Wednesday, August 19, 2026

Welcome Home, Esmerelda- Bienvenida a casa, Esmerelda

Written by Daniela Ramirez

Illustrated by Maribel Lechuga



*Publisher: Charlesbridge

*Print length: 32 pages

*ISBN-10: 1623543908

*ISBN-13: 978-1623543907

*Reading age: 5 - 8 years

*Grade level: 1 - 4



From a military family, Esmerelda discovers that home is where she's always welcomed—thanks to music, dance, and the big, unconditional love from her extended family. 


An ideal picture book for kindergarteners and 1st graders who are moving, need reassurances during a transition, and could use the reminder that home is family.


Papa's job in the military has taken Esmerelda and her family all over the world—and yet she's never lived in the United States. Now she and her family are moving to San Antonio, Texas.


Although many of her extended family members live there, Esmerelda is unsure it'll feel like home. Even more, she's unsure she will fit in. Gradually, music and her sweet abuela spark bravery and the realization that home is not always a place—it's familia.


Heartwarming and hopeful, Welcome Home, Esmerelda will provide reassurance to any kid that while moving and change are difficult, you have the support of loved ones to help you through it.




Edición en español! Proveniente de una familia militar, Esmerelda descubre que el hogar es donde siempre es bienvenida —gracias a la música, la danza y el gran amor incondicional de su familia extendida.


Un libro ilustrado ideal para niños de kínder y primer grado que están mudándose, necesitan consuelo y seguridad durante una transición y que pueden beneficiarse de recordar que el hogar es la familia.


El trabajo de Papá en la milicia ha llevado a Esmerelda y a su familia por todo el mundo. Sin embargo nunca ha vivido en los Estados Unidos. Ahora ella y su familia están mudándose a San Antonio, Texas.


Aunque muchos miembros de su familia extendida viven allí, Esmerelda no está segura de que se sentirá como en su casa. Incluso, no se siente segura de que encajará. Gradualmente, la música y su dulce abuela despiertan su valentía y la ayudan a entender que el hogar no siempre es un lugar: es la familia.


Conmovedora y esperanzadora, Bienvenida a casa, Esmerelda proveerá tranquilidad a cualquier niño, mostrándole que, aunque las mudanzas y los cambios son difíciles, cuentan con el apoyo de sus seres queridos para ayudarle en la transición.




Review


A warm and relatable tale told with heart. —Kirkus Reviews


Moving and reassuring choices for picture book collections, especially for libraries serving military families and children experiencing big moves, these titles will capture readers’ attention with beautiful imagery and writing, and their hearts. —School Library Journal


Spanish words peppered into the text add warmth and cultural authenticity. Ramirez succeeds in sharing a warm reflection on family and the sacrifices of service members and their families. An author’s note about military families concludes. —Booklist




Daniela Ramirez has a passion for writing books for children. She is Mexican American and excited to share her culture. Daniela loves writing Latine characters and wishes to inspire her own children. She is married to her college sweetheart, is a military spouse, and currently resides in New Mexico.


As a child, Maribel Lechuga spent every quiet hour of the day drawing. She studied illustration in art school in Madrid and is now the illustrator of many children's books, including, Night Owl Night, Ten Beautiful Things, and Seaside Stroll. Maribel loves the environment and animals and recharges her batteries by hiking through the Spanish hills. www.maribellechuga.com







Tuesday, August 18, 2026

Sublime Sculpture Setting For Sublime Poetry

Studio 347: What's In A Name?
Michael Sedano

The poster arrives like many other posters; a line-up of poets, a date and time, a place. An unobtrusive nearly transparent image holds the background. “Poetry  Salons” the title says, and the names: John Martinez, Natalie Sierra, Matt Sedillo, Margaret Elysia Garcia, Francisco Letelier, Yasmin Cardona. 

Juan Carlos Muñoz Hernandez, curator of the Graham archive, offers a message of welcome

Through an Hernandez sculpture with magenta colored eyes

That’s a sublime lineup of some of Southern California’s premier voices. The afternoon’s reading proves exactly that. Letelier opens the reading—he leaves for another event. 

Francisco Letelier



John Martinez not only reads, he's brought tamales and birongas--and water for gente who prefer cool clear water.

John Martinez reads in Spanish and others in English.


