Showing posts with label Daniel Valdez. Show all posts
Showing posts with label Daniel Valdez. Show all posts

Friday, January 27, 2012

And The Banned Played On

Worthwhile Books for Your Library
(coincidentally, banned, [confiscated, outlawed?] in Arizona)


The information contained in these books is dangerous. Complacency, racism, and injustice fear these books. You've been warned.
Manuel Ramos
___________________________________


Critical Race Theory: An Introduction
Richard Delgado and Jean Stefancic
NYU Press, 2001

[from the publisher]
For well over a decade, critical race theory—the school of thought that holds that race lies at the very nexus of American life—has roiled the legal academy. In recent years, however, the fundamental principles of the movement have influenced other academic disciplines, from sociology and politics to ethnic studies and history.

And yet, while the critical race theory movement has spawned dozens of conferences and numerous books, no concise, accessible volume outlines its basic parameters and tenets. Here, then, from two of the founders of the movement, is the first primer on one of the most influential intellectual movements in American law and politics.




500 Años Del Pueblo Chicano / 500 Years of Chicano History: In Pictures
edited by Elizabeth Martinez
Southwest Community Resources, 1990 (expanded edition)

"One of the most motivating books on the Chicano experience as far as working class people and students are concerned...The visual quality adds a fantastic dimension to the understanding of our past." ~ Dr. Rodolfo F. Acuna, California State University, Northridge.







Message to Aztlán: Selected Writings
Rodolfo "Corky" Gonzales, edited by Antonio Esquibel
Arte Público Press, 2001

[from the publisher]
In Message to Aztlán, Dr. Antonio Esquibel, Professor Emeritus of Metropolitan State College of Denver, has compiled the first collection of Gonzales' diverse writings: the original I Am Joaquín (1976), along with a new Spanish translation, seven major speeches (1968-78); two plays, The Revolutionist and A Cross for Malcovio (1966-67); various poems written during the 1970's, and a selection of letters. These varied works demonstrate the evolution of Gonzales' thought on human and civil rights. Any examination of the Chicano movement is incomplete without this volume. Eight pages of photographs accompany the text.






Chicano! The History of the Mexican American Civil Rights Movement

F. Arturo Rosales
Arte Público Press, 1996

[from the publisher]
Chicano! The History of the Mexican American Civil Rights Movement is the most comprehensive account of the arduous struggle by Mexican Americans to secure and protect their civil rights. It is also a companion volume to the critically acclaimed, four-part documentary series of the same title, which is now available on video from the Corporation for Public Broadcasting. Both this published volume and the video series are a testament to the Mexican American community’s hard-fought battle for social and legal equality as well as political and cultural identity.






Occupied America: A History of Chicanos
Rodolfo F. Acuña
Pearson, 2011 (7th edition)

[from the publisher]
Authored by one of the most influential and highly-regarded voices of Chicano history and ethnic studies, Occupied America is the most definitive introduction to Chicano history. This comprehensive overview of Chicano history is passionately written and extensively researched. With a concise and engaged narrative, and timelines that give students a context for pivotal events in Chicano history, Occupied America illuminates the struggles and decisions that frame Chicano identity today.




Pedagogy of the Oppressed
Paulo Freire
Continuum, 2000 (30th anniversary edition)

[from the publisher]
First published in Portuguese in 1968, Pedagogy of the Oppressed was translated and published in English in 1970. The methodology of the late Paulo Freire has helped to empower countless impoverished and illiterate people throughout the world. Freire's work has taken on especial urgency in the United States and Western Europe, where the creation of a permanent underclass among the underprivileged and minorities in cities and urban centers is increasingly accepted as the norm. With a substantive new introduction on Freire's life and the remarkable impact of this book by writer and Freire confidant and authority Donaldo Macedo, this anniversary edition of Pedagogy of the Oppressed will inspire a new generation of educators, students, and general readers for years to come.
For more information, visit www.pedagogyoftheoppressed.com.




