Thursday, September 24, 2026

Battle Royale: Marco and Victor, the Wrestling Bear

                                                                                     

What Victor must have looked like in the wild

     For those who attended Marco's celebration of life reception at the Cinema Bar in Culver City last month. Many said they'd liked to read a story they'd heard published in an online blog called, La Bloga, something to do with Marco wrestling a bear. Here it is. Rest in peace my dear friend.    

                                                                                 *****

     The trendy Whole Foods at the corner of Barrington and National in West Los Angeles has ended its run. Before it was Whole Foods, it had been Westward Ho, and before that the Lilywhite grocery store. Today, the vacant building is hidden by a mesh-covered wired fencing.  It’s hard to believe how fine the building had once been, especially as seen through teenage eyes, when larger grocery stores were replacing the neighborhood Mom ‘n Pop stores.

     At its grand opening in the 1960’s, Lilywhite’s parking lot was filled with kids, parents, teenagers, music, rides, and an assortment of activities. There were local rock bands, a kiddie roller coaster, and exhibitions, the most popular, “Victor, the Wrestling Bear.”

     Victor wasn’t a full-sized bear, more like a cub, but definitely fully formed and taller than five feet on his powerful hind legs. Declawed and muzzled to avoid tearing or biting anyone, Victor could still slide his long, wet tongue through the muzzle and lick away, slobbering all over an opponent’s face, as if adding insult to injury, once he dispatched each enemy.  

     Like many California black bears, Victor didn’t look particularly ferocious, but looks, as they say, can be deceiving. His handler offered to pay anyone in the audience $10.00 if he or she could pin Victor to the mat for at least five seconds. Of course, all takers had to pony up a “buck” just to step into the barred enclosure with Victor.

     We had come to the grand opening to listen to the rock bands and meet girls, not to wrangle with Victor, who would eventually draw some knucklehead, usually an older teenager out trying to impress his friends. It only took a little taunting before some sucker would cave to the pressure. Most of the time, it was a guy who thought himself the toughest kid in the neighborhood. 

     Of course, the first kid didn’t last more than a few seconds before he’d go flying through air, Victor falling on him and pinning him to the matt, as if read to say, "Next." It was pretty much the same with anybody who tested Victor’s prowess, his handler reaping the rewards and walking away with the spoils, as well as the kid's dignity. You know, just like in Vegas, “The house always wins,” or in this case, “Victor never loses.”

     Our friend Marco had been a battler all through junior high and entering high school, a string of victories behind him, with his fists or wrestling. He thought it was pretty cool, a wrestling bear. Other than at a county fair or at the Long Beach Nu-Pike did you get a chance to see that. We all could see Marco sizing up Victor, even as each of Victor’s opponents went down to defeat. Somebody finally challenged Marco to get into the cage with Victor. It didn't take much.

     Short in stature but more muscular than any of us, Marco stepped for a closer view of Victor, who, incidentally, had the same name as Marco’s father and older brother. We recognized the expression on Marco’s face. He had no doubt he could kick the wrestling bear’s ass, but he just needed a little encouragement, so we gave it to him. I’m sure Marco liked the idea of reveling in glory and walking away with the prize money. It would make the news at schools from Venice to Santa Monica, across Mar Vista, and on to Westwood, where kids knew Marco’s name, usually because he had whupped somebody from their neighborhood.

      Marco was no slouch. His older brothers had taught him to bob and weave, to lead with a jab, find openings, and throw combinations, hard “rights” and “lefts.” He knocked out a 21-year-old bully who had given Marco' friends a bunch of shit. The guy was on his back before he even got off one punch. Marco was strong, and tough, losing his mother at barely twelve, his dad working all day and playing guitar in a Mexican trio at night, Marco’s three older brothers raised him to fend for himself.

     He had whipped some of the toughest guys in town, even bigger than him, from nearly every junior high to high school in the area, a few of the older guys, too, but Marco, like his dad, and one older brother, had the heart of an artist, a romantic, the guitar and singing his true passions, and the reason we were all at Lillywhite, to see our friend, Joe Ramirez’s band, the Mojo Dave’s, perform on a stage in the parking lot turned street fair.

     Don’t get me wrong. It wasn’t that Marco went looking for trouble, but more like trouble would often find him, even when he was just minding his own business. By fifteen, he was like one of those old gunslingers in the television westerns. He’d built a reputation for himself, and the younger gunslingers wanted to see if he was as “bad” as everyone said, so they had started to come around to test him. Of course, he hadn't won every fight, but that never stopped him. That’s why we figured he had as good a chance at beating Victor the bear in a wrestling match as anybody. Though, the omnivore’s name, alone, should have been an omen.

