Tuesday, October 17, 2006

Mariela Rubio's Un Lapso de Silencio

Michael Sedano

Dia de los Muertos remembers dead loved ones but most gente prefer to be the observer than the observee. Today, meet Mariela Rubio, a woman who seemed a candidate for an untimely altar herself and whose story of illness and recovery celebrates the fact she and her mother can set up altars together and remember when Mariela lay virtually dead.

When she was 22, Mariela Rubio fell ill in Ensenada, Baja California, Mexico. Negligent medical care sent the young woman's life into a tailspin, starting with a six-month coma. Doctors confirmed their diagnosis: the patient doesn't talk, doesn't move, cannot feed herself and is probably blind. Her mother prayed that her child be restored while friends thought it would be best for the child to die and end her suffering.


But Mariela was not suffering--she was only asleep! In fact, as she lay in the hospital, Rubio was conscious of her surroundings but helpless to do anything. She could not complain, breathing was a struggle, but she knew what was going around her. She had moments when she'd waken and try to communicate, but she was as helpless as a baby. This baby, however, was aware, and slowly her mind took over and she focused her thoughts on a single objective: to live a full life.

Now a 30 year old psychologist, Rubio has written her story in Un lapso de silencio. She recounts her months of awareness trapped in physical helplessness, responds to the hopelessness that surrounded her with pity--pity was the last thing she needed--and recounts her determination as she worked to rise from a wheelchair, learn to use her body again, and finally be able to walk on her own two legs.

Mariela Rubio is looking for a publisher of this inspiring story of a mother's love and a patient's determination to win back her life. Rubio will be reading from her work October 21, 6:00 p.m. at the Galeria de la Ciudad, Centro Cultural Riviera, in Ensenada, BC Mexico. For the author's statement of the above (in Spanish), visit Mariela's story in the newsletter from CICESE -- Centro de Investigación Científica y de Educación Superior de Ensenada.


TIME TICKS TOWARD TEN TWENTYFOUR . . . . CALL FOR SUBMISSIONS
The first, maybe annual, La Bloga Día de los Muertos Amoxcalli-Descansos Contest. Here's your chance to get exposure for your great piece relating to el Día de los Muertos. Through Oct. 24th we will accept prose, poetry, essay, in English or Spanish or Spanglish--just about anything concerning this indigenous/modern tradition. Fantasy, children's stories, young adult, horror, serious, or not so--anything you want to share on La Bloga. Shorter pieces are preferred (less than 500 words), since we are the editorial staff and will base decisions on quality and how little work is required of us. We will feature one prize winner each day of the week of Day of the Dead. Email your submission to labloga@readraza.com.


Guest Blogueras Blogueros Welcome
Don't forget, if you have an essay or review of a favorite novel, poetry collection, or related thoughts, send them to La Bloga. We welcome guest columnists and writing of note. Look for news about our Weekend Writers' La Bloga feature, soon!



There's Tuesday, October 17, 2006, a day like any other day, except you are here. Thanks for visiting La Bloga.

mvs

Monday, October 16, 2006

POTENT LITTLE PORTRAITS OF BRIDES AND SINNERS

Book Review

By Daniel Olivas

Brides and Sinners in El Chuco
By Christine Granados
University of Arizona Press
118 pp., paperback

In this gritty yet often comical debut collection, Christine Granados offers sharp, honest portraits of the people who cobble together decidedly unglamorous lives in El Paso known as “El Chuco” by its Mexican American inhabitants. Granados sets the tone with the first story, “The Bride,” where the narrator recounts her older sister’s dream to have a wedding like the ones pictured in glossy bride magazines:

“Rochelle was obsessed. Because all these ridiculous magazines never listed mariachis or dollar dances, she decided her wedding was going to have a string quartet, no bajo, horns, or anything, no dollar dance, and it was going to be in October. . . . I wasn’t going to tell her there is no ‘elegance’ to autumn in El Paso.”

Despite such planning and dreaming, Rochelle’s “perfect” wedding gives way to tarnished, unplanned reality that she unblinkingly accepts.

Granados’s women sometime prefer familiar abuse over healthy, mutually fulfilling relationships. In “Comfort,” Courtney has a history of dating men who beat and degrade her. But when her new boyfriend, Eliseo, fails to follow this pattern, she grows bored: “Respect. Something every girl wanted but didn’t really need. What Courtney wanted was passion.” She decides to push Eliseo to the breaking point, make him lose control, by needling him and challenging his manhood. Similarly, in “Love Web,” a receptionist falls for the office’s womanizer and willingly accepts sexual degradation just to be part of his life. These two women believe they are control of their private lives, and in many respects they are no matter how misguided they may seem. Granados allows her audience to understand how these women got to this place without preaching about the importance of self-respect. In other words, she trusts the intelligence of her readers to come to their own conclusions.

Not all of Granados’s women suffer at the hands of men. In “Small Time,” a mother forces her daughter to learn how to scam department stores by “returning” stolen merchandise. And in “Inner View,” a young woman cannot escape the inept and unintentionally humorous meddling of her family as she tries to interview for a well-paying paralegal position. But in neither of these stories does Granados implore us to pity these women because, in the end, they do not pity themselves.

