Wednesday, September 26, 2018

The Amazing Watercolor Fish / El asombroso pez acuarela



Text and illustrations by Carolyn Dee Flores
Spanish translation by Carmen Tafolla


  • ISBN: 978-1-55885-873-2
  • Publication Date: October 31, 2018
  • Bind: Hardcover
  • Pages: 32


This rhyming bilingual picture book depicts a whimsical friendship between two pet fish!

A lonely pet fish longs to know what exists in the world beyond her bowl. “I wish I could see over there / Behind the wall, / Behind the chair.” She imagines a giant tree, a wooly goat, and a purple sea.

She wonders if there could be someone out there who looks like her. So, she leans close to the glass and hears some fish-like cries! “Hello? Is someone there?” she hears. “Are you a bird? / Are you a bee? Or are you a fish with fins like me?” She realizes there’s another fish close by and his name is Mike!

When Mike asks what her world is like, the amazing watercolor fish has a great idea. “I’ll show Mike what I think could be!” Using watercolors, she paints a picture of a world with trees and swirling rainbows. Every day she paints more, “birds that swim, / ships with wings, / and books that do all sorts of things!” Then Mike uses his paint to illustrate more “than just the water and the door.”

In this fun bilingual picture book, with a wonderful rhyming Spanish translation by former Texas Poet Laureate Carmen Tafolla, two pet fish imagine a beautiful, mysterious world beyond their bowls. Children ages 4-8 will love following the progression of Carolyn Dee Flores’ gorgeous illustrations from black and white to full color as the fish become friends. Kids will be inspired to imagine—and maybe even paint or write about—a world beyond the one they know.


Review

“What if we could create the life we want? What would it look like? A lonely pet fish does just that when she begins to dream about a world beyond her bowl. She meets another fish, and the two set off on a journey of discovery. This beautiful picture book features Flores’ rhyming words and colorful illustrations with Spanish translation by former Texas Poet Laureate Carmen Tafolla.”—Houston Chronicle

“A lovely, mind-expanding idea for young readers, and the shift from black and white to color is a clever conceit. Spanish-literate readers will get an evocative take on two fish and their shared vision of a world they’ll never see.”—Kirkus Reviews




CAROLYN DEE FLORES is the illustrator of several books, including A Surprise for Teresita / Una sorpresa para Teresita (Piñata Books, 2016); Dale, dale, dale: Una fiesta de números / Hit It, Hit It, Hit It: A Fiesta of Numbers (Piñata Books, 2014) and Canta, Rana, canta / Sing, Froggie, Sing (Piñata Books, 2013). A member of the Society of Children’s Book Writers and Illustrators, she lives in San Antonio, Texas.


Tuesday, September 25, 2018

500-word memoir. News 'n Notes.

500-word memoir
My Boys In the Snow
Michael Sedano

Back in 2011 I ran a 500-word memoir. That one was about snow, too. The 500-word exercise offers fun for the effort. Write, tighten, write, tighten, check word count, tighten tighten, five hundred or under. I'm writing an "as told to" autobiography for a Chicano hero right now, and the write-tighten exercise develops a habitual eye for saying a 1000 word first draft in a submitted 500, without going through the 1000 first.

The man's is an exciting life and I'm writing for YA, raza boys. He's in the Army right now in the narrative, so coming across a foto from Winter 1969 was serendipity or a mystic confluence. He was in uniform when the Korean war broke out, I was in uniform in Korea.

I'm digitizing my boxes of sixties vinyl. In the process I ran across this slide of "my boys," my closest companions except for one--he was up on the mountain this day--gathered for a group hug. I stepped backward to grab this and it's fuzzy. Never be able to go back and fix it, and with film you don't take a lot of exposures.


I met Radowski my first night at the battery. In the snowy photograph, he’s the big guy to the right of the soldiers, left of the foto. Radowski was a cook. Cole, Robledo, Lopez, and Hughes were Alpha firing crew, and Perales was fire control.

Hwaak-ni nestled with stunning isolation in the valley formed by the juncture of two mountains in the Republic of Korea. My mountain, Mae Bong, a legend as “the highest and ruggedest HAWK site in world.” A sign said so, I believed it, and so did the other 70 men assigned here for a year.

