Monday, August 07, 2006

TU CIUDAD MAGAZINE’S MUSIC ISSUE ROCKS LOS ANGELES

The August/September edition highlights everything from Kinky to Dave Navarro, to summer barbeques, Brazilian-cut bikinis, and a look at the next urban hot spot, Boyle Heights

The August/September issue of Tu Ciudad Magazine, the English-language guide to Latino L.A., has now hit the newsstands. The 20-page music showcase delves into the world of L.A.’s local Latin music scene featuring articles and profiles on trendsetters and tastemakers including Academy-Award winning producer Gustavo Santaolalla, local guitar hero Dave Navarro, and electronica-alternative rock favorites, Kinky.

The Music Issue covers artists, producers, and talent inspired by the hypnotic, rhythmic, and eclectic sounds of rock, rap, ranchera, ska, Norteño, Mexican corridos, soul, acid jazz, and R&B. Read about Gustavo Santaolalla, the man behind the Oscar-winning movie score of Ang Lee’s Brokeback Mountain. He has also worked with some of the world’s top pop and Spanish-language stars such as Nelly Furtado, Julieta Venegas, and Juanes. Commenting on rock en español, one of the most popular Latin music genres, Santaolalla states, “We’re in a transitional period right now. But it’s always been like this: things get a little quiet and then, boom – there’s a whole new generation of artists doing new things.”

Also in this issue, Dave Navarro, co-host of CBS’ Rock Star: Supernova, reveals the moment he fell in love with guitars in “Guitar Diary”; electronica quintet Kinky provides tips on “How to Survive Being in a Band”; Louie Pérez of Los Lobos and banda singer Yolanda Pérez share “The Five Albums that Changed My Life”; and in a timeless photo essay, Lionel “Chico” Sesma – one of L.A.’s first bilingual Mexican-American radio personalities – relives the days when he brought legendary Latino acts such as Celia Cruz and Tito Puente to the Hollywood Palladium.

The editors note that no music issue is complete without revealing a lineup of talent to be on the lookout for. Check out profiles on fast-rising local favorites Los Abandoned, Jae-P, The Sirens, Upground, and Carlos “Loslito” Guaico. The jam-packed issue also takes a look at the changing face of Boyle Heights and tells us why it is L.A.’s next hip neighborhood.

I've said this before and I'll say it again: Tu Ciudad is beautifully-produced with a look that is all its own. And I always learn about something new whether it concerns food or art or literature or politics.

Tu Ciudad Magazine is available at stores throughout Southern California including Ralphs, Albertson’s, Vons, 7-Eleven, Rite-Aid, Sav-on Drugs, Barnes & Noble, Borders and newsstands throughout Los Angeles and Orange counties. You can also go to the magazine's website and subscribe.

-- DAO

Friday, August 04, 2006

Este y Eso

Manuel Ramos

FREDDY FENDER
We can't seem to break away from sad news. Freddy Fender (Baldemar Huerta) legendary musician and actor, has incurable cancer. His family reports that he is at home and in good spirits and requests that you leave messages here for Freddy. Fender was one of the first artists to find success in Spanish-language rock 'n roll. The singer has also recorded rhythm and blues, country, and conjunto music since starting his career in the 1950s. He is a three-time Grammy Award recipient, including wins with groups Los Super 7 and the Texas Tornados. The official website is at: http://www.freddyfender.com/ .
Meanwhile, details for the various Trinidad Sánchez, Jr. memorials and benefits for the family can be found at Pluma Fronteriza.

FREE BOOKS
A couple of La Bloga members recently received a package of free books from the Instituto de México in San Antonio, Texas. The books included bilingual editions of works by noted Chicano/a authors Sandra Cisneros, Tino Villanueva and Jimmy Santiago Baca; a fifth generation Californian, John Oliver Simon; as well as Mexican authors Elsa Cross, Jorge Humberto Chávez, Marco Antonio Campos and Cristina Pacheco. The accompanying letter from the Director of the Instituto said that the "idea of creating these editions is to promote, through a literary language, Mexican authors that haven't published their work in English, and vice versa. We are distributing these works with the objective of awakening, through this little taste, the interest of important editorial companies with larger coverage that could spread the work of these writers in both countries." Quite admirable. These are nice editions to any library, everything is in Spanish and English, and each selection has an author bio and photograph. Of course, with Cisneros, Villanueva and Baca, the writing is first-rate, and I assume that when I get a chance to read the others, I will find the same high quality. Tip of La Bloga's sombrero to the Instituto de México for a creative attempt at spreading literature and literacy.

