Friday, January 31, 2025

Fires on My Mind


 

Fires burning in Los Angeles and Ventura counties and homes reduced to dust and rubble remind me that I know something about losing everything. I have been evacuated three times, but have been lucky that my house did not burn down. The 2009 Jesusita Fire was the closest call. The hillside behind our cul-de-sac burned to a charred mound. News casters from out of town reported that all the houses on my street had burned down, minutes later, they corrected themselves. It was the hill behind that had burned down, but no houses were on it.


As a child, I thought that an earthquake was the biggest natural disaster to fear. The countless fire drills didn’t seem as scary as duck and cover earthquake drills Now kids have to worry about manmade disasters, such as school shootings. Is there such a thing for a fire drill to prepare students for a catastrophe such as the Palisades fires or fires that are airborne and can flare up in distant cities?


Living in Santa Barbara feels like a dream come true, until there’s a red flag warning or high winds. High winds mean a spark can travel miles away from an uncontained fire. Every time there is a high fire alert, my body automatically goes into a panic, a subtle nervous feeling that never leaves. It’s impossible to get a good night’s sleep when there is a fire threat. The Palisades fire is a hundred miles away from Santa Barbara but the Auto, Hughes and Laguna fires sprouted much closer in Ventura county.


I’d like to think that I can easily grab a few important items: my computer bag with my computer and my important documents such as my passport and birth certificate, my wallet and keys, and at least one guitar and a ukulele. I have a box of old family photographs that I would also like to think I could throw in my car. In the event that I wouldn’t have time to pack my car with anything, I have come to terms with the fact that I may not be able to save anything, that I might be lucky to drive away in my car.


If I cannot save treasured things, I know those possessions do not define me. When I was a child I lost all my things to vandalism. My young, single mom and I lived in a two-bedroom apartment with my mom’s friend Carol, or she thought Carol was a good friend. One day, while my mom was at work and I was at school, Carol and all of our belongings from the apartment disappeared. Everything was gone. The kitchen table, my dresser, my clothes, my toys. We never understood why all of our modest personal items were taken. It was the last time my mother would live on her own. We moved back in with my grandmother. When I left to attend UC Berkeley, my mother stayed home until her early death in 1994.


My evacuation bag remains ready, but Sunday’s rainfall offers much needed relief to the fires in Southern California. Now, we keep an eye out for the dangers of mudslides. For this week’s poetry connection, I two poems from my first poetry book, How Fire Is a Story, Waiting.








Tea Fire 2008, Santa Barbara, CA

Melinda Palacio


Think anything but

burnt english breakfast or charred earl Grey.

the tea Fire consumes recklessly like the drunk my father once was.


Santa Anas and sundowners force me to grab

photos, phone, laptop, and pink fuzzy slippers,

a jumble thrown into my car.


I wait for the fire to end its binge,

examine valuables, feel mocked by the shoe box of photos Ii saved.


A parade of people who exist only in photographs, faces

who no longer fuel lost friendship.

My father relegated to an old shoe box.


Why do i hesitate before lighting a match?





How Fire Is A Story, Waiting

Melinda Palacio


My grandmother caught the flame in her thick hands.

Curled fingers made nimble by kaleidoscope embers.

Fire burns hot and cold if you know where to touch it, she said.


I watched the red glow spit and wiggle as it

snaked down the thin timber, a striptease,

born out of the festive sound of a half-filled matchbox.


Through orange windows framed by obsidian eyes, i saw the child she once was.

A little girl who raised herself because her mother had a coughing disease.

blood on her mother’s handkerchief didn’t stop her from dreaming.

Maria Victoria was going to be a singer with her deep, cinnamon stick voice.


She watched novelas in the kitchen while waiting for dough to rise.

her body, heavy with worry for two families and three lifetimes. she tucked

Mariachi dreams under her girdle. lullabies escaped on mornings

warmed by her song falling into gas burners turned on high.


The flame on a stove was never the same. it had a bad hangover,

didn’t remember the many matches lit when its starter broke down.


My grandmother rolled paper into a funnel,

stole fire from the pilot to light the stubborn burner on the right.

Crimson burned blue on the white paper, its folded edges

curled black like a lace ruffle on a skirt.


The finicky flame can’t comment on its magic.

the thousands of tortillas and pancakes cooked over the years.

how i burned myself roasting a hot dog campfire style.

how a melted pencil smudged under my sister’s eyelid makes her beautiful.


