Monday, April 18, 2022

“How to Date a Flying Mexican” comes to LibroMobile on April 30

 

LibroMobile Virtually Presents How to Date a Flying Mexican: New and Collected Stories (University of Nevada Press) by Daniel A. Olivas. The presentation will include a discussion with the author of his new short-story collection and audience participation with Q&A. His new book is a collection of stories derived from Chicano and Mexican culture but ranging through fascinating literary worlds of magical realism, fairy tales, fables, and dystopian futures. The characters confront—both directly and obliquely—questions of morality, justice, and self-determination.

Note that April 30 is also Independent Bookstore Day, so what better way to celebrate than to attend an event sponsored by an independent bookstore like LibroMobile?

This is a FREE event but remember to register to save your spot! Visit this link for details.

PRAISE FOR HOW TO DATE A FLYING MEXICAN

Featured in Poets & Writers' Page One roundup of New and Newsworthy Books.

"His new collection of short fiction ... is at turns comic and tragic, and perhaps most poignant when it is both. Employing a range of genres and modes including dystopian science fiction, magical realism, and parable, Olivas uses a whimsical hand to tug at deeper truths about identity and society." —David Nilsen, On the Seawall

"How to Date a Flying Mexican is a beautifully realized work that comes out of the depths of the Mexican and Mexican American cultural experience." —Michael Nava, Los Angeles Review of Books

"Throughout all of his stories, there are strong Chicano characters, who embody tales that range from the laugh-out-loud funny to the heartbreaking. A timely retrospective from an important voice in Latinx literature." —Wendy J. Fox, BuzzFeed

"Prompted by tragedy—the death of his father and the pandemic—Olivas revisits decades of writing to produce this collection of new and previously published stories. Olivas’s work is surreal, dystopian, critical, and introspective, ultimately moving into contemporary political rhetoric." —Alta Journal

ABOUT LIBROMOBILE

LibroMobile Arts Cooperative (LMAC) is a small sized, hybrid nonprofit organization established in 2016 by local author Sarah Rafael García in Santa Ana, California. It was initiated through support from its fiscal agent Red Salmon Arts, a partner hybrid nonprofit organization based in Austin, Texas, and a five thousand dollar Investing in the Arts Grant by the City of Santa Ana. Although started with a minimal amount of funding, the hybrid nonprofit organization serves as the only literary arts cultural center for approximately 300K+ residents in the City of Santa Ana of which 80% are Latina/o/x as part of Orange County that is 60% people of color.

Over the first two years, LMAC tended the community as a curbside vendor selling books and hosting free literary readings and workshops via partnerships with established art spaces, local businesses, national literary grants to pay writers, and special public events. Since 2017, it has been housed at two different brick-and-mortar venues: the first being a public stairway that served as a temporary space for 11 months funded by a patron and the second a 190sqft warehouse in downtown Santa Ana that has consisted of annual lease renewals since January 2018 paid by profits. LMAC continues to be mobile while sustaining general operating costs at the 190 sq. ft. warehouse space. One organizational goal is to reinvest profits into the local artists of color and business economy. Over the years LMAC has fulfilled García’s mission of “cultivating diversity through literature and the arts” to the residents of Santa Ana and Orange County. Today (2021), LMAC is focusing more than ever on audience engagement and book sales to increase assets, while seeking to expand its reach beyond the city as an established BIPOC-led cultural center in Orange County and institute a new mission statement.


Thursday, April 14, 2022

Happy National Poetry Month and Spring Break and Easter

 Melinda Palacio




I'm doing some Spring cleaning and I found this postcard from Ireland. The card has a painting of a rabbit and a poem by William Butler Yeats, the first poet I was introduced to in junior high school. At the time, I had no idea that learning some poems by Yeats would have such a big influence on me. Since my Easter holiday begins today, I will leave you with this poem by W.B. Yeats.


Memory

by Willian Butler Yeats


One had a lovely face,

And two or three had charm,

But charm and face were in vain

Because the mountain grass

Cannot but keep the form

Where the mountain hare has lain





Shadows of a Faded Past -- 2 --

                                                                                      

Shadows of a Faded Past

In my newly completed novel, Shadows of a Faded Past, Anthony Reza and members of his veterans' support group have finished investigating the disappearance of their friend and group founder, Raul Armena, who failed to return home from a weekend in Tijuana, B.C. After three months of consulting numerous sources, on both sides of the border, Anthony wrote, "The more I read, the more I realized Raul's disappearance didn't begin that last day in Tijuana but back in 1974, when he had received a visit from a CID detective investigating alleged war crimes committed by Raul's recon unit, the Lions Claw, in a place called the Red River Valley, Republic of South Vietnam." 