JOAQUÍN MURRIETA


The Joaquín Murrieta Horse Pilgrimage took place July 28-30 from Madera to Cantúa Creek, California. According to Victor Valenzuela, a descendant of one of Murrieta's lieutenants, Murrieta - who allegedly died along with several of his men when ambushed at Arroyo Cantúa by California Captain Harry Love on the morning of July 25, 1853 - was California's first Chicano activist. "I find that a lot of Mexican and American people don't know about Joaquín Murrieta," said Victor. "I regard him as the father of the Chicano Movement. He's 'El Patrio' (The Patriot). There are so many interesting things that have been written about him. Historical writer Manuel Rojas has the Mexican perspective. Professor Humberto Garza has the Chicano perspective." Read more about Murrieta and the Horse Pilgrimage on the Vida en el Valle website.

MUSEO DE LAS AMERICAS FAMILY FREE DAY
Spend a day at the Museo and help support the art and cultural exhibits that only this organization can bring to Denver. Music and family activities, summer art and basement sale with original art, prints, gifts and artist supplies at bargain prices. August 5, 10 AM - 4 PM. The Museo is located at 861 Santa Fe Drive, Denver, 303-571-4401 or www.museo.org.
As I noted last week, this weekend is also the party known as the 10th Chicano Music Festival at El Centro Su Teatro.

COPYRIGHT
For all the aspiring writers who read La Bloga, we borrow this advice about copyrights from Poets & Writers:

Do I need to copyright my work?
You own the copyright to anything you write, but registration with the U.S. Copyright Office will entitle you to monetary damages in cases of infringement, which rarely occur with literary work. Most times it is safe for you to wait until your book has been contracted for publication; your publisher should then copyright the book in your name.
- - Other Resources
For an excellent explanation of the law and your rights, visit the Web site for the U.S. Copyright Office. Another resource is The Writer’s Legal Guide: An Authors Guild Desk Reference (Allworth Press, 2002). You may also look for information from the Authors Guild, the National Writers Union, or a local chapter of Volunteer Lawyers for the Arts.

Later.

Thursday, August 03, 2006

Denver to San Anto 2006

Day 1: I've made this 1000-mile trip many times since 1970, to see my mom. Back then I'd throw in a case a beer and other energizers, drive straight thru and make it in 16 hrs. Can't do beer these days 'cause I'd fall asleep before three bottles and Pueblo, Colo. Besides, this time I'm taking my dog Manchas who loves beer, and it's difficult sharing with a two-year old, 75-pound Australian Cattle Dog while you're driving.

We escaped 103 in Denver, and me and the dog are on an adventure. We're neo-hunter/gatherer loaded down with ice, nuts, juice, cheese, packets of meat and fruit, a canteen of water and dog food packets; we're Barry Lopez roughing it, all alone; we're Ed Abbey's Pilgrim and his canine heading cross country; we're free spirits on the open road. Aztlán awaits.

Some things have changed in the past three decades and some remain ditto. I try to keep my speed to 60-65 to save gas and 'cause my truck's a 4-cylinder. During the whole trip I will pass only three cars. All the SUVs passing us are doing 75+ as if to quickly get to their destinations and end their gas-guzzling ASAP. Or maybe they don't believe it will stay $3 a gallon (and go higher), like they also believe George Dubbya will make it all right; this doesn't portend well for the next election.

I see few true vacationers, out-of-state plates; thirty years ago the rest stops had station wagons letting out their kids to run around for a while. Today over half the vehicles are idling 18(+)-wheelers belching diesel, and there's almost no real families, kids.

Colorado chollo, nopal and prairie grasses pass by; I can't watch them for long 'cause you don't sightsee from a moving vehicle. You just swoop along, a blur in their vision, a stinky truck raising hot wind as it's about to burn $200 of nonrenewable fuel, leaving soot waste on the cactus needles. It's hot, definitely over 100.

In southern Colo., near Walsenburg, is a road sign: "Walsenburg Correctional Facility: Don't stop for hitchhikers." I wonder if the sign's because of frequent escapes or if it bodes ill for how "corrected" released inmates become. An old couple is getting out of a shiny LTD--are they escapees pretending to be out of gas? I hit the pedal.