Rethinking Columbus: The Next 500 Years
edited by Bill Bigelow, Bob Peterson
Rethinking Schools, 2003 (2d edition)

[from the publisher]
We need to listen to a wider range of voices. We need to hear from those whose lands and rights were taken away by those who "discovered" them. Their stories, too often suppressed, tell of 500 years of courageous struggle, and the lasting wisdom of native peoples. Understanding what really happened to them in 1492 is key to understanding why people suffer the same injustices today. More than 80 essays, poems, interviews, historical vignettes, and lesson plans reevaluate the myth of Columbus and issues of indigenous rights. Rethinking Columbus is packed with useful teaching ideas for kindergarten through college.


____________________________


“TU Y YO” -- MARUCA AND DANIEL SALAZAR EXHIBIT AT REGIS UNIVERSITY O’SULLIVAN ART GALLERY
JAN 17 – FEB 17

[from the Regis University News]

SalazarRegis University’s O’Sullivan Art Gallery will feature Tu y Yo, an exhibit of installation art and video art by Maruca and Daniel Salazar, Jan. 17 through Feb. 17, 2012.

An opening reception is slated from 4:30 to 7 p.m., Jan. 26 and a gallery talk by both artists is at 7 p.m. Feb. 9.

Since June 2003, Maruca has been an arts specialist Northwest Area, Denver Public Schools, and prior to that was the visual arts coordinator for Denver Public Schools. She is also the executive director of the Museo de las Americas in Denver. Her dual career in education and the arts includes a history of initiating, organizing, and executing innovative programs and projects with students and teachers, including some that have achieved regional and national recognition. She has a master’s degree in Literature and Linguistics/Visual Arts from the University of Colorado.

Since 1988, Daniel has been an artist and producer-director for RAZALAS studios/impossible artz. As a working artist in the areas of photography and cinematography, Daniel has had his works displayed in numerous art photography exhibitions, including international credits. He is a producer-director of some 12 PBS documentaries and experimental animations. He is the recipient of national level awards and screenings including: Mayor’s Award for Excellence in the Arts, 2006; Escuela Tlatelolco Centro de Estudios, Flor y Canto, Champions of Change 2008; and Denver Biennial, Museo de las Americas, Liberadores/Liberadors 2010.

O’Sullivan Art Gallery hours are: Tuesday, Wednesday and Friday from 10 a.m. – 4 p.m. and Thursday from 2 to 8 p.m. 3333 Regis Boulevard, Denver, CO 80221

For more information, contact Robert St. John, O’Sullivan Art Gallery and Studio manager, at 303-964-3634.


Why Not... Daniel Luna

DATE

February 2, 2012

TIME

6:00-9:00 p.m.

6:00 p.m. Member Reception- Free for Members

7:00 p.m. Public Reception- Admission $5.00

Featuring an aria performance by Opera Colorado from

Florencia en el Amazonas.

LOCATION
861 Santa Fe Drive, Denver, CO

www.museo.org

The Museo de las Americas presents Why Not....

There is no other artist in Colorado that can claim to be a "Regional Mythologist." Daniel Luna's paintings of chickens crying over a frying pan of eggs or a native woman holding a toaster to roast watermelons will remind you of a magic that reality holds within our dreams.

Join us for a night full of illusion.

Cocktails and appetizers will be provided.





Enrique's Journey: January 27 - February 4
Based on the Pulitzer Prize winning work of Sonia Nazario
Best New Play 2011 Denver Post Ovation Winner

Amorcito Corazón/ Daniel Valdez in Concert: February 9 - 11
Romantic, raucous and revolutionary. Singer/Composer/Grammy Award-winner. Backed by Jazz del Barrio, Daniel will offer many moods but one singularly beautiful voice.

Water & Power: March 8-25
Written by Richard Montoya for Culture Clash, directed by Phil Luna. L.A. Times Theatre Critic's Award winner and soon to be a major motion picture; a moody "stage noir" about power & politics told with a pulsing city beat.

