Thursday, September 26, 2024

What Is an American, after All?

                                                                                                                                                                                                                                                        

Security, while traveling, just in case

     Like most Americans, I’m sickened when I hear about another shooting, especially mass shootings, which often cross my mind when I enter Northgate Market, a super Mexican grocery store on L.A.’s westside, between Culver City and Venice, the crowds thick, day and night. It’s the shooting at a Walmart in El Paso, TX, in 2019, that claimed the lives of 23 people, young and old, alike, mostly Mexican Americans and Mexican immigrants, I remember. The El Paso killer admitted, outright, he drove hours from his home to kill Mexicans and immigrants. On his website, he wrote, “This attack is in response to the Hispanic invasion of Texas.”

      I remember, after the shooting, I went to my Facebook page to see what “friends,” many third and fourth generation Mexican, were posting. Most, of course, were shaken, saddened by the tragic event. Now, the violence in America was hitting closer to home, reminding us some people had Mexicans in their crosshairs.

     Many on FB blamed Donald Trump’s rants against immigrants as the catalyst that drove the shooter. Others argued, “words don’t commit murder, people do,” so, to hold Trump responsible is playing politics. Strangers began posting their reactions, some obscene and offensive. Eventually, the responses deteriorated into conservatives bashing liberals and vice-versa, some friends not sounding very friendly, others down right indignant. Lost in the fray were the deaths of innocent people, the suffering of the families, and the threat to all people everywhere.

     Of course, gun control became the issue, a large percentage of Americans supporting a ban on assault weapons and laws to begin universal background checks when purchasing a weapon; some who said there were already enough laws in place to assure no “crazies” can’t purchase guns but the other side arguing the existing laws don’t go far enough, the same political cliches dished out by politicians and television pundits.  

     Some “friends” claimed the main problem was a Godlessness in America, too many single families, and lack of old-school, traditional values, like respect for each other, prayer in the schools. Then came the memes showing how violent music, movies, and video games were the culprit, brainwashing our kids. Of course, few people actually created the memes. Most copied and pasted them from other websites, those that fit their political ideologies.

     Conservative politicians took to the air waves and immediately latched on to mental illness as a cause, which inflamed television analysts who work with the mentally ill, arguing it’s an insult to people suffering from mental illnesses to blame them for mass shootings. Most mentally ill people, they said, quoting statistics, aren’t murderers, less than 3%. Liberal politicians, on the other hand, drove home the Trump-as-chief-instigator-line and used examples of his language to support their positions.

     I saw the FB response of a woman describing her liberal “friends” (Democrats) as being unreasonable, angry, out-of-control, and obscene. I thought this strange since some conservative responses I’d read also sounded much the same. I took a closer look at the posts. The person was right. How did I not see it? Maybe, we see what we want to see. There were angry posts on both sides. No particular ideology had a monopoly on crass, deplorable verbiage. Though, I admit, the majority of responses were measured and respectful, if not always supported by evidence.     

     Since El Paso, we’ve had a lot of shootings, at schools, two assassination attempts on a presidential candidate, some assaults on churches and temples, all the shootings baffling. If past experience over mass killings holds true, nothing, will change. While politicians on the “left” spout Trump’s candidacy is a threat to democracy, the ex-president has ramped up his anti-immigrant rants, even as hundreds of thousands of immigrants, across the country, work at jobs most Americans reject. If Alex Jones can get away with making his base believe Sandy Hook was a publicity stunt, what chance do we have to stop these “senseless killings?”

     What is scary is how, what are “senseless killings” to me, make complete sense to somebody else, especially those who believe what their messiahs tell them, not unlike the followers of Jim Jones. Some people believe “Whites” (I’m not really sure what “white” means), are losing control of the country, and “nonwhite” people are taking over, an “invasion,” the El Paso shooter believed, pushed by Trump advisor Steven Miller. However, people, like Miller, never mention the fact that, by any measure, the majority of those at the top, whether in politics or industry, are not women, people of color, or poor Whites.

