by Ernest Hogan
They say that the social media is bad for creativity, but sometimes it delivers inspiration like a sniper’s bullet through the frontal lobes. I found an interesting news item about construction of the Maya Train uncovering a tomb. I shared it on Facebook and Twitter with a comment about my having fond memories of Palenque. Then those memories came flooding back. Talk about fun.
Hey, I should write about that! So here we are . . .
We went to Mexico City, Oaxaca, and the Yucatán, visiting a lot of archaeological sites. For the sake of brevity, here, I’ll concentrate on our visit to Palenque.
We did a lot of train and bus travel. It was fantastical and Kafkaeque. I was reminded of Juan José Arreola’s story The Switchman, a magic realist piece where fake landscapes line the railways, passengers never end up where they intend to go, and often are persuaded to start colonies in some undeveloped territory.
I have been tempted to steal the idea and expand it to a galactic scale. Hell, it’s what will probably happen, if it doesn’t already exist . . .
Palenque is not just the name of the Mayan ruins. An old guy I asked for directions joked about las ruinas actually being the town. A fellow tourist told us, “You can’t get to Palenque.” It took some determination, but we made it.
The town was surreal. I’m not sure how accurate my memories are. I have an image of a street on a hill, breaking off into a cliff out of which there was a drainpipe, and a feathered serpent jaw carved into the rock. Could be confabulation. There’s something about this part of the world that makes your realism magical.
Getting to the actual ruins was a real adventure. The bus driver couldn’t have yet been in his teens. He was tinkering with the engine when we found him. He wore aviator sunglasses, an unbuttoned shirt, shorts, and sandals. A cigarette hung from his lips. He had a cynical smile that grew more intense when hit bumps on the winding, cliff-hugging road and his passengers went airborne. And he loved taking those curves fast.
The ruins of Palenque were amazing.
The Lacondon jungle—now home of the Zapatistas—surrounds them like a high, living wall. They were so thick I was sure I would get lost after a few steps. I felt that it wanted to devour me. A local man trotted into it with a rifle on his shoulder and his dogs leading the way.
Looking up I saw the edges of the jungle, like a huge open mouth. The air was full of butterflies, above to them, large dragonflies, and above them, hawks. Concrete poetry.
Palenque is famous for being the location of the pyramid with the carving that Erich Von Däniken claims depicts an ancient astronaut. I suppose it looks like that if you don’t know much about Mayan art or space travel. More likely, it’s information about the mummy that was found beneath it.
I did see things that suggest a sci-fi-ish reality:
A small, onsite museum had a skull that could have been a prop for a science fiction movie. It’s probably the result of the well-documented practice of skull shaping.
Back in town we made an astounding discovery. A used comic book shop! These were Mexican comics. A lot of them were sci-fi. I recognized some as translations of American comics from the Fifties. Probably unauthorized translations.
It was run by boys about the same age–some younger–as that daredevil bus driver. I wonder what happened to them? Have they written any science fiction? Did they become Zapatistas?
Zapatista futurism. Is that a thing?
Now the Maya Train chews
through the Lancondon jungle, spitting out its own future, Mayalandia, out to
give Disney World a run for its money. I do wonder what it would be like to tour
la ruinas in such high tech luxury. I also feel sorry for those who will not
have strange adventures like mine.
Ernest Hogan, the Father
of Chicano Science Fiction, has been wandering through Planet Nevada, NoCal,
and Sasquatchlandia, and will be blogging about it soon. And judging the Somos en escrito Extra Fiction contest.
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