Placas: April 25-28
Written by Paul S. Flores (PEN Award), directed by John Michael Garces, featuring Ric Salinas (Culture Clash). "Placas" is barrio slang for a graffiti tag, a nickname, or a tattoo. Placas is the story of three generations caught in civil and gang warfare.

Tickets: $20/general; $17/students and seniors.
For tickets/info: 303-296-0219.

El Centro Su Teatro
721 Santa Fe Drive
Denver, CO 80204

Later.

Friday, May 06, 2011

Events - Clue and Otherwise







From Arte Público Press:


Edited by Sarah Cortez, You Don't Have a Clue: Latino Mystery Stories for Teens features young adults dealing with typical angst, but they also deal with every kind of thrilling situation imaginable--from missing girls to dismembered bodies. With a foreword by young adult literature expert, Dr. James Blasingame of Arizona State University, this collection is sure to keep readers on the edge of their seats until the last page is turned.






Catch the Authors at a City Near You!

Contributors will present and sign copies of the book

_______________________________


May 6, 2011 Murder By The Book, featuring Sarah Cortez, Diana López and Gwendolyn Zepeda, 2342 Bissonnet, Houston, TX - 6:30 p.m.


May 7, 2011 Houston Writers Guild Conference "The Writer's Toolkit," featuring Sarah Cortez at 1:00 p.m., Sugarland First Baptist Church, 16755 Southwest Freeway, Sugarland, TX, 8:30 am - 4:00 pm (Registration required.)


May 13, 2011 Let's READ Conference, Edgewood ISD, San Antonio,TX, (Not open to the public)

May 14, 2011
The Twig Bookstore, 200 E. Grayson, San Antonio, TX with contributors Diana Lopez, Bertha Jacobson, Nanette Guardiano, Manuel Ramos and editor, Sarah Cortez at 1:00 pm. For more info, call 210-826-6411.

May 20, 2011
The Tattered Cover Bookstore, 2526 East Colfax Ave, Denver, CO hosts contributors Manuel Ramos and Mario Acevedo along with area teen writers at 7:00 pm. For more info, call 303-436-9219, ext 2736.

May 21, 2011
Annual Celebrating Words Festival sponsored by Tia Chucha Central Cultural, 1:00-7:00 pm, Sylmar, CA, Los Angeles Mission College, 13356 Eldridge Avenue, featuring Sarah Cortez moderating a panel "Writing the Crime/Mystery Novel" at 2:30 pm with contributor Alicia Gaspar de Alba as a panelist. Contributors L.M. Quinn and Chema Guijarro will be featured at 1:30 pm and 2:30 pm respectively reading and signing books in the Childrens and Teens Tent. For more info, call 818-939-3433.

May 24, 2011
BookExpo America (BEA), Javits Center, 655 W. 34th, New York City, Sarah Cortez autographs books from 9:30-10:30 am. (Registration required.)

June 1, 2011
Weiss Center for Children's and Young Adult Literature, New Jersey City University, 2029 Kennedy Blvd., Jersey City, NJ hosts Sarah Cortez and contributors Carlos Hernandez, R. Narvaez, and Sergio Troncoso from 6:00-7:30 p.m. Call 201-200-3548 for more info.

June 27, 2011
American Library Association's annual conference, New Orleans, hosts editor Sarah Cortez presenting and signing books at the LIVE@ Your Library Reading Stage at 11:00 p.m. (Registration required.)

The reviews for You Don't Have a Clue have been great. This sounds like an impressive read, and I can't wait to get my copy.

Booklist says: A police whisperer, a girl with no memory, a boy who hears voices in his head-- welcome to this generous collection of 18 mystery stories written by and featuring Latino authors and characters. Notable for the diversity of their vividly realized setting that range from Southern California's Venice Beach to the mean streets of the Bronx, and for the authenticity of their Spanish-studded language (a glossary is included), the stories range from noirish to whimsical but all have in common teenage protagonists who find themselves in danger and often desperate trouble...This excellent collection--enriched by a thoughtful foreword by YA scholar James Blasingame--gives faces to Latino teens in a most original way.

