Showing posts with label sergio troncoso. Show all posts
Showing posts with label sergio troncoso. Show all posts

Saturday, June 22, 2013

Acuña interview. Lit and news bits.


by RudyG

Interview with graphic novelist Ricardo Acuña

Last month I previewed The Realm by Ricardo Acuña, a Chicano screenwriter who blazed a trail of turning it into a graphic novel via a successful Kickstarter campaign. The book has received good reviews, like the one below from Latin Horror:

"Ricardo Lira Acuña's first illustrated novel combines fantastical Mexican folkloric traditions with the American pulp graphic genre for a visually stunning and suspenseful read. A thief searching for buried gold must overcome his greed in order to escape from a Mexican ghost town.

"The Realm is a suspenseful 82-page graphic novel chock full of stunning black & white illustrations that evokes a strong and palpable sense of nostalgia that crosses the borders of both golden eras of American and Mexican comic book landscapes and creates a new hybrid."

Acuña obliged us by giving us an interview. He's got lessons for those thinking of using the Kickstarter approach.

RudyG: Now that you've had time to think about it since finishing The Realm, what would you say that you haven't said before?
Acuña: On the surface, The Realm is a treasure hunt ghost story. But there are layers, metaphors and commentary about Chicano/Mexican history and politics, and the philosophical underpinning for existential horror. If all you want is a quick escape or bedtime story, it's there. If you want to dig deeper, it's there too.

RudyG: If you had anything to do over, is there anything you would have changed about the novel, the characters, the plot, the graphics, etc.?
Acuña: As a writer, I rewrite. So I've thought of things I'd tweak here and there. But in general, estoy feliz y satisfecho with the way the book turned out. Sure, I could've put out a full color comic book in a series with muscle-bound illustrations, but I couldn't afford it even if I wanted that. The more I thought about it, the more I realized that this story had to be in black and white and that Stan Timmons' old school drawings should bring to mind the Mexican semanales (weekly pulp fiction), like the kind my mother used to read when I was growing up. The trick though has always been how to tell this story in a balanced way, with Twilight Zone structure and suspense and yet have grind-house moments a la Robert Rodriguez and Quentin Tarantino.

RudyG: What kind of responses are you getting for the book? And is there an Hijo de Realm in your future?
Acuña: I just released it, and fans are telling me how much they love the graphics and the story itself. I'm curious to see how it fares with different audiences--Latin@s, comic book fans, diehard horror to name a few. It won't be everybody's cup of cafe. It's dark, gritty, and, Dios forbid, will make you think.

The Realm actually began as a script when I was at Columbia. I've had interest in it, but this is Hollywood, so you better know somebody and you better have money. I didn't have either. So I figured it made sense to convert it into a graphic novel as the story lent itself perfectly to the medium. And now, I have something that producers and companies can hold in their hands and look at. I also have a product and a credit which I didn't before.

The endgame for The Realm is to make it into a film. I fantasize about raising enough funds to shoot the film myself with a skeleton crew throughout abandoned haciendas in Zacatecas. As for Hijo del Realm, I'm thinking about a series with some of the characters returning with more ghost stories and cursed places.

RudyG: Now that you've got a Kickstarter under your belt, what surprised you the most or was the hardest to deal with?
Acuña: The most difficult for me was getting the Kickstarter perks fulfilled, which is something I'm still finishing up right now. I didn't plan on how long it would take to get printed copies and the other perks prepared.  I took much longer than I should have in delivering my perks. There's always pressure to get something done, but there's more pressure when other people's money is involved.

RudyG: Would you do it again anytime soon?
Acuña: A huevo! Maybe another Kickstarter campaign for the film?