MC Matt Sedillo calls the readers in the order listed on the poster.  Natalie Sierra, Poet Laureate of Pomona, Califas, reads from her novel, Beyond the Grace of God (link). 




Sedillo pulls a surprise out of his hat—maybe Matt knows there’s extra time on the event since Cardona is not in attendance—and he invites selected audience members who are poets to come up and share something impromptu.

It’s a delightful twist on the standard poetry reading. All the surprise invitees perform with aplomb and find warm welcome from the audience. Indeed, the gente gathered today are good friends and the spirit of camaraderie infuses the readings with love for poetry and one another.

Thelma T. Reyna, La Bloga's Friday columnist with Melinda Palacio.


Thelma T. Reyna, Altadena Poet Laureate Emerita, ever the consummate professional, hasn’t brought her poetry and recites a Shakespearean sonnet from memory. Roberto Leni steps up, he’s brought a few pages from a work in progress. Abel Salas arrives after the readings have started. Sedillo calls him to the front. Matt’s partner in publishing, David Romero, works from memory. A seasoned performer a la brava, Romero provides thoughtful amusement.


Margaret Elysia Garcia's dynamic reading is a highlight of the afternoon 

Margaret Elysia Garcia—La Bloga’s newest Bloguera who takes the Saturday/Weekend edition—offers an understatement by way of prologue, “You know I have a sense of humor?” 

Litotes has never been higher! 


Matt Sedillo is CEO of El Martillo Press

As Sedillo winds up an introduction to the next poet, audience members protest, “Dude, you’rek introducing yourself?” And David Romero seizes the lectern and gives Matt Sedillo a formalish introduction. Romero and Sedillo are partner publishers of El Martillo Press. The readers today are El Martillo authors.


David Romero performs for university audiences across the nation. 

Sedillo wows ‘em, reciting from memory and doing what speech coaches recommend, don’t get stuck behind the lectern. Sedillo leaves the mic and steps into the space between listeners and speaker. It’s a dynamic way to own the platform entirely. It’s clear Matt has done this before. It’s a sublime move to cap off the wondrous event in this wondrous space.



Abel Salas

Roberto Leni

From the street outside, the anonymous building appears unremarkable. But inside, ay de mi. The space, Studio 347, houses sculptor Robert Graham’s maquettes and a few finished gems.  

Los Angeles landmarks and Graham’s work are synonymous. The male torsos that adorn the peristyle of the Los Angeles coliseum hang from the ceiling. Elements from Graham’s Mary door at the LA Cathedral, figures featured on the plaza of the Music Center. 

In bronze, this torso greets visitors to the LA Coliseum 

A marian figure installed at the cathedral. Not all Marys are Guadalupe.

Several lucite sculptures and a brass assemblage are work of the gallery curator and Graham’s mentee Juan Carlos Muñoz Hernandez. Juan Carlos greets the visitors, invites them to photograph the sculpture, including a multicolored assemblage he completed just in time for these visitors. Hernandez’ brightly colored work provides an interesting counterpoint to Graham’s subdued tonalities.

One woman, Corrina Corrina, shares her enthusiastic review of the afternoon’s writing:
Corrina Corrina
“All the poets rocked. The women had a personal voice that spoke to me with a soft feminine tone that spoke so softly loud from Shakespeare to punk Rock Band and sexy head wrap cleavage vanilla cream colored feminine touches ! I love how boldly soft they spoke . So much sweeter than I remember from 70’s-90’s female poets. Very pleasing, like watermelon.”

Watermelon-eaters Sedillo, Michael Sedano, Thelma T. Reyna, David Romero

News & Notes
La Bloga welcomes guest columnists and is happy to share information on upcoming events in your region, such as this announcement from the venerable LA Poet Society: 



https://www.lapoetsociety.org/

Click on the fotos of Blogueras Blogueros at the top of the column to email La Bloga Editor Michael Sedano with your ideas and announcements.

Sunday, August 16, 2026

Elvira Barbosa’s _Nadja’s Secrets_ by Xánath Caraza

Elvira Barbosa’s Nadja’s Secrets by Xánath Caraza

 

Elvira Barbosa

Of Elvira Barbosa

Elvira Barbosa is a professor at the Federal University of Technology – Paraná (UTFPR), Apucarana Campus, Brazil, and a researcher specializing in linguistics and literary studies. As a novelist, she is also deeply interested in Brazil’s cultural memory and the ways in which history continues to shape contemporary society.