The Bulletin of the Center for Children's Books says: The mix of realistic and fantastic mysteries, combined with the wide range of tone and mood, guarantees broad reader appeal for this impressive collection.


Kirkus Reviews says: Cortez complements her adult level "Hit List: The Best of Latino Mystery" (2009) with 18 new tales (from a largely different set of Latino/Latina authors) featuring teen characters and concerns...Overall, a consistent, well crafted collection.





Celebrate Lena Archuleta's commitment to literacy, community and the Denver Public Library. Ten years ago, the Denver Public Library Commission established the Lena Archuleta Community Service Award in honor of Lena, a longtime educator, civic leader and former Denver Public Library Commissioner. Her hard work and dedication to the community created a strong bond between the Hispanic Community and the Denver Public Library. The evening will feature guest readers, including Lena's friends, community leaders and students from the Lena Lovato Archuleta School, sharing passages that influenced their lives and celebrate the joy of reading. I'm proud to say that I am one of the readers.

Lena created a fund to support the Library's Latino Awards program, which honors leaders in the Hispanic Community who have made a positive and lasting impact. Proceeds from the Celebration, along with donations, will be added to the fund with a goal of endowing it to ensure that the Awards program, and Lena's legacy, will continue for many years to come.

TICKET PRICES
General: $50
Lena Leaders: $100
Lena's Legacy: $250
To purchase tickets visit dplfriends.org or call 720.865.2045


New West Denver Library

Also happening at a library is this community meeting to discuss plans for the new West Denver Library. Click on the image for a better view.




Daniel Valdez to Serenade Your Madrelinda this Sunday!


Serenata Madrelinda

Mother's Day Brunch and Concert

Fundraiser for the Angelica Martinez and Vera Ramirez Scholarship Funds (for students of our arts and education programs!)

Sunday, May 8 - 11 a.m.

Su Teatro @ The Denver Civic Theater

721 Santa Fe Dr.

Denver, Co 80204


Join us for a beautiful event honoring your mother! A delicious brunch followed by Daniel Valdez in concert. A memorable once in a lifetime opportunity.

$35 each - $120 for a family pack of 4.

Please purchase in advance! 303-296-0219




INTERVIEW

KUHF radio host Eric Ladau recently interviewed me for its website's Arte Público Press Author of the Month feature. Along with the transcript, our conversation is available to listeners on the station's interactive site through on-demand audio streaming here. Eric was very thorough in his preparation and questions. We talked about such diverse topics as symbolism and meaning in The Ballad of Rocky Ruiz, my recent short stories, ongoing issues that Latino/a writers deal with or use as context for their writing, and writing plans for the future. If you can spare a few minutes, check it out. Well done, Eric.



Saturday, June 12, 2010

un video, una biblioteca

This, my third unemployed Saturday searching for a teaching position. The Denver Post affirms my future is as uncertain as many others' in the Great Recession that may become our Permanent Condition:

"Education Secretary Arne Duncan has been warning that 300,000 school teachers may l
ose their jobs if the federal government doesn't bail out public school systems."

But if I despair, I can watch my daughter Marika's video of kids performing this May at the Barnum Elem. Talent Show. It covers the most important loves I nurture in my students: Love of animal and plant life, the Earth, the arts, their culture and fellow man, education and lastly, family.

A poem, a chant and a song. The performance won't win any competitions--they're just first graders--but I share it in case you need something uplifting, something to inspire you to keep searching for what your life lacks at the moment. For faster download, click the Small version. More info about the video content at the bottom of this post.