                                                                                      2.

     Raul told the Army CID investigator he knew nothing about atrocities in Vietnam’s Red River Valley from August to November 1967, at least none that he could remember. The case went to an Army tribunal but was dismissed when military investigators couldn’t find more veterans to corroborate the allegations. The Pentagon didn’t pursue it, coming so soon after the My Lai trials. Finishing his third year of graduate school, Raul hoped he could finally put it all behind him.

     In 1995, a journalist from St. Paul, Minnesota called Raul at his office on campus to request an interview. Apparently, someone had leaked the “real story.” Raul’s recon platoon, the Lions Claw, had carried out months of unspeakable horror in the Valley, some soldiers confessing to slaughtering innocent civilians. Raul told the reporter he’d already talked to a military detective twenty years earlier and had admitted: those months in the Valley had been rough, on both sides, but atrocities, like My Lai? No, nothing like that. Besides, a Pentagon investigation found no evidence of a crime.

     The journalist tried appealing to Raul, saying he owed it to the Vietnamese villagers who lost relatives, and to his fellow Lions, those who had committed suicide, succumbed to alcoholism, or alienated themselves, emotionally, and, in some cases, physically, from their loved ones after their discharge.

     Tired of the accusations, Raul exploded, maybe stronger than he intended, “Atrocities! You want atrocities? How about illegally bombing the shit out of Cambodia, Laos, and North Vietnam, massacring thousands, mostly innocent villagers. Nobody said boo. Now, after 30 years, you’re going after men with families and jobs, guys who at 19 and 20, followed officers’ orders. If it was a slaughter, go interrogate to the brass who ordered it.”

     The visit caused Raul to obsess about his year in Vietnam. Guilt? Who knows for sure? In fact, Raul had been proud of his military service, especially as a Lion, a guerilla fighter. When they got to the Valley, Raul and his team, with the bare necessities, had trudged through the jungle for months with little relief, rarely a hot meal, shower, or change of clothes, constantly making enemy contact, and always following questionable orders, sometimes, yes, taking the law into their own hands. It fogged the brain. If soldiers malfunctioned, like broken machines, who could blame them?

     Once home, Raul justified the war, saying he was helping save the Vietnamese citizenry from the throes of Communism, keeping the country safe for Catholicism, the religion of his people, and, ultimately -- liberty. If not for U.S. intervention, Vietnam might not have today’s thriving economy, the margin of profit the saving grace.

     He worked hard to control what he once told his own psychologist were “urges of the psyche,” evading the vices and distractions that plagued other veterans, mind over matter and all that, more Jungian than Freudian. He practiced strategies he mastered while earning his doctorate in psychology. He found he could ignore the awful messages his mind was sending his body, but, as one veteran friend had asked, “Wasn’t this just masking the problem?” to which he’d answered, “Masks have always played a spiritual, healing role in every society.”

     When he began his internship as a psychologist, Raul found Chicano vets denied war’s trauma. Like their forefathers, they toughed it out, snickered in trauma’s face. Raul blamed their refusal to discuss their emotions a cultural trait, la raza’s machismo. So, he tried a different tactic. He invited a group of Chicano Vietnam vets he knew, some from graduate school and others from his old neighborhood, to play basketball at a local gym.

     He started with a small group, guys who had finished their degrees and, also, settled into stable careers. They played hard, competitive, maybe even a bit of arrogance or pride due to their personal achievements. Afterwards, they’d head out to a nearby bar, grab lunch and pitchers of beer, and talk about the old neighborhood, friends, grad school and their jobs, a lot of laughter.

     The more they drank, the more they loosened up, and, eventually, someone mentioned the military, more laughter, and the war, their messy personal lives, talking like drunks at an AA meeting, careful about how deep to go in their revelations. They’d taunt each other, downing beers, until, on one session, Kiki Salas, broke down into tears, sobbing, rattling everyone. Those wouldn’t be the only tears they’d shed, but it was the start of Raul’s support group, the “hoop-sessions.” 