RudyG: What advice do you have for gente trying the Kickstarter route for the first time?
Acuña: Kickstarter requires a helluva lot of preparation before launching your campaign in terms of what exactly you're going to use the money towards and what the perks will be. Kickstarter has a tutorial before you start with recommendations. Go over it many times. Follow their recommendations. Then plan, plan, plan! I got the most response from family and friends of course, but I was pleasantly surprised to get funding from total strangers. In retrospect, I wish I had personally contacted every person on my list in asking for funding. I sent mass e-mails and social media messages, but what paid off most was the personal contact. Updates are important, and I wish had sent out more of them to keep people in the loop. Get people to help you get the word out, and to help before, during and after the campaign. I went it at solo and feel I could've accomplished more in terms of raising funds and getting my perks out sooner had I sought the help.

RudyG: Tell our readers about your next big project and other great stuff you want to get to.
Acuña: I write in various forms. I have two collections of poetry and photography. I just finished my first novel - Prodigal Son, about a poor Chicano who earns a scholarship to a private East Coast boarding school. I'm working concurrently on the film script for the book and editing both. Not sure which will get made first.

RudyG: What writers influenced you most?
Acuña: I grew up listening to ghost stories from my familia in Mexico. Watched a lot of horror films and The Twilight Zone. These influenced my writing The Realm. Also, books like Gabriel García Márquez's Eréndira, Carlos Fuentes' Aura and especially Carlos Castaneda's The Teachings of Don Juan. When I heard there was a book about peyote and sorcery in Mexico, I said to myself, I gotta read that book!

RudyG: You lived in Denver, but I don't remember seeing your ass in any of my bars. Where'd you hang out and what did you love best, if anything.
Acuña: I was only in Denver for about a year. My ex and I didn't know anybody, and we were poor with students loans and didn't go out much. What I loved best was meeting Cynthia Gonzales (Corky's youngest daughter) and Thia Gonzales (Corky's niece). They took us right in with their family and friends and showed us around. But then my ex dumped me, chale, and I headed to LA. But when I return to Denver, Rudy, I wanna go hang out with you at your bars!

If you want to check it out, you can purchase the soft cover here. Purchase the eBook here or from ITunes.

Two of La Bloga's favorite authors

San Antonio Express-News reviews Our Lost Border: Essays on Life amid the Narco-Violence, edited by Sarah Cortez and Sergio Troncoso (Arte Publico Press):

“Cortez and Troncoso are to be credited for assembling an exceptional array of contributors, encompassing professors, poets, students and journalists. 
They each eloquently and powerfully profile the border in both qualitative and quantitative terms — clearly fueled by strong personal and professional experiences….”


Respect Our Youth: Community Walk & Potluck

Poder Santa Barbara - Todo Poder al Pueblo!
Saturday, July 13, 2013


1:00pm - 4:00pm

Come join us in Ortega Park, Santa Barbara, California, to learn about what is the real purpose of a gang injunction and also come educate others in the community. We need positive solutions rather than punishing our youth. We don't need another Jim Crow laws in our liberal and progressive society!
        
Our current priority as a coalition is to challenge the proposed City gang injunction filed and endorsed by the: The City of Santa Barbara, The Santa Barbara Police Department, The District Attorneys, and The City Council.
        
The City of SB has not provided space for any community input, debate, or participation. This procedure is non-Democratic and we are demanding transparency!
        
STOP RACIAL PROFILING, STOP WASTING TAX MONEY, STOP SEPARATING FAMILIES AND STOP OPPRESSING YOUNG PEOPLE'S LIVES
Come join us to fight injustices! Injunctions are “a modern-day apartheid.”

Chican@pedia

The Mexican-American Encyclopedia is a database with biographies, videos, photos and digital collections that were made by or inspired by Mexican-Americans.
Our mission: It is our goal that the content posted in the Chican@pedia helps ANYONE that wants to research or is interested in topics were Mexican-Americans have or have had influence.

The Mexican-American Encyclopedia is a resourceful site for individuals, families, schools and organizations that are interested in the Mexican-Americans and the Chicano/a culture. Go here for more info.