Biblioteca de Cuentos

A friend Juan V. sent me a site called Biblioteca de Cuentos.
There you will find a list of authors and stories or passages from larger works, all en español. Isabel Allende, Carlos Castaneda, Octavio Paz, Edgar Allen Poe y más. You click on an author's work and a screen open with a graphic and the stylized text for you to read. As my friend said, "Para los que tengan el tiempo de pasar en la compu aqui les va algo divertido." The Castaneda passage spoke to my search for a new job:

"Un camino no es más que un camino.

Que lo abandones cuando tu corazón así te lo indique no significa ningún desaire a ti mismo ni a los demás.

Pero tu decisión de seguir esa senda o apartarte de ella no debe ser producto del temor ni la ambición.

Luego hazte esta pregunta: ¿Tiene corazón este camino?

Todos los caminos son iguales, no llevan a ningún lado. Atraviesan la maleza, se internan o van por debajo de ella.

Si ese camino tiene corazón, entonces es bueno. De lo contrario, no te servirá de nada …

de "Las enseñanzas de Don Juan”, de Carlos Castaneda

about the poem, chant and song:

Children love many things. These activities touch on some of the most important. Performed by forty of Mr. R. Garcia's first grade students from this and prior years. [BTW, 90% of these kids attained grade level or advanced in reading.]

First poem, written by the 15th century prince of Texcoco, engineer and poet, Nezahualcoyotl, appears in microprint (in blue oval) on a 100-peso Mexican note. It refers to the love of the arts (music), animal (bird) and plant life (flower), the earth, represented by jade, and one's fellow man:
Amo el canto de zenzontle
Pájaro de cuatrocientas voces,
Amo el color del jade
Y el enervante perfume de las flores,
Pero más, amo a mi hermano: el hombre.
Nezahualcoyotl (1402-1472)

translation:
I love the song of the mockingbird,
The bird of four hundred voices,
I love the color of the jadestone
And the enervating perfume of flowers,
But more than anything, I love my brother: man.

The second chant speaks to the love of learning:
¿Por qué estás aquí? ¡Para aprender!

¿Por qué quieres aprender? Para subir, de nivel, y ser, más inteligente.

¿Más inteligente? ¡Sí! para ir, a la universidad.

¿Para ser? Para ser científico, para ser doctora, para ser astronauta, etc.

- created by Mr. Garcia and his first graders

The final song concerns love for one's mother and father, and family, despite one's economic situation. Accompanied on guitar by Joaquin from El Centro Su Teatro.
Song Ay Mamacita
taken from the Denver Oratorio CD, copyright Daniel Valdez, available from SuTeatro.org

Es todo, hoy,
RudyG

Friday, February 29, 2008

The Play's The Thing

A CONVERSATION WITH DANIEL VALDEZ




A founding member of Teatro Campesino. Henry Reyna in the movie Zoot Suit, for which he also wrote the music. Producer of La Bamba. Songwriter: Primavera; Brown-Eyed Children of the Sun. Linda Ronstadt and Canciones de Mi Padre. Playwright. Actor. Musician.

The list of Daniel Valdez’s accomplishments reads like a dictionary of Chicano Culture. He's done it all: Movement theater to Hollywood productions; sentimental love ballads to re-imagining Mexican mariachi classics; edgy drama to slapstick comedy. Valdez has provided more than thirty years of political entertainment. In many ways he is an artistic conscience for the Latino generation that came of age at the beginning of the farm worker union organizing movement in the mid-sixties, matured through the antiwar struggles, and that continues to push a progressive agenda.

His latest endeavor is Ollin – an art performance piece that had its world debut in Denver on February 21 at El Centro Su Teatro (last show is March 29.) I had the chance to speak with Daniel for a few minutes during his hectic schedule while he was in town for the premiere. It was supposed to be an interview, but anyone who has ever talked with Daniel knows that the Q&A format isn’t big enough for what happens when Daniel gets going. Here is my impression of a few of the things he touched on when I began the conversation with the simple query, “What’s Ollin about?”