     Sometime, in the mid-80’s, Raul, pushing 45, had divorced and received joint custody of his daughter. With little explanation to any of us, he abandoned psychology and accepted an administrative position, which, some friends claimed, led to his downfall. Professionally, he climbed the administrative ladder quickly, from dean to vice-president, his eye on a presidency somewhere. He still attended our group sessions, when he had time, up until September, 2001, when he crossed the Tijuana border and didn’t return.

                                                                        *****    

     He arrived in Tijuana for the kick-off of border city’s annual fiesta, and its Sunday afternoon climax, a bullfight spectacular, El Espada de Oro, which he attended every year.

     He was reported to have been seen walking to La Coahuila, three or four-square blocks filled with streetwalkers, where inside the seedy bars, men made drug deals, optioned prostitutes, sealed contracts to smuggle pollos across the border, or involved themselves in the hundreds of vices available in border towns across the Southwest.

     The first time Raul visited La Coahuila he was fourteen. His uncle had married a woman from Tijuana, and they invited him to visit her family, who lived in a stark, cinder block house in the mountains overlooking the beach, la colonia Ramon Morales, an illegal settlement, where Raul learned, without a doubt, he was more American than Mexican.

     In 1960, Las Playas de Tijuana stood nearly empty, for miles, except for a few scattered farms, modest housing developments, a couple of beachfront hotels, and the new 25,000 seat Plaza Monumental de Toros that catered to the North American bullfight aficionados who had outgrown the old wooden downtown bullring, El Toreo de Tijuana.

     Some days, Raul would break away from the other boys and sneak into the mysterious, circular concrete structure. He’d leap the barrera and stand in the ring, the hard sand under his feet, and he’d look up at the rows, imagining the raucous crowd, the music, the celebration, and the thunderous hooves of a bull charging in to the arena.

     His aunt’s younger brothers laughed at Raul’s romantic notions of the bullfight and his promise that one day he would stand in front of a bull in front of thousands of people. Still, the boys of colony liked the pocho from Venice, California, and together they roamed the mountains, hunted jackrabbits with old .22 rifles, and made the long trek across a stretch of farmlands to swim in Tijuana’s rough surf.

     One Sunday, the boys took Raul on a bus into downtown Tijuana to see a movie. Later, in front of the theater, a grand palace that held 400 people, as night approached, and the masses strolled through the streets, the boys ate nickel tacos from street venders and drank strong Mexican Coca Colas in glass bottles. Not ready to return home, the boys decided to take Raul to explore La Coahuila.

     Laughing and nudging each other as boys do, they had walked the few blocks, rounded a corner, and stepped onto sidewalks filled prostitutes of all ages. He couldn’t comprehend exactly what he was witnessing, but he knew the streets reeked of sex, and the sights and sounds carved passageways into his psyche.

     Now, forty-some odd years later, Raul walked the same streets. Tijuana had changed little. Women, more than he could remember, even Caucasians, African-American, and Asians joined the other women on La Coahuila's sidewalks. They milled about outside the bars. An Anglo minister stood on a wood crate and preached in stodgy Spanish against the evils of the flesh and the fires of hell. Some people booed him. Others listened politely. A Conjunto played a rousing rendition of a Tigres del Norte song on the adjacent street corner as Tupac’s voice boomed from one of the many bars.

     A bartender claimed to have seen Raul walk into the dimly-lit bar, order a beer, and watch as nicely dressed American men--probably San Diego professionals--crowded in among the border's shady characters, indulging in underworld cool. Coupled bodies filled the dark booths along the walls.

     Did it remind Raul of the portable Vietnamese bars that sprouted up overnight whenever his unit operated in a new location? After each mission, behind thin plywood walls, young G.I.s, lost themselves in drugs, booze, and female flesh, many for the first time. The war justified it, a gift from the American tax payer. Impending death encouraged it, and though his body had craved it, Raul had not indulged, the words of Catholic School nuns and priests warning of hell’s damnation. 

     His ex-wife once asked him after they’d been married a year, and he lugged her home drunk from a friend’s wedding reception, “How can you be so God-damned controlled, Armenta? Aren’t you tired of always being so responsible?"

     He’d responded, “You’re drunk. One of us has to be in control.” He realized her drinking was becoming more habit than social.