My grandmother noticed the time, almost noon.

she needed to make three dozen tortillas to feed her family of thirteen.

the show over, she blew the match into a swirl of gray squiggles,

snuffed before it had a chance to burn hot on her finger.


  Funny, how fire is a story, waiting.

 

*an earlier version of this column was published in the Santa Barbara Independent

Thursday, January 30, 2025

Everything I Own I Carry on My Back

Daniel Cano 

                                                                                     

Precious Possessions

     One day, it hit me. Everything I owned I carried on my back, just like in Tim O’Brien classic Vietnam War novel, The Things They Carried.

     In his collection of stories, O’Brien returns to the same theme, the things soldiers carry going into combat, personal choices, like, “P-38 can openers, pocket knives, heat tabs, wristwatches, dog tags, mosquito repellent, chewing gum, candy, cigarettes, salt tablets, packets of Kool-Aid, lighters, matches, sewing kits, Military Payment Certificates, C rations, and two or three canteens of water.”

     Next came the objects the army required: 5 lb. steel helmets and helmet liners, mess kits and eating utensils, camouflage liners, plastic ponchos, fatigue jackets and trousers, extra underwear and socks. Depending on a guy’s size, some guys carried more than others, personal choices like foot powder, comic books, extra C rations, and letters. Lastly, came the weapons, equipment, and ammunition, maybe 60-80 lbs. total, unless you were the unlucky one who had to haul the M-60 machine gun, a mortar, or radio.

     I don’t remember exactly where I was when the idea flashed in my mind, something of an epiphany, maybe during an intense period in the Central Highlands. Most likely, I was talking to a friend, in a moment of clarity, sitting down and leaning back, my rucksack, a backrest, “Man, dig it, everything we own is on our back. Ain’t that some deep shit?”

     The things that that pass through the minds to nineteen-year-old-soldiers, during extraordinary conditions, sometimes childish and naïve ideas, but other times, unexpectedly, profound. Back at my parents’ home, I had little, no car, no house, maybe just out-of-style clothes hanging in the closet.

     The guys in the infantry were choosy about what they carried. They had to lug whatever they carried through thick jungle, up mountains, and across streams. They carried the minimum, less weight, less stress. One time, a friend of mine confessed, “Sometimes we get so tired we started tossing stuff, extra clothes, equipment, even ammunition. You know, always playing the odds. I saw a guy slide part of a mortar into the bushes, and later claimed he lost it.”

     In the artillery, setting up at a firebase, we had the luxury of carrying extra items on our backs, like extra fatigues, socks, and underwear, for the guys who wore underwear. We might carry enough C rations to get us through a day, since choppers flew into our firebase and dropped off cases of the stuff to us.

     During the monsoons when the rain muffled the sound, I'd pull out a portable record player and a bunch of 45’s I hid between a folded towel. Noah always carried four 33 LP records, mainly jazz, the same four albums, Dave Brubeck, Jimmy Smith, Lou Rawls, and Dionne Warwick. Our medic, Doc Conklin, carried a pound of marijuana, knowing he’d have to share with his friends.

     The longest we stayed at a firebase was over a month. The place became something of a home, marked trails leading from one gun section to another, from the Fire Direction Center to the officers’ hooch, and each gun section building a private latrine, a primo spot on the side of the mountain, hidden by brush, and overlooking a wide valley. Sometimes, the things we carried lasted us more than thirty-days.

     I got to thinking about all this as I read Monday’s La Bloga post, where Michael Sedano describes fleeing the Altadena fire and taking what he needed most: “I grabbed my prescriptions, my laptop, wallet, glasses, and shaving kit. My camera and long lens were already in the car. The next morning my entire worldly possession were the clothes on my body and the stuff I’d taken for a night’s stay in a motel.” He photographed all his belongings in the back of his car.

     There was a photo in the newspaper of a man in Altadena standing in front of his burned-out house. The story said he lost everything, even his beloved 1969 Corvette. Ouch! That had to have hurt.

      Unlike most cultures, Americans live in a “throw-away” society. We just toss out what’s old and buy new stuff. Our garages, attics, and basements are filled with stuff, just like our trash dumps. We love stuff. We even have personal relationships to our “things,” not just life’s necessities but objects we consider valuable, grandma’s piano, or her old Singer sewing machine, antique typewriters, family photos, paintings, books, rugs, wardrobe, jewelry, documents, cars, boats, tools, and different types of equipment for every occasion, in some cases, things we’ve collected over a lifetime.

