, trained staff, gluten-free tamari sauce. For all I know P.F. Chang's kitchen has a space reserved for gluten-free food prep. (This restaurant closed its Pasadena location around 2024.)


Food4More, aka Whole Foods, sells gluten-free pizza in the comida corrida section and Bard's beer in grocery. Von's and Ralph's now have a gluten-free freezer section for fake breads and cookies. (Bard’s beer is no longer marketed on the west coast but finished high in La Bloga’s gluten-free beer tasting, https://labloga.blogspot.com/2011/10/gluten-free-chicano-diga-me-on-line.html.)

Domenico's in north Pasadena sells a chewy gluten-free take-out. The restaurant charges up-a-size for a medium gluten-free garbage pizza. So it goes. (Domenico’s 
sells the region’s best antipasto salad. Settebello sells the world’s best gluten-free pizza.

DISH in La Cañada deserves special mention for a single experience. After years of waitstaff impatient with questions, or blank stares from dumbfounded food workers unaware of gluten allergies, DISH employed a woman who exclaimed, “My Dad Is gluten-free!” Nonetheless I ask her to alert me if I order anything with wheat and she practically hugs me in reassurance. A hug for the Old Guy. (I recently dined at DISH and it’s improved 1000% and it was already top-notch!)

 

2026: El Gluten-free Chicas Patas Bakes Chile Relleno Quiche

Photos by Bull Cook Thelma T. Reyna

Peel and de-seed.

Don't be too particular about seeds.
Peeling chiles can be a personal experience, but the best method is a big pachanga, like Alfredo Lascano's popular La Pelada (link)

Peel and de-seed roasted chiles. I eschew the gloves when the chiles are sweet/mild variety. I also taste first to ensure the chiles are the less-picoso variety.

2. Prepare the crustless quiche mix. Quantities depend on volume. 3 or 4 eggs to a cup and a half or two of milks.

a.        Milk, half and half, sour cream, or crema Mexicana  (table cream or agria).

b.        Blanquillos beaten to a frothy joyousness.

c.        Chopped chiles.

d.        Quesos – cheddar and jack or mozzarella.

e.        Salt, pepper, cayenne.

f.           Fresh jitomate.

g.         Onion option. Mix chopped with the milk and/or add rings to the bottom and top.

An electric beater serves well.

 In advance, preheat oven to 350º and grease up a baking dish. Buy gluten-free beer (link). Mejor, Korbel Natural Champagne.
Choose a pie dish for your quiche. Fill it to within an inch of the rim with measured water to define your volume.

Chiles and cheese as a base for the custard.

4.        Lay chiles rajas (or chopped or both), topped with cheese, grated or sliced, in the prepared dish.

5.        Pour over the quiche mix.

6.        Place jitomate slices and sliced onion atop.

7.        Decorate with rajas and cheeses.

Measured liqid fills just below the rim.

8.        Bake on a cookie tin for 40+ minutes. A quiche is done when it doesn’t jiggle a lot when shaken, or when a butter knife blade emerges clean from the middle (not the edge).

Careful not to spill and slide into the heat.

The entire dish loads you with less than 30g carbohydrates. It's gluten-free and diabetic friendly. Provecho.

Sunday, September 06, 2026

De _Hudson_ Poema 1 por Xánath Caraza

De _Hudson_ Poema 1 por Xánath Caraza

 

Xanath Caraza

1.

 

Desde la muerte nace la luz:

en sus espesas aguas

se enreda la niebla.

 

El tiempo se fractura

con la corriente y

Caronte abre los brazos.

 

Xanath Caraza

1.

 

Out of death is born the light:

fog entangled

in its heavy waters.

 

Time is fractured

upon the current and

Charon opens his arms.

