Showing posts with label Patricia Spears Jones. Show all posts
Showing posts with label Patricia Spears Jones. Show all posts

Friday, April 21, 2017

Don't You Love Good News!

Melinda Palacio




Patricia Spears Jones and Melinda Palacio at AWP 2016
Earlier this week, Poets & Writers announced the winner of the Jackson Poetry Prize of $50, 000. It went to Patricia Spears Jones. If you don't know her work, consult some past La Bloga issues. Linda Rodriguez did a thorough review of her most recent book A Lucent Fire: New & Selected Poems. I've also featured her poetry as she is a fellow Tia Chucha Poet and someone whose work I admire. I'm super pleased to hear the news of her award. Patricia Spears Jones is the 11th winner of this award, Elizabeth Alexander was the first. The panel of judges describe her poetry as 'made of fever, bone, and breath' and as a poet who 'has steadily and quietly enriched the American poetic tradition with sophisticated and moving poems. More of us should know who she is, and even more should read her.' The full citation is on the Poets&Writers website. This announcement comes on the heels of La Bloga's Amelia Montes receiving a Fulbright for next year in Serbia. Read the interview with La Bloga's Amelia and Xanath on Monday.
A Lucent Fire by Patricia Spears Jones

The next day, Dr. Cristina Herrera, professor of Chicano and Latin American Studies at CSU Fresno and author of (Re)Mapping the Latina/o Literary Landscape New Works and New Directions, (Re)Writing the Maternal Script, and Reading/Speaking/Writing The Mother Text, received the Provost Award for Research, Scholarship and Creative Accomplishment. Her reward consists of a stipend, a reception, honors during the next graduation, and she will be invited to participate in the following year's Provost's Lecture Series. Dr. Cristina says: "It's a huge deal for me because I'm the first Chicana to win in this category, an award usually given to faculty members in math, science, or engineering. It's such an honor."


Dr. Cristina Herrera


That famous Honda Element with CA Plates NOLA.
There's more good news for me and Steve. Our stolen car was recovered and this means more ease to travel to the next literary event. April may be National Poetry Month, but the poetry continues into the rest of the year. Next month, I will be reading at Core Family Winery in Santa Maria May 13 and as part of Tia Chucha's new Anthology: Wandering Song at Beyond Baroque May 27.

My Wonder Woman Button 


Although the thieves cleaned out the car and took everything inside that could be hawked or given away, including my yoga mat and eye pillow, there was one small item they missed, a Wonder Woman button that I made when the All Wonder Woman Walking Krewe welcomed me into the group last Mardi Gras in New Orleans. The thieves missed this button. They did some damage to the car, slashing the ceiling fabric and steering wheel, leaving a bullet hole scuff on the hood and leaving a bullet shell in the car, along with food trash, random keys, and a strong ashtray stench. Steve and I are glad to be reunited with the green Honda Element. The car was taken to a tow yard by Midas Touch Towing. According the NOPD reports, it is unclear whether the thieves abandoned the car or simply parked it in a spot that allowed the towing company to identify it as stolen and thus haul it away. The Wonder Woman pin and a voodoo doll, made by my friend Karen Kersting, proved to be powerful car charms.

Karen Voodoo Doll
Since much news happens on Facebook, Karen wrote an open post to the thieves back in February when we didn't think we'd see the car again:

"To those heartless thieves: my voodoo dolls have a good track record in recovering stolen cars. This doll is made from a scrap of fabric that was used as part of a prison work program. The Mardi Gras beads are specifically positioned to give you the greatest discomfort and the feathers are from a bird that was attacked by a cat. Save yourself, and return that car -- or at least call-in an anonymous tip. Bad Karma is floating your way."
New Orleans Poetry Festival 2017


Good news about the Honda's recovery in April meant that I am in New Orleans this week and able to attend the 2nd Annual New Orleans Poetry Festival, something I hadn't planned on earlier in the year. It turns out many friends from California are in town for the festival, including Xochitl-Julissa Bermejo, Michelle Detorie, and Lee Herrick. Thanks to having the trusty, ten year old Honda Element back, I was able to pick up Xochitl-Julissa Bermejo and Soraya Membreno at the airport. Xochitl-Julissa and Soraya are presenting a panel, SGV Food Club, on building community, Saturday at 10 am at the 2nd annual New Orleans Poetry Festival, hosted by Bill Lavender and Megan Burns. Festivities began yesterday with an opening party and event featuring poets who play in bands. The readings and panels continue throughout the weekend and culminate in a reading at the Maple Leaf Bar on Sunday at 3pm. For a complete list of events see the NOLA Poetry Festival Website.

