The world's longest-established Chicana Chicano, Latina Latino literary blog.
Monday, July 06, 2020
¿Cuántas vidas? / How Many Lives / Πόσες ζωές; / Quante Vite? by Xánath Caraza
Friday, July 03, 2020
Rudolfo Anaya
His wife, in a rainbowed flowing gown, stepped out of golden sunlit clouds and reclined on the bed.
Come, she beckoned. It’s time to rest.
Yes, he said, smiling, exhaling a breath of satisfaction, contentment at last.
You promised, he said.
I kept my promise, she replied.
The old man left his rocking chair and began to climb up the cloud to the top. He had climbed the cliffs of Jemez in his youth, and now he felt as agile and strong. He went, eager to be with her, pulling himself up until he lay beside her.
I’m so glad to see you, he said.
It’s time, she answered, and fluffed his pillow as she was wont to do in a past life.
This is like heaven, he said.
Love is heaven, she whispered, and lay her arms across his body.
These words appear near the end of The Old Man’s Love Story, published in 2013. According to the author, Rudolfo Anaya, the old man in this collection of stories struggles to “understand the finality of death, and thus his search becomes a spiritual quest.”
Rudy Anaya’s own spiritual quest resulted in beautiful novels and wondrous stories, and the birth of Chicano Literature.
The “Father of Chicano Literature” died on June 28, 2020. His legacy of sincere and realistic storytelling has been recognized around the world with awards, honors, and readers.
His first novel, Bless Me, Ultima, appeared in 1972, and it has never gone out of print. Considered by many to be a classic masterpiece of the coming-of-age novel, Bless Me, Ultima is not only a brilliant foundation of Chicano Literature. Today, the novel is seen as an essential piece of the American Literature canon, and Anaya is acknowledged as an important, unique, and prolific American author. All this despite numerous and well-organized attempts to censor and blacklist the book by people who don’t understand, or can't accept, the Chicanismo, spiritualism, and naturalism in the story.
He published more than a dozen novels, numerous children’s books, plays, poetry, and nonfiction books and essays – including a travel book, A Chicano in China. Among the list of his published works is a mystery series of five novels featuring a Chicano private investigator. His children’s books involve young readers in stories of la Llorona and the Chupacabra. His work was often deeply personal and intimate, as in The Old Man’s Love Story and Jalamanta: A Message from the Desert. At the same time, he used his New Mexican sense of humor to help the reader manage the intricacy and passion of stories with lessons in morality and humanity.
At the core of his writing, regardless of genre, was Anaya’s commitment to honest human emotion, loyalty to his cultural heritage, and a passionate belief in the magic and power of the written word.
| Jemez Springs, July 4, 1997 |
Like any good father, Anaya encouraged and supported his literary children. Two of the ways that his encouragement and support manifested themselves are the Premio Aztlán and the Jemez writers’ retreat.
He and his wife Patricia established the Premio Aztlán in 1993, and for several years it was the most prestigious award in the world for Chicana/o literature. The prize included public readings and $1000.
The writers’ retreat was a house in Jemez Springs, NM, where a writer could find solitude and time to write. Surrounded by the beautiful Jemez Mountains, the retreat was quiet, inspirational, and peaceful. Anaya’s only condition for using the house was that the author had to actively work on a piece of writing during his or her stay.
One of the joys and pleasures of my writing life was the friendship I developed with Rudolfo Anaya. We met sporadically over the years, usually at writing conferences, often with other writers such as Lucha Corpi. Those were always joyful, satisfying times. The memories I have of those days are golden with sunshine, and filled with the music of imagination, creativity, and possibility. Although I hadn’t seen him for a few years, we kept in touch through email, and I always appreciated the notes he sent about a new book or project. I don’t think he ever quit writing. I thank him for that.
En paz descanse.
_______________________________
From the earliest days of La Bloga, we have featured Rudolfo Anaya. Our pages have been filled with Anaya reviews, interviews, photographs, essays, and news. Use "Rudolfo Anaya" in the search function at the top of the page to access this information.
Later.
__________________________
Manuel Ramos writes crime fiction and is working on another Gus Corral novel.
Thursday, July 02, 2020
Chicanonautica: José Torres-Tama, Part Two: Getting on the Taco Truck
Wednesday, July 01, 2020
Pura Belpré Celebración 2020
Here is the video of la celebración. ¡Felicidades a todos!
Pura Belpré Awards honoring a Latino writer and illustrator whose children's books best portray, affirm and celebrate the Latino cultural experience:
“Dancing Hands: How Teresa Carreño Played the Piano for President Lincoln,” illustrated by Rafael López, is the Belpré Illustrator Award winner. The book was written by Margarita Engle and published by Atheneum Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing Division.
Three Belpré Illustrator Honor Books were named:
"Across the Bay,” illustrated by Carlos Aponte, written by the illustrator and published by Penguin Workshop, an imprint of Penguin Random House LLC.
"My Papi Has a Motorcycle," illustrated by Zeke Peña, written by Isabel Quintero and published by Kokila, an imprint of Penguin Random House LLC.
"¡Vamos! Let’s Go to the Market," illustrated by Raúl Gonzalez, written by the author and published by Versify, an imprint of Houghton Mifflin Harcourt.
***
“Sal and Gabi Break the Universe,” written by Carlos Hernandez, is the Pura Belpré Author Award winner. The book is published by Disney-Hyperion, an imprint of Disney Book Group.
Four Belpré Author Honor Books was named:
"Lety Out Loud," written by Angela Cervantes and published by Scholastic Press, an imprint of Scholastic Inc.
"The Other Half of Happy," written by Rebecca Balcárcel and published by Chronicle Books.
"Planting Stories: The Life of Librarian and Storyteller Pura Belpré," written by Anika Aldamuy Denise, illustrated by Paola Escobar and published by HarperCollins Children’s Books, a division of HarperCollins Publishers.
"Soldier for Equality: José de la Luz Sáenz and the Great War," written by Duncan Tonatiuh, illustrated by the author and published by Abrams Books for Young Readers, an imprint of ABRAMS.