 

Xanath Caraza

Ambas versiones del poema 1 son parte de la colección bilingüe Hudson (Editorial Nazarí, 2018) de Xánath Caraza. Traducido al inglés por Sandra Kingery. Hudson recibió Segundo Lugar como Mejor Libro de Poesía en español por un autor en 2019 para los International Latino Book Awards: Second Place: “Best Poetry Book—One Author—Spanish”, 2019 International Latino Book Awards. Imágenes por Xánath Caraza.

Hudson by Xanath Caraza

 
Xanath Caraza

Saturday, September 05, 2026

Noir day or night

Special Dispatch for Labor Day Weekend: A Pre-Order Opportunity

La Bloga columnist Margaret Elysia Garcia sends this video for your appreciation. Garcia is author of the El Martillo Press collection, Chicana Noir and Other Stories,"> coming October 2026. Pre-order at the publisher's website (link here).

Chicana Noir might not be familiar to some readers, whereas "noir" has long been a staple of publishing, and a La Bloga favorite genre, e.g. Akashic Books' cityname noir series: https://labloga.blogspot.com/2015/10/review-chicago-noir-classics-news-on.html

Preview readers lavish compliments upon the writer and her stories. For example, Jesus Salvador Treviño observes, ""Margaret Elysia Garcia’s writing is enthralling, introspective and honest. In Chicana Noir and Other Stories, she elevates commonplace people and events and infuses them with metaphoric and, at times, horrific meaning."

Ariel Gore shares her view that ""In Chicana Noir and Other Stories, the real horror isn't supernatural—it's adjuncting without health insurance. From the fever dream of "Chicana Noir Story #1" to the revenge fantasy of "The Last Cruise," Margaret Elysia Garcia writes with the urgency of someone who knows that survival itself is resistance. Garcia's narrators exist in the margins"

From El Martillo's website, "Macondo fellow Margaret Elysia Garcia is the author of the poetry collection the daughterland (El Martillo Press, 2023), of the short story collection Graft (Tolsun Books, 2022), and the poetry chapbooks Iconistas!, and Burn Scars, (Lit Kit Collective, 2025, 2022). She’s the co-editor of the anthology Red Flag Warning: Mutual Aid and Survival in California’s Fire Country (AK Press, 2025). Her second short story collection Chicana Noir and Other Stories will be published in 2026 by El Martillo Press. She's the recipient of Chapman University's non-tuition fellowship for Creative Writing."







Thursday, September 03, 2026

Chicanonautica: Making Ancient Chicano Sci-Fi Wisdom New and Improved

by Ernest Hogan



Look out, aspiring writers and seekers of knowledge, I will be committing a series of deliberate acts of unregistered education again at the Fall 2026 session of the Palabras del Pueblo Writing Workshop, on the Saturdays and Sundays of October 3-4 and 10-11, on Zoom, so you can do it in your pajamas or underwear, though I plan on wearing a nice shirt. 


This time I’m calling it New, Improved, Ancient Chicano Sci-Fi Wisdom.



So, why make the Ancient Chicano Sci-Fi Wisdom new and improved? 


Well, it’s because it’s got ancient roots, it’s working on the future and constantly mutating.


I was going to say “evolving,” but that’s a slow process, and what’s happening with all things Chicano lately is sudden and unexpected. ¡SAS! Like a loose gamma ray zapping a DNA sequence causing something . . . weird.


You’ve probably noticed that these aren’t great times for Chicanos. Not only are Hollywood and New York avoiding putting out creative works on the diverse global market and making us rich and improving the overall quality of life and culture for the human race, but we are under attack.

 

There. I said it. I shouldn’t have to go into details-just plug into a random news source . . . 


Meanwhile, we still have these incredible imaginations because of the complex, constantly changing cultural mix that we . . . are. I’ve been doing it most of my life. Chicano is a sci-fi state of being. Xicanxfuturism refuses to die. Ciberbandidos arise . . .



