Showing posts with label Words on a Wire. Show all posts
Showing posts with label Words on a Wire. Show all posts

Monday, February 17, 2014

Los Highlights para La 2014 Pachanga: AWP Seattle



Xánath Caraza

For the 2014  PACHANGA in Seattle, WA,  the Advisory Circle of Con Tinta, a collective of Chican@/Latin@ Activist Writers, and los Norteños Writers group are honoring Jesús “El Flaco” Maldonado and Kathleen Alcalá, in addition to the celebration of the five year anniversary of CantoMundo.  On Thursday, February 27, 2014, 5:30-7:30 p.m., we will have La Pachanga at Mexico Cantina y Cocina at Pacific Place-Level 4, 600 Pine St. (or 1611 6th Ave.), Seattle, WA 98101. Ph #: (206) 405-3400.  Please be our guest and join La Pachanga for our hors d’oeuvre & cash bar celebration and more.  
Kathleen Alcalá




"El Flaco" Maldonado

Let’s all be sure to thank Los Norteños Writers Group who have been diligently planning this year’s Pachanga.  Here is a photo of Los Norteños in action followed by the names of the volunteers of Los Norteños Writers Group.

Los Norteños Writers Group



Volunteers:

Venue:
Catalina Cantu
Gabriella Gutierrez y Muhs
Donna Miscolta

Award selection committee:
Lauro Flores
Gabriella Gutierrez y Muhs

Liaison with Mexican Consulate
Maria Victoria

Entertainment Committee
Carmen Carrion
Kathleen Alcala

Rose Cano of eSe Theatre
Leon Reines as Don Quixote

Greeters:
Joseph DeLeon
Raul Sanchez

As an important part of La Pachanga’s program, we will have readings by “El Flaco” Maldonado and Kathleen Alcalá. 

What is more for our Pachanga, Los Norteños considered three proposals of events before choosing eSe Theatro to present a short excerpt of their play, "Don Quixote – Homeless in Seattle” at La Pachanga.  Enjoy the following short video from eSe Theatro.


In addition to the play, CantoMundo’s five year anniversary will be also celebrated at La Pachanga. We’ll have the opportunity to hear some poesía by a handful of the CantoMundo  poets, Barbara Curiel, David Tomas Martinez, and Juan Morales among others.


Lastly for our event, Words on aWire, Daniel Chacón, will be en La Pachanga to be part of this historical momento. 

Con Tinta would like to thank some of our sponsors for this year’s Pachanga.  Gracias a Los Norteños Writers Group, el Consulado de México en Seattle, WA, La Bloga, Francisco X. Alarcón, Words on a Wire, Latina/Latino StudiesProgram at the University of Missouri-Kansas City, BorderSenses Literary Journal, CantoMundo, Celeste Mendoza and Norma Cantú.

Be our guests and be ready to enjoy el teatro, la poesía y la buena compañía.  Hasta entonces. 
El Poster de la 2014 Pachanga: AWP Seattle


Friday, November 08, 2013

Daniel Chacón: One Writer’s Journey


Guest Post By Lucrecia Guerrero
Daniel Chacón


“Mexican moment: on a morning run, I pass a café not yet open.  Mexicans clean with water hoses, blaring Banda.  My stride turns into dance,” Daniel Chacón recently tweeted.  Yes, tweeted.  A person who can observe and write such an inspired comment in the immediacy of the moment is clearly an artist, one destined to write.  His artistry is not limited, however, to writing.  Chacón is also a professor at the University of Texas at El Paso (UTEP), a photographer/journalist (www.soychacon.blogspot.com) and co-hosts, with Benjamín Alire Sáenz, on the literary radio program “Words on a Wire” (KTEP.org).  He has published one novel: and the shadows took him.  To his credits add three short story collections: Chicano Chicanery, Unending Rooms, and most recently, Hotel Juárez: Stories, Rooms and Loops. 
In a recent interview with me, Chacon described his circuitous route to creative writing.  In high school, Chacón read dramas voraciously, especially those of Eugene O’Neill, Tennessee Williams, and Lorraine Hansberry.  Attracted to “character-driven” dramas, Chacón understood, as he read, that what “drives plot, the meaning, the themes of the play is character and character need.” But although he enjoyed reading plays, he did not consciously think of becoming a writer.  When Chacón graduated high school he had a blueprint for his future:  major in Political Science at Fresno State then continue to law school and fulfill his ultimate goal of attorney at law.  He would be a “responsible citizen.”   
Then during his last semester at Fresno State, on a lark, he signed up for a class in
Fiction Writing.  Chacón states emphatically that from that moment he has “never turned
back.”  Like the characters in all those plays he read, Chacón had found his “need,” the need for artistic expression through the written word.   
            Chacón now passes on what he has learned about writing to students in his Fiction Writing classes at UTEP.  When I told him that some teaching writers feel that teaching drains their creativity, Chacón states that his teaching “reinforces and strengthens [his] position as a writer.”  He feels fortunate to teach at a research institute where he is not required to teach outside of his specific genre.  When selecting examples of published works for his class he selects those works which have writing elements similar to his own.  Because Chacón has been working on a memoir for several years, he has taught many courses on the memoir, assigning memoirs that he feels he can learn from.
Although Chacón is currently working on a memoir, for his fiction he finds himself increasingly drawn to short pieces and to poetry.  Clearly this is not an artist who settles.  Chacón described the stories in his recently published Hotel Juárez as “passages linking one small room to another, creating an entire floor if you will, giving shape to a story.”  A definition which could also describe Chacón’s development as an author, a complex artist whose talent is composed of many different stories, rooms, and loops.  As he continues to build his body of work, we will watch as he “strides” and “dances” from one room to another.  With the years, who knows what shape the whole may take.
Unless otherwise noted, all the quotations are taken from my interview with Daniel
Chacón: www.elpasotimes.com/. . ./author-daniel-chac-n-work-interconnected-flashes
Lucrecia Guerrero grew up on the U.S./Mexico border, and her writing reflects her bicultural and bilingual upbringing.  She has lived in the Midwest for years where she continues to write and facilitate writing workshops.  Her short stories and articles have been published in various literary journals.  Chronicle Books publishedChasing Shadows, a collection of connected stories, and more recently her novel Tree of Sighs was awarded the Premio Aztlán Literary Award. 




Daniel Chacón, along with Melinda Palacio will be at Beyond Baroque, Sunday November 17 at 2pm,
Open Mike to follow. Hosted by Jessica Ceballos.




Upcoming Events for Daniel Chacón 
November 17 at Beyond Baroque, 681 Venice Blvd, Sunday, 2pm.
(Hitched Series hosted by Xochitl-Julissa Bermejo to follow at 5pm)
December 6 at the Nopal Festival in Austin, TX
December 9 with Jonathan Klein at Octavia Books in New Orleans, December 9 at 6pm

For more Information contact Daniel Chacón at imaginarywater.com