     Marco was fearless. If he had any hesitation at all, it was embarrassing himself in front of the hometown crowd, and all the pretty girls watching. As a fighter, Marco wasn’t a brawler. He was strategic, always looking for an opening, a weakness in his opponent. Marco loved reading history, his nose in the Encyclopedia Britanica, and he could tell you exactly how Attila the Hun, Alexaner the Great, and Genghis Khan marched their armies across hostile territory and defeated their enemies. Marco was also analytical, played the odds, like assessing if Victor had beaten all comers, where had they gone wrong? He realized they had no plan of attack.

     So, Marco stepped up to meet the challenge, man over beast, brains over bawn. He handed over his money and strutted into the cage, eyeing Victor, who had a few inches on Marco, but bigger opponents never intimidated him. Marco looked into Victor’s eyes, and snarled, a method he always employed with a rival. Marco must have seen Victor had no emotions, nothing but darkness in his eyes.

      He considered how easily Victor had tossed his prior victims around like rag dolls because they tried wrestling Victor by clamping down on his arms and taking him down, little by little, but Victor’s arms, or upper legs (The technical anatomical term unclear) were way too strong, and his short lower legs gave him a strong center of gravity, like a catapult, shooting his adversaries into the air before they’d hit the ground, where he’d fall on them, lick their faces with his long tongue, and pin them to the mat.

     Marco’s strategy was to rush Victor, get under his arms, and ram into his chest, like a fullback crashing into a linebacker, Marco’s position of the high school J.V. team, get Victor onto the mat, wrap him up, and pin him, as quickly as possible, utilizing the age old “element of surprise”. So, right at “Go!” Marco flew across the ring, like metal to magnet, and he drove his shoulders into Victor’s chest, taking him down, not only surprising Victor but surprising himself and everyone watching.

     Marco hung on, tight, a barnacle to a boat’s hull, so tight, the bear couldn’t wiggle loose. Marco had his arms wrapped about the bear’s strong body. After a minute, Marco felt victory was his, that is, until the bear’s short legs, made their way under Marco’s stomach, and like a medieval contraption for lobbing boulders over castle walls, Victor catapulted Marco so high into the air, Marco could only watch as the matt came speeding towards him. All he could hear were Victor’s triumphant growls. When he hit the ground, Victor pounced, licking Marco’s face and slobbering all over him, and pinning him to the canvas. The handler said, “My gawd! Victor likes you.”

     With no coaxing from us, Marco reached into his pocket, pulled out another dollar, and paid his fee. At Go! he went at Victor again, this time, thinking he had the wily champ figured out, aware of the short, powerful legs. Marco stuck to his game plan. He again had Victor on the matt, Marco’s face buried in the thick, furry blanket. He’d last longer than any of Victor’s other adversaries. Marco thought he had the bear beaten this time. He stayed clear of the legs.

     Marco’s confidence soared, his past achievements flickering through his mind, a strong, bulky, linebacker in football, a baseball catcher, a junior lifeguard, and water polo player, Marco had stamina. He could feel the bear going limp. Marco gripped Victor’s hide to spin his massive upper body to the mat and pin him, except, Marco, something wasn’t right.

     Marco could feel the muscles under Victor’s hide, but when he went to turn Victor, his hide shifted, as if he was wearing a coat. Marco readjusted his arms and hands, and, again, the fur rolled, at the same time, Victor’s little legs slid under Marco’s belly, and the next thing Marco knew, he was sailing, looking down at his friends, an astronaut entering earth’s atmosphere, and Victor, letting loose a loud growl. Again, when Marco landed back on earth, Victor was there to greet him, licking his neck and face, Marco hollering, and adding quite a few curses, for the handler to get the bear off him.

     Of course, we all had a great laugh, Marco, a true showman, whether singing lead in a band or wrestling a bear. When he dusted himself off, metaphorically speaking, Marco tried explaining the damn bear’s hide rolled like had wheels, but nobody was really listening. Marco said, “The guy should warn people about that, or I would’ve had him.”

Wednesday, September 23, 2026

Tia Sofia and the Giant Tortilla


Written by Felicia Cocotzin Ruiz

Illustrated by Carlos Vélez Aguilera



Publisher: Gibbs Smith

Print length: 32 pages

ISBN-10: 1423667689

ISBN-13: 978-1423667681

Reading age: 3 - 7 years

Grade level: Preschool - 2



Luna and her little brother, Sol, are back for another adventure —this time with a GIANT tortilla!