At the next underpass there's a guy hitchhiking, and I wonder whether he knows about the sign or will ever get picked up. Was he just paroled or a real con-on-the-run? He looks like my writer-friend Ed Bryant, and I'm almost tempted to go around and check, but it can't be Ed, unless, he's doing research for some horror story about an escapee who does get picked up. I take it up to 65 and decide to ask him when I return, just in case.

By deciding to take the dog, I knew I risked him infusing the truck with his smells, but I figured the trip would be good for him, he'd learn stuff, he'd change into a better dog. Right before Raton, NM, the dog sounds like he's gotta take one, so I pull off at the Sugarite Canyon State Park exit. We don't expect to find much there, turns out they've got real restrooms, trim grass growing in front of the info station, forests on the mountain sides, tiny laughing hummingbirds and even a shower where I can take the dog for his first real bath ever.

There's a grandpa, father, son trio using the shower, and they probably won't appreciate me taking the stink off the dog. No, they haven't seen many other campers. I talk with Gramps about the outrageous price of gas, but he says it wasn't too bad last time he hit Denver. (This doesn't bode well for the next election.) He tells me about nearby trails, and Manchas and I head off for a real taste of hunter/gatherer, clean-clean air.

Instead of gathering, the dog leaves a dump for me to wipe, but at least we're alone, up a mountain, relishing the trees and wind. After hours in the truck, it's eerie. I remember my hunter skills and check for my knife: I left it under the seat where highway patrolmen can't see it. I've only got a penknife that's good for cleaning fingernails.

I get the dog to notice a threesome of hawks soaring, and we watch them circling, maybe eyeing both of us or maybe just the dog. I wonder what I'd do if they dove for him, besides stick them with a penknife. So much for the feeling of freedom.

Later, heading back to the station, we stop to dump our wastes in the trash bin. I can't figure out how to open it until I notice the sign: "Be Bear Aware" (so the critters don't get used to eating Man's trash). I don't think Bear's gonna eat dog shit or my empty bottle, but I get a hyper feeling like maybe Bear's watching and decide we've had enough wilderness for now. We pull out onto the road, head for the Texas Panhandle.

We soon hit a "Safety Corridor" where 45 mph is the limit and fines are doubled. There's supposed to be construction going on, but we never see any workers even though it's early afternoon. I wonder if this is some Deadman's Alley with a head-on-crash, high kill-rate or if it's just an income-producer for the local county. (It's so damn hot all the way to central Texas we never see any construction going on, no matter the signs.) I keep it to 52 mph.

I forgot to bring any CDs, so I resort to the Baby Boomers narcotic of oldies stations. Problem is, after leaving New Mexico, the choices become nil. Seems lots of stations have been replaced by "Christian Radio." These aren't like the old Jesus-talk show stations that lectured you on sin and salvation, although some of those still operate. CR stations play elevator music set to quasi-Biblical lyrics. Manchas will eventually get a severe dosage of these until I discover how to recognize them. (I worry when we get back he'll get in trouble for proselytizing to the neighborhood dogs and cats.) Besides the obvious religious lyrics, you can identify CR if you hear: "Call 1-800--" so they can sell you CDs of their unholy music. I don't write down any of the numbers.

Like everywhere, there's Abbey-hated fences out here, keeping people and stuff out or in. Most of America's got a fixation with fences, although Europe doesn't use them; they just put up signs and people respect them out of common decency. Not us. Besides out here in the Stix, we help the Israeli's build 'em to cut up the Holy Land, we put 'em up on the Mexican border to spite our labor needs, and set them up everywhere George Dubbya goes these days, he's so liked. We just can't seem to put up enough fences to let the universe know we've been here and "owned" a bit of it.

Like everywhere, this land the dog and I cross has a memory, like back when it was the primordial Great Inland Sea, but that's buried deep now, nor is the land as engorged with oil as before. The Panhandle never lost the flat starkness of being sea bottom. It remembers that, aches from missing the water; it aches HEAT. Americans once made it worse with the 30s Dust Bowl, supposedly thru bad farming; this time it'll be from bad planeting. The land remembers that too and maybe helps us return sooner with this heat. Which reminds me: it's hot, too hot even for crotch-scratching construction workers.

One problem traveling to San Antonio is that once you get into Texas, only a third of your trip is over, the place is so expansive. Without CDs it seems wider, especially if it's hot. I can't change the radio station fast enough to avoid: "As long as there's stars over Texas." Out here, right before Dalhart this is the only radio station. That's how far from civilization we are.