     It reminds me of a scene from Carlos Fuentes’ book, the Old Gringo, when the Mexican peasant army rides through the home of a rich family, destroying everything in its path, not giving a thought about valuable items. To a rebel, it’s all junk the rich, or the want-to-be-rich acquire, to give them status.

     Out in the field in Vietnam, what I couldn’t carry on my back, I left in my duffle bag back at our base camp, a place we rarely visited. I had my civilian clothes, my summer khakis, and shoes. I had no need for my winter dress uniform. I left that in my closet, at home, my old room taken over by my younger siblings. That was it, the extent of my worldly possessions.

     It wasn’t complicated. Life was simple. It didn’t take much to make it through each day. In the jungle, or on a mountaintop, we wore the same fatigues and boots for days. When they got too rank, we’d take them down to the creek, or fill a helmet with water from a tank, and wash them. For meals, we’d open C rations, two cans, a main meal and desert. I liked the pound cake. On lucky days, a chopper would fly out and deliver a hot meal in metal canisters, usually spaghetti and vegetables.

     Today, all these years later, when I look into my closet, I see pants and shirts galore, some I haven’t worn in ten years, some holdovers from before I retired, when I had to dress nicely, a short period of shirts and ties. Necessities? I guess I tell myself they are, but, probably, I’m down to wearing the same two pairs of pants and a handful of shirts, and my favorite two jackets in winter, and, really don’t need the rest of it, which takes up most of the closet.

     What of my laptop, thumb drives, library, photos, souvenirs from my travels, guitars, and amplifiers, files of papers, journals, drafts of stories, manuscripts, even an original script to the movie Apocalypse Now, my treasured possessions? The real question is how much do I need them, or how much would I miss them if they were lost? To lose it all, suddenly, like in an earthquake or fire, might be devastating, for a while. Of course, it’s one thing to imagine it, and quite another to experience it.

     I have lost prized possessions, twice my favorite bass guitars and amplifiers, one time stolen out of my car and another time out of my buddy’s house. I’ve lost special rings and religious medallions, just up and misplaced them. I once had a car I loved, but I cracked the block and ruined it when I didn’t notice how bad the radiator was leaking. I sold what was left of it for a pittance and didn’t think twice about it. Truthfully, I’m not an acquisitive person. I don’t need much to be happy, just enough to survive.

     Take a car, for instance, even if I could afford a Mercedes, a BMW, or some high-end car, I would never buy one, mainly because it ain’t me. I’ll take a mini-van, a Corolla or a Camry. I wanted to buy a cool classic car, maybe a ’55 Chevy, but then, I thought, knowing me, I wouldn’t take care of it and just end up worrying about it, like David Thoreau, in his book Walden, where he lived, alone, in a one-room cabin to get away from the rat race.  A neighbor offered him a rug, but Thoreau turned it down, thinking it would be more a nuisance than a help.

     I find comfort in a 1950, 1200 square-foot, two-bedroom, one-bath house in a part of town where the weather rarely rises above 80-degrees in the summer and no lower than 40 in the winter. I could have bought a four-bedroom, three-bath home, with a swimming pool, in a part of L.A. where it cooks in summer and is frigid in winter, but I don’t want to keep-up a house that size, nor do I want to deal with bad weather?

     Sometimes, I think it was my time in the army that made me feel this way about possessions. Yet, I have friends who were also in the army but aren’t happy unless they own the best of everything, cars, home, clothes, etc. etc. Maybe, my lack of respect for possessions goes back further, to my parents, who were both frugal, working-class Mexicans, who watched their immigrant parents struggle to make it in the U.S.

     My dad didn’t give a hoot about acquiring possessions. He was practical and comfortable in sneakers, jeans, a UCLA sweatshirt, and a baseball cap. He drove a battered 1949 Chevy truck into the 1970s, not because it was a classic but because he needed it on the job. My mother liked nice things, nice home, nice car, nice clothes, but nothing extravagant. It’s like both my parents knew and were comfortable with their stations in life, especially living within their means. My mother hated debt. She saw debt as a form of slavery. If she couldn’t buy it, she’d do without. Credit cards? Forget about it. She put it on the lay-away plan for a lot of years. When she did get a credit card, she paid it off each month.

     Maybe it was in Catholic school, where I spent ten years, taught by Irish nuns and brothers, most who grew up in poverty. They wore the same uniform every day. We wore the same uniform every day. They taught us about poverty around the world. We learned about sacrifice, and all the other Catholic things most of you out there, probably, know about. We heard Bible stories each day. My guess is they wanted to make all of us priests and nuns. Not much chance in that, but their stories took hold, the parables of Jesus tossing the moneychangers out of the temple, how everyone looked down on the tax collectors, how Jesus turned down all the world’s riches, if he bowed down to Satan.