2026 Américas Award for Children's and Young Adult Literature Commended Title (CLASP)


After their aunt Sofía accidentally makes a giant tortilla, Sol and Luna discover that it has a special magic with the power to be a cape, a placemat, a scarf, a blanket, and even more importantly—a way to bring back the memory of someone special.


Meet Tia Sofia — the “cool aunt” who creates wild art and loves dancing in her cozy California bungalow. One day, while babysitting her niece and nephew, things get out of control while preparing fresh tortillas in her colorful kitchen.


Distracted by dancing with her niece and nephew in the kitchen, Tía Sofía makes a giant tortilla so big that Luna sees an opportunity for an adventure. Exhausted by a day of laughing, coloring, ghosts, and broomsticks, Luna and Sol finally enjoy lunch with their favorite aunt and her little dog, Tamayo.


This sweet semi-bilingual story includes a seek-and-find of animals commonly found in traditional Mexican folk art and includes a recipe for Tía Sofía’s flour tortillas!


About the Mi Hermosa Familia series:


When a five-year old girl from el barrio (the neighborhood) shares memories of her beautiful family, her rich imagination takes the wheel as she recalls what did—and what almost did—happen. This semi-bilingual series called Mi Hermosa Familia (My Beautiful Family) highlights the small and beautiful moments found throughout Latino communities, told with a dose of magical realism. All books include an interactive seek and find.



A solid choice for libraries looking to expand their slice-of-life Latinx representation. ― School Library Journal



Felicia Cocotzin Ruiz is a storyteller and curandera living in one of the most edible and medicinal landscapes in the world, the Sonoran Desert. Recognized for her work with Indigenous foodways and holistic wellness, Felicia is passionate about sharing food and lifestyle as medicine across many platforms. She is the author of the award-winning books Earth Medicines: Ancestral Wisdom, Healing Recipes, and Wellness Rituals from a Curandera and Nana Lupita and the Magic Sopita. Felicia’s work has been featured in Spirituality & Health, Forbes, Bon Appétit, The List television news magazine, and several other media outlets including The Original Americans episode on Padma Lakshmi’s Taste The Nation (Hulu). Felicia presents frequently around the country on traditional healing practices, culinary medicine, folk herbalism, and Native American food sovereignty for nonprofits, universities, and museums —including the Smithsonian National Museum of the American Indian. She lives in Phoenix, Arizona.


Carlos Vélez Aguilera was born in Mexico City in 1980. He is a graduate of the National School of Plastic Arts of the National University Autonomous of Mexico and has been a professional illustrator for 12 years. He lives in Mexico City.







Tuesday, September 22, 2026

Poetry Communities Linking and Celebrating

When Two Poetry Worlds Unite

Michael Sedano

 

Collegiality doesn’t just happen, movers and shakers make it happen, when they are thoughtful people. Poets must support one another because, if we don’t read together, surely we will read separately. It's better when we join in unity.


This is la mera verdad, never so true as Thursday evening, September 17, when a twelve years in operation reading series, The Anna Broome Room, joins with the twenty-plus years Altadena Poet Laureate program, to feature poets published in The Altadena Poetry Review Anthology 2026, published by Golden Foothills Press,  http://www.goldenfoothillspress.com


Anna Broome sizzles with enthusiasm with good cause. It's a spectacular evening.

 

A stellar lineup of poets reading from the pages of the book plus additional work, makes this an extra special event. Co-hosts Anna Broome and Altadena Poet Laureate Emerita Thelma T. Reyna, welcome to the stage anthology Editor-in-Chief Lester Graves Lennon and Assistant Editor Sehba Sarwar, who recently wrapped their two-year term as Co-Laureates. 

 

Completing the the lineup are Mikela Bjork, Linda Kaye, Michael Sedano, John Martinez, and G.T. Foster.

 

The evening begins with an intriguing musical performance by Josh Duron, whose ethereal guitar music blends jazz, blues, flamenco, and Latin rock.


Josh Duron sings from el corazón
 

With the audience warmed up by Duron’s captivating music, Reyna, the publisher of Golden Foothills Press, and Broome, share an infectious celebratory spirit that energizes the readers and, in turn, Broome Room regulars and first-timers to the site, an arts incubator and affordable housing complex for artists. https://www.artsharela.org


Anna Broome generously yields the spotlight to Thelma T. Reyna


Broome gives the transitions between readers a Broadway hit show high-energy. All that’s lacking is a bank of teevee cameras broadcasting live from Art Share LA! As with any live event, you have to be there or be square. No dress code, Levi's and Capris and fancy shirts welcome.