Casi-Bloguista Lisa's essay, Light Sleeper, will be featured in Memoir magazine's 13th issue this September

Es todo, hoy,
RudyG

Saturday, November 12, 2011

Palabra Pura & Sergio Troncoso – Chicago

Guild Literary Complex news
We look at literary culture and ask - "What's missing?"

Last Chicago Events of 2011
Next week is the last Palabra Pura of the year, featuring Luis Humberto Valadez and Tim Z. Herna'ndez in a poetry face-off. (Fortunately they're old friends, so any blood-letting will be in good fun.) If you haven't heard Luis or Tim live, it's one of the most unique experiences you'll have with poetry. For example, check out Luis in action.

Palabra Pura: Luis Humberto Valadez & Tim Z. Herna'ndez
Wed., Nov. 16, 2011, 7:30pm
at La Bruquena restaurant (upstairs), 2726 W. Division, Chicago


Then the next night in Hyde Park, we're presenting the contemplative fiction and non-fiction of Sergio Troncoso. He'll be reading from his new books From This Wicked Patch of Dust (University of Arizona Press) -- a novel about the Martinez family, who struggles to stay together despite cultural clashes, different religions, and contemporary politics across the U.S.-Mexico border -- and Crossing Borders: Personal Essays. Learn more about Troncoso here.

Reading with Sergio Troncoso
Thurs. Nov. 17, 2011, 7:00pm
University of Chicago's International House
1414 East 59th Street

{From La Bloga: Also check out Daniel Olivas's interview with Sergio Troncoso this past Monday here.}

Finally, in Donation Watch: thanks to generous gifts from people like you--or maybe the person next to you--we are half-way to our $400 matching gift goal for December 1st, and one step closer to our overall fundraising goal for the year-- huzzah! Please help us keep up the momentum!

If you know someone else who might be interested in these articles, events and audio clips, please forward this information. Better yet, bring them along to the next Guild show!

The Guild Literary Complex
P.O. Box 478880
Chicago, IL 60647-9998
Website; Facebook; Twitter
Support the programs you believe in, and help us do more.

Friday, September 23, 2011

Review - Crossing Borders: Personal Essays / Events & Literary Prizes



Crossing Borders

Book Review by Manuel RamosLink

Crossing Borders: Personal Essays
Sergio Troncoso
Arte Público Press - September, 2011

Although the noted sportswriter Red Smith got it wrong about Muhammad Ali, he was right on when he said that writing is easy: "All you do is sit down at a typewriter and open a vein." Ernest Hemingway put it this way: "I have to write to be happy, whether I get paid for it or not. But it is a hell of a disease to be born with. I like to do it. Which is even worse. That makes it from a disease to a vice."

Sergio Troncoso, author of the acclaimed The Last Tortilla and Other Stories (winner of the Premio Aztlán), The Nature of Truth, and his most recent novel, This Wicked Patch of Dust, embodies both Smith's and Hemingway's brutal yet romantic views of the writer. Want proof? Pick up a copy of Crossing Borders: Personal Essays, Troncoso's latest.

We live in a complex time. Troncoso is a complicated man trying to understand a complicated world. In his quest for understanding, he eloquently shares lessons learned in sixteen provocative essays.

Troncoso delivers on the promise of the title of his book. These very personal essays cross several borders: cultural, historical, and self-imposed.

For example, he contemplates writer's block in A Day Without Ideas and compares it to a death-like existence where nothing matters and he will "simply be there."

In a painful letter to his sons detailing their mother's struggle with breast cancer, Troncoso the writer reveals his true identity as Troncoso the frightened, caring, and strong father.

He takes on the 9/11 attackers (Terror and Humanity) not with hatred or revenge but with a plea for basic humanity. "To be human is to engage with, to care about. To be human is to love another. To be human is to communicate with someone, even if you are only shouting at them. The most human of all is discourse. With nature. With other human beings."