In Amarillo I finally pull into a 24-hour McDooDoo's with lots of lights, to get the truck bed ready for me and the stinking dog to sleep in later in some park where there'll be only stars. When I try to restart it, it won't. It's almost midnight, this town dies much earlier each day, and I no longer know anybody here. We're fokked.

The two aisles of McDooDoo's take-out are chock full of kids in hot cars--black kids, Chicano, mexicano; the Anglo kids must be at Sonic. A pimped up two-door Nissan speeds in, hits the brakes and spins like Fast & Furious, stopping perfectly in line behind the last car. Since the manager won't answer my pounding and screams to open the door to let me use the phone, I have to ask one of these kids to call me a tow truck, but which one? The Chicanos that could be gangbangers, the blacks who could have escaped from Walsenburg or the Mexicans who might be drug lords? What the hell, I go for the Fast & Furious kid.

After hearing my plea, the young slick driver says he'll bring back a friend who knows cars. I glance at the other three black kids wondering if they're gonna tow me into Amarillo's alleys and what could possibly happen to my dog.

But F&F returns soon only with an old white guy who fixes my bad battery connection and says, "Just pay me what you can afford." I give the dude forty and feel bad I don't make it fifty. "What about your chauffeur; how much for him?" I joke. "Nothing. He's my boss."

Turns out the kid owns a car pimping shop and is in fact his boss, not a drug lord or gangbanger. His last words to me are: "And here's my cell number in case you don't get too far tonight." I shake their hands and thank the land that this only cost me forty dollars. These Texans don't make me reasses my opinion of the place; they just make me wonder how decent people can remain here.

Day 2: On the opposite side of the road there's an old guy and a kid checking out some run-over animal; they're straight out of that Roadkill chapter from Barry Lopez's book. I don't stop to find out how right I am.

There's oil pumps working the fields here and there, desperately trying to squeeze more drops out of a desiccated land with little green produce growing out of it. North of Snyder, Tex. the pumps multiply, but then comes something from a sci-fi novel. Mesas, bluffs, a couple of hundred feet tall cover my horizon from distant left to distant right, some a few miles off. Past the pumps I see maybe 200 magnificent wind turbines up on the mesas; only 2 aren't turning. Tall enough to be majestic, slim, austere, simple, just turning in the wind changing air into energy, while below them the oil pumps work like exhausted old whores. The modern windmills are so out of place they seem like aliens.

Manchas and I can't stand it; we gotta get a picture of this contrast of history-turned-backward-and-right. I pull onto a dirt road leading to the mesas. Right before some train tracks is of course a sign warning trespassers they can't cross BNSF&R land. The dog and I ignore it and plod over huge anthills of huge red ants to get our photo. Another twenty feet and we of course get to one of those American fences, which we're going to ignore; the aliens await. But there's another sign, smaller, set low to the ground: "Exxon; Caution; Toxic fumes." I wonder why it's not a bilingual sign. I wonder what it matters since the last 100 miles has fumed toxically. But I worry what'll happen to the dog if I pass out. After I take pictures from there, we flee the poisoned land.

Periodic roadsigns read: "Don't mess with Texas", an old redneck saying adopted by the redneck state as their anti-litter slogan, but it still reeks so much like Texan machismo.

North of San Angelo there's a ranch called Area 52, but after the Martian Wind Walkers, it would only be a letdown, so we keep going. San Angelo is too Texan; they can even keep a Grandys in business after most other people learned better. Gas here is $2.83, and I can't resist filling up before somebody runs out to change the price or I get arrested for theft. I keep looking over my shoulder but nobody stops me. I go in for supplies.

On the counter I set bottles of smooth-shit Jones soda that has a photo of me sitting in a train car. I don't remember when I posed for it.

"Anything else?" the cashier asks.
"A small bag of ice."
"We don't sell anything smaller than 10 lbs.," as if it might be too much for me.
It smacks of Texan sham bravado, so I answer, "In Colo. we call that a snowball, but I'll take one anyway." That gets me a little of my free-spirit flowing again.

We make it onto US-10 where the limit's 85 mph, but they're all doing 95, I swear. The trucks passing us should have signs reading, "Watch for my dangerous crosswinds," my truck sways and rattles so from theirs.

San Anto(nio) 120 miles!--good thing because we're down to the potted meat, and I'm not sharing with the dog; he got me pissed. I don't think he's learned much except how to smell up the truck, and I know everything smells like him, especially me. Dog has conquered Man.