     None of that is the point, or, at least, it shouldn’t be. We are all Americans, regardless of ethnicity, and once we get a hold of the ladder to success, we work hard for ourselves, our families, and to make the United States a better place. It is what it is. If the U.S. is becoming “browner,” it isn’t because anybody’s “plan,” no such thing as a great replacement theory. Simply put, as Americans, we are taught to work hard if we want to survive in this land, and that is what most of us do.

     Recently, at Vons, I waited, patiently, for the sandwich lady to take my order. She was working alone, and she was also older, brown skin, and looked exhausted. Okay, she was slow, not lazy-slow, just up in years. A guy ahead of me, in his thirties, a professional-type, who was waiting for his sandwich, kept checking his phone and tapping his foot. Finally, he blurted, rudely, “Just give me the sandwich the way it is. I don’t’ have all day.”

     She told him she was moving as fast as she could. When she was out of earshot, he turned to the rest of us and said, “If they’re going to take our jobs, they should work harder.”

     It took me a minute to gather my thoughts. When I did, he was gone. Why had he said, “they,” as if assuming she wasn’t American? She did have a Middle East accent, but a lot of Americans have accents. I wished I could have asked him, “Would you work eight hours on your feet cutting lunch meat for minimum wage?”

     I think about driving through California’s Central Valley, in my air-conditioned car, and looking out at the hundreds of field workers, stooped over, picking vegetables in hundred-degree weather, knowing many of them are here without documents. Who else is going to do that work? The hypocrisy is that many who criticize immigrants don’t hesitate to call them when they need a worker at rock-bottom-prices. All Americans benefit from immigrant, legal or not, low-wage labor, and to pretend otherwise is absurd. Justly or not, immigrant labor is needled into the fabric of this country, I’d say, a remnant of slavery.

     If this guy at the meat counter saw the sandwich lady as an “outsider,” how did he see me, Chicano, brownish skin, in my Columbia sandals, Docker shorts, and baby blue John Ashcroft t-shirt? This guy made me aware of my own Mexican-ness, even if my family has been in the U.S. five generations. It is curious how most Anglos I run into on the street, nearly always greet me in English, yet Latino immigrants I meet, hesitate when they meet me, not sure how to address me. When I greet them in Spanish, a bright smile crosses their faces. One woman recently told me, in Spanish, “I thought you were American.”

     Traveling recently, just outside of Bakersfield, I stopped at a restaurant. I saw men entering and exiting, some of them wearing camouflage trousers and hats. I decided to put on a U.S. Army cap, in case anyone suspected me of being an “outsider,” like I had to prove myself. I thought this was nuts. I didn’t even like the hat and hardly ever wore it. A gift from a friend, I just happened to have in tucked away in the back of my car. I had never been concerned by the way people saw me, anything other than American. So, why now?

     Luckily, during my travel, no matter where I went or stopped, in towns from Taft to Button Willow and onto Paso Robles, everyone was friendly and polite, whether I asked directions or stopped to chat. In stores and restaurants, I saw the locals, burly “White” guys and their wives, talking friendly to the Mexican and Chicanos who worked behind the counters or in the kitchens, like they all knew each other. Then it hit me. They probably did, all living together in these small towns.

     On the way home, I stopped by the James Dean Memorial along Highway 46. The parking lot was crowded, and I couldn’t find a space. As I began to pull away, a trio of bikers, beards, sleeveless jackets, and all, called to me. Uh-Oh, I thought. I rolled down my window. One of them called, “Hey, sir, we’re leaving. You can have our spot.” The Purple Heart on my license plate may have had something to do with it, but either way, they rekindled my trust in America.

Wednesday, September 25, 2024

Latinx KidLit Book Festival and Los Angeles Libros Festival



From https://www.latinxkidlitbookfestival.com


The Latinx KidLit Book Festival was created in 2020 during the COVID pandemic by members of Las Musas Books. Our aim was to connect Latinx authors and illustrators with readers and educators in classrooms around the globe. Since then, and with the help of countless volunteers, the festival has continued to foster a love of story and literacy as well as increase empathy and conversation among educators, students, and book lovers while uplifting the voices of Latinx kidlit book creators.