Granados is a gifted writer who refuses to sugarcoat the lives of her characters. These stories are potent little portraits of brides and sinners who struggle through ordinary lives propelled by nothing more than a vague hope for something better. Granados is a writer to watch.

Friday, October 13, 2006

Specials

Manuel Ramos

REYNA GRANDE
Those of us in Denver were very impressed by Reyna Grande during her recent visit to the Tattered Cover bookstore. Not only were all of us excited by her reading from her book, Across A Hundred Mountains, but we were able to talk and socialize a bit. What an inspiration. If she is participating in an event near you, you owe it to yourself to make time to go to her reading and, of course, buy her book and then read it. She has very personal stories about life as an immigrant child, the long-lasting impact on the family that such a move can have, and how she has succeeded when all the odds were against her.

CRITICA NUEVA AWARD
Francisco Lomelí has been named the recipient of the Critica Nueva Award. The Critica Nueva Award was established by Rudolfo and Patricia Anaya in 1997 to bring the foremost scholars in Chicana/Chicano Literary criticism to the University of New Mexico. The Critica Nueva Award has been reinstituted by the University of New Mexico Libraries in honor of
Rudolfo and Patricia Anaya.

This year’s honoree is Dr. Francisco Lomelí, Professor of Chicana/Chicano Studies at the University of California-Santa Barbara. He will return to the University of New Mexico on Oct. 25 at 4 p.m. to deliver the Critica Nueva Lecture in the Willard Room of Zimmerman Library. The title of his lecture is Miguel de Quintana: Early New Mexican Poet in a State of Disenchantment. Lomelí taught at UNM during the 1980’s, and in 2005 wrote a book about Quintana in collaboration with Clark A. Colahan. The book is titled, Defying the Inquisition in Colonial New Mexico.

Quintana came to New Mexico with Diego de Vargas in 1694. He settled in Santa Cruz de la Cañada, where he became a farmer, a notary and an assistant to both the civil and ecclesiastical authorities. Quintana was one of the very few settlers who could read or write and he was
investigated by the Holy Office or Inquisition in the 1730s as someone who tested the limitations of free thinking in the Spanish colonial world with his poetry.

Lomelí and Colahan translate and discuss Quintana’s poetry in their book. Lomelí has written or edited a number of books, including a major reference work on Chicano Literature. The UNM Bookstore will have several of his books for sale after the lecture.

The lecture and discussion are free and and open to the public.

For more information contact:
Teresa Marquez, (505) 277-0582
Media Contact: Karen Wentworth, (505) 277-5627

LA RAZA DE COLORADO - EL MOVIMIENTO
Last year, PBS aired the first part of the documentary La Raza de Colorado - la Historia which was produced by Lisa Olken along with the help of a number of local and nationally recognized Chicanos community activists and educators. This year, UMASyMEChA invites you to share an evening with Lisa Olken and two of those contributors to the documentary, Freddie "Freak" Trujillo and Jose Esteban Ortega to view parts of the second part of La Raza de Colorado - El Movimiento and to have the opportunity to be a part of a conversation about their first-hand experiences with the people who made the Chicano Movement come alive! Freddie and Jose have an extensive archive of photos, magazines, newpapers, recordings, articles and other memorabilia housed in Pueblo, Colorado along with their exclusive personal knowledge of the people involved in the Chicano Movement of the late 1960s into the 1970s, especially as it happened on the CU-Boulder campus. Included will be the Chicano movimiento music created and sung by local Chicano musician, Agustín Córdova.

Join UMASyMEChA on this historical journey on October 19, 6:00-8:00, Humanities 250, University of Colorado, Boulder

CALL FOR SUBMISSIONS
The first, maybe annual, La Bloga Día de los Muertos Amoxcalli-Descansos Contest. Here's your chance to get exposure for your great piece relating to el Día de los Muertos. Through Oct. 24th we will accept prose, poetry, essay, in English or Spanish or Spanglish--just about anything concerning this indigenous/modern tradition. Fantasy, children's stories, young adult, horror, serious, or not so--anything you want to share on La Bloga. Shorter pieces are preferred (less than 500 words), since we are the editorial staff and will base decisions on quality and how little work is required of us. We will feature one prize winner each day of the week of Day of the Dead. For more details, see the September 28 issue of La Bloga. Send to labloga AT readraza DOT com.

Later.

Tuesday, October 10, 2006

Culture Clash’s Zorro in Hell

Review: Culture Clash’s Zorro in Hell

Michael Sedano
News & Notes & Announcement


Culture Clash's
ZORRO IN HELL
Created, Written and Performed
by Culture Clash
Directed by Tony Taccone
A co-production with Berkeley Repertory Theatre

Sheila and Hughes Potiker Theatre
La Jolla Playhouse


It was an asco moment that built in awful inevitability with Herbert Siguenza and Sharon Lockwood approaching stage right. . .