 

Drawing on her family roots in the Brazilian states of Minas Gerais and Bahia, Barbosa brings both emotional sensitivity and historical precision to her fiction. Her work explores the complex dynamics of power, memory, and identity with particular attention to the social structures that have shaped—and continue to shape—Brazil.

 

Nadja’s Secrets, her debut novel, weaves together literary fiction, social critique, and psychological depth. Through the voices of women and other figures marginalized by official history, the novel illuminates the contradictions, silences, and enduring emotional legacies that pass from one generation to the next.

 

She lives in Paraná, Brazil, where she teaches, conducts research, and continues to write literary fiction.

 

Nadja's Secrets by Elvira Barbosa

Of Nadja’s Secrets by Elvira Barbosa

 

Raised to value elegance, propriety, and unquestioning obedience, Baroness Nadja grows up believing that silence is the highest virtue. But beneath the polished surface of aristocratic society, she discovers a world sustained by hypocrisy, quiet cruelty, and carefully performed respectability.

 

Trapped in a marriage to a vain and socially admired man, Nadja begins to see what others refuse to acknowledge: affection can conceal violence, beauty can disguise corruption, and prestige often depends on the suffering of those without a voice. As her awareness deepens, the greatest struggle is no longer against the people around her, but against the expectations that have shaped her entire life.

 

Rather than relying on dramatic twists, Nadja’s Secrets builds its emotional power through psychological depth and quiet revelation. At its heart lies the conflict between appearance and truth, love and convenience, power and compassion, all seen through the clear-eyed, melancholy perspective of a woman who can no longer ignore what she has learned.

 

A richly atmospheric literary novel exploring vanity, family silence, inherited privilege, and the devastating cost of preserving appearances. Nadja’s Secrets asks how much injustice a respectable society can conceal—and what remains when beauty itself becomes monstrous.

 

Elvira Barbosa

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Friday, August 14, 2026

The Laureate Fountain

Celebrating an Unsung, Pioneering Poet Leader, Pauline Dutton

Thelma T. Reyna

In the thriving, bustling poetry mecca of Southern California, particularly the greater Los Angeles area, there is no shortage of poet leaders, those poets of substantial influence and followers whose renown transcends the boundaries of maps:  L.A. Poets Laureate Luis Javier Rodriguez and Lynne Thompson, for example. Today I celebrate an unsung leader, a small-town head librarian whose pioneering vision of integrating poetry into the fabric of her community helped transform it into a little mecca of its own.






















This poet leader is Pauline (Pauli) Dutton, and the small town she tilled, seeded, and nurtured into a poetic gem is Altadena, a picturesque home to writers, artists, and musicians nestled in the foothills adjacent to Pasadena. Engulfed by the calamitous wildfires of January 2025, stalwart Altadena still stands, rebirthing. Predictably, the town turned to poetry to document and mourn its devastation by flames.  This collective catharsis of anger, grief, and resilience became another annual anthology, another byproduct of Pauli Dutton’s early cultivation. 

The Altadena Poetry Review: Anthology 2026 continues 21 years of Altadena poetry anthologies first started under Pauli’s leadership: the first 10 under her tenure as founder and Altadena Library District Director; and 11 years under my editorship and/or publication of it via Golden Foothills Press. Collectively, all these anthologies represent the depth and breadth of Pauli’s commitment to nurture and expand access to poetry, and visibility of its power and beauty. She blazed new trails by engaging like-minded community members as follows:

In 2003, Pauli established the now-renowned “Poetry & Cookies Reading Event,” an annual gathering of diverse poets from throughout SoCal reading their poems to packed audiences.  This event has run continuously since 2003, including via Zoom during Covid.

In 2004, Pauli established the first local anthology, Poetry & Cookies, and produced it unfailingly for 10 years until she retired. (It was replaced by the Altadena Poetry Review: Anthology in 2014.)

In 2006, she founded the Poet Laureate Program, which continues unabated to this day, with some Altadena Laureates distinguishing themselves on the national stage of poet leadership. Fourteen diverse poets, to date, have held this distinction.