As we hit San Anto's four o'clock traffic, the thermometer hits Sweat and Drip Like Crazy. Before downtown we become traffic backed up from an accident, crawling at 15 mph. On both sides everybody's got their windows rolled up, tinted-windows-hidden Texans burning our nation's midnight oil to keep themselves cool. All of them, swear.

I almost never turn on the AC (nor the heater in winter--hunter/gatherer, remember?). If it gets too hot, I just check that all the truck windows are open. That usually works. But we're almost at a standstill, sweating hoglike--me worse than the dog 'cause it only comes out his tongue--it's rush hour smog and global warming humidity and both me and the dog are tired of drinking Gatorade. So I turn on the radio that's been off for 200 miles, and "Lucy in the Sky" is playing and me and the dog sing. Only he doesn't sing too well, well, not at all, so he mostly stares. Nobody else does 'cause they can't be bothered by a hunter and a gatherer who don't have AC. We don't care. We're free spirits again, almost half done with our adventure and the heat, bears, Texan bravado, bad battery connections and highway-robbery fuel prices couldn't stop us. Plus, we've reached one of Aztlán's heartlands.

To be heatedly continued…

© Rudy Ch. Garcia 2006

Wednesday, August 02, 2006

Update: El Corrido de Boyle Heights - Sol's Rant

When I first saw this piece by my compadre Sedano, I made my one line comment and moved on but then this morning, I was walking to my bus stop on my way to work and saw a brand new wall covered in this grafitti shit. Goddamn it! To you taggers out there, if you want to make your mark on the world - get an education. Go to Europe and backpack through it. Go to art school. Write. Dream. Educate yourself for free at the library. Read La Bloga. Elevate yourselves damnit.

Tagging on a wall isn't going to make you cool. It's not going to get you the recognition you crave. Sure, your fellow disrespectful (and yes it's disrespectful to tag on private property. Didn't your parents raise you right? Mal educados.) tagging buddies and admirers will slap you on the back and say it's cool but those guys are probably going to be slapping your ass in prison if you keep this shit up. You're an artist, you say? Well then get some paper, cardboard, an old hood of an abandoned car, something that's yours to do your art on. Not a wall that doesn't belong to you - especialy not a wall that's beautiful, that has your history, your culture, your people's dreams and hopes and music on it. The artist you think you are would appreciate another's art and admire it - not vomit spray paint all over it.

You need to express yourself? Comment on La Bloga, tell me I'm full of it. Write a poem about why you feel compelled to write your name across the Corrido. Write a story. Tell me why it's important to you.

Fast forward 15 years and talk to your kids about tagging. Is your older self proud? Is it something you would tell your children. Hey mijo, you know that mural the beautiful one down on Soto that you can't see now because it's covered in grafitti? Well I started the destruction. I took a thing of beauty and soul and destroyed it because I was wanting to make my mark on the world. Is your child proud of you in that scenario?

There are places in L.A. where taggers can tag, where whole walls are given to you to express yourself. There's even a program where you can work on murals. There are some cool galleries in Highland Park like the Rock Rose, Avenue 50 where you can talk to other artists and see what they're doing, get inspired, learn. They'll welcome you, include you - fill that void in you that needs to create, recognize the artist in you. So stop that destruction and get educated. Make beauty not pain. Bring joy and not anger.

Am I lecturing? Damn right I am. I'm a mother of four kids who once caught her 9 year old boy tagging on a wall and dragged him home by the ear. That's nothing to what he got when we got home I'm talking about the five hour lecture on private property, his history and culture, how his ancestors were disappointed in him and how we have to uplift ourselves as a people. We have a responsibility to our raza. We are the only ones who can change the opinion of ourselves. You want people to stop thinking we're all a bunch of taggers, cholos, thieves, welfare bums, etc.? Well then, stop doing that kind of shit that gives hard working, honest people a bad name. You want to make a name for yourself? Then make one by stopping that graffitti shit and turning your life around. Turn your homies around too. Start a program for cleaning up the L.A. Murals. Restore them don't destroy them.

Count yourselves lucky you only got this short rant from Sol instead of the five hour lecture my boy got. I made him cry. He never did it again. He's grown to be a man I'm more than proud of. He served his country, is a good husband and father and he still remembers that night I dragged him home by the ear. Don't let me catch you tagging on the murals again.