Ollin refers to the Fifth Sun – we are still in the time of the Fifth Sun of the Mayan prophecies. Ollin actually means “movement.” The piece is about the Conquest of Mexico by the Spaniards. Valdez sees that episode as a “cosmic clash” – he referred to a “big bang” theory of history between the Spanish and Indio.

The story is told through the perspective of Cortez, and the audience learns his ambitions and his struggles. His story is contrasted with that of Moctezuma, the Indio King. Moctezuma was aware of the prophecies and he looked at the conquest as fate; it had been predicted by Quetzalcoatl. The piece also gives us Malinche, forced to be in the middle, she has the third point of view. Valdez suggests that “she saved lives” by her involvement and influence. She was the bridge between the other two, the symbolic mother of the first mestizo.

The narrative starts 800 years before the conquest, with Quetzalcoatl. Ironically, Cortez arrived on the day that Quetzalcoatl had predicted his own return. Many Indios thought Cortez was Quetzalcoatl because of the prediction, but only 300 Spaniards conquered 500,000 natives, so something else was going on – “destiny.” Valdez imagines Moctezuma as believing that the conquest was destiny, fate, inevitable. And the numerous tribes that were unhappy with the Aztecs – the smoldering dissension - added to the clash. There was no way to avoid what eventually happened.

The piece started as a radio show back in the 1980s for National Public Radio. Valdez wanted to bring “light and understanding” to the conquest. He wrote what he thought would be a 2-3 page poem but that ended up being 22-23 pages, the beginning of the narrative for the current piece. He realized then that he needed to expand his vision for the poem.

Valdez told me that Ollin is more of an art performance piece than a play. It incorporates dance, music, and spoken word, and is presented in a poetic format. He calculates that eighty percent of the piece is music, with several pre-Colombian dance episodes. The play is primarily in English with some Spanish and Nahuatl.

Kids can understand the history. Valdez's intent is to bring “clarity to the conquest." Teachers at an early performance told Daniel they liked it and that they thought it would be excellent for children.

This is Daniel Valdez's third collaboration with Tony Garcia, Artistic Executive Director of El Centro Su Teatro, and the Su Teatro company.

As for future plans, Valdez said that he would love to take Ollin on the road, if the opportunity presents itself. Meanwhile, here in Colorado, he is scheduled to get involved with a project to produce an oratorio about the history of Pueblo, Colorado, a unique community with a long and proud Chicano working-class presence.

At the end, after he finally took a breath, he encouraged people to bring their kids to the performance; he insisted that the piece is family oriented; that it is a fun play; and that it can bring generations together. It should be "shared by a family."

He concluded, with a laugh, “Ollin is a poor man’s version of Cirque du Soleil.”

Ollin
Written and Directed by Daniel Valdez
February 21 – March 29, 2008

Major players: Bobby LeFebre, Jesse Ogas, Felicia Gallegos Pettis, Valarie Castillo, Lara Gallegos

Otros:
Joaquin Liebert, David Carrasco, Anthony Saiz, Jose Guerrero, Natalia Romo


Musicos:
Tony Silva (Musical Director), Angel Mendez Soto, Robert Gale, Rogelio Ransoli

El Centro Su Teatro
4725 High Street

Denver
303-296-0219

OTHER THEATER NOTES

Lydia
Written by Octavio Solis
Directed by Juliette Carrilo
The Ricketson Theater, Denver Center for the Performing Arts
January 18 - March 1


This superb play highlights a mini Golden Age of Latino Theater in Denver. Since the beginning of the year, Denver audiences have been treated to Las Chicas Del 3.5" Floppies (Luis Enrique Gutiérrez Ortiz Monasterio); a special reading of Sunsets and Margaritas by José Cruz González; Ollin (Daniel Valdez); José Mercado directing Comedy of Errors; and the world premiere of Lydia. We could get spoiled and expect this all the time. Which will happen if the audience is there. Support these events, gente.