The Sheila and Hughes Potiker Theatre stage begins at floor level, three feet from my seat in the middle of the first row. It is not an altogether exquisite way to enjoy the wild comedy of Culture Clash, but there I was, in the middle of the action. So in the middle that, just before Richard Montoya leaps into the house to climb up to the box seats, his frenzied character ad libs “the audience is using the stage as a footrest!” True enough. And during several sword fights I worried that an errant foil would swipe its “Z” on my forehead!

Saturday evening, I sat front and center in the La Jolla Playhouse entertained by Culture Clash’s Zorro in Hell, hoping not to catch any of the spit that sparkled from the spotlighted actors’ lips. I was lucky until the action stopped in front of me. The line called for a sound effect, “ghaaaa” accompanied by bright drops arcing in the spotlight in a trajectory destined for my bare arm.

Have I traveled from Los Angeles to sunny San Diego to be spit on? Evidently. With relish, mas o menos. More mas than menos. I chocked up the casual reference to Clasher performing oral sex on Kyle (the Bear) to humor. More menos did I enjoy the scene where Kyle (the Bear) mounts Thrasher in an extended nightmare sequence.

Such moments of menos aside (chacun a son gout que no?), Culture Clash’s Zorro in hell brings extended hilarity to an agitprop dreamatization of early California history and Zorro.

Historian Crasher has a bad case of writer’s block. He’s traveled to a rustic inn in whose historic location he hopes to finish his book on the Zorro myth. Instead, he meets the 200 year old woman-- who’s bedded every notable character from Neiztsche to Joaquin Murrieta-- and her staff, Don Ringo, the Original Chicano.

The innkeeper and her minion invade the writer’s dreams with best of intentions. Theirs has been the inspiration for the world’s greatest storytellers. Leo. Eugene. Tennessee. Ding! with their help, Crasher can pen the definitive Zorro story and with it illuminate the history of chicanas chicanos in California. But contemporary culture erects a challenging barrier. Don Ringo, the Original Chicano at one point asks the hapless writer, “Cuantos años tienes mi’jo?” and Crasher looks at his watch to offer, “ten o’clock.”

Culture is a growing, forgiving thing, and something of a sham, the story reminds us. The Zorro story, Crasher argues with his ghosts, was written by a white guy, and the hero’s Spanish, not Mexican. Logic and romance aside, the Chicano writer has to struggle with the material he’s got. Where else do the nightmares come from? When the sleeping Mexican comes alive, the serape rises, the sombrero turns and there stands the imposing voice of indigenous California handing a sombrero of invisibility like a f*cking Harry Potter. Then again, that might have been a different scene. The exact sequence truly doesn’t matter, the action is nonstop for both acts, and completely engaging. the fifteen minute intermission is welcome respite to catch one's breath.

Sadly, words lack the kinetic energy that pulsates off the stage wherever Culture Clash performs. Each time Siguenza’s character’s name comes up he strikes a proudly statuesque posture to proclaim, “the Original Chicano”, then resumes the business of the scene. The name dropping game is hilarious, a musical motif sounding from the heavens each time a notable’s name comes out. Joaquin Murrieta. Ding! Neiztsche. Ding! Ding! Ding! all evening.

I don’t remember if Roger Hedgecock got dinged. Hedgecock will be anonymous to all but locals. Culture Clash regionalizes its performance with a helping of insider referents like the local ex-con GOP pol and radio host. The performance bills itself a “world premiere” but it will play differently in your city, if it ever gets to you.

Happily, the ensemble will re-run the action until October 29. And you can take home a copy of the free program with the cut-out of your own Zorro mask on pagel… on page… there was a hilarious moment when Montoya had seized a program, ad libbing frantic banter as he riffled for the mask cut-out on page…


News & Notes & La Bloga Announcement
top


East LA Rep presents the workshop production of

¡Quinceañera! The Musical

Book & Lyrics
Jesus A. Reyes & Roxanna E. Sanchez

Music by Julie Kenol
Additional Music & Lyrics
Juan E. Carrillo & Scott Sener

Director
Jesus A. Reyes

Cast
Roxana Aguilar, Jean Altadel, Miriam Alvarez , Alejandro Cardenas, Mia Castro,
Lynn Haro, Tina D’Marco, Sheila Korsi, Ryan Miller, Matt Phillips,
Monica Sanchez, Raquel Sanchez, Tom Sandoval, Felix Sotelo, and Hector C. Torres.

Synopsis
The guest arrive to the quinceañera celebration expecting tamales and cake when suddenly the father can’t be found, the caterers don’t arrive, and the city inspector tries to shut it down. This is not a play, this is not the movie, and this isn’t your typical musical, this is an event where anything can happen and probably will. East LA Rep presents the first homegrown musical from East Los Angeles in a long time – maybe ever!