He writes, with some anxiety and plenty of honesty (Fresh Challah), about major contradictions he has embraced – he is a Chicano from El Paso, educated at Harvard, attracted to Judaism, and now living the intellectual life in New York. The careful reader picks up on Troncoso's exuberance for his situation even though he documents despair and uncertainty. The writer deals with the consequence of his choices and, as Hemingway predicted, he likes it so much it has become a vice.

Troncoso also embraces his Latino identity and what it means to claim that identity. He enlightens about racial politics, bicultural anomie, and the "irrational fears of non-Latinos to the growing Latino community." However, his most moving words are about his beloved and feared abuelita, the grandmother who, even "if her dark brown eyes were downcast and weary … was poised for a fight." Here is Troncoso on his tough love relationship with his grandmother:

"I wanted to ensure she did not have a hard life anymore; I wanted her to enjoy an elusive peace in her soul. Most of all, I wanted her steely optimism never to be crushed by evil. She had always been tough, and she also knew how to hurt her toughest grandchild, the one with such a sharp tongue. So we understood each other only too well."

Although many of the essays were written years ago, the collection remains timely. We owe it to ourselves to read, savor, and read them again.

____________
This review first appeared in the El Paso Times.

Sergio Troncoso will appear at the following events in support of his latest books, Crossing Borders and From This Wicked Patch of Dust.

September 23, 2011, 2 PM---San Elizario High School, 13981 Socorro Road, San Elizario, TX.

September 23, 2011, 4-6 PM---The Bookery, 10167 Socorro Road (just past the Socorro Mission), Socorro, TX.

September 24, 2011---El Paso Community College, Annual Literary Fiesta, El Paso, TX.


Enrique's Journey - Su Teatro



Su Teatro is excited, honored and pleased to be opening our 40th Anniversary Season (and second year as owners of the Denver Civic Theater) with the world premiere theatrical adaptation of Sonia Nazario's Pulitzer Prize winning journalistic work, Enrique's Journey.

Enrique's Journey depicts the unforgettable odyssey of a Honduran boy who braves unimaginable hardship and peril to reach his mother in the United States. Enrique pushes forward using his wit, courage, and hope-and the kindness of strangers. It is an epic journey, one thousands of immigrant children make each year to find their mothers in the United States.

This production is significant. We are proud to tell a a story that you made possible with your support. It is an essential story for our time. We hope you will join us. But just as fervently, we hope you will help us to get the word out!

Theatrical adaptation and direction by Anthony J. Garcia

Oct. 13-30 TH. FRI. and SAT. 7:30 p.m. Matinee Sun. Oct. 30 3 p.m. $20 gen. $17 stu/sen -
COMADRES! 12 tix $12 a piece 2-4-1 THURS. off of general admission tix - when you ask for discount and order tix in advance.

Su Teatro @ The Denver Civic Theater 721 Santa Fe Dr. Denver, CO 80216 303-296-0219

www.suteatro.org



Writer Thelma Reyna shares her poetry and prose at Flintridge Bookstore and Coffeehouse in La Canada

Sunday, October 2, 3 – 5 P.M.
Flintridge Bookstore and Coffeehouse hosts a reading for writer and Pasadena resident Thelma T. Reyna. The noted author shares selections from her recent book of poetry Breath & Bone and The Heavens Weep for Us and Other Stories. This event is held to coincide with Latino Heritage Month, a celebration of the contribution made to American life by the Hispanic community.

Breath & Bone , Reyna’s first poetry chapbook, was a Semi-Finalist in the 2010 National Poetry Chapbook Competition by Finishing Line Press. The Heavens Weep for Us and Other Stories received four national honors: National 2010 “Best Books” Award (USA Book News), Finalist, Short Story Fiction; 2011 Eric Hoffer Award, Honorable Mention, General Fiction; The Montaigne Medal 2011, Finalist; and 2011 National Indie Excellence Book Award, Finalist, Multicultural Fiction. Dr. Reyna’s stories, poems, essays, book reviews, and other nonfiction have been published in literary and academic journals, textbooks, anthologies, blogs, and in regional media for over 30 years. She writes the blogs “American Latina/o Writers Todayand “The Literary Self.” She is also a monthly guest blogger on “Powerful Latinas.”