The Latinx KidLit Book Festival will be streamed live on the festival’s YouTube channel, or YouTube links can also be found on each individual event below.  All posted times are in EDT!

Sessions can be safely streamed into the classroom and shared with students using an educator's account. Classrooms can engage with festival authors and illustrators using the live-chat option! All video content will be recorded and available after the festival.

This is the schedule for this Friday, September 27.




 Los Angeles Libros Festival 




From https://www.lapl.org/libros


Sábado 28 de septiembre 2024

10 a.m. - 4 p.m.


Biblioteca Central

630 W. 5th St.

Los Angeles, CA 90071


Un festival del libro bilingüe para toda la familia


La sexta edición de Los Angeles Libros Festival ofrecerá una entretenida programación con cuentacuentos, conciertos, autores, talleres, libros y comunidad. Entrada gratuita.



Saturday, September 28, 2024

10 a.m. - 4 p.m.


Central Library

630 W. 5th St.

Los Angeles, CA 90071


A Free Bilingual Book Festival for the Whole Family


The 6th annual Los Angeles Libros Festival will offer a full day of entertainment featuring Spanish-language and bilingual storytelling, musical performances, authors, workshops, books, and community. Free and open to the general public.


Tuesday, September 24, 2024

Review: A Night At the Opera & A Migrant's Tale

Euphemistically yours, the 20th century
Michael Sedano


Puccini’s Opera, Madame Butterfly, comes from 1904. It’s as grand a tragedy as Grand Opera produces. Here's LAO’s précis:

 

Lights, camera, action: An American officer in turn-of-the-century Japan wants a bride, and a greedy marriage broker obliges, assuring him that the union can be easily dissolved. The innocent Cio-Cio-San believes they’re in love, even as Lt. Pinkerton moves on. For three years, she fights off rising debts and new suitors, refusing to believe she’s been abandoned. But when their long-awaited reunion finally arrives, the lieutenant isn’t alone—and he isn’t here for her. End scene.  link https://www.laopera.org/performances/2025/madame-butterfly

 

Orchestra tunes, extras mill about stage, audience settles into the film set atmosphere.

Attention must be paid to the untold story of the Italian Opera. A United States Naval Officer chooses a 15-year old girl to be his temporary wife while he pulls duty in Nagasaki, Japan. Pinkerton, the officer, can do whatever the hell he wishes in this Japan, abetted by a local Pandarus who, for 100 yen, fans out a foto gallery of alternative Cio-Cio-Sans, just pick one that suits your whim. 

 

The local US Consul plays a major role in Pinkerton’s rape of the Japanese girl, endorsing the sham marriage colluding by running interference, like paying the rent after Pinkerton ships out for home, and keeping the boy’s birth a secret. 

 

The child feels old, at 15, and considers the marriage arrangement her life’s greatest beneficence. Cio-Cio-San, Butterfly, loves Pinkerton with romantic teenager passion. Act II sees three years pass since Pinkerton was in town, and Butterfly sings the loveliest aria in grand opera, a daydream of her husband’s return, like Penelope probably sang over her ten years of absent love.

 

Then Pinkerton’s ship comes in. Pinkerton brings the blonde wife, Butterfly has been tossed aside. When the Lieutenant learns he is now a father the Consul arranges for the Mrs. to steal the child and take Butterfly’s son to the USA where can mature to be like these people.

 

Butterfly accepts that Pinkerton and the Mrs will take Butterfly’s son from her. Punto final. Cio-Cio-San, surrendering to her complete powerlessness, kills herself.

 

That’s, more or less, the untold story behind the magnificent tragedy of Cio-Cio-San, known as Madama Butterfly, sung in grand opera style as written by Puccini in 1904. In the Los Angeles Opera Company’s production running now at the Dorothy Chandler Pavilion, the year is 1930-something. A movie company is making a movie of the Opera.