Generating electricity burns lots of diesel so the compound doesn’t have a lot of light. The surrounding dark and thick humid air sounds of crickets, the running stream, and raucous laughter.

Right now, I point myself toward the only light in front of me. Behind me, the light above the door to my hootch casts a long shadow that points to the mess hall. The Sergeant’s orientation rings in my ears.

“Sedano, you play your cards right and Korea is the best duty in the world. You report straight here do not go to morning formation. You go up on the mountain two days, down for one like clockwork.” He’s saved the best for last.

“Get yourself a nice yobo. Korean women know how to treat a man. My Daisy sure does. You keep her in soap and cigarettes and she’ll take care of you.”

I wondered, was it a translation? “How did you find a girl way out here named ‘Daisy'?”

The Sergeant had a hearty laugh and demonstrated it. “Sedano, you can name them anything you want.”

The chow hall door is propped open and the laughter easily pours out of the screen door. I step in and six guys stand around a table. Radowski is arm wrestling all comers. Two guys sit down while I watch and Radowski dispatches them easily. Radowski exults, challenging anyone to have a seat.

Not knowing anyone and no one knowing me, I step up to the table. “I can take you left handed.”

Radowski swells to the challenge “Oh yeah?”

“Yeah.”

Radowski rolls up the teeshirt on his left arm. The ref announces, “the new guy against Radowski! Ready…” he pulls his hand up and says “Go!”

The big white boy is strong. He’s from the San Fernando Valley, played high school football and joined the Army to escape a drug bust. He’s a downer freak and becomes a good friend. Tonight, Radowski strains to no avail and slowly his arm weakens and mine begins to exert leverage.

The battery champion pinches his lips together and in the humidity sweats profusely but Radowski loses. The crowd isn’t happy. Their boy lost to the new guy and no one knows who he is. Radowski’s injured ego demands a right handed match.

In a second, I have the crowd screaming and hollering laughing and giving Radowski a hard time. I tell them I’m left handed.


News ' Notes - Mailbag
Michael Nava Goes Aural 


https://soundcloud.com/michael-nava-13/lay-your-sleeping-head-ep-1-demo-1

I've recorded 6 episodes for the January launch and I'm working on the next 6. There will be a total of 17 episodes. I’ll be releasing other trailers leading up to the January launch.


Opera Cultura San Jose Califasilicone Valley
Here is one of the new voices. Listening all the way to the final note rewards you with that final note.



The greatest musical instrument in the world is the human body. This video of Virgina Hesse singing  O Luce Di Quest'animademonstrates that. Here's the link for tickets.



Ron Arias wrote those words in his debut as a kick-ass writer, The Road to Tamazunchale (link). Riverside and Inland Empire readers have the opportunity to meet Ron, along with poet Juan Delgado, at the Culver (link). Wow, Riverside.  Cheech Marin is locating one of the world's best art museums, a Chicano equivalent of the Norton Simon Museum of Art in Pasadena. UCR Tomás Rivera Library has the world's definitive collection of science fiction and speculative fiction, and there's the Culver with this series. Who knew? Now we do.

Before La Bloga - Tuesday signs off, a reminder, G O T V, 6 November 2018. Get Out There And Vote.

Monday, September 24, 2018

Works by Eloy Torrez and Juliane Backmann at the Los Angeles County Library in East Los Angeles



Don’t miss the opening celebration for this wonderful exhibit! I have long been a fan of Eloy Torrez’s paintings, so much so that I was able to arrange having his playfully evocative painting "El rey de la risa" adorn the cover of my 2017 short-story collection, The King of Lighting Fixtures. And since then, I’ve also had the opportunity to meet his wife, Juliane Backmann, and experience her powerful photographs and art. I plan on attending this celebration of art and photographs...I hope to see you there!

Eloy Torrez and Juliane Backmann.



Saturday, September 22, 2018

Timber Frames: An Unfulfilled Dream by Antonio SolisGomez



As a young man I became interested in working with wood, an interest that was an easy enough transition from time spent helping my carpenter stepfather. However my interest was now in building furniture, although as a home owner, I also had to tackle basic carpentry projects. My new interest utilized some of the same basic carpentry tools which I had, but eventually I had to purchase a table saw, a band saw, chisels, jigs for drilling accurate holes, rasps, glues and small hands saws for cutting dovetail joints.