For more information, call (818) 790-0717. Flintridge Bookstore and Coffeehouse is located at 1010 Foothill Blvd., La Canada Flintridge CA 91011, at the intersection of Foothill Blvd. and the Angeles Crest Highway. Take the Angeles Crest exit off the 210, turn south, make a right onto Foothill Blvd., and turn left onto Chevy Chase. Parking is in the rear of the store.


A Night of Music and Latino/a Poetry

Hispanic Heritage Month Presents: A Night of Music and Latino/a Poetry Featuring Maria Melendez, Juliana Aragón Fatula, Juan J. Morales, & the music of Dr. Derek Lopez

Wednesday, October 5, 6:30 PM, Crestone Hall, Colorado State University, Pueblo, CO.


United Voices
click on the image for details and information



ANDRÉS MONTOYA POETRY PRIZE

$1000 and publication by University of Notre Dame Press will be given to support a first book by a Latino/a poet. Francisco X. Alarcón will judge. Upon publication of the book, the winning poet will receive an invitation to read with the final judge at Notre Dame. Submit two copies of a manuscript of at least 50 pages by JANUARY 15, 2012. Visit the website for complete guidelines. There is no entry fee.

Andrés Montoya Poetry Prize
Institute for Latino Studies
230 McKenna Hall
Notre Dame, IN 45666
Francisco Aragón, prize coordinator

http://www.facebook.com/l/GAQAEKE4DAQB9-xIQh6lfYVxTIx8oHJsOshJnhHX3s3nGsw/www.nd.edu/~latino/poetry_prize/guidelines.htm


LETRAS LATINAS/RED HEN POETRY PRIZE

$1000 and publication by Red Hen Press will be given to support a second or third book by a Latino/a poet. Orlando Ricardo Menes will judge. Upon publication of the book, the winning poet will receive an invitation to give a reading in Los Angeles, Chicago, Washington, D.C., and New York, as well as a two-week residency at the Ragdale Foundation. In addition, a modest travel fund will be established by Letras Latinas, the literary program of the Institute for Latino Studies at Notre Dame, to assist with further promotion of the winning book. Submit two copies of a manuscript of at least 50 pages by January 15, 2012. Visit the website for guidelines.There is no entry fee.

Letras Latinas/Red Hen Poetry Prize
Institute for Latino Studies
230 McKenna Hall
Notre Dame, IN 46556
Francisco Aragón, prize coordinator


http://www.facebook.com/l/YAQBsym4ZAQA35Eahjute54jStoVRkwRn6Jba8wfR_bOIsw/latinostudies.nd.edu/letras/poetryprize.php

Later.



Friday, August 26, 2011

What's Goin' On?

Talk to me
So you can see
What's going on
Ya, what's going on
Tell me what's going on
I'll tell you what's going on - Uh
Right on baby

"What's Going On" written by Renaldo "Obie" Benson, Al Cleveland, and Marvin Gaye.


New books from not-so-young writers, new TV about an old master, performance art by old farts, and old agit-prop in a new bottle. It's goin' on.

Manuel Ramos


New Books


Before the End, After the Beginning
Dagoberto Gilb

Grove Press - November, 2011

[from the publisher]

Before the End, After the Beginning is an exquisite collection of ten stories by Dagoberto Gilb. The pieces come in the wake of a stroke Gilb suffered at his home in Austin, Texas, in 2009, and a majority of the stories were written over his many months of recovery. The result is a powerful and triumphant book that tackles common themes of existence and identity and describes the American experience in a raw, authentic vernacular unique to Gilb.