Oct. 20 – Nov. 19, 2006
Friday & Saturday @ 8pm
Sunday @ 3pm
Admission: $8-$20 Sliding Scale

El Gallo Plaza Theater
4545 E. Cesar Chavez Ave.
Los Angeles, CA 90022
info/rsvp: (323) 788-3880
jreyes@eastlarep.com
eastlarepertory@hotmail.com
www.eastlarep.com
www.myspace.com/eastlarep


THE LARGEST LATINO BOOK AND FAMILY FESTIVAL OF SOUTHERN CALIFORNIA CELEBRATES ITS 10TH ANNIVERSARY.

Pomona, CA. (September 28, 2006) – The Los Angeles Latino Book & Family Festival (LA-LBFF) takes will take place on October 14 and 15, 2006 at the Fairplex in Pomona, CA. Celebrating it’s 10th anniversary, LA-LBFF continues the tradition of bringing together authors, booksellers, cultural entertainment and other vendors to create an eclectic family atmosphere of fun and appreciation of reading books. The Festival is open to the public from 10:00am to 6:00pm on Saturday and from 10:00am to 5:00pm on Sunday.
. . . .
Among the authors scheduled to appear are: Tommy Chong, Ruben Navarrette Jr., Yasmin Davidds, Mabel Katz, Reyna Grande, Al Martinez, Lara Rios, Art Rodriguez, Maria Ercilla , Maria Enriquez, Jorge Argueta and Sam Quinones,
. . . .
The Los Angeles Latino Book & Family Festival is sponsored by Amtrak, CVS Pharmacy, PFF, Continental Airlines, Pizza Hut, the California Teachers Association, Pampered Chef, Pacific Oaks College, LATV, Impacto USA, Para Todos, Los Kitos, Ethos Fuel Reformulator, the San Fernando Valley Sun, Jerzees, La Banda Elastica, Hispanic Lifestyle Magazine, Warehouse Shoe Sales and Velázquez Press.

Log on to www.lbff.us, and click on “Los Angeles” on the left, for more information and an up-to-date schedule of events and exciting news about authors and performers added to the program.


CALL FOR SUBMISSIONS
The first, maybe annual, La Bloga Día de los Muertos Amoxcalli-Descansos Contest. Here's your chance to get exposure for your great piece relating to el Día de los Muertos. Through Oct. 24th we will accept prose, poetry, essay, in English or Spanish or Spanglish--just about anything concerning this indigenous/modern tradition. Fantasy, children's stories, young adult, horror, serious, or not so--anything you want to share on La Bloga. Shorter pieces are preferred (less than 500 words), since we are the editorial staff and will base decisions on quality and how little work is required of us. We will feature one prize winner each day of the week of Day of the Dead. For more details, see the September 28 issue of La Bloga. Send to mailto:labloga@readraza.com


Look for La Bloga's Events page upcoming. We'll calendar and catalog an assemblage of Dia de los Muertos events from Long Island Cemetery to the Endless Sea.

And so it goes, another Tuesday. I'm heading downrange until next week.

mvs

Monday, October 09, 2006

NEWS FROM THE UCLA CHICANO STUDIES RESEARCH CENTER

I just received an e-mail newsletter from Chon A. Noriega, Professor and Director of UCLA’s Chicano Studies Research Center (“CSRC”), and it’s so full of wonderful news and opportunities that I want to dedicate my entire post for Monday to what’s happening at the CSRC. Support your local Chicano Studies Department! -DAO

◙ Guillermo E. Hernández Memorial Scholarship Fund: UCLA Professor of Spanish, Director Emeritus of the CSRC, and leading expert on corridos and Chicano literature Guillermo E. Hernández passed away on July 16, 2006, in Mexico City. Hernández was one of the longest serving directors (1992–2002) in the center's almost forty-year history. An exhibition on his life and academic works will be in the CSRC Library through the fall quarter; a selection of his writings is available online. Donations can be made to a scholarship fund in his name at the CSRC. Checks should be made out to the UCLA Foundation/The Guillermo E. Hernández Memorial Scholarship and mailed to UCLA, 1309 Murphy Hall, Los Angeles, California 90095.

◙ Professor Edward Telles Takes Top Sociology Book Awards: UCLA scholar Edward Telles has won a number of awards for his book Race in Another America: The Significance of Skin Color in Brazil, including the American Sociological Association Distinguished Scholarly Publication award (2006) for the single best English-language book in sociology over the past three years, the ASA Population Section Otis Dudley Duncan Prize (2005), and the ASA Racial and Ethnic Minorities Oliver Cromwell Cox Prize (2006). Professor Telles and Vilma Ortiz, both in the sociology department, head the Mexican American Study Project (MASP) at the CSRC. The MASP is a study of generational change and persistence in ethnic identity and behavior as well as socioeconomic mobility among Mexican Americans in Los Angeles and San Antonio. It is the first major survey to systematically examine changes in long-term intragenerational and intergenerational socioeconomic status and ethnic identity within any ethnic group. The resulting publication will be released in 2007.

◙ Ford Foundation Supports Film Recovery Project: CSRC has been awarded a $20,000 grant by the Ford Foundation in support of the completion of the Chicano Cinema Recovery Project. Building upon earlier collaborative efforts to successfully preserve and archive the films of Efraín Gutiérrez, the additional funding will allow the CSRC to expand the project to serve as a national model for other independent and public interest media preservation efforts. The grant will also enable the release of the restored Gutiérrez films on DVD in spring 2007, expanding access to these films and creating a revenue stream for future preservation work in this area.

