Thursday, April 03, 2025

Chicanonautica: Xicanxfuturism Live in Phoenix

by Ernest Hogan



We interrupt your deprogramming for an important announcement. I will be appearing, live in the flesh, at 12:30 PM, April 13 at Palabras Bilingual Bookstore, 906 W. Roosevelt St. Unit 2 in Phoenix, Arizona.


Scott Russell Duncan, author of Old California Strikes Back and editor of  Xicanxfuturism: Gritos for Tomorrow will also be there.


Don’t let our gringo names fool you, we really are Dos Space Vatos.

We will be reading from our work, and talking about Xixanxfuturism as a needed alternative to Trumpfuturism and the rise of the techistadors.


I’ll have copies of Guerrilla Mural of a Siren’s Song: 15 Gonzo Science Fiction Stories, to sell and sign, and will be reading selections from “A Wild and Wooly Road Trip on Mars” from Xicanxfuturism. And “Uno! Dos! One-Two! Tres! Cuatro” from Guerrilla.


Now back to our regularly scheduled deprogramming. Don’t buy any recycled dystopias from any sleazy con men . . .



Ernest Hogan, the Father of Chicano Science Fiction, will also be teaching the latest mutation of his “Gonzo Science Fiction, Chicano Style” in June at the (online) Palabras del Pueblo Writing Workshop.



Wednesday, April 02, 2025

A Maleta Full of Treasures/ La Maleta de Tesoros


Written by Natalia Sylvester.

Illustrated by Juana Medina.

 


Publisher: Dial Books

Language: English

Hardcover: 32 pages

ISBN-10: 0593462424

ISBN-13: 978-0593462423

 

 

From an award-winning author and illustrator, a warm, gentle ode to cherished visits from grandparents and the people and places that make us who we are even if we haven’t met them yet.

 

It’s been three years since Abuela’s last visit, and Dulce revels in every tiny detail—from Abuela’s maletas full of candies in crinkly wrappers and gifts from primos to the sweet, earthy smell of Peru that floats out of Abuela’s room and down the hall. But Abuela’s visit can’t last forever, and all too soon she’s packing her suitcases again. Then Dulce has an idea: maybe there are things she can gather for her cousins and send with Abuela to remind them of the U.S. relatives they’ve never met. And despite having to say goodbye, Abuela has one more surprise for Dulce—something to help her remember that home isn’t just a place, but the deep-rooted love they share no matter the distance.

 




Review

 

Pura Belpré Illustrator Honor Award

ALSC Notable Children's Book

Anna Dewey Read Together Award Finalist

Cooperative Children’s Book Center Choices 2025 List

 

"Medina perfectly captures the warmth of this family with her adorable, charismatic art . . . This book has charming themes of family and connecting to family culture, even if its far away. Distance does not diminish the love of family. This is a wonderful book that will be highly relatable to many families. A must-have for any picture book collection." —School Library Journal, starred review

 

"[A] beautiful and poignant homage . . . Sylvester weaves an emotional storyline that explores, through the loving, long-distance relationship, the nuances of being first-generation and longing for a land youve never visited but always heard about . . .  In its vibrant, warm palette, Medina’s cozy style of illustration brings to life Abuela and the magic of her maletas while capturing the bittersweetness of alternating joy and sadness that such an anticipated visit causes." —Booklist, starred review

 

"Medina’s thick-lined cartoon images are drawn with simplicity yet are deeply expressive; the protagonist’s emotions are palpable . . . this tale of bridging gaps is sure to especially resonate with immigrant families, as well as those who find themselves far from their roots. A cozy story of family treasures that sustain connections across the miles." —Kirkus

 

 

Natalia Sylvester is an award-winning author of the young adult novels Breathe and Count Back from Ten and Running and the adult novels Everyone Knows You Go Home and Chasing the Sun. Born in Lima, Peru, she grew up in Miami, Central Florida, and South Texas, and received her BFA from the University of Miami. A Maleta Full of Treasures is her first picture book.

 

Juana Medina is the creator of the Pura Belpré award-winning chapter book Juana & Lucas and many other titles and has illustrated numerous picture books, including ‘Twas the Night Before Pride and Smick! Born and raised in Bogotá, Colombia, Juana Medina now lives with her family in the Washington D.C. area.






Tuesday, April 01, 2025

Never Forgotten Gone Forever

Michael Sedano


Uphill from where I’ve stopped to stare, a skip loader scrapes its yellow claw across the cement slab that, today, is what remains of where I used to live. A dream house built upon the legacy of an earlier dream house. A family story to warm the heart.

When Barbara died, I went to live with my daughter and granddaughter in this Edenic place. My daughter dubbed it “McDonald’s Urban Farm” and she meant it. She grew prize vegetables, fertilized the crops with the poop from her herd of pygmy goats and two free-range jaulas of laying hens producing dozens of easter egg colored eggs daily, a duck, and a few heirloom turkeys that never made it to a dinner table.

The Eaton Fire took it to the ground in a monstrous catastrophe that ravaged thousands of homes across miles of neighborhoods. We are not alone. An entire community disappeared in that firestorm.

Most of the goats survived. None of the poultry. We’re not sure what happened to the coyotes, the bear, the mountain lions that constantly challenged the security of the barn and jaulas. The horses down the street were evacuated before the entire street burned down.

After a preliminary visit, I abandoned hope of recovering stuff I held precious while I could hold them. I hoped maybe silver bells and bronze sculpture, no hope for my paintings and prints. But I submerged those hopes like I muted my feelings over the years of living with dementia. I reasoned what is gone is gone forever, something I understand with intimate profundity, sabes?

The day of this foto I finally succumbed to the aching longing to sift through the rubble of my stuff. 

The drive to my former home takes me through devastated terrain, vast tracts of residential blocks now barren landscapes marked by towering fireplaces without homes to warm, front gates opening to nothing. Brown carcasses of automobiles litter remains of driveways and garages. EPA  hands painted a legend “Not EV” across scorched scrap metal heaps.

Turning into the driveway where I used to live, I see the Granada tree’s green leaves. There will be a crop next year. One Aguacate tree survives, its companion a charcoal sculpture. The clean-up crew set up a shelter next to withered orange and toronja trees. The massive Coast Live Oak sports green high up, the fire passed under its canopy. There is life, there is hope, there is rubble.

What did I miss the most? What vain hope of finding a treasure under the ashes?

Computers, cameras, negatives, slides, hard drives, repositories of memories, familia, and experiences. Those artifacts from my parents’ home I carried here; my Dad’s WWII memorabilia, my Mom’s box of pennies.

The Go board Barbara hand-carried from Tokyo because we bought the antique the last few hours of my R&R. My jacks set. My Güiros. The wedding china. the...the...

I had that piano since third grade. And all that sheet music and Ur texts wouldn't have survived, nor the vinyl.

Every stitch of clothing I owned.

I lost everything and have everything I need now. After being motel nomads for two months—I moved six times—I have settled for a year in the same place. My amazing daughter found a three bedroom house and the family is together once again.

I’m not sentenced to restaurant food. I have a kitchen with gas and a few essential pots, pans, and sharp knives.

Thanks to generous friends I have several changes of warm clothes and towels. I have a warm bed, a rudimentary garden in pots, and nothing but Time.

What I do not have is my home and there’s not a darn thing I, nor anyone, can do about that. It is what it is.