 

Anna Broome takes a dual role, MC and featured Reader.

Two separate poetry communities coming together ignites a creative spark that hopefully continues into future readings. La Bloga encourages gente to buy copies of the anthology to read the work of the spotlighted poets. For more information, here’s La Bloga’s column celebrating the Anthology and Poet Laureate program. https://labloga.blogspot.com/2026/05/twenty-years-of-altadena-poets-laureate.html


Altadena Poet Laureate Emeritus Lester Graves Lennon


Mikela Bjork


Altadena Poet Laureate Emerita Sehba Sarwar


Linda Kaye reads accompanied by piano for a change of pace.

Michael Sedano makes his debut as a feature.


John Martinez conquers the blinding spotlight.

G.T. Foster shares a mostly-memorized program.


Blinded by the light, Thelma T. Reyna gets an illuminating collegial assist from Anna Broome



Energized by the performances, audience members gather in conversation with performers.


Sunday, September 20, 2026

Hispanic Heritage Month Celebration at the Johnson County Arts & Heritage Center 2026

Hispanic Heritage Month Celebration at the Johnson County Arts & Heritage Center 2026

 

Xanath Caraza

Xanath Caraza

Xanath Caraza

Xanath Caraza


El miércoles 7 de octubre de 6 a 8 p.m.
Johnson County Arts & Heritage Center
8788 Metcalf Avenue, Overland Park, KS 66212

 

¡Venga al Centro de Arte y Herencia del Condado de Johnson para disfrutar de una agradable velada para la celebración del Mes de la Herencia Hispana! Desde trabajadores mexicanos e inmigrantes recientes de Centro y Sudamérica, la región de Kansas City tiene una profunda historia Latina. Hoy en día, la comunidad Latina es la población de más rápido crecimiento del condado de Johnson. El Mes Nacional de la Herencia Hispana es un momento para honrar las culturas y las contribuciones de los Latinoamericanos en los Estados Unidos. 

 

El evento está apoyado por el Johnson County Arts & Heritage Center, Johnson County Museum, Johnson County Park & Recreation District, Olathe Leadership Lowrider Bike Club, La Mega KC, Telemundo KC, KTD La Grande, La Super estacion, Dos Mundos Radio y El Centro.

 

Este evento es gratis y abierto al público. No es necesario registrarse. ¡Habrá algo para todos!

 

Xanath Caraza

Xanath Caraza

Xanath Caraza

Wednesday, October 7 from 6 - 8 PM
Johnson County Arts and Heritage Center
8788 Metcalf Avenue, Overland Park, KS 66212


Join Johnson County Arts & Heritage Center for a lovely evening in celebration of
National Hispanic Heritage Month! From Mexican traders and laborers, to recent Central and South American immigrants, the Kansas City region has deep Latino history. Today, the Latino community is Johnson County’s fastest growing population. National Hispanic Heritage Month is a time to honor the cultures and contributions of Latino Americans across the United States.

 

This event is hosted by Johnson County Arts & Heritage Center, Johnson County Museum, Johnson County Park & Recreation District, Olathe Leadership Lowrider Bike Club, La Mega KC, Telemundo KC, KTD La Grande, La Super estacion, Dos Mundos Radio, and El Centro.

 

This event is FREE and open to the public. No registration required. There is something for everyone!

  

Xanath Caraza

Thursday, September 17, 2026

Chicanonautica: Carlos Castaneda’s Very Weird Shit

by Ernest Hogan 

 


I can’t ignore Carlos Castaneda. Not only was he a bestselling author from the Latinoid Continuum, a big influence on pop culture (the Force in Star Wars is based on power), and a lot of scifiistas. He also encroaches on my territory. So when I heard about Ru Marshall’s American Trickster: The Hidden Lives of Carlos Castaneda, I knew I had to read and review it.


It’s a thick one and it took me a while, mostly because it kept giving me a lot to think about. I’d read a little, and have to stop and let my brain chew on the chunks of weird shit.


And what weird shit . . .


Telling women his semen would instantly give them shamanistic power. Having another man impregnate his wife so he could have a blond son (he was el Negro of his family). His “I am in Peru or Mexico" gag. Immortality. Travel to other dimensions . . .



I had always thought Hunter S. Thompson summed him up in a letter to Oscar Zeta Acosta: “Very weird. The old man really fucked the kid around, eh?” Only now it looks like don Juan didn’t exist. Just who was doing the fucking around here? I have to reconsider my thinking.