◙ CSRC Co-sponsors Community Service Award: A double major in Spanish and Chicana/o Studies, Emily Villagraña is this year’s recipient of the UCLA Department of Spanish and Portuguese Community Service Award. Co-sponsored by the CSRC, the $300 prize is awarded in June to the graduating senior with the best record of sustained service to the Latino community. Villagraña organized and oversaw numerous programs at Conciencia Libre, coordinated Dia de los Muertos events and Border Reality tours, facilitated events with Raza Womyn de UCLA, designed and implemented ESL classes for day laborers with Proyecto Jornaleros, and made many other contributions to the Latino community.

◙ Summer Interns at UCLA: This summer’s Getty intern, Natalie Sanchez, worked on two CSRC projects: A Ver: Revisioning Art History, a book series on Latina/o artists; and Phantom Sightings: Art after the Chicano Movement, an exhibition at the Los Angeles County Museum of Art (LACMA) scheduled for spring 2008. For both projects, she assisted in compiling artist biographies and selected bibliographies, corresponding with artists about checklists, collecting images for each artist, and researching the credit information for images. Also, three high school students—Haziel Bustillo, Erica Smith, and Jeanette Rodriguez—from the UCLA Summer Youth Program interned at the center for six weeks this summer. They were a tremendous help with filing, data entry, archiving, and other odd jobs around the center. The program’s sponsors are the UCLA Community Based Learning Program, UCLA Government and Community Relations, UCLA Campus Human Resources, and UCLA Healthcare Human Resources.

◙ Latino Public Policy Conference: The CSRC hosted the 2006 Senator Richard G. Polanco Fellows Orientation Program on September 6 and 7. The program is designed to help participants, selected annually from across California, develop as leaders, learn how the legislative process works, and create an understanding of the role of public policy in society. This year’s fellows are Amber Rose Gonzalez, who graduated from California State Polytechnic University, Pomona, with a major in gender, ethnicity, and multicultural studies and an emphasis in Chicano/Latino studies; Armando Chavez, who graduated from UC Berkeley with a double major in ethnic studies and Chicano studies; Erica Alfaro, who graduated from UC Davis School of Law with a J.D. in 2005 and UC Davis with a major in political science and a minor in Chicana/o studies in 2001; Jamie Zamora, who graduated from San Diego State University with a major in political science and a minor in Chicana/o studies; Marvin Pineda, who graduated from UC Riverside with a double major in history and Spanish literature; and Liza Bolanos, who graduated from California State University Fresno with a double major in sociology and Chicano/Latino studies.

◙ Professor Morales to Attend Migration and Health Forum: CSRC Faculty Associate Leo Morales will represent the CSRC at the Binational Policy Forum on Migration and Health in Oaxaca, Mexico, on October 9–10, 2006. This event is co-sponsored by the Mexican Secretary of Health and the Secretary of Foreign Affairs, through the Institute for Mexicans Abroad (IME), the government of Oaxaca, and the California-Mexico Health Initiative (CMHI), among other institutions. The goal of this year’s forum is to convene key stakeholders from the United States and Mexico to discuss the health challenges of migrants and immigrants and to explore opportunities to work collaboratively to improve the health and well-being of this population. High-level representatives from federal, state, and community organizations from both countries are slated to participate in this year’s forum. Key international leaders are expected to attend, including Central American representatives.

◙ Twentieth-Century Latin American and Latino Art Conference: The third annual conference on Documents of Twentieth-Century Art of Latin American and Latino Art will be held at the Museum of Fine Arts, Houston, on October 16–18, 2006. CSRC researchers will highlight their most relevant findings of the past year during a new public session to be held on Monday, October 16. The CSRC is coordinating four university-based research teams for the U.S.-based Latino component of a project, sponsored by the museum, to identify and digitize key documents related to U.S. Latino art history, including that of Chicano, Cuban American, Dominican, and Puerto Rican communities.

◙ The Soundtrack of Modern Los Angeles: Thursday, October 12, 5:00 pm, 1230 Schoenberg Music Building (“Green Room”), with a tapas themed reception to follow. Visiting UCLA Professor Elijah Wald will be talking about “Strange Bedfellows: Louis Armstrong Loves Guy Lombardo and the Mexican Corrido Meets Gangsta Rap. Critics and historians who celebrate African-American music tend to dismiss Lombardo's music as boring. How have such prejudices affected our views of the past? Now marketers have coined terms like “banda rap” and “urban regional” in an attempt to capture one of American music's most daring fusions: Central European polka, classic border balladry, and the toughest urban beats. Could this be the soundtrack of modern Los Angeles and a signpost to the future of American music?

