Census
numbers tell it all. There were 3.5 million Mexicanos living in the Midwest in
2010 with present research projecting that the numbers continue to
increase. We are now, in 2014, nearing
the 4 million mark. Given these numbers,
the idea of Latinos living in the Midwest can no longer be viewed as unusual,
especially because the numbers are increasing. It is because of this Midwest
Latina and Latino presence that three professors at The University of Missouri-Kansas
City (UMKC), were committed to hosting a weekend for academics, poets, fiction
writers, community organizations, to come and have a conversation about the
various aspects of Latinidad in the Midwest.
Left to Right: Dr. Miguel Carranza, Director of the Latina/Latino Studies Program; Co-Chair of conference, Theresa L. Torres; Co- Chair of Conference, Norma Cantú |
Thanks
to the Co-Chairs of the conference:
Professors Norma Cantú, and Theresa L. Torres, as well as the Director
of the Latina/Latino Studies Program, Dr. Miguel Carranza. Their commitment to "doing the work that matters," brought many faculty and students
from various areas of the Midwest (Illinois, Iowa, Minnesota, Nebraska, New
Mexico) and from Monterrey, Mexico. They came together to share their Midwest
research, writing, personal experiences within and outside of the university.
The
success of this past weekend’s NACCS Midwest FOCO conference was also a
testament to the many academic Latina and Latino programs/departments, and
community organizations that presently exist or have been recently established. At UMKC, the Latino program is fairly new, yet
already organized enough to bring NACCS to its campus. At Kansas State University, Dr. Yolanda
Broyles-González has established the Department of American Ethnic
Studies.
Faculty from the new Department of American Ethnic Studies (left to right): Dr. Norma Valenzuela, Dr. Yolanda Broyles-González, Dr. Isabel Millán |
In
addition to posting the census numbers of Latina/Latino growth in the Midwest,
Dr. Rogelio
Dr. Rogelio Sáenz, Dean of the College of Public Policy (University of Texas, San Antonio) |
Sáenz, in his keynote speech last Friday, described more detailed numbers which reveal a
primarily young Midwest population. (Dr. Sáenz is Dean of the College of Public Policy
at University of Texas, San Antonio.)
Because the majority of Latinas/Latinos in the Midwest are young,
there are opportunities for them to influence local, state, national elections
and the societal institutions present in their regions, many years into the future. But they need education, and support.
Dr. Nancy "Rusty" Barceló |
Dr.
Nancy “Rusty” Barceló echoed Dr. Sáenz’s comments by calling Ethnic Studies and
Latina/Latino Studies programs to assist in the changing demographics, to forge
an agenda “to increase our presence and our visibility. Community engagement is
making a comeback,” she said, “and Latino studies is at the center. We need to revisit our obligations and work
toward societal change.”
In
addition to the more academic keynote talks, Alberto López Pulido (Chair of
Ethnic Studies at the University of San Diego) and Rigo Reyes, (a founding
member of the Amigos Car Club in San Diego) showcased their film: EverythingComes from the Streets, a documentary on low rider culture which is also
present in the Midwest. An example is
the “Slow and Low: Community LowriderFestival” that occurs in Chicago, Illinois.
Award-winning
poets also gave readings: Xanath Caraza (who teaches at UMKC); Natalia Treviño
(recently received her MFA at The University of Nebraska’s MFA Program and she is now a professor at Northwest Vista College in San Antonio, TX); and
Minerva Margarita Villarreal (who traveled from Monterrey, Mexico).
From left to right: Poets Minerva Margarita Villarreal, Natalia Treviño, Xánath Caraza |
There
were a multitude of panels by students, professors, and community
organizers. One such panel was a
roundtable entitled, “Chicana Testimonios:
Growing up Chicana in Kansas:
Three Generations of Experience.”
All three women are from Topeka, Kansas, and described a rich history, culture, and specific issues concerning Latinidad in that area. They also discussed their efforts in providing new organizations to enrich the
diversity of needs among the various generations. For example, Christina founded the Tonantzín Society to educate and support Latino art and culture, with a focus on Mexican/Chicana/Chicano culture.