     We read the stories of the saints, Francis, Teresa, John of the Cross, Jude, the Apostles, laborers, like our parents, to seek answers in the spiritual and not the material world. Was that the basis for my lack of interest in possessions? Oh, I know the other argument. The rich pound that nonsense into the poor to keep them poor. Maybe so.

     I always had a soft spot for John Steinbeck’s novel Tortilla Flat. Though it was heavily critiqued in the 1970s by Chicano literary critics for its portrayal of Mexicans as drunk, lazy, and subservient, I saw it differently. Though, I don’t deny the portrayal, as a child of the laboring class, I also found something romantically refreshing about a non-conformist, anti-establishment Chicano community who rebelled against the powerful and their material possessions, a very 1960s youth philosophy. Something rich in the lyrics, “When you ain’t got nothing/ You got nothing to lose.”

     Our artists sang about this land being our land/from California to the New York Island. Like Kerouac, we hit the road, dropping out, and seeking new ways of reflection, mind expansion, and understanding. Alan Watts taught us to look to the East, and to other worlds, even if the East was communist, and we were in a cold war, all people had something of value to share with one another.

      Many of us lived the lyrics, “You, you who are on the road/ Must have a code/ That you can live by,” or “Freedom’s just another word for nothing left to lose.” For us, my generation, the "words of the prophets are written on the subway walls," except here in L.A. maybe written on the freeway overpass. I started college, dropped out, worked, explored, and confused my parents by not buying a house and settling down. My Mexican relatives didn’t get it. An older aunt asked, “You think you are a gypsy?”

      How could I explain the times were changing? Though, I think my dad, who fought his own demons, understood, if not intellectually then psychically. When life wrapped him up too tightly, he sought freedom in his own way.

     I, like many at the time, hit the road. For those of us who experienced war, maybe it was our way of forgetting, or reliving the adrenalin rush. We felt betrayed by our elders who governed us. We needed something different, so we cashed in our chips and started, “Truckin’, like the doo-dah man.” We itched to find out, “What a long, strange trip it’s been.”

     With a college fellowship, I took my young family, sold everything, all our possessions, and, on a budget as fragile as a butterfly’s wings, headed out for Spain, on the heels of Don Quijote, looking for answers, the whimsical dreamer. Later, I travelled up the California coast, into Oregon, and across Mexico, in a van, wanting to live like a turtle, carrying whatever I owned on my back.

     Even when I settled down, my mind wouldn’t rest. I wanted an answer and realized, that yes, just like the troubadour sang, the answer is still, “blowing in the wind.” Maybe Tolstoy got it right in his short story, "How Much Land Does a Man Need?" At the end, his main character, who gets a bit greedy, dies, and ends up needing just six feet of land, enough to bury him.

      It’s really no use for someone like me, or maybe you, too, to ever find the philosopher’s stone. I’d probably just end up losing it anyway – and move on down the road.

Wednesday, January 29, 2025

American Library Association Award Winners 2025

For a complete list of ALA awards and winners visit, https://ilovelibraries.org



Pura Belpré Children’s Author Award



The award is named after Pura Belpré, the first Latina librarian at the New York Public Library. The Pura Belpré Award, established in 1996, is presented annually to a Latino/Latina writer whose work best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth. It is co-sponsored by REFORMA, the National Association to Promote Library and Information Services to Latinos and the Spanish-Speaking, an ALA affiliate, ALSC, and YALSA. 


Award Winner

Lola, written by Karla Arenas Valenti and published by Alfred A. Knopf, an imprint of Random House Children's Books, a division of Penguin Random House.


Honor Books:

Cruzita and the Mariacheros, written by Ashley Granillo and published by Carolrhoda Books, an imprint of Lerner Publishing Group Inc.

Ultraviolet, written by Aida Salazar and published by Scholastic Press, an imprint of Scholastic Inc.


Pura Belpré Young Adult Author Award

The award is named after Pura Belpré, the first Latina librarian at the New York Public Library. The Pura Belpré Award, established in 1996, is presented annually to a Latino/Latina writer whose work best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth. It is co-sponsored by REFORMA, ALSC, and YALSA. 


Award Winner

Shut Up, This Is Serious, written by Carolina Ixta and published by Quill Tree Books, an imprint of HarperCollins Publishers.