◙ New Directions for Bilingual Education in California: Saturday, October 14, 8:00 am–3:00 pm, Corinne A. Seeds University Elementary School, UCLA. Seeds UES’s Learning in Two Languages Program and the UCLA Graduate School of Education and Information Studies, in association with the CSRC, will present a conference for educators, parents, community members, and advocates for English learners. CSRC Associate Director Daniel Solórzano will be the keynote speaker. Seating is limited, so register today. Registration is available online at the UES School, or email for more information.

◙ Fiesta de Inspiracion 2006 Scholarship Dinner: Thursday, October 19, 6:00 pm, Dorothy Chandler Pavilion, Los Angeles. The UCLA Latino Alumni Association invites you to attend the 2006 celebration of Latino leadership. This year’s honorees are Councilmember Ed Reyes, Senior Vice President Danielle Campos, and UCLA Professor Raymond Rocco. Email the association for tickets.

◙ Institute of American Cultures Welcome Reception: Wednesday, November 8, 4:00–6:00 pm, UCLA Faculty Center, Downstairs. Vice Chancellor Claudia Mitchell-Kernan and Associate Dean Shirley Hune announce a reception in honor of the 2006–07 visiting scholars, postdoctoral, predoctoral, and graduate fellows, and research grant awardees in the IAC program. The CSRC welcomes visiting scholar Horacio N. Roque Ramirez from UC Santa Barbara.

◙ Workshop on the Chicana/o Educational Pipeline: Wednesday, November 8, 6:00 pm, CSRC Library, 144 Haines Hall. This workshop on the Chicana/o educational pipeline is designed to promote a better understanding of the policy issues related to the education of Chicana/os throughout the pipeline, from K-12 and community college, to undergraduate and graduate school. The authors of the 2006 CSRC Research Report Falling Through the Cracks: Critical Transitions in the Educational Pipeline will discuss the pipeline and the policies that work for Chicana/o students. CSRC Associate Director Daniel Solórzano will be the moderator, and the panel will include doctoral students Lindsay Perez Huber, Ofelia Huidor, Maria C. Malagon, and Gloria Sanchez. The readings for the workshop include the CSRC Research Report no. 7 and the CSRC Latino Policy & Issues Brief no. 13, both of which are available online at CSRC’s website.

◙ The Queer Latina/o Archive Panel Discussion: Wednesday, November 15, 1:00–5:00 pm, CSRC Library, 144 Haines Hall.

◙ CSRC Annual Reception: Thursday, November 16, 4:00–7:00 pm, CSRC Offices, 144 and 179 Haines Hall.

◙ CSRC Library & Archive - New Archival Collections Donated: Over the summer, several collections were donated to the CSRC Library. They will be available to the public after they are archived. Finding aids will be developed and posted on the CSRC website. The collections are:

Ricardo Muñoz Papers. A collection of almost fifty linear feet representing almost twenty-five years of the work of the respected Los Angeles jurist, including his legal writings and bench decisions.

Elena Popp Papers. A collection of almost seventy-five linear feet representing the life and work of the indefatigable housing activist, Legal Aid attorney, and political candidate.

El Otro México Videotape Collection. A collection of fifty-one mini-DV master tapes donated by the television show’s director, Juan González. El Otro México is a continuing program that addresses major events in the Chicano/Latino community and presents emerging artists and musicians. This collection will be copied to DVD and VHS for researchers.

ADOBE LA Papers. A collection of papers on deposit while the co-founder and design principal of ADOBE LA (Artists, Architects, and Designers Opening the Border Edge of Los Angeles), Ulises de Jesús Díaz, is a Loeb Fellow at Harvard University. As a community and urban activist, artist, and architect, Díaz has worked to strengthen the voice of an expanding and diverse Latino community in Los Angeles, focusing on the presence of Mexicans and Chicana/os in the cultural and environmental landscapes of Southern California.

Guillermo E. Hernández Papers. A collection of Professor Hernández’s papers and books, selected in conjunction with his family. The collection highlights his groundbreaking research on corridos and the Frontera Digitization Project.

◙ CSRC Press - Aztlán Going Online: The press is pleased to announce that after several years of planning, the journal of record in the field of Chicano studies is now online! To read all issues of Aztlán: A Journal of Chicano Studies, please go to the journal hosting site. If your library subscribes, and you are accessing the site through your university network, you should be able to read articles right away. If not, this may mean that your library has yet to turn on its access. Why not email your librarian and ask him or her to do so? If your library doesn’t subscribe, but you do, please email us so that we can give you your password. You will then be able to register at MetaPress to search and read the content of every issue of Aztlán, from 1970 through 2006. All subscribers will continue to get a print copy of the journal.

◙ CSRC Store Online: The press is also pleased to announce that all CSRC products are now available online at our own CSRC Store! The CSRC receives all the earnings from items ordered from this financially secure site (unlike products purchased from Amazon.com, for instance). Please visit the site! In honor of the launch, the CSRC is offering all friends of the center a one-time 40 percent discount on all books, DVDs, and t-shirts. Just browse the products, add them to your shopping cart, enter the discount code “launchdeal,” and pay with your credit card. You don’t need to leave home! The discount can only be used in the next two weeks, so don’t wait! If you have any problems at all, please email the CSRC Store. Since this is the beta version, the CSRC is expecting a few glitches and your assistance in notifying the CSRC of any problems will be greatly appreciated!