     She’d said, “At least I have fun and can sleep at night and don’t stand in the living room, alone, staring out the window until the sun comes up.”

     She’d seen the worst of it, whatever it was he carried, and that’s what he regretted most—that she’d seen it. So, it wasn’t as hard the day he packed his bags and walked out, infuriating her. Speaking of his ex-wife, it appears that's how this whole thing started.

                                                                              *****

     Early that Saturday, Rosalie, Raul’s ex, had driven their daughter, Iliana, back to her dorm room at a private university in San Diego after her semester break in Los Angeles. Raul followed in his car, carrying Iliana’s possessions.

     After unloading everything, Raul and Rosalie, a hotshot attorney living in Brentwood with her new bank executive husband, had stood at the curb arguing, Iliana at the balcony watching. Raul, had stood, hands in his pocket, letting Rosalie vent, about what? Probably money. 

     Raul wanted Iliana to find a job on campus, live on a budget, mature and be independent. Rosalie said that as long as Iliana was a student, she should have an unlimited income so she could concentrate on her studies. It was an old argument and Iliana, of course, sided with her mother. After the argument, Rosalie had stormed off and driven her Mercedes north, back to Los Angles. Raul hopped into his Range Rover and headed south, to the international border at San Ysidro.

     It was something he did a few times each year, visit Tijuana, to get his head straight. Usually, he’d drive his car across the border and drive to the Playas de Tijuana, eat shrimp at the food stands on a bluff above the shore and talk politics with the locals. He’d attend the bullfights, either at the new bullring by the sea, or downtown at El Toreo, depending on the time of the season, always taking a seat in the first row, shady section. As he aged, he began seeing the spectacle just as violent and agonizing as it was mystifying, different from the glamour of his youth.

     After each corrida, he’d wander among the crowd and enjoy the music, food, and festivities. He’d have dinner downtown, at a nice restaurant, and, after, drive home, often getting stuck for two-hours in the line of cars heading back into the U.S., but he always needed the convenience and control of being in his own car.

     This particular afternoon, he broke tradition, and instead of driving to the Playas when he arrived at the border, he parked his car in a San Ysidro visitor’s lot, walked across into Tijuana, and he took a cab downtown. After he explored La Coahuila and the adjacent neighborhoods, he checked into the famous Hotel Cesar, on the main boulevard, Calle de la Revolucion, where he remained in his room until a little after midnight, when he emerged.

     In his mid-50s, still a robust, handsome man, somewhat distinguished, he surveyed his surroundings. Each Saturday night, teenagers and young adults--many obscenely drunk, filled la Revolucion. Cops handcuffed teenage boys, who had lost all sense of reason, their heads shaved clean as cue balls, nails for eyes, and outrageous baggy clothes, larger even than those worn by the pachucos of his day. On the streets, lines of cars and motorcycles barely moved. Boom boxes and car horns blared, revved engines screamed, and music from the bars echoed in the night air.

     He climbed three flights of multi-colored lighted steps, entered a club, and watched young American coeds dance on raised stages as a gaggle of men cheered them on. He sat for an hour. One girl, an American, at a nearby table, nodded to him. He hoped she wasn’t a former student. In college classrooms and offices, he had encountered thousands of students throughout his career, and years later, many would approach him to offer thanks or just introduce themselves. It was flattering but disconcerting.

     The young woman walked up to him, said a few words, and kissed him lightly on the lips. She walked back to her table and friends, laughing. He paid for his drink and left.

     He’d been seen jumping from club to club, “Senor Frogs” “Iguana-something or other” “Key Largo,” flashy, glitzy names. Did they evoke memories of his R & R in Bangkok, a 20-year-old soldier, paying a driver and a pretty young woman to accompany him the entire week. He visited at her home above the Chao Phraya River, her mother preparing home-cooked meals for him. He bought the family food and household goods at the local PX, all in exchange for five-days of her company and service, anything to help him forget the hell he would face when returning to the Valley.

        Between 1:30 and 2:00 A.M., he headed back to his room at the Hotel Cesar, home to the world-famous Cesar Salad. Through 1930s Yankee Prohibition up until the 1960s, Cesar’s was the most prominent hotel in Tijuana, playing host to presidents, diplomats, celebrities, and millionaires from around the world. Raul knew that great bullfighters and celebrities had taken up residence there before each Sunday’s corrida.