 

Audiences get to watch the Opera being performed for three cameras on a sound stage in  a bygone Hollywood era. Making a movie in the old days  and doing in front of a live audience, creates visually useful tools for enjoying a live performance. Why the 1930s, when the era’s censorship outlaws movies about miscegenation?

 

Take a seat. Lights, camera, action, Hays Code repression. None of these concerns are obvious on stage. This perspective is in the night’s program. You don’t have to know this to enjoy the wondrous photography on the supertitles screen.


Far balcony-sitters get the same Opera the big-ticket buyers get.


It's all make-believe, except the imperialism part. The full house at the Dot Chandler were not interested in anything but the spectacle and immersion in Director James Conlon’s portrayal of this classic opera with Karah Son in the role of her career.

https://www.laopera.org/performances/2025/madame-butterfly

 

The movie gimmick works in its own fashion. 

 

At first glance, projection distracts. Maybe rock concert fans aren’t fazed by the large teevee screen. The Hollywood Bowl does it to good advantage. At LAO’s event, singers and set take second place to the giant black and white stream of the movie-in-progress. Two camera operators work near the apron. 

 

Director Conlon uses his camera angles effectively. One scene his lens positions singers in the same frame behind one another in a dramatic visual construction of a trio. Up in the nether regions of my affordable seat, the trio stands left to right across the vista. The singers, tiny manniquins from Door 42, fill the screen above the stage. Eyes sparkle, brows contort, lips form sounds and mouths hurl melodies the 200 feet to my ears.

 

Light travels faster than sound. That deeply satisfying closeup an artist like Karah Son exerting all her instrument has to give comes with a delay. Up against the back wall, Son’s lungs and interpretive power on screen occur like lip sync. Her lips move on screen. Audiences hear her song a fractionate moment after Son's mouth has completed the note. Audiences up here have to listen slower so the disconcerting delay doesn’t too greatly diminish the wonder of powerful singing.

 

Intense lighting emphasizes the chorus' colorless costumes

Chorus costumes feature variations on high contrast dark and light patterns to produce pleasing greys or shadowed texture in the B&W movie screen. Only Cio-Cio-San wears color. The maid dresses in dingy grey. Pinkerton wears dress whites. The Consul’s brown suit and skin don’t stand out against the B&W colorscheme of the rotating set; his powerful voice does all the work. 

 

Years ago, I had seats on the main floor. People now in my seats probably went home with sore necks, the compelling lighted screen would have had their heads repeatedly pivoting up to see the action and back down to the stage to see what the whole scene looks like in real life.

 

No one is compelled to see Madame Butterfly at the Dot. Just like last year's hit, El último sueño de Frida y Diego, it's a choice. The Opera’s a fantasy not a documentary. Don’t subsume rage at Puccini’s age-old literary patriarchical values driving the conceit of the story. One could compare Romeo and Juliet, or Chaucer’s Troilus and Criseyda, or Shakespeare’s Troilus and Cressida, then enjoy spirited discussions with fellow opera-goers--or people forming opinions reading LAO’s euphemistic words about some really crappy twentieth century values on that stage. 

 

Maybe Director Conlon intends the 1930s anachronism as a subtle form of patriotic subversion? I shouldn’t have read the program and let the setting be the setting. Audiences making the trek to the top of the hill overlooking Gloria Molina Grand Park will decide if it matters beyond the pretty pictures.

 

Multitask, gente. It works. I hold some critical thoughts in one part of attention. I use other parts of the experience to listen to the music, drink in the spectacle, and live three hours in artful fantasy. Everyone sings whatever they have to say. A full orchestra plays the music in a sunken pit. Costumes and staging deliver their own arte. The music’s sung in Italian. English supertitles scroll above the stage on that big silver screen. It's the Music Center where Bunker Hill used to be.

 

Opera’s a Big Date Night for couples who enjoy special nights out. Órale, this one’s special.

 

Now, through October 13, 2024. (link)

https://www.laopera.org/performances/2025/madame-butterfly

 

 

Another Country, Same America


Recommended Reading: The Orchid of Quetzalí by Claudia D. Hernández

 


You're 7 years old when soldiers give your family 24 hours to vacate your mountain eden. This is no country for you. You take what you can carry and head north to a join a relative in Los Angeles.