I build a few pieces for home use, a desk for my daughter, a chest of drawers, a hutch, a queen size bed and a meditation chair. The magazine Fine Woodworking was a favorite during that early time of learning, reading in depth articles on the finer points of building furniture, including tools, projects and technique enhancement. It was here that I first read about Timber Frame construction and I was reminded of the Episcopalian Church of the Epiphany in Lincoln Heights, whose construction I had long admired, that was build as a Timber Frame, its beautiful interior a testament to great craftsmanship.

Notice that log homes are entirely different from Timber frames, in the former the logs are simply laid down one atop the other, the wall are thus solid except for the window and door openings. In timber frames there are large open spans between the timbers (bays) that support the roof. These open spaces in the walls are filled with brick, plaster or rock or the more traditional wattle and daub, a lattice made of wood covered with a combination of mud, clay, straw and dung.


 


Far back in history wood buildings and homes were constructed with massive timbers joined together using intricate joinery and pegs. Archaeological sites in Europe, Asia and the Middle East from as early as 200 BC have been found that show buildings constructed in this way. Much of the land was forested in those areas and therefore it was logical for people to utilize wood as a building material. However trees were held in reverence and there wasn’t the wanton destruction of forests that took place in this country. Most of the countries in Europe have a architectural history
of Timber Frames buildings, the one outstanding example that
doesn't is Russia, where log homes were more of the norm.
Shambles Street in the City of york

When Europeans arrived in North America they brought over Timber Frame construction to build their homes and barns, the process a community affair as it took many hands to accomplish the task. What was eventually lost however was the reverence for the forest from whence the timbers grew. North American forests that had been growing for hundreds of years began to be cut down on a massive scale both to clear the land for farming and for dimensional lumber such as 2x4’s that began to be used in the late 1800’s in the construction industry.


Drawing on left depicts use of the broad ax used to square a log. On the right a barn raising

Timber frames required trees of a manageable size. Builders didn’t go looking for the tallest, biggest trees. They left the old growth forest alone, intact, for future generations to enjoy. But lumberjacks in North America did just the opposite. They looked for and cut down the largest tress that they could find and let the lumber mill cut it down to the required sizes. What a difference in values and attitudes.

It is difficult to have a spiritual connection with a 2x4 not so difficult when one is dealing with a whole tree that has to be hewn square by hand, notched and lifted into place to be joined with another large timber. And the fact that one can see the timbers in a completed building, provides an aesthetic experience not possible with dimensional lumber hidden behind plaster walls.

Throughout the world there is renewed interest in timber frame home construction and a wave of skilled craftsmanship has emerged. This renewed interest in timber frames has necessarily brought about the need for the tools that have been employed in this type of buildings. Thus we have been re-introduced to the broad ax, the slick, the adze, the auger, the corner chisel, and larger chisels. Naturally new techniques, tools and materials have also come forth, the most notable being the Structural Insulated Panels(SIPS) used to fill in the bays, the large openings in the wall space between the timbers supporting the ceiling. SIPS are also used to cover the roof so that the roof beams are exposed on the inside.

Hatchet, blue adze without its handle, slick without handle, chisels, broad ax standing, Japanese saw handle not visible

My interest in timber frames was a natural transition from having practiced wood working for a number of years, joining wood and making furniture. They call it joinery because more often than not when making furniture one has to join one or more pieces together in order to get the width that one needs for a project, as most lumber doesn’t come in widths greater than 12 inches.
Lap joint with wooden pins

I became more interested in timber frames when I bought some property in rural New Mexico, adjacent to the Gila National Forest. Forest rangers are always felling trees to thin out the forest and I could buy one designated for thinning for $10, however I would have to cut it down and haul it out, a task that I was not equipped to handle from areas with no roads that would require a team of horses.

Cruck of a tree, naturally bent
My brothers Tito and Raul helping me build a shed in New Mexico using local timbers
There are two trends that are leading the renewed interest in craftsmanship in different areas of modern life. One is that fact that we are living longer and have more time to explore our interests that often lead to the craftsmanship that is involved, be it in automobile restoration, gardening, home construction, building furniture or in one of the many art mediums, etc. The other trend is the loss of employment opportunities due to greater efficiency and or to automation. There is simply not going to be enough places to work. Although this same argument was made at the advent of the industrial revolution, it was then merely a theoretical supposition. Today there is an abundance of evidence that this is happening already.