     Hotel Cesar had been Pasadena-rich, old money, posh, dark wood, Cuban cigars, Chivas Regal, Carey Grant, and Grace Kelly. He had known about Cesar's history from all the bullfighting books he'd devoured in his youth. In a journal, Raul had written how, as a teenager, he dreamed of spending a night there. Has he, finally, fulfilled a dream?

     The clerk who had run his credit card said Raul had marveled at the bullfighter’s trajes de luces, photos of movie stars, and dignitaries behind glass cases in the lobby. The heads of famous bulls were mounted on the walls. Raul also knew that in 1960s, the old place had fallen on hard times, when the postmodern elite saw the once proud hotel as stuffy and conservative.

     About 1965, a resurgence in Hemingway’s writings, especially, the Sun Also Rises, began to take hold, and Hollywood rediscovered Tijuana and the romance of the bulls. For those with no time to fly off to Pamplona, they headed across the border and enjoyed the cockiness of new, modern La Sierra Motel & Lodge two blocks from the downtown Tijuana Bullring, El Toreo, on the old road to Ensenada. Lines of limos pulled up to the front doors and dropped off celebrities and aficionados, the waiters and footmen rushing to meet them and carrying their luggage inside.

     These new aficionados were the film industry’s elite, like Stephanie Powers, Robert Wagner, and Natalie Wood, hot tickets, new money, open shirt-collars, and gold chains--pre-Laker courtside, before the adoration of the Shaqs, Kobeys, and Jordans.

     They idolized the young, handsome, dynamic toreros of the day, Ramon Tirado, Paco Camino, and the wild dramatist, El Cordobes, and each Sunday, they filled the old bullfight arena to capacity.

     Earlier in the day, Raul had taken a taxi to La Sierra Motel and Lounge, surprised the place hadn’t been razed, even if it appeared neglected, run down, actually. He walked the grounds, maybe think back to his teenage years, those days he stood outside and watched beautiful, buxom blonde women and handsome, tanned men stroll about the pool and upper balconies, marijuana smoke wafting in the air, the waiters running from one side to another, their trays filled with drinks.

     By 2001, the once swanky motel of his youth, with its quasi-art-deco design, vibrating pulse, and tropical sensuousness, had fallen into decay. Broken chunks of cement disfigured the once beautifully curved lines. It was no more than an aging, crumbling motel.

     Across the street, a new 100-room hotel graced the side of a mountain. It looked like Spain’s Alhambra. Mercedes, Lexus, Land Cruisers, and Escalades filled the parking lot. Probably, none of their owners came for the bullfights. Many tickets had gone unsold.

     The cars, more than likely, belonged to business people with interests in the maquladoras, the state-of-the-art factories sharing Tijuana's dry mountains with hundreds of shantytowns just outside of the city limits. Progress never stops. Many maquiladoras had begun closing as American corporations found cheaper labor in China, Indonesia, and, ironically, Vietnam, now an American ally.

     At about 2:00 A.M. Raul entered the Cesar’s lobby, nodded to the clerk. Then, without a word, Raul turned, and stepped back out onto Calle Revolucion. 

     He entered a strip club, El Nido del Aguila, the exterior typical of the city’s 1940s and ‘50s dives, but inside, the place was no longer a dumpy, Tijuana strip joint. A long, hand-carved wooden bar, liquor bottles from floor-to-ceiling, state-of-the-art lighting equipment and sound system, the entire production stank of wealth. The men inside dressed smartly, no college students here, no maquiladora cowboys, or off work taxi drivers. Suits and ties, blazers, loafers, maybe an Armani or two roamed the room.

     A drink went for $6.00, pricey for Mexico in 2001. Around the perimeter of the club, topless women danced on stages and hung from poles. They could have dropped right out of Playboy. And not only Mexican women but Asian, black, and Caucasian beauties strutted across the room. They spoke both Spanish and English, some Japanese.  

     According to the bartender, Raul had two more drinks, back-to- back. A young woman approached him. The woman, Beatrice Salinas, lived in San Diego’s Barrio Logan. She received her degree in accounting with a minor in Spanish lit from San Diego State and was studying for an MBA. She crossed the border each night to work at El Nido, to supplement her income, which helped support her mother, two sisters, and an elderly grandmother. She earned more in one night at El Nido than she earned all week at her part-time job at a small accounting firm in San Marcos.