 

That's the story Claudia D. Hernández weaves for her character, Quetzalí, in a trilogy for early to capable readers. Quetzalí is one of those books that belong on every classroom shelf. I would have loved using Quetzalí with children I was privileged to tutor in a local elementary school.

 

Kids see themselves in Quetzalí, or they see the kid at the next desk, or the people next door. The story opens a reader to discussions of history, migration, language, culture, natural wonders. The orchid element raises the latter issue. 

 

Quetzalí takes her name from the jungle bird at the brink of extinction. So is the white orchid the child brings on the journey. The people of her mountain home are at the brink of extinction, too. Even if you don't explain this to a kid, the kid will "get" the metaphor.

 

With lush illustration by Jazmin Villagrán Miguel, Quetzalí, and its two sister titles forthcoming, make not only a valuable classroom resource, the trilogy belongs in a child's hands at home. Nothing motivates a developing reader like a book that mirror's the kid's own experience.

Monday, September 23, 2024

Hispanic Heritage Month Celebration at the Johnson County Arts & Heritage Center 2024

Hispanic Heritage Month Celebration at the Johnson County Arts & Heritage Center 2024

 

El miércoles 2 de octubre de 6 a 8 p.m.
Johnson County Arts & Heritage Center
8788 Metcalf Avenue, Overland Park, KS 66212

¡Únase al Centro de Arte y Herencia del Condado de Johnson para disfrutar de una agradable velada en celebración del Mes Nacional de la Herencia Hispana! Desde trabajadores mexicanos e inmigrantes recientes de Centro y Sudamérica, la región de Kansas City tiene una profunda historia Latina. Hoy en día, la comunidad Latina es la población de más rápido crecimiento del condado de Johnson. El Mes Nacional de la Herencia Hispana es un momento para honrar las culturas y contribuciones de los Latinoamericanos en los Estados Unidos. 

El evento es organizado por Johnson County Arts & Heritage CenterJohnson County MuseumJohnson County Park & Recreation DistrictHispanic Leadership Lowrider Bike Club y El Centro.

Este evento es gratis y abierto al público. No es necesario registrarse. ¡Hay algo para todos!

Wednesday, October 2 from 6 - 8 PM
Johnson County Arts and Heritage Center
8788 Metcalf Avenue, Overland Park, KS 66212

Join Johnson County Arts & Heritage Center for a lovely evening in celebration of National Hispanic Heritage Month! From Mexican traders and laborers, to recent Central and South American immigrants, the Kansas City region has deep Latino history. Today, the Latino community is Johnson County’s fastest growing population. National Hispanic Heritage Month is a time to honor the cultures and contributions of Latino Americans across the United States.

This event is hosted by Johnson County Arts & Heritage CenterJohnson County MuseumJohnson County Park & Recreation DistrictHispanic Leadership Lowrider Bike Club, and El Centro.

This event is FREE and open to the public. No registration required. There is something for everyone!


Friday, September 20, 2024

Literary Events

People still read, apparently. Here are publicity materials for events celebrating the written word. You might want to check them out in full blooming reality before such events are reduced to miniature videos on your phone's inadequate screen.





Lalo Delgado Poetry Festival

Sat, Oct 5, 9am - 4pm MDT
Metro State University of Denver
800 Kalamath Street Building
Denver


Lalo Delgado Day of Flor y Canto Poetry Festival - a day dedicated to the written and spoken word, in memory of Abelardo "Lalo" Delgado, the Grandfather of Chicano Poetry. The day includes special tributes, poetry workshops, PoeJazz, Open Mic, and comida deliciosa. 

Keynote speaker: ZBassSpeaks – Poet Laureate of Lafayette, Colorado

Winners of the Unknown Poets Contest will be announced at the festival.

Generously funded by Colorado Humanities, in partnership with MSU Denver Journey Through our Heritage, Colorado Alliance of Latino Mentors and Authors (CALMA), and the Denver Woman's Press Club.

