Showing posts with label Andrea Watson. Show all posts
Showing posts with label Andrea Watson. Show all posts

Friday, February 23, 2018

Building Bird Forgiveness, the Book

Melinda Palacio




Preview of my new poetry book, Bird Forgiveness



            Over the past four years, I've been working on two writing projects at the same time, a new novel, which remains in progress, and a new poetry book, Bird Forgiveness. Although I've been working on the novel longer than the poetry book, the poetry book won out and is in the final stages of editing and production. I wouldn't recommend working on two different books at the same time. I somehow always give into the myth of multitasking. Perhaps, multitasking is a genuine way to get more done at the same time. I don't really know anymore. Sometimes life forces you to get excited about more than one thing. The downside is rooms with piles of books and paper and other scraps of projects left undone because it's challenging to work on multiple items and get them all done to my satisfaction. Add to that a family tragedy like your grandmother dying a slow death to make all of your projects seem overwhelming.

            The moment when finishing what you've started seems overwhelming, Anne Lamott's 1995 book, Bird by Bird: Instructions on Writing and Life, still holds true. The big takeaway from Lamott's book is the scene when she describes her ten-year old brother having a meltdown because he had put off a report on birds that was due the next morning. He knew he didn't give himself enough time to finish the project and her father helped him out, sat down beside him and put his arm around her brother and said, 'Bird by bird, buddy. Just take it bird by bird'. I'm sure glad Anne Lamott shared that story with the world. The concept is about taking baby steps, breaking a big project down to smaller, more manageable chunks. Take the writing of a novel, for example, and look at it scene by scene, chapter by chapter, sentence by sentence, word by word. This is how a book comes to those traditional lovely last words, The End.

With my book, Bird Forgiveness, the idea of finishing the collection bird by bird doesn't apply only to the writing of the poetry collection, but to life in general. I wasn't concerned with taking on poems about the many different birds. This is a collection of poems that is as much about doing right by birds and the environment as it is about people and human relations, as the title poem suggests. And what has made all the difference is having an editor and publisher, Andrea Watson from 3: a Taos Press, champion this book without putting pressure on me to have a certain amount of poems finished by a particular deadline.

Being passionate about multiple types of writing and projects is a good thing. Once a book is finished, you simply can't shelve it and move onto the next project without giving the book another thought. There is still marketing, readings, and workshops to offer in connection with the last book, all the while working on the next book, as well as new poems and stories. However, I can shuffle my tortillas and get my novel to a stage where I am proudly displaying a cover and endorsements. For now, I'd like to share some of the words from three poets who were kind enough to send in their reviews for the book while the manuscript was still in progress and on its way to becoming the forthcoming book, Bird Forgiveness from 3: a Taos Press, coming soon to an independent bookstore near you (alert your favorite bookstores).  


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Endorsements for Bird Forgiveness:

As a lover of birds, I am a lover of Bird Forgiveness.  As a lover of poetry, I love these poems because though beaked and winged, in pain and in joy, they also take flight out of their occasion. With a focus on birds, the world is renewed, and the poet reminds us it is we who need forgiving. Melinda Palacio's birds touch us everywhere they fly: from the drowning of a homeless woman in Audubon Park to the oil spill damage to a duck. Like the birds she loves and mourns, Melinda Palacio migrates her songs between two coasts, Gulf and West, Latino and Anglo—and she asks for the poetic freedom birds have. Sometimes the poems appear as near sonnets, sometimes in utterly free shapes, but always this is a book of fierce mourning for the birds that fall at our feet and for a grandmother who dies under her watchful care while caged birds quarrel. In the end Melinda Palacio sets all her birds free, and we remember what birds and poets have most in common—their wild song.  

—Rodger Kamenetz, To Die Next To You

How wonderful to think that Melinda Palacio is writing poems so delightfully human, so unexpected in their movements  from wit to profundity, so uncompromisingly honest. Who else would recognize a bluebird as Elvis? Who else ask birds for forgiveness? Her finest book yet, Bird Forgiveness is a work of great modesty, invention, and abiding respect for all the living world.

—Rodney Jones, Village Prodigies

Bird Forgiveness is a deeply nourishing and exquisite book about living. Melinda Palacio
masterfully explores confinement, liberation, freedom, and flight. Abundant joy and wonder run through the poems—from the harpy eagle, to a bluebird named Elvis, to instructions on how to wash a duck—and they examine human behavior and relationships with wisdom and grace. This is a delightful, unforgettable book from a marvelous talent at the top her game.

Lee Herrick, Scar and Flower



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Where I'll be tomorrow: Beyond Baroque, February 24 for the Nasty Women Poets anthology reading at 4pm. If you're in Venice, say hello. Peter J. Harris follows at 8pm. 

Friday, April 07, 2017

La Bloga's Michael Sedano Takes to the Podium at the Homestead Museum

Melinda Palacio

Michael Sedano



In a fun twist of roles, I had the pleasure of listening to Michael Sedano read from his work. He is usually the eye behind the camera, waiting to capture the perfect picture of a reader. He's been documenting my literary readings for several years and his portraits documenting poets and writers over the past couple of decades are archived at USC. He also coaches writers on how to read their own work. The photographs show a master, comfortable in front of the audience for Take a Detour from Route 66: Taos to L.A., a wonderful program put together by Karen Cordova and Andrea Watson of 3 Taos Press. Read more about the show on La Bloga's March post by none other than Michael Sedano.

Michael Sedano at the Homestead Museum


Michael read from his one-act play "The Feral Child of Temple City: A Horror Narrative in One Act. The dramatic and, yes, horrifying elements to the story are the first surprise. The entire show was a surprise because not everyone read work about the road, diners, or cars, stereotypical icons of Route 66. In fact, Sedano's story could be set anywhere. Lucky for the audience, it is set in Temple City on Route 66. The second surprise, which shouldn't come as a surprise at all, given the fact that Michael has offered coaching to writers on how to read their own work at the National Hispanic Cultural Center in Albuquerque, is how well he read, projecting and addressing both sides of the bifurcated audience.

Sedano Makes the Lectern Disappear 


Although my photographs, all taken on my iPhone, do not adjust well for the tricky backlighting, you can see how Michael kept his eyes off the page and on his audience. He used his facial expression and hands for dramatic emphasis, although he could have read the piece keeping his nose to lectern and it still would have held the audience's attention. Another favor he offered to the audience was a copy of the one-act play. I'm not sure if everyone received a copy, but I was fortunate to have been gifted one by the author. The nice thing about hearing a piece that's longer than a poem, is it gave me the opportunity to take several photographs and absorb the content of the writing (not an easy task). I have renewed respect for Michael who attends a vast number of performances, takes professional photographs with his camera, and then writes very thoughtfully about the works. I was especially moved by Andrea Watson's Frida dream poem, "The Poem in Which Frida Khalo Commandeers My Car and We Drive Like Bandits to L.A." The title says it all, a great poem. You had to have been there. I was so mesmerized by the poem that I did not take any pictures of Andrea reading it. I now understand why my husband Steve sometimes fails to take photos of my while I'm reading. Even though he's heard all of my poems read aloud a million times, he still gets caught up in my performance of them. I finally understand this phenomenon. As Michael said in his La Bloga post and write-up of the show, I hope this Detour to Route 66 becomes an annual spring offering.

Michael reads the dramatic conclusion to "The Feral Child of Temple City" by Michael Sedano




Andrea L. Watson and Madelyn Garner Read after Michael Sedano.

La Bloga in the House: Melinda Palacio and Michael Sedano