◙ Café Press Store: A variety of products with our con safos logo can be purchased at Cafepress, an online marketplace that allows organizations to create unique print-on-demand products. The CSRC earns a portion of the proceeds, so check it out!

◙ Fall 2006 Issue of Aztlán: All subscribers should have received the fall issue of Aztlán in their mailboxes. If you are not a subscriber, you won’t have a chance to read Edward Telles’s response to Harvard University professor Samuel P. Huntington’s contention that Mexicans are “overwhelming American borders”; Rosaura Sánchez and Beatrice Pita’s political proposal to construct the growing Latina/o population in the United States as a “bloc” of fluid identities in order to “more effectively address the hostile political environment”; Miroslava Chávez-García’s case study of Mexican and Mexican American youth who attempted to escape from California’s leading reform school between 1890 and 1920; and Diana Palaversich’s examination of the Mexican and Mexico-related “narconovela.” The dossier section offers excerpts from the CSRC Press’s forthcoming book on Latino aesthetics, Chicano Manual of Style. To subscribe to Aztlán, you can do so easily by visiting the online store and using your credit card. You can also email your postal address and the CSRC will send you a subscription package.

Friday, October 06, 2006

Sin Propósito Fijo

Manuel Ramos

WRITERS WRITE, AND ...
I thought I was going to add to what Daniel Olivas and RudyG have written about writing. See their posts earlier this week and last week. Turns out, I don't have all that much to contribute. The one point I will make --my opinion only -- is that Writers Write, and Read. The reasons for that should be obvious, no? But read what? Everything. No snobs when it comes to writers reading. The writers who read only what they write about (or the genre in which they write) are in a risky dead-end. Read it all: novels (literary and genre), short stories, biography, memoir, essay. My grandmother made me rest my eyes before I walked home at night because I had been reading too much. She didn't want the night air to damage my over-exercised eyes. But she never made me stop reading. And I've heard some writers say they don't read when they are writing. Fear of influence? How bad can it be to be influenced by Arturo Pérez-Reverte or Walter Mosley or Andrea Camilleri or Juan Rulfo? Loss of focus? If your own story can't make you focus while you are living your life (which includes reading), then what can you expect from a reader? In any event, Daniel and Rudy are very articulate rascals and they make excellent points -- check them out if you have not read their posts yet.


ROBERTO BOLAÑO
Roberto Bolaño
was born in Chile in 1953. By the time he died in 2003 he had written ten novels, two collections of short stories and five books of poetry. When he was fifteen his family moved to Mexico, but he returned in 1973 to "help build socialism." Less than a month later, Pinochet seized power, Bolaño was arrested. When he was released he moved on to Mexico, Paris and Barcelona. He was an extremely popular and influential writer in Latin America.

In an article in the San Francisco Bay Guardian, Marcello Balvé noted that Bolaño had said that magic realism "stinks." As far as the Latin American Literature Boom's central trinity – García Márquez, Vargas Llosa, and Fuentes – was concerned, "Bolaño said he felt no debt and only acknowledged Argentina's now-overlooked Julio Cortázar as an influence, although he noted that Cortázar really came earlier, having been born in 1914."

Unfortunately, few of his books have been translated into English. That is changing. Now available are By Night in Chile, Distant Star, and the short story collection, Last Evenings on Earth ((New Directions, 2006, translated by Chris Andrews). I recently finished the short stories. This is sublime, subtle writing. And difficult. As related in Balvé's article, Bolaño, accepting a literary prize for Los detectives salvajes, one of his short story collections, said that everything he had written could be seen as farewell letters, or love letters, written to a failed generation: "We were stupid and generous, the way young people are, who give everything and don't ask for anything in return, and now nothing remains of those young people.... Latin America is sown with their bones." The characters wander aimlessly, or pursue private, unlikely quests. They seldom succeed but it does not matter. The exiled Chileans meet one another in exotic and famous locations around the world, but the settings do not matter. These places -- Acapulco, Barcelona, Goméz Palacio -- are hazy and ephemeral, serving only to frame the anxiety and sense of loss that looms around the aging men and women who fought or ran away or never knew the struggles on their own continent. For the most part, they failed to participate. When all is said and done, the characters themselves do not seem to matter. Some are referred to only as B or M. The structure of the stories is first person narrative. No dialogue and very little of what we have come to call "plot." The narrator is detached, and often the end is simply a place where the narrator decides to stop. The end does not mean resolution. The effect is as though the reader must provide the voices and story line. The reader is required to participate.

This is not a review of Last Evenings on Earth. I have to read more Bolaño before I can step up to the plate. Next for me is Distant Star. The book's cover blurb says that this is the story of Carlos Weider, a man who "exploits the 1973 coup to launch his own version of New Chilean Poetry: a multimedia enterprise involving sky-writing, torture, photography, murder, and verse." Meanwhile, Bolaño's acknowledged masterpiece, 2666, unfinished when he died, apparently is scheduled for 2007 English publication. The 1100 page book has been described as an apocalyptic nightmare about the 20th century that converges on a string of murders of young women in an industrial city near the Mexican-US border.