Sol



--
Gina

Tuesday, August 01, 2006

Review: Saving the World by Julia Alvarez


Michael Sedano

Last week, Andrea Sáenz, in a sparkling first guest column, talked enthusiastically about the characters who populate two of my favorite Julia Alvarez novels, Yolanda from Yo!, and from my new favorite Julia Alvarez novel, Alma, of Saving the World.

I'm happy to review this novel just one week after Andrea's. There's so much in the novel, I'm sure La Bloga discussion could go on for weeks. Thus, I want to add on to Andrea's observations and but more so, invite comment from gente who've read Saving the World and want to talk about it here.

There's a lot of writerly matter for readers interested in the creative process. The hopelessly unfinished novel, the long since spent cash advance, the historical sidetrack that turns into a novel. Luckily, Alvarez hadn't read the Discover magazine story that ebola-like fevers, not smallpox, decimated America's indigena. The story within the story of Isabel's vaccination expedition into the New World might have seemed less worthy of weaving into Alma's world.

Readers of a certain age need to prepare themselves when they read Saving the World, for one of those rare moments in literature, a moment of recognition. As we meet Alma, she's fighting depression borne of realizing she is passing into a new stage of life. Richard's parents are dead, Alma's mother growing older and helpless, Alma has her two friends, and Richard. She feels as if her writing career has run its course, but beyond this, her life is running out. In a morbid yet exceedingly practical project, Alma systematically goes through the house, writing down operating instructions for all the chores her husband does. If Richard dies before Alma, the widow will at least be able to clear snow off the driveway. Although Alma follows a worst case scenario approach to her world, certain readers will recognize the stunning practicality of the character's worry. If nothing else, those pages will inform some lasting discussions.

There's a delightful "author's message" moment as the novel speeds to its surprising climax. Alma's world has turned completely inside out--a worst case scenario sprung out of nowhere to trap Alma and Richard in a wild third-world amateur show with guns.

This is what it means to live in a fallen world, she thinks. If only she'd been paying closer attention when she read to Helen from Paradise Lost.

That, too, seems laughable here. The idea that literature would have made her live her life any differently than she has. And besides, she doesn't have the luxury right now of being an indvidual. 226

Alma sinks deeply into despair but pulls herself out by remembering the story she's been working on, the smallpox expedition. Isabel whom history has forgotten her surname.

Isabel! The name comes unbidden, the one person who might understand the tangled web of head, hands, heart, and health Alma finds herself caught in right now. Why not Isabel? Who cares if her story took place a long time ago, if it is half made up, if history wants control of the facts? History can keep the facts. But Alma musn't lose faith. Isabel's story is keeping the knowledge of something alive in Alma, belief in a saving grace. 232

There's at least one other allusion to this power of the word. It is wrapped up in the final pages that should be enjoyed for the first time directly by the reader. As should the entire novel. There are so many interesting characters, interpersonal moments, questions, the reader will be reluctant to see Alvarez bring the book to a close. Attention book groups: here's a sure fire title. As popular as Julia Alvarez' work is, I reckon there will be numerous readers for whom Saving the World will be their first Alvarez. Not the last, I reckon.

Here's hoping you've already read and enjoyed Julia Alvarez' Saving the World and you can add your own enjoyment to the screens of La Bloga. All it takes is a click on the "Comment" link.

Until next time, les wachamos,
mvs

Monday, July 31, 2006

TRINIDAD SÁNCHEZ, JR.

Well, more sad news…I’ve received several emails today about the passing of Trinidad Sánchez, Jr. In particular, Luis Valderas sent me this beautiful tribute that I wanted to share with the readers of La Bloga:

We have lost a warrior. Trinidad Sánchez, Jr. passed away Sunday, July 30th at about 4:30 p.m. from complications due to a stroke that he suffered on July 18th. Trinidad was a legendary San Antonio poet (author of Why am I So Brown?), cultural organizer and community supporter. His local and national poetry readings inspired countless poets and writers throughout to go out and “do something.” He had moved back to San Antonio after living in Denver Colorado for a few years and was a mentor, friend and “camarada” to many both young and old. His voice and sharp barrio wit will be greatly missed. Friends and family are organizing a celebration to honor Trino's life and work. The celebration will take place this Sunday, August 6th from 3 p.m. to 8 p.m. at Ruta Maya coffee shop on Soledad and Martin St. in downtown San Antonio.

Funeral services are to be announced…till then, to remember Trinidad click here.