These ten stories take readers through the American Southwest, from Los Angeles and Albuquerque to El Paso and Austin. Gilb covers territory touched on in some of his earlier work—a mother and son’s relationship in Southern California in the story “Uncle Rock,” and a character looking to shed his mixed-up past in “The Last Time I Saw Junior”—while dealing with the themes of mortality and limitation that have arose during his own illness. The collection’s most personal story, “please, thank you,” focuses on a man who has been hospitalized with a stroke, and paints in detail the protagonist’s relationship with his children and the nurses who care for him. The final story, “Hacia Teotitlán,” looks at a man, now old, returning to Mexico and considering his life and imminent death.

Short stories are the perfect medium for Gilb, an accomplished storyteller whose debut collection, The Magic of Blood, won the prestigious PEN/ Hemingway Foundation Award for fiction in 1994. Before the End, After the Beginning proves that Gilb has lost none of his gifts, and that this may be his most extraordinary achievement to date.

[Publishers Weekly]

PEN/Hemingway Award–winner Gilb’s 10 new tales, many written as the author recovered from a 2009 stroke, take on family ties, poverty, labor, and prejudice at the country’s borders, but defy racial and geographic boundaries even when they provide the principal conflict. In “Hacia Teotitlán,” a Mexican immigrant raised in L.A. struggles to resolve his dual identity; “Uncle Rock” finds an Americanized child trying to bond with his mother’s culturally naïve boyfriend. Financial divisions abound, as in “Willows Village,” where the shiftless Guillermo visits a wealthy relation, and the wonderful “Cheap,” the prescience of whose subjects—immigration policy and underpaid laborers—is rivaled only by the explicit address of Arizona’s immigration crackdown in “To Document.” And yet the most affecting story may be “please, thank you” for its depiction of a proud man recovering from a stroke and working his way back into language, as Gilb himself was forced to do. This new collection (after The Flowers) demonstrates that the author has more power than ever in addressing the conditions and contradictions of being split across cultures, and reminds us that every American, native or immigrant, is the product of a society that must learn to share or risk losing its founding graces.




From This Wicked Patch of Dust
Sergio Troncoso
University of Arizona Press - September, 2011

[from the publisher]

In the border shantytown of Ysleta, Mexican immigrants Pilar and Cuauhtémoc Martínez strive to teach their four children to forsake the drugs and gangs of their neighborhood. The family’s hardscrabble

origins are just the beginning of this sweeping new novel from Sergio Troncoso.




Spanning four decades, this is a story of a family’s struggle to become American and yet not be pulled apart by a maelstrom of cultural forces. As a young adult, daughter Julieta is disenchanted with Catholicism and converts to Islam. Youngest son Ismael, always the bookworm, is accepted to Harvard but feels out of place in the Northeast where he meets and marries a Jewish woman. The other boys—Marcos and Francisco—toil in their father’s old apartment buildings, serving as the cheap labor to fuel the family’s rise to the middle class. Over time, Francisco isolates himself in El Paso while Marcos eventually leaves to become a teacher, but then returns, struggling with a deep bitterness about his work and marriage. Through it all, Pilar clings to the idea of her family and tries to hold it together as her husband’s health begins to fail.

This backdrop is then shaken to its core by the historic events of 2001 in New York City. The aftermath sends shockwaves through this newly American family. Bitter conflicts erupt between siblings and the physical and cultural spaces between them threaten to tear them apart. Will their shared history and once-common dreams be enough to hold together a family from Ysleta, this wicked patch of dust?

___________

One reads From This Wicked patch of Dust and can only pause for a moment to say, ‘Yes.’ Sergio Troncoso writes with inevitable grace and mounting power. Family, in all its baffling wonder, comes alive on these pages.

—Luis Urrea, author of The Hummingbird’s Daughter


Crossing Borders: Personal Essays
Sergio Troncoso
Arte Público Press - September, 2011

"On good days I feel I am a bridge. On bad days I just feel alone,” Sergio Troncoso writes in this riveting collection of sixteen personal essays in which he seeks to connect the humanity of his Mexican family to people he meets on the East Coast, including his wife’s Jewish kin. Raised in a home steps from the Mexican border in El Paso, Texas, Troncoso crossed what seemed an even more imposing border when he left home to attend Harvard College.