Lydia has an excellent cast: Carlo Albán, Christian Barillas, Stephanie Beatriz, Ricardo Gutierrez, Catalina Maynard, René Millán, Onahoua Rodriguez - not a lightweight in the bunch, all with extensive experience although several are making their Denver Center debut. Under the precise direction of Carrilo, Soliz's story of family warfare rips the audience and movingly exposes the characters' fears, ambitions, and mistakes. The program summarizes the story this way:

"Ceci Flores introduces her family: her father Claudio, a Mexican immigrant working as a cook in El Paso; her mother Rosa, whose dream brought her family to the U.S.; her tough-acting elder brother René; and her more serious younger brother Misha. Ceci herself has brain damage, and although the audience understands her, she cannot communicate with her family or anyone else -- until the new maid Lydia arrives, fresh from Mexico. Ceci's cousin Alvaro has recently returned from Vietnam; his appearance, along with Lydia's knack for interpreting Ceci, dredges up secrets from the past and reveals the desires that could bring the family together or tear them apart."

This is heavy, as they used to say. It's encouraging to see such a broad range of themes and formats in these plays. The courage displayed by the writers as they confront controversial and sensitive topics should inspire us all. The pen continues to be a powerful force to beat back society's demons.

Finally - Feliz Cumpleaños to Rudy Ch. Garcia. This is a big one, dude. Time to drag out all the bromides about age. Here's one to get you started; it's schmaltz but I think you respect the source:

It is not true that people stop pursuing dreams because they grow old, they grow old because they stop pursuing dreams.

Gabriel García Márquez



Later.

Friday, January 25, 2008

Pedacitos

Bits and pieces of cultural news, and one more march for peace.

SHERYL LUNA, GABE GOMEZ, ERIKA T. WURTH AT KGB BAR IN NYC
Saturday, January 26 7:00 PM to Sunday, January 27 12:00 AM
85 E. 4th Street, NYC

Lisa Alvarado mentioned on La Bloga earlier this week that Sheryl Luna was in New York City on Friday night. Here's info about a Saturday event with more poets.

"Erika T Wurth (Indian Trains), Sheryl Luna (Pity the Drowned Horses),
and Gabe Gomez (The Outer Bands) represent a fresh perspective not only in ethnic writing, but in poetry. Rather than attach themselves to a particular school of writing, their work is about people, and landscapes and works on more than a purely intellectual level. Although none of them would do well in a hallmark, all of them express themselves in ways that are new and unique but that still speak to people not just below the waist, but more importantly, below the neck."

The KGB's website says this about itself: "In the years since it opened in 1993, KGB has become something of a New York literary institution. Writers hooked up in the publishing world read here with pleasure and without pay to an adoring public over drinks almost every Sunday evening (fiction), Monday evening (poetry), and most Tuesdays, Wednesdays and Thursdays. The crowd loves it. Admission is free, drinks are cheap and strong, and the level of excellence is such that KGB has been named best literary venue in New York City by New York Magazine, the Village Voice, and everyone else who bestows these awards of recognition."
Read more here.

Sounds like a great place to listen to some great poetry.

OLLIN

El Centro Su Teatro will proudly present the regional premiere of world-renowned composer Daniel Valdez’s stunning original play, Ollin, February 21 – March 29, 2007 at El Centro Su Teatro, 4725 High Street, Denver.


Ollin is a spectacular recreation of one of the most profound cultural collisions in human history—the conquest of Mexico by Spain. The poetic interpretation of the meeting of these two great empires was something Valdez felt drawn to create as a symbol of both his cultural and personal identity, as the Conquest marks the birth of the Mestizo—the mixed blood race to whom most Mexicans and Mexican Americans trace their heritage.


Valdez has included elements from multiple disciplines to tell this dramatic tale, including theater, dance, music, and visual art. Distinguished painter Carlos Frésquez, local musician Tony Silva, and Boulder choreographer Concetta Troskie are working with Su Teatro actors to augment the artistic layering of the play. Add in Valdez’s original music and the result should be, as Valdez describes it, a sort of modern codices—a stunning visual and musical tablet.