About Trinidad:

Trinidad Sánchez, a native of Pontiac, Michigan, was ninth of ten children born to poet Trinidad V. Sánchez and Sofia Sánchez.

His poetry bestseller, Why Am I So Brown (March/Abrazo Press) is in its sixth printing. In 1995, Trinidad was the winner of the Albuquerque Poetry Slam Competition andwent on to the National Poetry Slam the same year. His anti-gun, anti-crime poem "Let Us Stop the Madness" was selected as one of the winning poems of the People's Choice Competition.

Trinidad has also been featured at the Austin International Poetry Festival, Austin, Texas; Houston Poetry Festival, Beyond Baroque Literary Center, Venice, Calif.; The First Nezahualcoyotl Poetry Festival at The Mexican Fine Arts Center, Chicago; The Detroit Institute of Arts Line Series, Detroit. and many other venues in the past decade.

He has also performed and lectured at various colleges including Wayne State University, University of Wisconsin, Madison, Cal Poly Tech and Bowling Green University. Trinidad has been recognized for his activism on behalf on prison inmates and his involvement in social issues with the Rev. Dr. Martin Luther King, Jr. "Keep the Dream Alive" Award.

Trinidad was in the Artist in Education Program for the San Antonio School District, part of the ArtsReach Program of the San Antonio Department of Art and Culture and the Texas Literary Touring Program of the Austin Writer's League.

TWICE BITTEN

New Latino vampire novels make engaging reading

By Daniel Olivas

Ah, summer. A time to read novels that entertain but don't make you think too hard. Maybe something funny, with a bit of mystery, smart dialogue mixed in with romance. Oh, and if there's a vampire or two thrown in, so much the better.

Vampires? Yep. By mere coincidence, Mario Acevedo and Marta Acosta bring us their debut novels that are pure, unadulterated romps that include protagonists of the blood-sucking variety, each with its own brand of humor and page-turning excitement.

Acevedo's "The Nymphos of Rocky Flats" (Rayo, $13.95 paperback) is the more serious of the two because of the manner by which private investigator Felix Gomez becomes one of the living dead: "I don't like what Operation Iraqi Freedom has done to me. I went to the war a soldier; I came back a vampire." Back in the states, memories of the war weigh heavily on Gomez while making a living as a private investigator relying upon special contact lenses and plenty of sunblock to venture out in the daylight. Gomez outpaces humans with supernatural powers so that his P.I. prowess becomes almost legendary.

Gomez's successes lead to a lucrative job offered by his old college roommate who now is the assistant manager for environmental restoration at Rocky Flats, which had been a nuclear weapons plant. It seems that the Department of Energy needs to uncover the cause of an outbreak of nymphomania among female personnel at the plant. This setup allows Acevedo to take us on a wild ride delving into everything from lying warmongers and vengeful scientists to Homeland Security cover-ups and alien abduction.

Acosta's "Happy Hour at Casa Dracula" (Pocket Books, $13 paperback) centers on the wickedly snarky Milagro de los Santos, a single, sexy, Ivy League-educated, starving novelist. Milagro stumbles into an underworld of vampires when she attends a book party for a pretentious (and frustratingly successful) ex-boyfriend, Sebastian Beckett-Witherspoon. It turns out that vampires have also been watching Milagro's old flame but for different reasons: He might head an organization that doesn't fully appreciate vampires and their outsider culture. At the book party, Milagro "accidentally" gets bitten by a handsome vampire in attendance. She immediately craves bloody, raw beef and falls into a period of debilitating transformation.

The great fun of Acosta's novel is Milagro's sharp tongue and rather off-kilter turns of phrase: "My emotion hopped around like a frog in a blender, which is not as pleasant as it sounds." Or in describing the handsome vampire who bit her: "He had nice white teeth, but you'd expect that from a vampire, and dimples, which you wouldn't expect. It was probably a genetic trait to throw prey off guard." Milagro also has a penchant for fashion and bemoaning the single woman's plight -- a sort of Chicana Bridget Jones for the vampire set.

"The Nymphos of Rocky Flats" is a witty, fast-paced, detective tale that also manages to update vampire lore in clever and imaginative ways. And "Happy Hour at Casa Dracula" is a droll and highly engaging new addition to the growing "chica lit" bookshelf. Both paperbacks are compact enough so that they'll travel nicely together as you head off to enjoy a fun-filled summer vacation.

Just don't let the vampires bite.

[This review first appeared in the El Paso Times.]