My desire to build a timber frame in New Mexico was never fulfilled because of the remoteness of the property and my decline in ganas to accomplish such a daunting task. Perhaps in a next life.

Friday, September 21, 2018

Out of the Office: the Great Escape to Ireland

Melinda Palacio


I arrived in Dublin today and didn’t expect jet lag and technical difficulties to keep me from my duties at La Bloga. You will have to wait until October 5 for a proper post from me. Thank you for visiting La Bloga. In the meantime, follow my travel pictures on the Face. Cheerio, as I’ve heard three people say, thought they only said that in London. I have much to learn and absorb. My first stop was the Dublin Writers Museum. So far Day One has been everything I imagined Dublin would be like, filled with friendly people who sure love to talk. Forget about asking a question, you’ll get a lecture that will leave you feeling as if you’ve taken a college course on the subject.


Thursday, September 20, 2018

The Bulldozer, Progress, and Gentrification

Daniel Cano

                                                                           
Epifanio Holquin, Brentwood, CA 1920s
                            "We all knew he was somebody famous, but, in those days, no one made much of it."
                                                                             Alfonso Holquin

                                                                                         1.
     A walkway with tropical plants growing on either side led to Alfonso Holquin’s front door, a touch of Puerto Vallarta in Mar Vista, California, once a simple working-class neighborhood.
     Alfonso purchased his home in the 1950s for $13,000. Today, no property in his neighborhood will sell for less than $1.3 million, many closer to $1.5 or above. Runaway inflation, modernization, or gentrification, take your pick.
     Born in 1929, a tall, handsome man, olive skin, a full head of white hair, Alfonso greeted me at the front door. We sat in his living room and talked. He was a close family friend, and I knew he'd been born and raised in Brentwood. I asked him how he remembered Brentwood before the building “boom.”
     He described his neighborhood as mostly wood frame homes on large plots of land, ranches, and a few isolated estates near the foothills of the Santa Monica Mountains. To the east, along Wilshire boulevard a half-mile, was the National Soldiers Home, Santa Monica two miles farther west, and the settlement of Sawtelle a mile down the hill on Barrington Avenue.
     Alfonso showed me some old, wrinkled photographs taken in 1923. “That’s our house,” he said, pointing to a square wood home, surrounded by vacant land and dirt roads cutting across empty fields. Today, only L.A.'s most affluent can afford to buy homes in Brentwood, north of Wilshire Boulevard.
     Alfonso said most of his neighbors were Anglos, Mexicans, and Japanese. “In those days, people considered Brentwood out in the sticks. Nobody wanted to live out there, so land was pretty cheap.”
     Alfonso’s father, Epifanio Holquin, was born in 1877, in Chihuahua. Alfonso said, “My dad never talked about Mexico--or about anything much, for that matter,” he smiled. “When I was born, my dad was fifty-two years old. So most of what I know about the family, my oldest brother Modesto told me."
     Like many Mexicans fleeing Mexico during the 1910 Revolution, Epifanio Holquin crossed the U.S. border and settled in El Paso, Texas, where he worked a few years before moving to Clifton, Arizona to work in the copper mines.
     In the early 1900s, United States’ mining companies canvassed Mexican villages contracting experienced miners from Sonora and Chihuahua, promising them good housing and fair wages, only to find upon their arrival, the pay was less than promised and the housing worse.
     The companies paid inexperienced American workers higher pay than experienced Mexicans workers, often for the same work, or sometimes, more dangerous work. In some cases, Mexican miners were forced to train newly hired American workers, who earned more than the Mexicans. Frustrated by the injustice of this “dual wage” system, as well as the dangerous working conditions, Mexican miners began to organize and fight for equal treatment and pay, facing violence from thugs and lawmen hired by the mining companies.
     In one case, the mining companies, supported by the local authorities, loaded Mexican miners and their families onto cattle cars, took them in to the desert, and dropped them off. In other cases, the miners and their families were deported, taking some American citizens, in the process.
     As depicted in the documentary, Los Mineros, the Phelps-Dodge Corporation operated a "company town" in Clifton-Morenci. Mexican miners paid high prices for goods in the company store than Americans paid. By that time, Epifanio had left and joined the thousands of jobless men riding the rails searching for better opportunities, leaving their families behind.
     “My dad was a hobo,” said Alfonso. "And my brother Modesto, who was born in 1909, and only eleven or twelve, went with my dad on his railroad trips."
     Modesto had told Alfonso how his father taught him to jump on and off of moving trains, to make friends with other hoboes, as well as the men who worked on the railroads. After all, a kind word might result in friendship, or work because workers often found jobs near the railroad lines, where employers hired them to work in warehouses and on the docks, loading and unloading trains.
     In the 1920s, Alfonso’s aunt--his father’s older sister--had already moved to Bunker Hill, in Los Angeles. She sent word to her brother, who was still in Arizona, telling him about Los Angeles and the work opportunities available. That's all Epifanio needed to hear. He packed up his family and moved to California.
     Epifanio’s first job in Los Angeles was near La Placita (Olvera Street), in the rail yards. This was before LAX, or the shipping ports at Long Beach and San Pedro. The railroads were an important hub for travel, but, the primary carrier for shipping cargo across the country. Always keeping his ear open for better work and pay, and a chance to buy land, his real dream, Epifanio moved his family west. Alfonso wasn’t sure why his dad settled in Brentwood, but, he speculated, there was a lot of open land in Brentwood, and it was fairly easy to buy land, even for Mexicans.
     Once settled on L.A.’s Westside, Epifanio found work in construction and gardening. He was not a man to waste time. He often worked two or three jobs, arriving home after dark.
                                                                                 