     Raul had smiled one of those smiles meant to discourage her from expecting anything more than a free drink. He told her he was an educator. She engaged him in subjects from literature to NAFTA and the NFL to China as a world power. An hour passed, maybe more.

     She could tell he had a high tolerance to alcohol. She wouldn’t say much about what followed…something regarding a discussion of the psychology behind Carlos Fuentes novel, Aura. They walked to his hotel, where she, “took him into the eye of a hurricane.” He thanked her, and she left.  The next day, he checked out of his hotel, some say heading to the border, and other claim they’d seen him at the bullfights, where a strange scene unfolded. He had leapt into the arena, none of it verifiable.

     Two days later, his car was found abandoned in San Ysidro parking lot, no sign of him leaving Mexico, not even on the border video cameras. In New York, terrorists destroyed the World Trade Center. Media reports of a drunk American Vietnam veteran suffering from PTSD, who disappeared in Tijuana, hardly merited any news coverage in either country.

Wednesday, April 13, 2022

VIENTO, VIENTITO / WIND, LITTLE WIND


 

 



By Jorge Argueta

Illustrations by Felipe Ugalde Alcántara

 

ISBN:  978-1-55885-945-6

Format:  Hardcover

Pages:  32

Imprint: Piñata Books

Ages: 5-10

 

This trilingual picture book written in verse recounts the rejuvenating force of wind from the point of view of one little breeze.

 

My name is Wind 

but everyone knows me 

as Little Wind.

 

In this beautiful, poetic ode to the refreshing but sometimes dangerous force of wind, award-winning children’s book author Jorge Argueta describes—in English, Spanish and Nahuat—the power of air from the perspective of a mischievous youngster.

 

He is born everywhere and can fly all around Mother Earth. Little Wind is swift like a hummingbird, he comes and goes. Zummm, zummm, zummm. “You can’t see me. / You can’t touch me. / But you can feel me.” Some call him the north wind, or draft, breeze, gale, hurricane, tornado, but “I like it better / When they call me Wind, Little Wind.”

 

A Junior Library Guild selection, this book about the wind reflects Argueta’s indigenous roots and his appreciation for the natural world. Felipe Ugalde Alcántara’s gorgeous illustrations depict birds floating on the breeze and trees bent under strong gusts. Containing the English and Spanish text on each page, the entire poem appears at the end in Nahuat, the language of Argueta’s Pipil-Nahua ancestors. The third book in a four-part series about Mother Earth, this is an excellent choice to encourage children to write their own poems about nature and to begin conversations about the interconnected web of life.

 

 

JORGUE ARGUETA is a prize-winning poet and author of more than twenty children’s picture books, including Una película en mi almohada / A Movie in My Pillow (Children’s Book Press, 2001); Guacamole: Un poema para cocinar / A Cooking Poem (Groundwood Books, 2016); Fuego, Fueguito / Fire, Little Fire (Piñata Books, 2019); Agua, Agüita / Water, Little Water (Piñata Books, 2017); and Somos como las nubes / We Are Like the Clouds (Groundwood Books, 2016), which won the Lee Bennett Hopkins Poetry Award and was named to USBBY’s Outstanding International Book List, the ALA Notable Children’s Books and the Cooperative Children’s Book Center Choices. His poetry collection, En carne propia: Memoria poética / Flesh Wounds: A Poetic Memoir (Arte Público Press, 2017), focuses on his experiences with civil war and living in exile. The California Association for Bilingual Education honored him with its Courage to Act Award and Agua, Agüita / Water, Little Water won the inaugural Campoy-Ada Award in Children’s Poetry given by the Academia Norteamericana de la Lengua Española. A Pipil Nahua Indian, Jorge is also the founder of The Library of Dreams in his native El Salvador, a non-profit organization that promotes literacy in both rural and metropolitan areas. Jorge divides his time between San Francisco, California, and El Salvador.


 

FELIPE UGALDE ALCANTARA, a Mexico City native, illustrated Agua, Agüita / Water, Little Water (Piñata Books, 2017); Fuego, Fueguito / Fire, Little Fire (Piñata Books, 2019); Mother Fox and Mr. Coyote / Mamá Zorra y Don Coyote (Piñata Books, 2004); and Little Crow to the Rescue / El Cuervito al rescate (Piñata Books, 2005).