Admission free, but requires ticket registration, which you can do here.

---------------------------------------




2024 Denver Book Festival
September 21-22, Santa Fe Arts District, Denver, CO
Free Admission

The Word, A Storytelling Sanctuary is dedicated to shining a spotlight on storytelling from BIPOC, LGBTQIA2S+, disabled, and neurodiverse communities. Its annual Literary Conference is a safe space for all voices and helps to build community among Colorado's literary community.

"Our mission is storytelling for collective abundance. And what that really means is we're opening pathways for the richest, broadest range of voices to share stories because we know that is the pathway to the richest, broadest world we can live in," said Viniyanka Prasad, Co-Executive Director and Founder of The Word, A Storytelling Sanctuary.

The conference will feature writers who are National Book Award and Pulitizer Award finalists. A huge contingent of local writers will be taking part.

"We do three tracks. There is an opportunity for writing craft, the business of publishing, and then community building as well," said Chris Aguilar-Garcia, Programs Director for The Word, A Storytelling Sanctuary.

But there is also a film component, a fashion show, and open mic opportunities. This year the [margins] Literary Conference & Book Festival will be held in the Santa Fe Arts District, so there will also be an art component to it.

FULL PROGRAM & SCHEDULE

Later.
_________________________

Manuel Ramos writes crime fiction. Read his latest story, Northside Nocturne, in the award-winning anthology Denver Noir, edited by Cynthia Swanson, published by Akashic Books.

Thursday, September 19, 2024

Chicanonautica: Arizona in a Battleground State of Mind

by Ernest Hogan

This was written a couple weeks before it goes up . . .


Arizona is cooking. We’ve had over 100 days of over 100 degrees Fahrenheit in a row, and there’s no end in sight. We’re set to break records again.


And that’s the weather, meanwhile, in politics . . .


I said that it was unusually quiet on that front. It’s a quiet we shouldn’t trust. Like in all those old movies I watched as a kid when the bad guys were lurking, and one young trooper would scream, “WHY DON’T THEY JUST ATTACK?”


Then he’d usually get an arrow or a bullet in the chest and all hell would break loose.


There were some signs of politics on that recent spontaneous road trip: 


In Flagstaff, there was an OLD JOE AND THE HOE GOTTA GO bumper sticker.


Then that shop in Sedona that was selling Trump T-shirts a few months ago now displayed fresh ones with the town’s name and flying saucers.


After a traffic jam, we ended up in Kari Lake territory. No mention of Vance, just TRUMP LAKE signs as if she were the running mate. Did we slip into an alternate universe?


In Prescott, there was a car emblazoned with COVID SHOTS KILL. One of those black, white, and blue flags flew over a “ Wellness Center.” The streets were full of neohipster-types and places advertising live music. I found myself speculating about Hipsters for Trump.

 


There were a few Trump flags in the ranch lands around Wickenburg. These were all in sparsely populated areas, and far less that we saw last summer.


Even with Harris’ surprise pop-up event that filled the Desert Diamond Stadium and raised a lot of money, you can wander all over Arizona, and not realize that there’s an election going on.


Plug into a news outlet, and it’s another story. Lots of stories.

 

Most change in a few days. Still, an electronic billboard in Phoenix flashed ARIZONA CONSERVATIVES FOR HARRIS. A Democrats for Lake rally was announced, but never materialized. Not much political talk in restaurants and on the bus.


Yeah, yeah, it’s kinda looking good for the future of democracy, but I keep remembering what Han Solo said in the original Star Wars movie from the Nineteen-Hundreds: “Great kid, now don’t get cocky!”


We keep hearing the same old racist border paranoia song the right has been singing since the Anglos invaded back in the Eighteen-Hundreds. There are young nonwhites who want Trump to set them free to asshole their way into being billionaires.


I hope that my gut feelings about the Project 2025 crowd–that they’re all a bunch of wannabe armchair fuhrers, with not enough junior stormtroopers to do the heavy lifting– are true, but I was so sure that Trump was going to lose in 2016. We need to be ready to navigate through chaos no matter what.