Honor Books:

Libertad, written by Bessie Flores Zaldívar and published by Dial Books, an imprint of Penguin Random House.

Wild Dreamers, written by Margarita Engle and published by Atheneum Books for Young Readers, an imprint of Simon & Schuster Children's Publishing.


Pura Belpré Youth Illustration Award

The award is named after Pura Belpré, the first Latina librarian at New York Public Library. The Pura Belpré Award, established in 1996, is presented annually to a Latino/Latina illustrator whose work best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth. It is co-sponsored by REFORMA, ALSC, and YALSA. Learn more about the Pura Belpré Award.


Winner:

The Dream Catcher, illustrated by Marcelo Verdad, published by Little, Brown and Company, a division of Hachette Book Group Inc.


Honor Books:

Abuelo, the Sea, and Me, illustrated by Tatiana Gardel, written by Ismée Williams and published by Roaring Brook Press, a division of Holtzbrinck Publishing.

A Maleta Full of Treasures, illustrated by Juana Medina, written by Natalia Sylvester and published by Dial Books for Young Readers, an imprint of Penguin Random House.


Coretta Scott King (Author) Award




The Coretta Scott King Book Awards are given annually to outstanding African American authors of books for children and young adults that demonstrate an appreciation of African American culture and universal human values. The award is sponsored by ALA's Coretta Scott King Book Awards Round Table (CSKBART). 


Medal Winner

Twenty-four Seconds from Now..., written by Jason Reynolds, published by Atheneum/Caitlyn Dlouhy Books, an imprint of Simon & Schuster Children’s Publishing.


Honor Books:

Black Girl You Are Atlas, by Renée Watson, illustrated by Ekua Holmes and published by Kokila, an imprint of Penguin Random House.

Black Star, by Kwame Alexander, and published by Little, Brown and Company, a division of Hachette Book Group Inc.

One Big Open Sky, by Lesa Cline-Ransome, and published by Holiday House.


Coretta Scott King (Illustrator) Award

The Coretta Scott King Book Awards are given annually to outstanding African American illustrators of books for children and young adults that demonstrate an appreciation of African American culture and universal human values. The award is sponsored by CSKBART. 


Medal Winner

My Daddy is a Cowboy, illustrated by C.G. Esperanza, published by Abrams Books for Young Readers, an imprint of ABRAMS.


Honor Books:

Coretta: The Autobiography of Mrs. Coretta Scott King, illustrated by Ekua Holmes, written by Coretta Scott King with the Reverend Dr. Barbara Reynolds and published by Godwin Books, an imprint of Henry Holt and Company.

Everywhere Beauty is Harlem: The Vision of Photographer Roy DeCarava, illustrated by E.B. Lewis, written by Gary Golio and published by Calkins Creek, an imprint of Astra Books for Young Readers.

Go Forth and Tell: The Life of Augusta Baker, Librarian and Master Storyteller, illustrated by April Harrison, written by Breanna J. McDaniel and published by Dial Books for Young Readers, an imprint of Penguin Random House.


Coretta Scott King/John Steptoe New Talent Award

The John Steptoe New Talent Award is established to affirm new talent and to offer visibility to excellence in writing and/or illustration which otherwise might be formally unacknowledged within a given year within the structure of the two awards given annually by the Coretta Scott King Book Awards Committee. The award is sponsored by CSKBART. 


Author Award

Craig Kofi Farmer, author of Kwame Crashes the Underworld.


Illustrator Award

Jamiel Law, illustrator of Jimmy’s Rhythm & Blues: The Extraordinary Life of James Baldwin.


Newbery (John Newbery Medal)




The Newbery Medal is awarded annually by ALSC to the author of the most distinguished contribution to American literature for children. 


Medal Winner

The First State of Being, written by Erin Entrada Kelly, published by Greenwillow Books, an imprint of HarperCollins Publishers.


Honor Books:

Across So Many Seas by Ruth Behar and published by Nancy Paulsen Books, an imprint of Penguin Random House

Magnolia Wu Unfolds It All, written and illustrated by Chanel Miller and published by Philomel, an imprint of Penguin Random House

One Big Open Sky by Lesa Cline-Ransome and published by Holiday House

The Wrong Way Home by Kate O’Shaughnessy, A Borzoi Book, published by Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House


Caldecott (Randolph Caldecott Medal)




The Randolph Caldecott Medal was named in honor of nineteenth-century English illustrator Randolph Caldecott. It is awarded annually by ALSC to the artist of the most distinguished American picture book for children. 