Tuesday, April 12, 2022

Now I Get It: Refugees, Not Pilgrims

Review: Troncoso, Sergio. Nobody's Pilgrims. NY:Cinco Puntos Press, 2022. 

Michael Sedano

 

It’s a great time to be a novel reader in the United States right now, with this cultural shift happening all over the place, from politics to literature. A few years ago, big New York publishers exulted over the money they spent to bring “American Dirt” to the market, only to have raza critics start an avalanche of outrage that such an inappropriate novel got such big play. 


Publishers aren’t doing Dirt any more. Instead, last month Atria brought out Reyna Grande’s sweeping romance Ballad of Love and Glory. This month, Cinco Puntos Press, under its new stewardship by Lee&Low, brings Sergio Troncoso’s Nobody’s Pilgrims (link).

 

Troncoso, who’s built a stellar reputation out of immigrant stories, introduces immigrant characters then yanks them off the border and sends them on a headlong flight into middle America, then off to rural Connecticut. The author calls them “Pilgrims,” a useful handle for the three, then two, young adults who set off on a coming-of-age road trip in altruistic innocence, only to be the inadvertent plague-bringers who bring the nation to its knees. The kids are all right—they don’t know what they’ve done but we do.

 

Maybe “pilgrims” is a feint by Sergio Troncoso to get people looking the other way, not notice two peculiar immigrants meet in a chicken factory and a few days later strike out across the country, the Mexicano looking for work, the Chicano looking for imagined landscapes. The boys pick up a cute blonde waitress in rural Missouri, to launch part 2 of a perilous journey only two will survive.

 

Sweet and innocent teenagers dreaming about utopian futures are a beautiful concept. Imagine a counterpart: the worst kind of narcos and set them hot on the heels of the kids. In fact, have a pair of vicious assassins, unknown to one another, track the kids. Adding to a reader’s pleasure, Troncoso lets the kids suspect the danger while letting the reader in on the gruesome details. Unlike the reader, the kids go through the story having no idea how close to the abyss they’re falling.

 

In fact, Troncoso pushes them over the edge and into a pandemic abyss. Nobody’s Pilgrims is a plague novel with a double dose of dramatic irony. The kids know it’s all their fault that the two murderers come after them. They keep that a secret. The kids have no idea their role in unleashing that plague. Troncoso keeps that a secret from them. The novel closes in a dystopic Eden, the two surviving roadtrippers doing Eve and Adam, hoping for a healthier world, as if they bore no responsibility for what they left in their wake.

 

Segments of the novel bear the distinct marks of observing United Statesians during plague-time these past few years. People wear masks, get vaccinated, get exposed, don’t get sick. People aren’t cautious, or behave thoughtlessly, they get sick and suffer and die. Whose fault is this? It doesn’t matter, Nobody’s Pilgrims tells us. It got loose, however it got out. Now if you have a lot of money and hoard what you’ll need, you can ride out the worst of it.

 

Don’t blame me. That’s how the story wraps up. Invite Troncoso to your next Living Room Floricanto and have a discussion about that ending. Has the author concocted a delightful allusion to a Connecticut Chicano holding off an assault by Ice 9? 

 

Troncoso assembles a satisfying cast of characters. Turi, Molly, and Arnulfo are three ingenue protagonists wearing rose-colored glasses with smudged lenses. Don Ilan, Juanito, and El Hijo de Huerta, together with Dunbar, Eduardo and Chucho, give people nightmares if these bad guys get their claws into Molly or Turi.


Society is brought to its knees--but at the periphery of the narrative. Troncoso focuses his  protagonists on becoming settlers, which they do with the help of earlier-arriving immigrants, a Mexicano restaurateur with jobs, and a Danish professor with a home and money. 

 

While Molly and Turi are decent gente who deserve to be helped, Troncoso's characters define their hopes aided by immigrant characters whose noble mutualist values grow out of the immigrant experience. “We help each other, I remember how tough it was,” is their attitude. 


For character development, Troncoso tosses a bit of complexity one's way. The two assassins, Eduardo and Chuco,  share a few quiet moments, hasta sharing a poem aloud. For a few pages, Turi begins to see Juanito as just an old vato.