Hard Work Pays Off

     Neither did Epifanio give in to frivolous entertainment. Determined to buy land, he saved his money. When his children reached working age, they all found jobs and contributed to the family income. In 1922, Epifanio purchased his first lot on Dorothy Avenue, a few blocks north of Wilshire Boulevard, surrounded by vacant land. There, he put his construction skills to use. He and his sons built their first home.
                                                                             
B
Holquin Family Home, Brentwood
     I’d once asked my father about Brentwood and the Mexican families who lived there. He told me that nobody wanted to live out there, so far from downtown Sawtelle. He recalled that along with the Holquins were the Villasenors, Rivases, and other Mexican families, each settling there years before the Great Depression.
     “Art and Robert Villasenor still live there,” my dad said. “One of the Villasenors lived to be over a hundred-years old. I think he just died not too long back. They just sold two homes they still owned in Brentwood. Frank Machado, from the Culver City Machados, married one of the Brentwood Rivas sisters. She went to school with your aunt Ramona,” he thought for a moment. “Three of the Rivas girls graduated from UCLA. One girl, Kathy Rivas, ice-skated in the 1947 Olympics. Yeah, the Villasenors and Rivas are two of the old Westside families.”
     Alfonso remembered a famous movie producer who lived in Brentwood, though he couldn’t remember the man’s name. "He had more of a ranch near where Gorham and Barrington Avenues crossed. We all knew he was somebody famous, but…no one made much of it. He was friendly and always stopped say 'hi'."
    Like many of the men of his generation, Alfonso did not appear impressed with celebrity. He and most of his friends on the Westside had, at one time or another, gone to school or worked for celebrities.
     I asked him, “If Brentwood was so isolated back in those days how did you meet the  kids who lived in Sawtelle?”
     He told me it wasn’t really that far, just a mile down the hill. But kids didn't wander too far from their neighborhoods, back then, and walking, or a trek down and back up the hill, was tiresome.
     “I first met the kids from Sawtelle when I went to catechism classes at St. Sebastian's Church,” Adolfo said.
                                                                                   
The Holquin Family, Brentwood, CA
     St. Sebastian was the nearest Catholic Church, halfway between Brentwood and Sawtelle, on Federal Avenue.
     My father remembered meeting the kids from Brentwood, “There wasn’t anything out there. We called the Holquins, the Villasenors, and the Rivases the Brentwood gang, but we didn’t mean gang like gangs today. It was more like guys who just hung out together.”
     La Paloma Market, a neighborhood store for Mexicans in Brentwood, became the Brentwood kids’ hangout. As Brentwood developed, over the years, La Paloma became the Burns’ Market then, about the 1990s, the Barrington Market, a trendy little store specializing in wines, no signs of its Mexican past.
     Alfonso said, “I think the Placencia family originally opened La Paloma.” He didn't remember exactly when. "It just always seemed to be there," he said. “La Paloma had the basics, a torilleria, meats, soap, canned foods, and candy, stuff like that.”
                                                                                   