I’ve also realized that a president isn’t a human being, but an avatar of a deity that the country is evoking. 


Tezcatlipoca help me, I really need a vacation . . . 


Ernest Hogan, the Father of Chicano Science Fiction, is out searching for America again.

Wednesday, September 18, 2024

LéaLA 2024


Del 19 al 22 de septiembre, 2024

LA Plaza de la Cultura y las Artes

501 N Main St, Los Angeles, CA 90012


Para más información visite https://lea-la.com/


La Feria del Libro en Español y Festival Literario LéaLA 2024 regresa este verano en uno de los lugares más emblemáticos de Los Ángeles, LA Plaza de la Cultura y las Artes. Durante cuatro días tendremos a las voces más importantes de nuestro idioma en diálogos abiertos a todo público.

Con el objetivo de continuar y fortalecer sus programas de difusión de la cultura y las artes para la comunidad de origen latino en la ciudad de Los Ángeles, California, la Fundación Universidad de Guadalajara USA realizará durante cuatro días en septiembre un festival literario a manera de foro abierto a las ideas y la reflexión.

LéaLA 2024 tiene como propósito la promoción de la lectura y el libro en español, así como el reconocimiento a la cultura y costumbres de la comunidad latina en Estados Unidos de Norteamérica, una población que cada vez adquiere más importancia a nivel cultural, político y económico.

Asimismo, habrá sesiones de lectura de poesía, sesiones de discusión académica y talleres infantiles a cargo del programa Letras para volar de la Universidad de Guadalajara.

LA Plaza de Cultura y Artes, en el corazón histórico de Los Ángeles, será la sede de todas las actividades que se realizarán del 19 al 22 de septiembre, con acceso gratuito.

Los libros de los autores participantes y una selección de títulos de interés en español para todas las edades estarán a disposición del público gracias a la participación de la Librería Carlos Fuentes de la Universidad de Guadalajara.

LéaLA 2024 es organizado por la Fundación Universidad de Guadalajara USA, con el apoyo del Legado Grodman y la colaboración del Consulado General de México en Los Ángeles, la Asociación de Egresados de la Universidad de Guadalajara en Los Ángeles, así como varias instituciones públicas y privadas de ambos lados de la frontera.


*

Ven y conoce a los Autores Hispanos de Los Ángeles en el puesto 19.










Tuesday, September 17, 2024

Huizache Eleven In View

 

UC Davis Hosting Huizache 
Michael Sedano

Back in 2014, La Bloga's Daniel Olivas shared his enthusiasm for a start-up Chicano literary magazine, Huizache (the magazine of Latino Literature), reporting from a launch party at Virginia Espino and Hector Tobar's hillside Los Angeles home (links).

Olivas wrote, "The initial three issues featured a who’s who of Chican@ and Latin@ literature such as Juan Felipe Herrera, Sandra Cisneros, Gary Soto, Cristina García, Héctor Tobar, Lorna Dee Cervantes, Luis J. Rodriguez, Michele Serros, Rigoberto González, Alex Espinoza, Achy Obejas, Conrad Romo, and so many more."

From its inception, Huizache stood for the finest writing. It hearkened back to the two journals that fueled the literary heritage of el movimiento, El Grito and Revista Chicano-Riqueña. After storied careers, both went dark. Huizache deserves a long life and so far it enjoys staying power. Huizache published its tenth issue, in 2023, following the journal's relocation from University of Houston Victoria to University of California Davis. 


That early number's stellar lineup continues to be the journal's métier with a ten-year roster of new, debut, and well-known raza writers, with superb graphic artists to sweeten the appeal of its layouts. 


This tenth edition features a cover design by Malaquias Montoya and literary work by leading figures like Helena Viramontes, Achy Obejas, ire'ne lara silva, Barbara Jane Reyes, Michael Jaime-Becerra, José B. Gonzalez, tatiana de la tierra, complemented by a host of writers new to many readers, and a dust cover poster designed by Malaquias Montoya (link).
A special treat for linguists and gente with a sense of humor are Ramiro Rodriguez' hilarious phonemic puns, including "Chop", "Chair", "Cherry", "Shoes", "Ship", and "Sheep".

