Showing posts with label Carlos Cisneros. Show all posts
Showing posts with label Carlos Cisneros. Show all posts

Friday, February 19, 2010

New Books, New Theater, New Film, New Cover

New Books
[publisher blurbs]

The Name Partner
Carlos Cisneros
Arte Público, March

In this hard-hitting and timely novel about a drug company that puts its shareholders' profits over safety, Carlos Cisneros takes the reader on a whirlwind ride as his protagonist struggles with his responsibilities to his client, his family, and his own personal ethics.

Women Who Live in Coffee Shops and Other Stories

Stella Pope Duarte
Arte Público, March

Set against an urban backdrop of seedy motels and dilapidated houses next to industrial buildings and railroad tracks, Stella Pope Duarte's award-winning stories follow characters who make up the city's underbelly. Some strut through the lethal streets, flamboyant and hard to miss -- flashy divas, transvestites, and prostitutes, like Valentine, "one of the girls who decorated Van Buren Street like ornaments dangling precariously on a Christmas tree." Others remain hidden, invisible to those who don't seek them out -- bag ladies, illegals, and addicts.

Winner of the University of California, Irvine's Chicano/Latino Literary Prize, this collection of short stories set in Phoenix reveals the hard-scrabble people living on the razor-edge of city life.


Hasta la Vista Lola!
Misa Ramirez
Minotaur, January

When Lola comes home to her parents’ house to find a horde of relatives mourning her death, no one is more surprised than she is. The news had reported that one Lola Cruz, PI was found murdered in an alley, causing great alarm in the Cruz family. Before Lola can say “boo,” a cop comes to the house. It turns out the dead woman had a driver’s license with Lola’s information. Between avoiding an unsavory ex-boyfriend, sorting out mixed signals from the very interested but not yet committed Jack Callaghan, and filling in as a waitress at her parents’ Mexican restaurant, Lola tries to find out who the woman was and why she stole her identity. Was the woman hiding from someone who meant her harm, or is there someone out there who wants Lola dead?

This is a follow-up to Ramirez’s debut novel, Living the Vida Lola.




Chilean theater group visits Denver, Su Teatro

From the unquiet mind of Guillermo Calderón comes a haunting futuristic drama about war in the Americas: Diciembre. Performed by the Chilean company, Teatro en el blanco (Theater on Target), Su Teatro presents this gripping contemporary drama as part of the National Performance Network’s Performing Americas project, which is dedicated to promoting theater exchanges between U.S. and Latin American theater companies.

Diciembre takes place in Santiago on Christmas Eve 2014 with the city besieged by Peruvian forces. Young soldier Jorge returns home on a 24-hour leave to celebrate the holiday with his pregnant twin sisters, who each have sharply different views on nationalism and the morality of war. One wants Jorge to defect, the other demands he return to the fight. Jorge, however, has his own take on the matter.

A darling of the international theater circuit, Guillermo Calderón has quickly become one of the most talked about young playwrights from South America. With Diciembre, he takes a hard look at irrational racism and the complicated divide between nationalism and pacifism.

Su Teatro Artistic Director Anthony Garcia says: “We have a tendency to look at war from a U.S. perspective. Diciembre challenges us to see beyond that narrow reality.”

Teatro en el blanco members will present master acting workshops while in residence at Su Teatro. The workshops will feature a combination of movement and exercises in rhythmic, vocal, and emotive expression, employing a combination of movement techniques that include yoga and dance.

Presented in Spanish with English surtitles, Diciembre will travel first to Miami Dade College in Florida and REDCAT theater in Los Angeles before ending its U.S. tour at Su Teatro.

Performances are Thursday, March 4, Friday, March 5, and Saturday, March 6 at 7:30pm at Su Teatro’s new home, the Denver Civic Theatre at 721 Santa Fe Drive.

Please note: This is a special preview performance. Su Teatro will officially begin its tenure at the Denver Civic Theatre with the opening of La Carpa de los Rasquachis on March 18, 2010. More information coming soon.

For production information, or to schedule an interview, please contact John Kuebler at (303) 296-0219 or email john@suteatro.og.