Initially, “outsider status” was thrust upon him; later, he adopted it willingly, writing about the Southwest and Chicanos in an effort to communicate who he was and where he came from to those unfamiliar with his childhood world. He wrote to maintain his ties to his parents and his abuelita, and to fight against the elitism he experienced at an Ivy League school. “I was torn,” he writes, “between the people I loved at home and the ideas I devoured away from home.”

Troncoso writes to preserve his connections to the past, but he puts pen to paper just as much for the future. In his three-part essay entitled “Letter to My Young Sons,” he documents the terror of his wife’s breast cancer diagnosis and the ups and downs of her surgery and treatment. Other essays convey the joys and frustrations of fatherhood, his uneasy relationship with his elderly father and the impact his wife’s Jewish heritage and religion have on his Mexican-American identity.

Crossing Borders: Personal Essays reveals a writer, father and husband who has crossed linguistic, cultural and intellectual borders to provoke debate about contemporary Mexican-American identity. Challenging assumptions about literature, the role of writers in America, fatherhood and family, these essays bridge the chasm between the poverty of the border region and the highest echelons of success in America. Troncoso writes with the deepest faith in humanity about sacrifice, commitment and honesty

____________

"Touching and intelligent, this book shows what it's like growing up an intellectual on the border of the US and Mexico. It's often painful, often funny, but always precise in expressing how rich and challenging life can be, how sometimes moving away from home can bring you even closer to your family and heritage." --Daniel Chacon, author of And the shadows took him and Unending Rooms.

"Sergio Troncoso takes us on his journey from El Paso to New York, from child to husband, and student to father....and it is worth our while to witness this journey from native son to the bloody birth of a public intellectual." ---Kathleen Alcala, author of The Desert Remembers My Name.



New TV
CRUZ REYNOSO: SOWING THE SEEDS OF JUSTICE TO BE BROADCAST ON PUBLIC TELEVISION DURING HISPANIC HERITAGE MONTH

The award-winning documentary Cruz Reynoso: Sowing the Seeds of Justice, about the trailblazing jurist who was the first Latino appointed to the California Supreme Court, will be broadcast on public television during 2011 Hispanic Heritage Month, Sept. 15-Oct. 15, 2011. (For a complete listing of airdates and stations, please visit www.reynosofilm.org/broadcast.

During his extraordinary life, Cruz Reynoso has been one of those rare individuals who not only were shaped by history but made history. As the child of migrant farm workers, Reynoso understood injustice and as a lawyer, judge and teacher, he has fought to eradicate discrimination and inequality. Cruz Reynoso: Sowing the Seeds of Justice was produced and directed by award-winning director Abby Ginzberg. It is narrated by Luis Valdez; Ray Telles (The Storm that Swept Mexico) served as Consulting Producer. The one-hour film was funded by Latino Public Broadcasting and the California Council for the Humanities.

Born into a large Mexican-American farm worker family, Cruz Reynoso struggled to earn an education; he graduated from Pomona College and then received a law degree from UC Berkeley in 1958, where he was the only Latino in his class. In a career marked by a number of firsts, he was the first Latino director of California Rural Legal Assistance (CRLA), which provided legal aid to California’s rural poor during the early days of Cesar Chavez’s farm worker movement. As the film chronicles, the CRLA came under fire from then Governor Ronald Reagan, who saw the CRLA’s efforts as counter to the interests of his agribusiness supporters.

Reynoso was also one of the first Latino law professors in the country, beginning his academic career at the University of New Mexico Law School. He next became the first Latino justice on the California Supreme Court, appointed by then Governor Jerry Brown. Later, as Vice-Chair of the U.S. Commission on Civil Rights, he provided leadership in the only investigation of the voting rights abuses which disenfranchised thousands of Florida voters in the 2000 election. He received the country’s highest civilian honor, the Presidential Medal of Freedom, from President Bill Clinton for his lifelong devotion to public service. Today at 80, he continues to teach law at UC Davis Law School and actively participate in community organizations throughout the state of California.