Medal Winner

Chooch Helped, illustrated by Rebecca Lee Kunz, written by Andrea L. Rogers and published by Levine Querido.


Honor Books:

Home in a Lunchbox, illustrated and written by Cherry Mo and published by Penguin Workshop, an imprint of Penguin Random House

My Daddy Is a Cowboy, illustrated by C.G. Esperanza, written by Stephanie Seals and published by Abrams Books for Young Readers, an imprint of ABRAMS

Noodles on a Bicycle, illustrated by Gracey Zhang, written by Kyo Maclear, and published by Random House Studio, an imprint of Random House Children’s Books, a division of Penguin Random House

Up, Up, Ever Up! Junko Tabei: A Life in the Mountains, illustrated by Yuko Shimizu, written by Anita Yasuda and published by Clarion Books, an imprint of HarperCollins Publishers


Tuesday, January 28, 2025

Aftermath: Firestorm and Immigrant Poets

Mail Call
Michael Sedano

Snow covers the higher elevations of the mountains above fire-scarred slopes. Gente lined up at the post office aren’t enchanted by the sight on a perfect California winter day. We are the survivors of the firestorm that incinerated the residential heart of the community of Altadena.

World Central Kitchen serves free meals, water, fruit. Spirts remain upbeat.

The fire was miles to our east but my daughter insisted I leave my bed and head downrange. A foolish skeptic, I disbelieved a fire over there could reach us. I grabbed my prescriptions, my laptop, wallet, glasses,and shaving kit. My camera and long lens were already in the car. The next morning my entire worldly possessions were the clothes on my body and the stuff I’d taken for a night’s stay in a motel.

The fire scattered us. My granddaughter was welcomed to the primos’ spare room. My daughter and I found motel rooms. My daughter worked exhaustively to find lodging, competing with hundreds of burned-out families. She did and today we’re under the same roof again.

At first, I took refuge in a simple motel room. After a week and a half, disenchanted with restaurant food, I moved into a kitchenette motel. Angel Guerrero and Thelma Reyna gifted me cooking pots and utensils. Thelma took me shopping at Home Goods for stuff I denied needing. She was right; I needed them.

Clothes loomed as urgent needs. I scored a few serviceable threads at the Salvation Army and Ross Dress for Less. Friends in deed come to ones in need: Jesus Treviño outfitted me with a near complete wardrobe of stylish warm clothes including nice jackets that defeat the daily chill. Mary Cannon is holding some clothes for me.

This morning packed to move out of the Motel 6, I looked into the back of my car to realize I was staring at all my worldly goods. That’s a fact. And I’m not alone living out of a car. We’re in line to collect mail that has no place to go. 

After 79 years living and working, here is all the stuff I own.

Let Me Count the Ways: Loving A Panel of Immigrant Poets

Two weeks ago I was happy to attend the fifth iteration of a marvelous panel of poets who happen to be Immigrants, Writing from Our Immigrant Hearts. In the wake of the Eaton Fire, I gained a new perspective on the four poets’ experiences. Hearing these four poets will have impact on any number of preconceived notions, and will likely raise new insights.

Teresa Mei Chuc and Thelma T. Reyna

Moderator Dr. Thelma T. Reyna asks the panel two questions. Tell about their homeland and circumstances leading to their decision to emigrate to the USA, and second, what’s life as a United States American, what dreams and hopes have you developed? Three panelists, Lisbeth Coiman, Toti O’Brien, and Alicia Viguer-Espert share similar arrival stories: wife of a man coming to work here. Teresa Mei Chuc fled Vietnam on a refugee boat.

Lisbeth Coiman

My enlarged understanding of the immigrant experience grows out of our mutual experience of profound displacement. The three married poets divorced the man they accompanied and the women began new lives. The poets speak of returning as visitors with some estrangement. Coiman is an “enemy of the state” and cannot return. The phrase,  Ni de aquí, ni de allá, touches on that experience.

Alicia Viguer-Espert

Here in Altadena, authorities slowly are reopening blockaded areas allowing people to return to sift through ashes. There’s no aquí here and no allá there, that’s why we’re lined up at the post office.

After the immigrant poet panelists have offered their answers to Reyna’s queries, they treat the audience to poems reflecting what the narratives conveyed. The reading makes a powerful conclusion to an engrossing and eye-opening presentation.

Teresa Mei Chuc

The energy of this face-to-face panel makes attendance the highlight of any conference or reading series. The drawback of any oral presentation is you have to be there at the right time or you miss everything. Now, there’s a book in the works. La Bloga doesn’t have many details of the published work but when we have it, we’ll share.