Bobby Medrano and author, Good Times, Kings Canyon
     This brought back memories even for me. In the 1970s, many Westside kids would hang out at Burns’ Market when the Medrano family, from Junior (Guadalupe), sister Lucia, on down to Ruben, Bobby, and the youngest, Rene, managed the store, stocking the shelves, and working the counter. If we were short on cash, the family would cover us until the next time we shopped there.
     In its last years, the Barrington Market catered to the wealthy who lived in the high-rent apartment and condominium complexes, nearby, few 1920-style wood houses still stood in the neighborhood. Finally, in the early 2000s, the La Paloma's ghost fell to the bulldozer, progress and gentrification. Alfonso said, "It was a big deal when a Safeway opened at the corner of San Vicente and Barrington in the 1930s."
     I asked, "Do you remember the Western Front?"
     "Sure, every Saturday my dad would take me to the Western Front for my weekly haircuts."
     Alfonso described the rickety wood porches and the smell of the floors inside, mostly bars, cafes, a barber shop, and small businesses along San Vicente Boulevard. “It was like an old West town, veterans drinking,” he said. “Oh, man, but were those veterans generous. They tipped big.”
     Alfonso remembered how his friends and he, after giving his dad the family cut, made enough money from shining the veterans’ shoes to see him through weeks of movies, popcorn, sodas, and candy. “That was when we could see a movie and buy candy and a soda for a quarter.”
     Then Epifanio struck gold, symbolically speaking. He found permanent employment working for Alphonzo Bell, whose 600-acre property became Bel-Air Estates, golf course, country club, horse stables, trails, lush gardens, and mansions. Whatever needed attention on Bell’s property, Epifanio and the other workers complied.
     “My dad did everything from clearing brush from the horse trails to laying down the foundation for tennis courts.”
     For the Holquin family, work on Alphonso Bell’s land brought security during the worst times of the Depression. “I still remember going to work with my dad on the Bell estate. I was only ten or eleven years old. I spent summers, every day, chopping weeds and clearing branches and leaves from the miles horse trails across the mountains, from Sepulveda to Beverly Glenn.”

Wednesday, September 19, 2018

When Angels Sing: The Story of Rock Legend Carlos Santana


Book Signing:
Meet the Author & Illustrator

Saturday • September 22, 2018




A note from Jose Ramirez, illustrator of When Angels Sing


Dear Friends and Family,

I’m excited to announce the release of: When Angels Sing: The Story of Rock Legend Carlos Santana published by Atheneum Books for Young Children, Simon Shuster.  Written by Michael Mahin and illustrated by Jose Ramirez.

In celebration of its publication, we will be hosting a book reading with the author. 

Books will be available for purchase and we will be signing copies.
I will be exhibiting the original paintings from the book.

In appreciation, upon buying a book, a 20% discount can be applied toward a painting or print.

(This discount is only available THIS day and some restrictions may apply.)

We look forward to seeing you.

Saturday September 22, 2018 • 10–5pm
Studio Ramirez-Aguilar
1136 Stone Street Los Angeles, CA 90063

I will be exhibiting many new paintings, new prints, some new cards, and magnets.

Light refreshments will be provided. 

Much love,

jose

for more info please visit my website: 


About the Book

Celebrate music icon Carlos Santana in this vibrant, rhythmic picture book from the author of the New York Times Best Illustrated Children’s Book Muddy: The Story of Blues Legend Muddy Waters.

Carlos Santana loved to listen to his father play el violín. It was a sound that filled the world with magic and love and feeling and healing—a sound that made angels real. Carlos wanted to make angels real, too. So he started playing music.

Carlos tried el clarinete and el violín, but there were no angels. Then he picked up la guitarra. He took the soul of the Blues, the brains of Jazz, and the energy of Rock and Roll, and added the slow heat of Afro-Cuban drums and the cilantro-scented sway of the music he’d grown up with in Mexico. There were a lot of bands in San Francisco but none of them sounded like this. Had Carlos finally found the music that would make his angels real?