It’s that kind of book.


It triggers memories of the world since the Sixties. As the Father of Chicano Science Fiction, I have a unique perspective. Yeah, he wasn’t quite a Chicano in the sense of a Mexican choosing a non-Anglo identity. He was from Peru, but told people he was Brazilian–how do you think people saw him in SoCal? He was cut off (though largely by his own choice) from his family/tribal/ancestral roots, living between cultures, creating his own identity–that’s Chicano.



Also immigrants who can’t fully assimilate tend to become Chicanos.


I read his first two books back in the Seventies largely because they were unavoidable. They were entertaining. I didn’t consider them fiction. 


Since I find the idea of a know-it-all telling everyone what to do a turn-off, I went no further. Besides gurus were–and still are–crawling out of the woodwork.


I don’t believe in gurus.


Thank Tezcatlipoca for my built-in bullshit detector!


Also every Yaqui I’ve met who’s heard of him thought he was full of shit.



Sometimes his name comes up when people try to describe my work, though I’m probably closer to Oscar Acosta, but that’s still misleading.


Sometimes it’s easier to let people have their misconceptions of me than to explain my Chicano-is-a-sci-fi-state-of-being reality. It’s not really lying. What do you do when they don’t seem to be capable of seeing the truth?


Maybe I am un poco like him.


Unlike him, I am not a pathological liar. Apparently, he lied constantly. Ru Marshall did an amazing twenty-year job of sorting through this man’s work and utterances, cross referencing it with interviews with people who knew and encountered him and coming up with an epic biography that is, in my humble opinion, more interesting and fantastic than Castaneda's books. 



He lived writing fiction in his head all the time. So do I. I am painfully aware of where my real life ends and the sci-fi begins. I have no interest in making others live in my fantasies.


It is impressive that he got anthropologists at UCLA to give him a doctorate for a novel, though the fact that he was a rich, bestselling author probably breached the experiment. It’s not surprising that Simon & Schuster didn’t care any more than his readers did. Fiction? Nonfiction? They only care if the books sell. I’ve heard that there are people who read all his books then start over. They fill a need that I don't have.


I think.


This is all amusing, up until you get to the mysterious deaths and disappearances following his death, but I wouldn’t be surprised if we see successful media adaptations. The chapter about the fucking around with Fellini alone would make a wild and crazy movie. In all, it’s a bizarre soap opera dealing with the Great American/Latinoid Spiritual Crisis.


The peoples of the United States of America have a strong lust for spirituality. It’s a product they keep trying to buy. It makes them prey to the manipulations of narcissistic sociopaths. We need to learn to recognize and resist them.


And stop electing them.


Be careful out there.



Ernest Hogan’s New, Improved Ancient Chicano Sci-Fi Wisdom is not a cult. When he finds himself sounding like a guru, he laughs. Or is that the laughter of Tezcatlipoca?



Wednesday, September 16, 2026

Los Angeles Libros Festival

 


For more information visit https://www.lapl.org/libros



Un festival del libro bilingüe para toda la familia


Los Angeles Libros Festival ofrecerá una entretenida programación con cuentacuentos, conciertos, autores, talleres, libros y comunidad. Entrada gratuita.


Sábado 26 de septiembre 2026

Biblioteca Central
630 W. 5th St.
Los Angeles, CA 90071



A Free Bilingual Book Festival for the Whole Family


Los Angeles Libros Festival will offer a full day of entertainment featuring Spanish-language and bilingual storytelling, musical performances, authors, workshops, books, and community. Free and open to the general public.


Saturday, September 26, 2026

Central Library
630 W. 5th St.
Los Angeles, CA 90071



Presented by the Los Angeles Public Library in partnership with LA librería and REFORMA Los Angeles, the event features an interdisciplinary lineup:


*Storytelling & Authors: Spanish-language and bilingual storytimes, panels with award-winning authors, and illustrator showcases. 


*Live Entertainment: Hands-on arts and crafts workshops, a photo booth, and custom bilingual poetry typed out live on antique typewriters. 


*Mercadito: A book fair market powered by LA librería where families can browse and purchase Spanish-language children's and young adult literature. 



Admission: The festival is entirely free and open to the public. While walk-ins are welcome, the library encourages families to register a free spot on Eventbrite to help monitor attendance.


Parking: Reduced validation parking ($1) is available directly beneath the library at the 524 South Flower St. garage for Saturday attendees who show their library card at the information desk.