About the Filmmakers

Abby Ginzberg (Producer/Director)

Abby Ginzberg has been producing and directing award-winning documentary films since 1983. Her work has focused on character-driven stories, racial and gender discrimination and social justice issues, and has been shown in film festivals and broadcast on public television networks nationally and internationally. Her previous film about another trailblazing jurist, Soul of Justice: Thelton Henderson’s American Journey earned several awards and was featured at film festivals around the country and broadcast on public television Thelton Henderson has been the judge responsible for the reform of medical care for those incarcerated in California's maximum security prisons. Ginzberg has won numerous awards for her work including five CINE Golden Eagles, two Silver Gavels and in 2008 she was selected as a Gerbode Foundation Fellow.

Ray Telles (Consulting Producer)

Ray Telles recently produced The Storm that Swept Mexico, a two-hour documentary about the history of the Mexican Revolution, which aired nationally on PBS. Telles is a veteran producer of many award-winning programs including The Fight in the Fields, the biography of Cesar Chavez; Inside the Body Trade; Children of the Night (Frontline) and Race is the Place. He has been a producer and director for NBC’s Dateline, ABC’s Turning Point and Nightline, PBS and Univision. Telles has won numerous awards including three Emmy Awards, the DuPont-Columbia Gold Baton and two PBS Programming Awards for News and Current Affairs.


New Performance Art

ONE NIGHT ONLY!

MacArthur Fellow and Border Brujo Guillermo Gomez Pena

La Pocha Nostra and Richard Montoya Culture Clash in a mano a mano collaboration.

A once in a lifetime opportunity to see two titans of Chicano performance face off.

Los Dopplegangers is a smart, funny, satirical and incisive commentary that delves into topics such as the rampant violence taking place in Mexico and the concurrent anti-immigration hysteria in the United States.

Expect a "dual exploration of their collective trans-border despair...humor, satire, intelligence, a jalapeño uzi and a chain saw will be weapons of choice, to name just a few".

Museo de las Americas y SU TEATRO presentan.....

LOS DOPPLEGANGERS



SATURDAY - SEPT. 3
Su Teatro @ The Denver Civic Theater
721 Santa Fe Dr.
Denver, Colorado 80204
7:30 p.m.
$20 gen. $17 stu/sen
COMADRES! $12/ 12 or more
Special pricing for groups of 20 or more
303-296-0219


New Take On An Old Enemy - COINTELPRO

COINTELPRO 101 is the title of the one-hour film to be shown in conjunction with a panel discussion on Saturday, September 10, 7:00 p.m. to 10:00 p.m., at the nonprofit El Centro Su Teatro located at 721 Santa Fe Drive in Denver. Panelists will be longtime Chicano activists Ricardo Romero, Priscilla Falcon and Francisco “Kiko” Martinez. The film will introduce viewers to the basics of understanding the history of COINTELPRO (acronym for Counter Intelligence Program), the formal program of the FBI and a more general war by U.S. Government agencies to target activists deemed “subversive” by the government. At one time, mainstream groups like NAACP and nonviolent activists like Martin Luther King were targets of COINTELPRO. The history is told in the film by several activists (Kathleen Cleaver and others) who experienced COINTELPRO firsthand. The film’s intended audiences are people who did not experience the social justice movements of the 1960s and 1970s. COINTELPRO may not be a well-understood acronym, but its meaning is central to understanding the U.S. Government’s repression against people working for social change. COINTELPRO was – and still is – an orchestrated effort by governmental departments (local, state, federal) engaged in spying and related activities within the U.S. Compared to 1970 when the COINTELPRO budget was $6 billion, funding for COINTELPRO type programs grew to $75 billion in 2010. Admission to the September 10th public event is $7.00 per person.



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