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Cristina Rivera Garza
translated by Robin Myers and Sarah Booker
Hogarth - February 25[from the publisher]
A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”
The professor becomes the first informant on the case, which is led by a detective newly obsessed with poetry and trailed by a long list of failures. But what has the professor really seen? As the bodies of more castrated men are found alongside lines of verse, the detective tries to decipher the meaning of the poems to put a stop to the violence spreading throughout the city.
Originally written in Spanish, where the word “victim” is always feminine, Death Takes Me is a thrilling masterpiece of literary fiction that flips the traditional crime narrative of gendered violence on its head. As sharp as the cuts on the bodies of the victims, it unfolds with the charged logic of a dream, moving from the police station to the professor’s classroom and through the slippery worlds of Latin American poetry and art in an imaginative exploration of the unstable terrains of desire and sexuality.
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Fernando A. Flores
MCD - February 11
[from the publisher]
The year is 2038, and the formerly bustling town of Three Rivers, Texas, is a surreal wasteland. Under the authoritarian thumb of its tech industrialist mayor, Pablo Henry Crick, the town has outlawed reading and forced most of the town’s mothers to work as indentured laborers at the Big Tex Fish Cannery, which poisons the atmosphere and lines Crick’s pockets.
Scraping by in this godforsaken landscape are best friends Prosperina and Neftalí—the latter of whom, one of the town’s last literate citizens, hides and reads the books of the mysterious renegade author Jazzmin Monelle Rivas, whose last novel, Brother Brontë, is finally in Neftalí’s possession. But after a series of increasingly violent atrocities committed by Crick’s forces, Neftalí and Prosperina, with the help of a wounded bengal tigress, three scheming triplets, and an underground network of rebel tías, rise up to reclaim their city—and in the process, unlock Rivas’s connection to Three Rivers itself.
An adventure that only the acclaimed Fernando A. Flores could dream up, Brother Brontë is a mordant, gonzo romp through a ruined world that, in its dysfunction, tyranny, and disparity, nonetheless feels uncannily like our own. With his most ambitious book yet, Flores once again bends what fiction can do, in the process crafting a moving and unforgettable story of perseverance
The year is 2038, and the formerly bustling town of Three Rivers, Texas, is a surreal wasteland. Under the authoritarian thumb of its tech industrialist mayor, Pablo Henry Crick, the town has outlawed reading and forced most of the town’s mothers to work as indentured laborers at the Big Tex Fish Cannery, which poisons the atmosphere and lines Crick’s pockets.
Scraping by in this godforsaken landscape are best friends Prosperina and Neftalí—the latter of whom, one of the town’s last literate citizens, hides and reads the books of the mysterious renegade author Jazzmin Monelle Rivas, whose last novel, Brother Brontë, is finally in Neftalí’s possession. But after a series of increasingly violent atrocities committed by Crick’s forces, Neftalí and Prosperina, with the help of a wounded bengal tigress, three scheming triplets, and an underground network of rebel tías, rise up to reclaim their city—and in the process, unlock Rivas’s connection to Three Rivers itself.
An adventure that only the acclaimed Fernando A. Flores could dream up, Brother Brontë is a mordant, gonzo romp through a ruined world that, in its dysfunction, tyranny, and disparity, nonetheless feels uncannily like our own. With his most ambitious book yet, Flores once again bends what fiction can do, in the process crafting a moving and unforgettable story of perseverance
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Marcie R. Rendon
Soho Crime - March 4
[from the publisher]
Minnesota, 1970s: It’s spring in the Red River Valley and Cash Blackbear is doing fieldwork for a local farmer—until she finds him dead on the kitchen floor of the property’s rented farmhouse. The tenant, a Native field laborer, and his wife are nowhere to be found, but Cash discovers their young daughter, Shawnee, cowering under a bed. The girl, a possible witness to the killing, is too terrified to speak.
In the wake of the murder, Cash can’t deny her intuitive abilities: she is suspicious of the farmer’s grieving widow, who offers to take in Shawnee temporarily. While Cash is scouring White Earth Reservation for Shawnee’s missing mother—whom Cash wants to find before the girl is put in the foster system—another body turns up. Concerned by the escalating threat, Cash races against the clock to figure out the truth of what happened in the farmhouse.
Broken Fields is a compelling, atmospheric read woven with details of American Indian life in northern Minnesota, abusive farm labor practices and women’s liberation.
Minnesota, 1970s: It’s spring in the Red River Valley and Cash Blackbear is doing fieldwork for a local farmer—until she finds him dead on the kitchen floor of the property’s rented farmhouse. The tenant, a Native field laborer, and his wife are nowhere to be found, but Cash discovers their young daughter, Shawnee, cowering under a bed. The girl, a possible witness to the killing, is too terrified to speak.
In the wake of the murder, Cash can’t deny her intuitive abilities: she is suspicious of the farmer’s grieving widow, who offers to take in Shawnee temporarily. While Cash is scouring White Earth Reservation for Shawnee’s missing mother—whom Cash wants to find before the girl is put in the foster system—another body turns up. Concerned by the escalating threat, Cash races against the clock to figure out the truth of what happened in the farmhouse.
Broken Fields is a compelling, atmospheric read woven with details of American Indian life in northern Minnesota, abusive farm labor practices and women’s liberation.
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Juan Gómez-Jurado
Minotaur Books - March 11
[from the publisher]
Antonia Scott has an unusually gifted forensic mind, whose ability to reconstruct crimes and solve baffling murders is legendary. She’s the lynchpin of a top-secret project, Red Queen, created to work across borders and behind the scenes to solve the most devious and dangerous crimes, those that are beyond the skills of the regular police forces.
But the Red Queen project is under attack on all fronts. Across Europe, its agents are murdering each other and cases from the past, long believed resolved, are rearing their deadly heads again. At the center of it is the mysterious Mr. White, who has been weaving a web around Antonia for a very long time. He is as smart and capable as her but, unlike her, he's a psychotic killer who has isolated Antonia Scott. Jon Gutierrez, Antonia’s protector and the only person she trusts, has been kidnapped. Antonia’s husband has been killed and her remaining family is in hiding. With Jon’s life at stake, Mr. White gives her a seemingly innocuous challenge: solve three crimes and bring the perpetrators to justice. The only way to keep Jon alive is to play Mr. White’s game, but can even Antonia win a game when she can only see part of the board?
Antonia Scott has an unusually gifted forensic mind, whose ability to reconstruct crimes and solve baffling murders is legendary. She’s the lynchpin of a top-secret project, Red Queen, created to work across borders and behind the scenes to solve the most devious and dangerous crimes, those that are beyond the skills of the regular police forces.
But the Red Queen project is under attack on all fronts. Across Europe, its agents are murdering each other and cases from the past, long believed resolved, are rearing their deadly heads again. At the center of it is the mysterious Mr. White, who has been weaving a web around Antonia for a very long time. He is as smart and capable as her but, unlike her, he's a psychotic killer who has isolated Antonia Scott. Jon Gutierrez, Antonia’s protector and the only person she trusts, has been kidnapped. Antonia’s husband has been killed and her remaining family is in hiding. With Jon’s life at stake, Mr. White gives her a seemingly innocuous challenge: solve three crimes and bring the perpetrators to justice. The only way to keep Jon alive is to play Mr. White’s game, but can even Antonia win a game when she can only see part of the board?
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Stephen Graham Jones
S&S/Saga Press - March 18
[from the publisher]
A chilling historical horror novel set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice.
A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.
Later.
A chilling historical horror novel set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice.
A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.
Later.
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Manuel Ramos writes crime fiction.