Three Generations of Topeka, Kansas Mujeres From left to right: Valerie Mendoza, Graciela Beruman, Christina Valdivia Alcalá |
I
was very happy to bring two graduate students to the conference from our University
of Nebraska-Lincoln English Department: Bernice Olivas (Composition and
Rhetoric) and Visnja Vujin (American Literature/Chicana and Chicano
Studies). Bernice and Visnja are
presently either primarily studying and teaching Latina/Latino and Chicana/Chicano
literatures or incorporating it into their main area of study. They gave excellent papers on pedagogy and Gloria Anzaldúa.
From the University of Nebraska-Lincoln: Graduate student, Visjna Vijun, Professor Amelia Montes, Graduate student, Bernice Olivas |
This
is only the beginning! The Midwest NACCS
FOCO is now a vibrant entity and plans are already in the works for the next
one. Hoping to see you next year and wishing you a great week!
I
leave you with poems from our conference poets who read this weekend: Minerva Margarita Villareal; Natalia Treviño; and Xánath Caraza.
Poem by Minerva Margarita
Villareal (translation by Amelia M.L Montes)
LA CASA
La
casa que construiste fue arrasada
Vi
cómo sucedió
cómo
se desprendían paredes y ladrillos
El
techo voló
Left to right: Minerva Margarita Villareal, Dr. Norma Cantú Dr. Cantú reads Minerva's poem in English; |
sobre
los huesos
y
el paisaje entre la hierba abrió
echó
raíces bajo las plantas de mis pies
Estoy
anclada
y
esta casa mojada por la lluvia
esta
casa azotada por el viento
hecha
polvo
y
materia que crece
Esta
casa soy yo
THE HOUSE
The house you
constructed was devastated
I saw how it
happened,
how the walls
and bricks cracked open.
The roof flew
over bones
and the grassy
landscape exposed,
threw roots
under the plants of my feet.
I am anchored
and this wet
house, wet because of rain,
this house
whipped by the wind
made into powder
and matter that
grows,
I am this
house.
Poem by Natalia Treviño from Lavando La Dirty Laundry
Mexican Bride
Natalia Treviño |
Centered above
her king-sized bed
in Nuevo Leon, a
large crucifix, a resin-bloodied
crumpling Body
of Christ—the only art
hanging from her
smooth plaster walls.
A lamination of
Mary, Mother of Sorrows tucked
across and below
the frame of her vanity. Wedding
gifts for all
new brides, decorations surrounding the spirit
in the
bedroom. As if the dimensions of the body
nailed at the
limbs would lead new husbands
to handle the
living curves of their brides.
As if a slain
nude, thorned at the crown above her
head, could help
rigid legs relax, for fire.
Poem by Xánath Caraza from Sílabas de Viento (translation by Sandra
Kingerly)
Llueve
Llueve en la
América profunda
Llueve en el
corazón
Se abren los
trigales con el viento
Desde las nubes
grises
Se desprenden
gotas
Que alcanzan las
espigas
Las mueve, las
alimenta
Llueve en las
praderas
Sopla el viento
en la Esmeralda tierra
Se provoca la
tormenta
En los maizales
Sonidos huecos
de lluvia entre las hojas
El viento corre
entre los dorados campos
Los doblega y
levanta en un eterno vaivén
Siento la
humedad en la piel
(Iowa City, octubre de 2012)
Xánath Caraza |
It is Raining
It is raining in deepest
America
It is raining in the heart
Wheat fields open with wind
Drops slip
From gray clouds
Reaching stalks
Moving them, feeding them
It is raining on the meadows
Wind blows on emerald land
Provoking storms
In corn fields
Hollow sounds of rain on
husks
Wind runs between golden
fields
Bending and lifting them back
and forth
I feel damp skin
(Iowa City, October 2012)
2 comments:
This was a great experience. Thank you for all you do and for sharing your stories and wisdom.
-Graciela Berumen
This was a great experience. Thank you for all you do and for sharing your stories and wisdom.
-Graciela Berumen
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