Toti O'Brien



Sunday, January 26, 2025

_Somos Xicanas Anthology_, comentario por Xánath Caraza

_Somos Xicanas Anthology_, comentario por Xánath Caraza

 


Somos Xicanas Anthology

Edited by Luz Schweig

Riot of Roses Publishing House, 2024

 

La antología Somos Xicanas publicada por la casa editorial Riot of Roses en 2024 y editada por Luz Schweig está formada de tres secciones: I. Somos Seeds, II. Somos Steams & Leaves y III. Somos Flowers & Fruits. Compila la voz de ochenta poetas que comparten la palabra escrita en forma de poesía, narrativa, prosa poética y ensayos personales.

 

Somos Xicanas es una ventana de esperanza y energía femenina en tiempos confusos. Es un grito multicultural colectivo que aporta un rayo de sol entre la oscuridad que nos acecha.  Hay tanto voces experimentadas como otras que quizá hayan encontrado una primera publicación en esta antología. Siendo cualquiera de los casos, juntas se transforman en una corriente espiritual que cobija al lector.

 

Esta antología rompe estereotipos desde el prólogo y la introducción. Hace reflexionar sobre la identidad, las creencias y los presupuestos sobre lo que una Xicana es o no es. Diversidad cultural, de género, de edad, geográfica, lingüística vibran en cada una de las páginas; y quiero agregar, también, diversidad de género literario. Porque eso somos las mujeres, fragmentos literarios que reflejan las diferentes etapas de nuestras vidas y que, como resultado de la suma, se producen obras tan poderosas, como esta antología.

 

Reflexión y auto examinación vienen a mí con la lectura de Somos Xicanas. En cada una de las piezas hay un alto grado de auto reflexión. Las que escriben se auto examinan para crear desde, en muchos de los casos, el dolor. Las experiencias dolorosas se subliman en Somos Xicanas para proyectarse en forma de poemas o prosa. Muchas autoras se confiesan, susurrando al lector, sus verdades. En otras ocasiones, oímos lamentos, a toda voz, al leer estas páginas.

 

Movimiento es otro concepto que me envuelve con la lectura. La emoción inyectada en las palabras de cada una de las piezas de Somos Xicanas es conmovedora. El lector encuentra risa, llanto, ironía, pérdida, desamor, sorpresa entre estas líneas. Me descubrí riendo de placer durante la lectura de algunas piezas, así como llorando con otras, y pude sentir, indudablemente, la pérdida o injustica entre las líneas de este libro.

 

Solo quiero compartir, en voz alta, mi experiencia como lectora y confesar, también, que me siento orgullosa de ser parte de Somos Xicanas. Esta es una antología que leería una y otra vez. Ojalá, queridos lectores, que también compartan la experiencia de su propia lectura de la Antología Somos Xicanas.

 


 

 

 

 

 

Friday, January 24, 2025

Sampling the Edgars



On January 22 the Mystery Writers of America announced the 2025 Edgar Allen Poe Award nominations. The complete list can be found at this link:

MWA Announces the 2025 Edgar Award Nominations - Mystery Writers of America

The winners will be announced May 1, 2025.

The "Edgars" are the most prestigious awards in crime fiction, and achieving "finalist" status is an enviable accomplishment. Of course, winning an Edgar is over the moon, as they say.  Without attempting to be complete -- there are more than a dozen categories with at least fifty finalists -- I've pulled together a few of the finalists for a taste of today's crime fiction literature.

Best Paperback Original

A Forgotten Kill
Isabella Maldonado


[from the publisher]
FBI Special Agent Daniela “Dani” Vega was seventeen when her mother murdered her father. Ten years after Dani’s own damning eyewitness testimony sealed her mother’s fate, she’s starting to have doubts. What if she got it all wrong?

A veteran NYPD homicide detective agrees to reopen the closed case on one condition―Dani must help him find a serial killer who’s been operating throughout New York City for the past decade. If anyone can decipher his patterns, and his riddles, it’s a trained codebreaker like Dani. The killer knows this too. And his next riddle―and victim―is meant just for her.

For Dani, stopping a killer―and learning what really happened to her father―becomes more personal and more dangerous with each new twist. As secrets of the past are unearthed, the truth could forever change Dani’s life…and the lives of everyone she loves.