Originally developed by Valdez as a radio play, Ollin was given a workshop production in San Diego and a full student production at Stanford University. Valdez is excited to work with Su Teatro in bringing the final evolution of this remarkable piece to Denver.


Valdez was an instrumental figure in the birth of Chicano Theater—working alongside his brother, the famed writer/director Luis Valdez, in the agitprop California theater group Teatro Campesino. Valdez went on to make a name for himself as a brilliant songwriter with the release of his solo album Mestizo. Valdez also worked alongside Linda Ronstadt on her album Canciones de mi Padre.


Su Teatro has enjoyed a longstanding relationship with Valdez, beginning in 1975 when he and El Centro Su Teatro Artistic Director Tony Garcia met and exchanged ideas at a theater workshop in Denver. More recently, the two teamed up to create the original Su Teatro productions The Westside Oratorio and El Sol Que Tu Eres. Ollin marks their third collaboration.


Ollin, written and directed by Daniel Valdez, February 21 – March 29 at El Centro Su Teatro, 4725 High Street. Thursdays, Fridays, and Saturdays, curtain at 8:05 PM. Tickets are $18, $15 students/seniors, with special group discounts available. Call (303) 296-0219 for tickets and information.

NATIONAL LATINO WRITERS CONFERENCE
Albuquerque, New Mexico
May 21–24, 2008

Nationally known authors, agents, and editors will present in workshops and panel discussions. All attendees will have the opportunity to have three one-on-one appointments with an agent, author, and editor. Accepting a total of 50 fiction and nonfiction writers. If submitted early authors will read a sample of your work. Workshops will include hands-on exercises.

2008 Literary Genres
Novel • Short story (fiction/non-fiction)
Screenwriting • Playwriting • Poetry
Mystery/Detective • Comics • Special features

2008 Faculty
Martín Espada - Helena María Viramontes - Javier Grillo-Marxuach - Frank Zuñiga - Benjamin Alire Sáenz - Alfredo Corchado - Kathleen de Azevedo - Rolando Hinojosa-Smith

For information and to register contact Katie Trujillo 505.246.2261, x148 • katie.trujillo@state.nm.us
nhccnm.org • NHCC 1701 4th Street SW • Albuquerque, NM 87102

MILAGROS DEL CORAZON
Chicano Humanities & Arts Council’s (CHAC) 9th annual silent auction and fundraiser - Friday, Feb 8, 2008 6-10 PM - Space Gallery
765 Santa Fe Drive, Denver

Celebrate Valentines and help support CHAC's cultural art and community outreach programs with an evening of live music and hors d'oeuvres. Place bids on a wide variety of unique hearts, gift baskets, services and original artwork, created and donated by members and guest artists, local schools, business and community supporters.

Music provided by Latin Fusion Band Debajo Del Aqua
Cocktail attire optional.
CHAC Gallery (see below) will be open during the event.

Tickets are available for $7.00 each or $12.00 per couple at the event or in advance by calling CHAC at 303-571-0440.

WINTER SOLDIER: IRAQ AND AFGHANISTAN
From the Vietnam Veterans Against the War website:

From March 13-16th 2008, Iraq Veterans Against the War will gather in Washington D.C. to "break the silence and hold our leaders accountable for the Iraq and Afghanistan wars."

This spring, the largest gathering of veterans who served in Iraq and Afghanistan will share their experiences in a public investigation called Winter Soldier: Iraq and Afghanistan. Providing testimonies to war crimes the United States perpetuates with the ongoing wars and occupations as well as the increasingly poor treatment of returning veterans by US government agencies here at home. Vietnam Veterans Against the War are seeking members and friends to host fundraisers, provide monetary donations, personal support and spread the word about Winter Soldier Investigation.


Later.