 

Nobody’s Pilgrims  has so many good things going for it. It’s funny. It’s scary. It’s sweetly romantic. Don’t stop there, let it sink in that, la-dee-dah while these kids are falling in love, the world is being brought to its knees, not just owing to the virus, but because how people respond to it.

 

What are you going to do about that? Where are you going to go hide out, ride out a hard storm? 


Monday, April 11, 2022

Rio Grande Valley International Poetry Festival 2022

 Rio Grande Valley International Poetry Festival 2022

por Xánath Caraza

 


The Rio Grande Valley International Poetry Festival (V.I.P.F.) is held annually in deep south Texas. The Director of the Rio Grande Valley International Poetry Festival is Edward Vidaurre.

With over 12 events the Rio Grande Valley International Poetry Festival 2022 is a four-day event.  This year the VIPF 2022 Festival is hybrid. There will be In-person and Virtual Presentations: featured author readings, Boundless anthology release and reading, workshops, poets in schools, author presentations, and small press showcases.

The public is invited to the 15th Annual Rio Grande Valley International Poetry Festival from April 28—May 1, 2022. We will have the presence of various authors from across the U.S., Mexico, England, Puerto Rico, Dominican Republic, China, Mexico, Central America, and many other places where poetry thrives. Register here to be part of it all: http://www.valleypoetryfest.org/vipf-register  Register for $15 to be part of our festival events. $30 gets you in to all events, a t-shirt and Boundless 2022 Anthology.


This 2022 the Featured Poets to our Festival are:
Wang Ping, Roberto Carlos Garcia, Denise Chávez, Benito Pastoriza Iyodo, and Xánath Caraza.







Boundless 2022 is the official anthology of the 15th Annual Rio Grande Valley International Poetry Festival. Boundless is an eclectic collection of poetry from around Texas and the U.S., with contributions by poets from around the world with an amazing introductory essay by Gary Snyder.



Visit us for more details at www.valleypoetryfest.org


Friday, April 08, 2022

Denver Noir Event Schedule


Denver Noir, the latest in Akashic Books international noir series, launches May 3.  Several events are planned around this anthology, which features fourteen authors writing about fourteen different Denver neighborhoods, edited by Cynthia Swanson.  My contribution is Northside Nocturne ("powerful" - Publishers Weekly), a new story I wrote specifically for this collection.  Below is the event schedule as of April 8.  Hope to see you at one of these.

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May 3, 2022: Denver Noir featuring Cynthia Swanson and contributors R. Alan Brooks, David Heska Wanbli Weiden, and Mark Stevens – Tattered Cover, Colfax Avenue (Denver, CO) 6 PM.

May 12, 2022: Denver Noir featuring Cynthia Swanson and contributors Mario Acevedo, Peter Heller, and Erika T. Wurth – Arapahoe Public Libraries at Embassy Suites (Centennial, CO)  Other contributing authors who will be available to sign books include D.L. Cordero, Francelia Belton, Manuel Ramos, Twanna LaTrice Hill, and David Heska Wanbli Weiden. Denver Noir and other titles will be available for purchase from BookBar, 6:30 PM.

May 25, 2022: Denver Noir featuring Cynthia Swanson and contributors Francelia Belton, D.L. Cordero, Manuel Ramos, and Twanna LaTrice Hill – BookBar Denver (Denver, CO), 7 PM.

Jun 15, 2022: Denver Noir featuring Cynthia Swanson, David Heska Wanbli Weiden, R. Alan Brooks, Amy Drayer, Twanna LaTrice Hill, and Mathangi Subramanian – Lighthouse Writers Workshop’s Lit Fest (Denver, CO), 7:30 PM.

Jun 24, 2022: Denver Noir featuring Cynthia Swanson and contributors Barbara Nickless, Manuel Ramos, and Mathangi Subramanian – Douglas County Library, Highlands Ranch (Denver, CO), 6:30 PM.

Aug 17, 2022: VIRTUAL EVENT: Denver Noir featuring Cynthia Swanson, Francelia Belton, Amy Drayer, Barbara Nickless, and David Heska Wanbli Weiden – Sisters in Crime Colorado (Parker, CO), 7 PM.

Later.

Manuel Ramos writes crime fiction.  His latest novel is Angels in the Wind.