Banda music in the seven regions of Oaxaca rules. Whether at weddings, funerals, baptisms, first communions, quinceañeras, or annual Guelaguetzas, banda music is the beating heart of every town and every town festivity. It’s music that’s super-winded and oh, so alegre. Te jala de la mano. Te sacude lo gringo. Te cura de celulares y computadores. Sones y jarabes. It’s music that waltzes, and then de repente brinca, salta, da vueltas, zapatea. Cada pieza se va acabando, se va acabando, and just when you think que se acabo, vuelve a surgir de nuevo. It’s music full of swirling faldas, swinging trenzas, dancing piñas, men, women and children whirling colorful handkerchiefs above their heads as if saluting the sky. It’s music that’s traveled down from mountainous pueblos, from the edge of the Oaxacan coast, from the deep inlands. It has traversed centuries of conquest and resistance, crossed rivers, cities, state lines, and now even high-security border zones. Undetained, the music va cruzando, va volando, va llegando.
Ya llego.
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Not all of Maqueos' students are on the CD or in the philharmonic band, of course. Maqueos explained that his curriculum consists of 6 lesson books. When a student has completed and mastered the first two, the student can then join the band. This serves as a constant motivator for new or developing students. The school, Maqueos clarified, is also not just for children or Oaxaqueños. "Cualquier persona que quiera aprender a leer y practicar música es bienvenida."
Here are a couple of students I briefly chatted with during my visit at Maqueos Music Academy.
Miguel, on the right, has been playing in the band for the past four months. I wish I would've taken a picture of his cool purple shoes. He was warm, but a little shy as I asked several questions. “I like that my friends are here,” he said to sum up what he enjoys most about attending Maqueos Music Academy. Then he gave me that leave-me-alone-lady look, so I did.
Max Juarez, on the left, has been with the band for two years. “Being in the band keeps me occupied. I’d rather be doing this than anything else. It’s a good experience to practice music. It’s something everyone should do.”
We chatted a bit about the power of music and how it crosses borders. “Those who play this music want to make our pueblo proud. Even if you don’t have papers, you can work hard and be proud.” When asked what her thoughts on current anti-immigrant sentiment and legislation, Yulissa had these words, “I think it’s unfair. Mostly what the US is made up of is immigrants and they do a lot of the hard work. It’s unfair that they don’t have the same rights as citizens.”
And this is Erre and Edward, the cutest (I mean cuuuuuutest) Oaxacan duo ever! Erre, who is 3 years old, just laughed at any question I tried to ask. When I asked Edward how he felt about being in the music school, he cracked me up with his candidness when he said, “Boooooooring! I wanna go home and play basketball outside with my friends, but sometimes I have to practice.” Still, he ran and got his horn and started playing for me when I took out my camera. His younger brother Erre quickly rushed to get his flute and jumped into the picture. Later, I saw Edward jamming on the drums with his fellow band members. It was boom! Clap! Clank! Crash! Vibration galore. Oh Gustavo (Dudamel that is), you gotta see this.
You can support these young musicians and Maqueos Music school by purchasing their CDs (see info below) or book them for an event or a party. Or if you or anyone you know wants to learn to play an instrument, visit the school and take some lessons.
Maqueos Music Academy
2142 W. Washington Blvd.
Los Angeles, CA 90018
maqueosmusic@sbcglobal.net
http://www.maqueosmusic.com/
(323) 944-4947
Hours:
Monday- Thursday: 9-11 AM & 4-9 PM.
2142 W. Washington Blvd.
Los Angeles, CA 90018
maqueosmusic@sbcglobal.net
http://www.maqueosmusic.com/
(323) 944-4947
Hours:
Monday- Thursday: 9-11 AM & 4-9 PM.
Fridays: Band Practice
Saturday & Sunday: 8-10 AM & 10-12PM.
Saturday & Sunday: 8-10 AM & 10-12PM.
1 comment:
Beautiful piece
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