LOST SOULS (ANIMAS PERDIDAS) TELLS THE STORY OF A LATINA FILMMAKER’S TROUBLED FAMILY, TORN APART BY BORDERS BOTH PHYSICAL AND EMOTIONAL

“A courageous search for human dignity that dares to ask the questions no one wants to ask concerning immigration.” – Josefina Lopez, co-writer of Real Women Have Curves

Filmmaker Monika Navarro was 21 years old when she began making a film about her uncle Gino, who was deported from the U.S. and died in Tijuana, where he was buried in an unmarked grave. Two months later, her uncle Augie was also deported; both had been legal U.S. residents, military veterans -- and drug addicts. As filming progresses, Navarro uncovers a family history that embodies the best and worst of the relationship between the U.S. and Mexico. But, as she says early in the film, “I found myself also telling a different story -- about the kind of exile that has nothing to do with the government.” A universal story about the powerful bonds that hold families together through disappointments and broken promises, Lost Souls will premiere on the Emmy® Award–winning PBS series Independent Lens on Tuesday, March 23rd at 10 PM (check local listings).

Lost Souls moves from idyllic Southern California, where the filmmaker’s Mexican-American family has lived for more than four decades, to Mexico, piecing together the tragic events that lead to her uncles’ deportations. Her camera in tow, Navarro interviews her mother, uncles and cousins and opens a Pandora’s box of family secrets. Raised by a single mother, she reconnects with her absent father and slowly pieces together an epic story about an immigrant family with a dark history of abuse, addiction and abandonment as well as achievement and strength. Compelling and honest, Lost Souls introduces viewers to a remarkable family, willing to confront the secrets of its past and find ways to accept, forgive and forge ahead.

To learn more about the film, and the issues involved, visit the companion website for Lost Souls (Animas Perdidas) at www.pbs.org/independentlens/lost-souls. Get detailed information on the film, watch preview clips, read an interview with the filmmaker, and explore the subject in depth with links and resources. The site also features a Talkback section where viewers can share their ideas and opinions. There is also a clip from the movie at the director's website, here.

Lost Souls (Animas Perdidas) will be available for purchase from PBS Home Video.

King of the Chicanos

The cover of King of the Chicanos has been finalized and although I may be biased, I think it's beautiful. Bryce Milligan at Wings Press did a great job. And the art by César Martínez -- Bato con Sunglasses -- is perfect for the story.

Here it is - what do you think? Click on the image for a better view. The book's official publication date is May.






Later.

Friday, February 22, 2008

Old and New

CHICANO/LATINO LITERARY PRIZE ANTHOLOGY
The Chicano / Latino Literary Prize:
An Anthology of Prize-Winning Fiction, Poetry and Drama
Stephanie Fetta, editor
Arte Público Press, May, 2008

Arte Público has announced the upcoming publication of an anthology based on the first twenty-five years of the Chicano/Latino Literary Prize from the University of California, Irvine.

From the first winner, Ron Arias' short story The Wetback in 1974, through almost all the winners, several second- and third-place winners as well as honorable mentions, the collection has 320 pages of fiction, poetry, and drama covering a key period in the development and expansion of what has become known as Latino Literature.

Now entering its thirty-fourth year, the award has recognized a wide variety of writers. Many of the names are familiar to La Bloga's readers: Juan Felipe Herrera, Michael Nava, Helena María Viramontes, Lucha Corpi, Demetria Martínez, Gary Soto, Cherrie Moraga, Benjamin Alire Sáenz, Graciela Limón and, as the press publicity says, several "pieces in this anthology are considered to be foundational texts of Chicana/o and Latina/o literature, and those that are not as widely recognized deserve more serious study and attention."

Stephanie Fetta is a Ph.D. candidate in the Department of Spanish and Portuguese at the University of California, Irvine. She has taught in the Chicano Studies, Women’s Studies, and Spanish and Portuguese departments at UC-Irvine and studied at Bryn Mawr College, Stanford, and Cornell. She is the translator of a book-length study by Spanish Anthropologist Francisco Checa entitled Spain and Its Immigrants: Images and Stereotypes of Social Exclusion and has published several articles in the United States and abroad. She lives in Southern California.