My bizarre experiences have taught me, and I need to help those who dare to write while part of the Latinoid continuum. I’m one of the more successful Chicano writers of my generation. I don’t have any secret formula for writing success, but I have a career beyond the expectations of most of the people I know. I learned a few things along the way.


I also try to keep it entertaining.


My warped brain will also be available for picking while I create a new story over the two weekends and share my unconventional creative processes.


Yeah, I meant it to be plural.


And I’m not giving up on creating new worlds.


From the markets of Teotihuacán to the farthest edges of the Intergalactic Barrio.


Some find it inspiring.


So sign up now!



Ernest Hogan is trudging through this infernal summer, besides the abovementioned class, Xicanxfuturism: Gritos for Tomorrow / Codex II finally has an official publication date–December 15, 2026!--so get ready for another Paco Cohen, Mariachi of Mars adventure, as well as some interesting things brewing in the University of New Mexico. Stay tuned ciberbandidxes! (Pronounce that ciberbandidEQUISES.)


Wednesday, September 02, 2026

My Home Is in My Backpack -Mi casa especial

 


Written by Eugenia Perrella

Illustrated by Angela Salerno 




Publisher: Floris Books

Publication date: October 7, 2025

Language: English

ISBN-10: 1782509259

ISBN-13: 978-1782509257

Reading age: 4 - 7 years



A Chicago Public Library Best Picture Book of 2025


Clara and her family are forced to leave everything behind in this poignant but hopeful story of forced migration, told through the eyes of a young refugee.


"We all carry our special homes with us – in our backpacks and pockets, and in our hearts."


Every day Clara and her family walk a long way. Sometimes they talk and joke, sometimes they must hide and keep silent. At night, in their village of tents, Clara visits her new friends to hear about their special homes: the things that light up the darkness for them.


But Clara hopes someday soon their journey will end, and she can put down her backpack and find a safe place for her special home to stay.




Publisher: AMANUTA

Publication date: January 1, 2020

ISBN-10: 9563643151

ISBN-13: 978-9563643152

Item Weight: 9.5 ounces

Reading age: 10 years and up



Con su mirada inocente y a la vez profunda, Clara nos cuenta el largo viaje que emprende junto a su familia. Nos relata con una sensibilidad mágica la historia de su migración. Mientras avanza por selvas, ríos y caminos difíciles, ella descubre que no ha perdido su casa, sino que ahora tiene una casa especial. Siente que lo esencial viaja con ella, porque hay cosas que ni el tiempo ni el lugar pueden cambiar. Y comprende que cada uno, a su manera, tiene su casa especial. En este instante, mientras leemos estas líneas, hay niños y niñas que marchan, caminan sin pausa en busca de un lugar mejor. Muchas veces encuentran, aunque otras tantas el camino se hace largo y difícil. Por eso, esta historia, en la que lo valioso muchas veces es intangible y lo verdadero abraza con el sentimiento más puro, intenta honrar la valentía de todos esos niños y niñas. Deseamos con absoluta esperanza que, con sus ojos mágicos y corazón virtuoso, puedan refugiarse en su casa especial.





Review


'Both poignant and buoyant: a touching tribute to love and the endurance of the human spirit.'—Kirkus Reviews, Starred Review


'A family's forced migration prompts a new way of seeing home in this sensitively rendered tale of change. Arresting.'—Publishers Weekly, Starred Review


'A superb book that evokes empathy for families facing forced migration, examining the topic in an accessible way for children.'—BookPage, Starred Review


'The text, smoothly translated from Spanish, addresses a difficult topic in a hopeful, accessible way but touches on the journey's difficulties.'—Horn Book




Eugenia Perrella is a journalist and children's author from Buenos Aires, Argentina. She specializes in international news and brings her passion for keeping others informed into her writing for children. Eugenia is the author of more than a dozen children's books.


Angela Salerno is a graphic designer and illustrator from Argentina, whose work often highlights social justice issues. Angela has illustrated several children's books. She lives in Valencia, Spain.