When Pauli retired in 2014, she could have “rested on her laurels,” as the old saying goes, since these programs she created were well-received and firmly established. Instead, she remained in her role as leader of the Poet Laureate Selection Committee, insuring that Laureateships continue. She remained devotedly engaged in the readings, workshops, committees, and festivals that were and are hallmarks of Altadena’s loving embrace of poetry writ large. Pauli Dutton’s  influence and legacy continue to inspire us. May these continue to flourish unabatedly. (For more details, visit https://www.altadenalibrary.org/poetry)

# # # #

ABOUT THE ALTADENA POETRY REVIEW: ANTHOLOGY 2026

Lester Graves Lennon holds his editorial magnum opus

This collection, edited by Lester Graves Lennon, showcases 180 poems of varying styles, themes, lengths, and formats by 158 culturally-diverse poets primarily from Southern California, but also from across the United States and internationally.  Authors include past and present Poets Laureate of local, regional, and state levels, including two Los Angeles (CA) Poets Laureate, Luis J. Rodriguez and Lynne Thompson. Some poets are at the beginning of their careers, but most are experienced authors with publication experience and name recognition. Many are award-winners at local, regional, and higher levels; others are affiliated with colleges and universities; and others are mentors and poetry leaders in their communities.  Overall, the poets published in this anthology are distinguished and markedly skilled in their art.

Advance praise of this anthology underscores the depth of sentiments expressed in the poems, especially compassion, humanity, strength, and resilience regarding the "fire poems" in the book: poetry bearing witness to the devastation caused by the horrific wildfires that swept through Altadena, CA, on January 7, 2025, one of the most destructive fires in California history. This anthology attests to the human will to overcome, to be reborn, and it does so with poetry that is lyrical, solemn, thought-provoking, insightful, and full of heart and soul.