Best First Novel By An American Author


Kerri Hakoda

[from the publisher]
When the body of a barista is found in the once-pristine Alaskan snow, Anchorage homicide detective DeHavilland Beans is gutted to recognize the young woman, Jolene. He’d bought coffee from her every morning and knew her as a bright college student working her way through school. Devastated by the murder and by the life cut short, Beans vows to find the killer.

Since scavengers damaged the body, obtaining any usable evidence is impossible, even with the assistance of wildlife expert Raisa Ingalls, Beans’s ex. When the body of another woman is found, a serial killer is suspected and the FBI joins the hunt.

After a third body turns up, Beans is desperate to find the killer—especially when another woman goes missing. With the murderer moving so quickly, Beans and his team are determined to stop the spree and catch the killer before it’s too late.

Best Novel

Nicolás Ferraro

[from the publisher]
A teenage girl and her gangster father embark on a road trip toward revenge in this award-winning coming-of-age Argentinian noir.

Fifteen-year-old Ámbar has never known any parent other than her father, Víctor Mondragón, nor any life other than his. On any given Friday night, Ámbar longs to be at the arcade or a rock concert, but she’s more likely to be patching up Víctor’s latest bullet hole in a dingy motel or creating a new set of fake identities for the both of them.

When a tattooed mercenary kills Víctor’s best friend and vows that Víctor is next, father and daughter set off on a joyride across Argentina in search of bloody retribution. But Ámbar’s growing pains hurt worse than her beloved sawed-off shotgun’s kickback as she begins to question the structure of her world. How much is her father not telling her? Could her life ever be different? And will she survive long enough to find out?

It’s kill or be killed in this gritty, devastating coming-of-age thriller from the king of Argentine neo-noir.

Later.

Manuel Ramos writes crime fiction.




Thursday, January 23, 2025

Chicanonautica: Inauguration Becomes Apocalyptic

by Ernest Hogan



Honest, I’m trying not to overuse the a-word. Apocalyptic. It’s just that 2025 just doesn’t want to wait. The flags are at half-staff. There’s already been a UFO/drone scare, ice storms and blizzards in the East, and Midwest, L.A. is in flames, San Francisco squirrels have gone carnivorous, Texas is infested with screwworms--yes, they real, and also eat flesh--and parts of the Southwest are so cold, frozen iguanas are expected to start dropping out of the trees.
 


And suddenly there’s a ceasefire in Gaza, and TikTok died and was resurrected.


No rain of two-headed frogs. Yet.


And the Felon couldn’t wait to be inaugurated (or should that be re-inaugurated?) to start spewing mad dreams of conquering Canada, Greenland, and Panama with tax-payer money. Hell, why not buy Mexico and Central America while you're at it? Be the North American Bolivar! Muhuhuhhahaha!


Oddly, what we haven’t seen has been jubilation from the MAGA crowd. Where’s the dancing in the streets, fireworks, AR-15s going off in the suburbs?


I’m still on Twitter to keep in touch with certain contacts and keep track of what the Felon’s voters are thinking and am getting--with the exception of Musk’s bad sci-fi blatherings--nothing. How is it that nobody I follow there has had anything to say about politics for the last few months? 


Makes a Chicano scifiista wonder . . .

 


I had Inauguration Day off, it falling on Martin Luther King Day, and the library where I worked was closed. Didn’t Martin say something about people being judged by the content of their character?


Turns out Emily had the day off, too. It was one of those things we didn’t have to discuss. Road trip! Get out. Get distracted. See what the hell else is happening in this messed up world.


What else can you do with an exploding spaceship in the news?


The night before the Felon danced with the Village People.


That morning some friends invited us to breakfast. A good way to start this day. Conversation. Laughter. 


Some news leaked in via phones and social media. There is no escape. 


The Earth isn’t enough for the Felon’s imperialist ambitions—he’s promising astronauts on Mars.


Musk was ecstatic, swearing to save “American civilization” and the human race. Was that a Nazi salute?


Er—wasn’t that his spaceship that blew up the other day?


On the I-17, a bumper sticker on an old van said: THE HIPPIES WERE RIGHT.


There were a lot of dead trees and dying saguaros. Emily predicted fires.


We hiked around poisonous Montezuma Well in icy winds. 


The Felon got to work right away, signing an onslaught of bizarre, unenforceable executive orders, based on the demented promises he made to his fans. That stench burning your nose is the fallout.


I will report what I encounter.


Meanwhile, it will be raining batshit with a strong chance of chaos.



Ernest Hogan will be teaching Palabras del Pueblo classes and has stories in upcoming anthologies and will be otherwise keeping busy in 2025.