PRIZEFIGHTER EN MI CASA
Prizefighter En Mi Casa
by e.E. Charlton-Trujillo, (Delacorte Press, 2006) for ages 9-12, is described by the publisher as: "Twelve-year-old Chula Sanchez isn’t thin, isn’t beautiful, and because she’s Mexican, isn’t popular in her south Texas town. And now that a car accident has left her father paralyzed and her plagued with seizures, she is poor. But Chula’s father is determined to pull his family out of debt. He sends for El Jefe—the most revered prizefighter in Mexico. Chula’s father hopes that with steel-pipe arms and fists like pit bulls, El Jefe will win the local illegal boxing matches and bring home much-needed money. But El Jefe—a man who many see as a monster—only brings confusion to a home that is already filled with problems. And now Chula must decide for herself whether good and bad can reside in one person and whether you can have strength in your heart when your fists have none."

Reminder: Reyna Grande in Denver - October 10. Tattered Cover, Colfax Avenue. 7:30 PM.

CALL FOR SUBMISSIONS
The first, maybe annual, La Bloga Día de los Muertos Amoxcalli-Descansos Contest. Here's your chance to get exposure for your great piece relating to el Día de los Muertos. Through Oct. 24th we will accept prose, poetry, essay, in English or Spanish or Spanglish--just about anything concerning this indigenous/modern tradition. Fantasy, children's stories, young adult, horror, serious, or not so--anything you want to share on La Bloga. Shorter pieces are preferred (less than 500 words), since we are the editorial staff and will base decisions on quality and how little work is required of us. We will feature one prize winner each day of the week of Day of the Dead. For more details, see the September 28 issue of La Bloga. Send to mailto:labloga@readraza.com

Later.

Thursday, October 05, 2006

Even Unpublished Writers Write. Period.

I don't know what got Olivas cranky enough to pump out his piece on "Writers Write. Period" (http://labloga.blogspot.com/2006/09/writers-write-period.html), but it drove me to offer something from the opposite end of the writing craft spectrum. Whereas Dan has articles and real books to his credit, I instead have enough rejection letters to proverbially paper my den.

In another literal sense, too, I'm at the opposite end of the pole from Olivas. I stopped writing 35 years ago and went into idle mode for at least 20. No excuses, except I must not have thought I was a writer during those decades.

My first "published" book came out in the early 70s. Actually, it was only half mine, since the other half were letters written by my English teacher, to me. I never thought the half I sent to her was anything more than correspondence, as it was called then, but she had it typeset, copied and printed. "The Words Between Us" still sits in my den.

But there was more in that time before the sabbatical. In the early 70s, for a year and a half, I wrote a regular Sunday editorial for the Denver Post and became a minor celebrity, Chicano editorials being a rare find in those times. "Oh, you're the one that writes those articles." sounded just as good as a letter I got from a southern Colo. teacher who used my articles in her class. I quit only because I felt the Post editors were over-censoring my material. To boot, although my queries about syndicating the column amounted to cuacha, the possibility existed, one that I gave up on. Instead, por pendejo, I went on "sabbatical."

When I returned to writing regularly, it was difficult, but I eventually found new muses. Like Dan, I've written 3 novels and maybe a hundred stories, but only 2 shorts have seen the light of publishing.

Like Dan, when I get writer's fever from a new story idea, novel or short, I write, for weeks, months, even years. I've done 55k words in 5 mos., 60k in 45 days; it varies. That's how I know I'm a writer, now.

And also like Dan, I get bored, though not cranky, of hearing anyone talk about how they have no time to write. I teach elementary school (a 70-hr. job, the way most teachers do it), take a college course, have a house I may never finish remodeling, a wife, family, a dog and otherwise, some sort of life.

But when I get that fever, I can rise early, like 4 or 5am, write until it's time to get ready for work, and get chingos accomplished. For me, those are great hours in the den, with little interruption, even from the dog.

I've done that for about the last 12 years with little incentive, since agents publishers aren't budging each other for a chance at my door. As Olivas pointed out, you learn to juggle with what you've got so you don't explode.

Writing is not the "life" for everyone, especially if you're not like Dan, getting published what seems like almost every other month. It only becomes the life for you when you take it up as addictively as some of us.

If I'd had Olivas's article to read right before I took my sabbatical, I might have never taken leave of my senses and already surmounted those humps of first-published works. I assume more of my fiction will make it further than just the eyes of La Bloga readers, one day.

But I don't have to guess about another thing. No matter how little or rare publishing success I have, I won't ever again stop writing for long, nor complain how little time I have to write. When I get to be a 100, I want to look back and see that I only took one sabbatical from writing, just because I was too naive to know any better.

[Possible subtext for my tombstone or that one remaining spot on the den wall:
"After being turned down by numerous publishers, he had decided to write for posterity." - George Ade]

© Rudy Ch. Garcia 2006