MORE NEW STUFF FROM ARTE PÚBLICO
(Text from Arte Público)
The Case Runner
Carlos Cisneros
March, 2008

Alejandro “Alex” del Fuerte, fresh out of law school, is returning home to South Texas, ready to open his solo practice, humble as it may be. He’s got dreams of making his mark in the world and in the courtroom. But when he meets Porfirio “Pilo” Medina, who just crossed the border in search of his wife and son, Alex is suddenly dragged into a world of wrongdoings and political pay-offs rarely covered in law school.

Rampant corruption and big-money politics are set against the rich backdrop of border culture, with its distinctive way of life and unique perspective. And Alex, something between saint and sinner, is an apt guide to both the light and dark sides of the region. This is Cisneros' first novel.

Tomás Rivera: The Complete Works
Edited by Julián Olivares
March, 2008
trade paperback

Julián Olivares brings together the late author’s entire literary production: Rivera’s classic novel, ... y no se lo tragó la tierra, translated by poet Evangelina Vigil-Piñón; his short fiction collection, The Harvest / La cosecha; and his poetry collection, The Searchers: Collected Poetry. In addition to his creative work, this volume collects Rivera’s influential critical essays, including Into the Labyrinth: The Chicano in Literature, Chicano Literature: Fiesta of the Living, The Great Plains as Refuge in Chicano Literature, and the previously unpublished Critical Approaches to Chicano Literature and its Dynamic Intimacy.

Under the Bridge: Stories from the Border
Rosario Sanmiguel, translation by John Pluecker
March, 2008

Mexican writer Rosario Sanmiguel crafts intriguing narratives about solitary women in search of their place, caught between the past and the present. Set in the border region, this collection follows these women—some from privileged backgrounds and others from more desperate circumstances—through seedy bars, hotel rooms, and city streets. A woman who has escaped the night life, dancing on platforms in front of thousands of eyes; Francis, who finally finds the strength to leave her married lover; young Fátima, whose mother abandons her, leaving her to take her place as a maid in a wealthy El Paso family’s mansion; Nicole, who has risen from dismal poverty to become an accomplished immigration attorney.

Originally published in Mexico as Callejón Sucre y otros relatos (Ediciones del Azar, 1994), this edition contains a profound English translation by John Pluecker. The seven stories included in this collection interweave the opposing themes of solitude and connectedness, longing and privilege, fear and audacity, all of which are juxtaposed on the boundary of self-awareness.


EL LABORATORIO PRESENTS MARIO ACEVEDO AND AARON ABEYTA
El Lab is a center for the Latino literary arts presented by The Lab at Belmar. El Laboratorio is proud to host some of Colorado's most acclaimed Latino writers, artist and scholars for literary workshops, public readings and conversations. El Laboratorio aims to be a true laboratory, where all audiences can experiment and gain insight into the ways Latino culture is changing the landscape of the United States.

March 15: Aaron Abeyta and Mario Acevedo; 6 PM reception, 6:30 PM program. Aaron Abeyta will read from his book of poetry As Orion Falls and his novel, Rise, Do Not Be Afraid. Mario Acevedo will read from The Undead Kama Sutra, third in the Felix Gomez vampire detective series. Now that's diversity.

$10 - $5 members. The Lab is in Belmar, 404 S. Upham, Lakewood, CO; 303-934-1777.


COMEDY OF ERRORS
The Comedy of Errors
by William Shakespeare
February 28–March 1
March 6–8
7:30pm
King Center Rawls Courtyard Theatre, Auraria Campus, Denver
Tickets: $12 General Admission
$5 UC Denver students
Sponsored by: Theatre, Film and Video Production Department

José Mercado, new Assistant Professor of the Theatre, Film & Video Production Department, directs this comedy "as if it were set in the world of Tim Burton, with bustling, haunting, and mystical action" according to a publicity release. The Comedy of Errors is a story of mistaken identity and family reunion. Confusion, mischief and familial squabbling abound…all in a single day.

Prior to joining the UC Denver faculty, Mercado led the theater program at North High School, directing Zoot Suit Riots, the first high school production to play DCPA’s Buell Theater. He worked as an actor in LA after earning his MFA in Theater from UCLA where he won the Jack Nicholson Prize in Acting. He is the founder of Labyrinth Arts Academy and member of the Denver Commission of Cultural Affairs (an advisory board to the Denver Office of Cultural Affairs).

Later.