Thursday, August 13, 2026

Seven Years after El Paso

Like most Americans, I’m sickened when I hear about another mass shooting. Since the massacre at a Walmart in El Paso, Texas, in 2019, it’s become more real whenever I enter Northgate Market, a super Mexican grocery store between Culver City and Venice, California, a store noticeably less crowded since the ICE raids started. The shooter at a El Paso Walmart killed 23 people, young and old, mostly Mexican Americans and Mexican immigrants. He admitted, outright, he drove hours from his home to kill Mexicans and immigrants. On his website, he wrote, “This attack is in response to the Hispanic invasion of Texas.” Obviously he doesn't know history. Texas was always majority Mexican until the White settlers invaded after the Treaty of Guadalupe Hidalgo. In the earliest Texas census, Mexicans were considered "White," confusing, so no one knew the exact number of Mexicans in the state.Even today, the majority is split just about 40-40 percent, between Mexican/Latino and White. After the El Paso shooting, many of my Facebook “friends,” third and fourth generation Mexican, were posting they were shaken and saddened by the tragic event, uncomfortable to use the word "racist." For me, it was a wakeup call. The violence is now closer to home, reminding me how some of our radicalized fellow Americans have placed Mexicans/Latinos in their crosshairs. I suppose it isn't anything new. In 1848, the U.S. government forced Mexico to sign the Treaty of Guadalupe Hidalgo, ceding more than 50% of its territory to Washington, agreeing to the Rio Grande as southern border, and accepting $15,000,000 in compensation, in what Ulysses S. Grant dubbed, “One of the most unjust [wars] ever waged by a stronger against the weaker country.” It’s the war Henry David Thoreou protested when he refused to pay taxes and was thrown into jail. White “settlers” came west, in droves, some bringing their slaves, many bringing a White Supremacist “slave mentality.” Though slavery had been outlawed in Texas, "racism" had not. The settlers, usually supported by law enforcement, usurped Mexican lands, jailed and executed anyone who complained or defended themselves and their families, and introduced “Juan Crow,” essentially treating Tejanos as de facto slaves. If Tejanos retaliated or organized insurrections, like in 1915, when it was rumored that Mexican, Chinese, and African Americans started the “Liberating Army for Races and Peoples,” possibly a ruse for highway robbery, the raiders killed three White Americans, under something called El Plan de San Diego, to kill all White males over sixteen and take back the Southwest, a notion one judge called, "more lunacy than insurgency.” The small group did send fear through settlers as they ripped up railroad tracks, telegraph lines, and burned bridges. The U.S. Army intervened and sent in 4,000 troops, supported by the Texas Rangers. Vigilante "settler" groups spawned and took the law into their own hands. In a matter of days, they executed 300, mostly Texas Mexicans, guilty or not, lynching and burning, what people in south Texas referred to as La Matanza, a time of terror. Accoring to historian Kelly Lytle Hernandez, in her book Bad Mexicans, Race, & Empire in the Borderlands, scholars estimated, in the subsequent years, as many as 5,000 Mexicans were killed, probably more, their corpses tossed into the deserts and the Rio Grande. It's an uncomfortable history, and one rarely told. On Facebook, many blamed Donald Trump’s rants against immigrants as the catalyst that drove the shooter to execute so many innocent people in the El Paso Walmart. Others argued, “words don’t commit murder, people do,” so, to hold Trump responsible is playing politics. “Friends” began posting their reactions, some obscene and offensive, eventually deteriorating into conservatives bashing liberals and vice-versa, some friends not sounding very friendly, others down right indignant. Lost in the fray were the deaths of innocent people, the suffering of the families, and the threat to all Americans everywhere. Of course, gun control became the issue, a large percentage of Americans supporting a ban on assault weapons and laws to begin universal background checks when purchasing a weapon; some who said there were already enough laws in place to assure “crazies” can’t purchase guns but the other side arguing the existing laws don’t go far enough, the same political cliches dished out by politicians and television pundits, who offered “prayers” instead of sensible gun “laws.” Some “friends” claimed the main problem was a Godlessness in America, too many single families, and lack of old-school, traditional values, like respect for each other, prayer in the schools. Then came the memes showing how violent music, movies, and video games were the culprit, brainwashing our kids. Of course, few people actually created the memes. Most were copied and pasted from other websites, those that fit their political ideologies. Conservative politicians took to the air waves and immediately latched on to mental illness as a cause, which inflamed television analysts who work with the mentally ill, arguing it’s an insult to people suffering from mental illnesses to blame them for mass shootings. Most mentally ill people, they said, quoting statistics, aren’t murderers, less than 3%. Liberal politicians, on the other hand, drove home the Trump-as-chief-instigator-line and used examples of his language to support their positions. I saw one FB response where a woman describing her liberal “friends” (Democrats) as being unreasonable, angry, out-of-control, and obscene. I thought this strange since some conservative responses I’d read also sounded much the same. I took a closer look at the posts. The person was right. How did I not see it? Maybe, we see what we want to see. There were angry posts on both sides. No particular ideology had a monopoly on crass, deplorable verbiage. Though, I admit, the majority of responses were measured and respectful, if not always supported by evidence.
Since the El Paso Walmart massacre, now in Trump’s second term, we’ve had a lot of shootings at schools, two assassination attempts on a presidential candidate, some assaults on churches and temples, all the shootings baffling. If past experience over mass killings holds true, nothing, will change. While politicians on the “left” spout Trump’s presidency is a threat to democracy, the president has ramped up his anti-immigrant rants, even as hundreds of thousands of immigrants, across the country, work hard at jobs most Americans won’t do. How did they go from "essential workers," to criminals so fast? If Alex Jones can get away with making his base believe Sandy Hook was a publicity stunt, what chance do we have to stop these senseless killings based on propaganda about an invasion by a particular people or religious group? What is unnerving to me is how what I consider “senseless killings” makes perfect sense to somebody else, especially those who believe what their messiahs tell them, not unlike the followers of Jim Jones who drank poison Kool Aid at his request. Some people believe “Whites” (I’m not really sure what “white” means), are losing control of the country, and “nonwhite” people are invading and taking control,” like the El Paso shooter believed, propaganda pushed by Trump advisor Steven Miller. However, people, like Miller, never mention the fact that, by any measure, the majority of people in positions of power and influence are White, male, Christian, and heterosexual. None of that is the point, or, at least, it shouldn’t be. What matters is that we are Americans, regardless of ethnicity and religion. Many of us, our fathers, and grandfathers, have worn the uniform and fought for this country and worked to make it the best country. We hold on to the promise of success. We'll continue to work hard. We shouldn’t have to worry about someone coming into a grocery store and shooting up the place, just because another person pushing propaganda told him to do it.