Poets Xochitl-Julissa Bermejo, Melinda Palacio, and Soraya Membreno in New Orleans


And more good news comes from poet Jenn Givhan whose third poetry collection, Girl with Death Mask won the Blue Light Book Prize from Indiana Review. Indiana University Press will publish her book next year. 


What's your good news?



Friday, October 21, 2016

The Times They Are A-Changing: Autumn Poems

Melinda Palacio




Last week was great because Bob Dylan was blowing in cyberspace. Congratulations Bob on winning the Nobel literature prize. This week may be all about nasty women and bad hombres. So, I bring you some excellent Autumn poems by Patricia Spears Jones (you may have read Linda Rodriguez's review of ALucent Fire), Gina Ferrara (http://labloga.blogspot.com/2013/10/spotlight-on-gina-ferrara.html) and Xochitl-Julisa Bermejo. These are poems you will want to savor, read aloud, then read them all over again. Enjoy and refill your cup as many times as you'd like.




Ghosts

He was filled with beauty, so filled he could not stop the shadows
from their walk around his horn, blasting cobwebs in the Fillmore's
            ceiling

Somewhere dawn makes up for the night before, but he is floating
Dead in the water. And yet, my lover tells me, he saw him
             shimmering.

As did others. It could have been the acid. Or fragmented
            harmonics.
His reed ancestral. This perilous knowledge. The band went home,

shivering. A girl threw roses in the water. Carnations, daisies. And
            bright red sashes.
Like ones the Chinese use for funeral banners. A drummer intoned
            chants

From the Orient. Police wrote up the news. Years later, my lover told
            me
Friends would hear the whisper, then a tone, full throttle from the
            wind.

Ghosts on Second Avenue, jazzmen in the falling stars.
If you catch one, your hands will glitter.


A Lucent Fire. Poems by Patricia Spears Jones


All Saints' Day
Patricia Spears Jones



Diamanda Galas screams sings
rage upon love
as winter forms
drop by cooling drop.


And earlier in that year, spring in the Blue Ridge—
pastures and hills bejeweled
with violets, dogwoods, the Judas Tree—
softens the bitter taste
of recipes for worming, for worry,
for the death of masters, overseers,
the uniformed patriarchs of a history
astonished by defeat. The burned mansions and
moth-ridden grief comes back to haunt lanes
to the left and right, a clear divide


between the Black side and the white,
On All Saints' Day, a wind resurrected
as dervish, spiraling dry, sharp leaves


righteous fuel for bonfires.
Honorable music to comfort the dead.






In New York, hear Patricia Spears Jones and Christopher Stackhouse, Tuesday November 1, 2016 at 6:30 pm. Free to Dia members, $10 general admission, $6 admission for students and seniors. Grab tickets while you can. 
Readings in Contemporary Poetry
Dia: Chelsea
535 West 22nd Street 5th Floor New York City
212 989 5566 www.diart.org




Knowing
Gina Ferrara


When the medics strapped
you on the stretcher,
the bones of my knees and shins
pressed against Neruda's earth—
the acacia's offerings,
the cicada's hum,
a pair of fish
ascending from the abyss,
the accolades of tangled morning glories,
the solitary crow followed
by a triptych of magpies.
None of the sonnets
roused or woke you.
Your silent tongue and slack lips
extinguished the light of novas
and unstrung lanterns.


*From Gina Ferrara's Amber Porch Light




Ladder to the Moon
Xochitl-Julisa Bermejo


Ladder to the Moon, Georgia O’Keeffe


                                                              Ghost Ranch, O’Keeffe’s
                                                              sprite spirit rises

                                                         like the waif of moon
                                                         over Perdenal’s inky, cut top.

                                                    It’s an aquamarine night
                                               when I catch her climb wooden rails

                                             to the sky. Her frail arms
                                             evoke twigs, but her eyes

                                         ignite like the stars.
                                        I want her to invite me up,

                                    but she doesn’t.
                                    I want her to teach me how,

                                but she won’t.
                             I kick red rocks across the land

                        and keep a look out
                        for my own blond ladder to blaze.




*This poem was first published in Malpais Review.



Xochitl-Julisa Bermejo's Posada


Don't miss Xochitl-Julisa's Book Release Party, Saturday October 29 at 7pm at Avenue 50 Studio, 131 N Avenue 50, Los Angeles, CA 90042