Wednesday, August 12, 2026

Pilgrim Codex - Códice peregrino


Written by Vivian Mansour.

Illustrated by Emmanuel Valtierra.

Translated by Carlos Rodríguez Cortez




*Publisher: Levine Querido

*Language: English

*ISBN-10: 1646145151

*ISBN-13: 978-1646145157

*Reading age: 4 - 8 years

*Grade levelPreschool - 3




For fans of Duncan Tonatiuh and Yuyi Morales' Dreamers, a one-of-a-kind picture book about one immigrant family's journey north, illustrated in the vein of an ancient codex and drawing upon Mesoamerican mythology.


We, the Vargas Ramírez family, come from a faraway place north of Tenochtitlan called Iztapalapa, Land of Clay Upon Water. A land surrounded by cars and dry grass; a place where the pieces of our small world were scattered. For some time we lived there, but then one day my father heard a beautiful birdsong that rose up and appeared to say tihui, tihui, tihui: let’s go, let’s go, let’s go. And so we gathered up our friends who made up that small world and decided to head north, for the other side, and a better life.


Together the Boy and his family will journey from the Land of the Frogs to The Place Where Feet Cry to the River Where the Waters Tangle, fleeing Gunmen and braving Coyotes and plunging darknesses as black as an obsidian forest. Originally published in Mexico, Pilgrim Codex (Códice peregrino) captures through the eyes of a child one family's part in the ever-changing and fleeting story of the brave migrant warriors who search for a better place to live.




Códice peregrino




Para los admiradores de Duncan Tonatiuh y Dreamers por Yuyi Morales, Códice peregrino es un libro ilustrado inigualable sobre el viaje al norte de una familia inmigrante, ilustrado al estilo de un antiguo códice y basado en la mitología mesoamericana. 


Nosotros, la familia Vargas Ramírez, venimos de un lugar lejano al norte de Tenochtitlan llamado Iztapalapa, lugar de la loza sobre el agua. Una tierra rodeada de autos y pasto seco. Un sitio donde estaban repartidos los pedazos de nuestro pequeño mundo. Ahí vivimos algún tiempo, pero un día mi padre escuchó un canto hermoso de un ave que se elevaba y parecía decir tihui, tihui, tihui: vamos, vamos, vamos. Y así reunimos a nuestros amigos que conformaban ese pequeño mundo y decidimos partir hacia el norte, hacia el otro lado, hacia una vida mejor.


Juntos, el niño y su familia viajarán desde la tierra de las ranas hasta el lugar donde los pies lloran, pasando por el río donde se enredan las aguas, huyendo de los pistoleros y enfrentando a los coyotes y a las oscuridades profundas como un bosque de obsidiana. Originalmente publicado en México, Códice peregrino (Pilgrim Codex) captura a través de los ojos de un niño la experiencia de una familia en la constantemente cambiante y fugaz historia de los valientes guerreros migrantes que buscan un lugar mejor para vivir.

 



Vivian Mansour is a Mexican writer. She studied communication sciences and has collaborated on different media such as radio, television, and magazines. She has also worked in the creative area for several advertising agencies. She is the author of many short stories for children. Among the recognitions she has received are the FILIJ Short Stories for Children Award and the A la Orilla del Viento Award.

Author residence: Mexico City


Emmanuel Valtierra is a Texan Mexican illustrator. He studied graphic design at the Visual Arts Faculty in Monterrey, Nuevo León. Since 2016, he has focused on creating different projects related to the Aztec culture, among which stands out Codex Valtierra that won the Sidewise Award for Alternate History in 2018. Through his work, he intends to instill Mexican pre-Hispanic cultures and to show its ancestral arts to new generations. Illustrator residence: San Antonio, TX


Carlos Rodríguez Cortez was born in Irapuato, Guanajuato, Mexico. At six-months old, Carlos arrived in the United States, and with time, he and his family settled in Los Angeles, the city Carlos now considers home. Carlos graduated from Yale University with two bachelor's degrees in political science and Spanish language. Since leaving school, Carlos has worked in education, both as a teacher and strategist. In his free time, you can find Carlos tending to his pepper plants, adding to his vinyl collection, writing in his journal, or riding the Los Angeles Metro. Translator residence: Los Angeles, CA