Deluxe ancillaries like the fine arte cover and the fold-out color poster, in a printed book-size magazine--245 pages--illustrate the good fortune for readers that the journal-magazine's moved to UC Davis where Huizache editor Maceo Montoya has marshaled support from the College of Letters & Sciences, the English Department, the Chancellor's Office, Chicano Studies Department, and unnamed benefactors. Subscribers get a  bargain receiving both this tenth and the upcoming eleventh issue--Fall 2024--for one payment.(link)

You say potato I say papa, the quondam "Latino Literature" journal now calls itself "The Magazine of a New America", reflecting the widening scope of raza writing no matter who calls it names, and a growing distance from the battle of the name that engaged El Grito and Revista in an interesting but ultimately unproductive canonical agon ya hace many moons (link). It doesn't matter what it's called so long as the writing's excellent and the content speaks to one's alma.

Huizache, since its founding by Dagoberto Gilb, has been all about quality, not nationalism. This is a value carried on by Prose Editor Carribean Fragoza, Poetry Eds Javier O. Huerta and León Salvatierra, with Contributing Poetry Editor Yaccaira Salvatierra. Other masthead positions include Associate Editor Vanessa Diaz, Editorial Daisy Magallanes, Multimedia Specialist José A. Pérez, and Layout Edsigner Stephanie Sauer.

The move to Davis put the kibosh to those lavish issue launch pachangas on Mt. Washington, but the added features borne of significant institutional support make the loss of a few hors d'oeuvres and fascinating conversations a lástima. Southern California supporters have traded the pachangas for lavish readings in cultural landmarks like La Plaza de Cultura y Artes (link).

I had an extensive collection of issues that I "lent" to a book club member relatively new to contemporary Chicana Chicano y más writing. The issues went that-a-way when time passed with no return. Así son las cosas. Ni modo, if the vato read and got informed on the best there is among our writers, then passed along the treasured volumes to other interested readers.


I'm sure any reader will love poet Adriana Sánchez Alexander's light-heartedly dark story about a dead parrot. Viramontes will raise a titter from some with her vignette of a small boy's erection. Code-switching  characterizes latinx literature but the tenth Huizache doesn't have much Spanish- English mezcla, while Barbara Jane Reyes switches with English and a pinay dialect I don't know. Poetry covers a gamut from experimental pieces to Obejas' prose poems, Giaconda Belli's Spanish language poems come with English language translations.
With a move to a technology-rich UC host, Huizache expands access to a wide audience. The magazine offers a $30 2-issue paper subscription (link), and an archived electronic subscription to high-resolution scans of every back issue starting with 2011 and ongoing (link)

"Digital subscriptions to the complete archive of Huizache are now available for individuals and institutions. The 10 issue strong archive is hosted by digital publishing services platform Exact Editions, and can be read, browsed and searched by subscribers across web, iOS and Android devices."

Chicana Chicano Latina Latino literatures represent the nation's most vital and up-and-coming thriving market. With dozens of independent small press artivists bringing writers to hungry audiences, finding the work in the crowded literary marketplace is problematic. In Huizache, readers find fresh new voices and familiar powerhouses. Let the magazine act like a clearinghouse and accumulator, a simpatico gate-keeper. 

Keep an eye on Huizache's contributors and be assured of meeting quality writers not readily accessible, then follow the writer to their small press niche and buy the longer works. It's how readers make a literature grow and sustain development, constituting only one of myriad reasons readers need to make Huizache a standard part of their media consumption and support for la cultura.

Links In This Column:

 Huizache Magazine. https://huizachemag.org/

Subscriptions: https://huizachemag.org/subscribe/

Reading samples, Index: https://huizachemag.org/read/

Friday, September 13, 2024

Poetry Connection: Poetry and Music in Santa Barbara

 Melinda Palacio





There’s a fun venue in Solvang that offers some evening entertainment as the sleepy town winds down for the night. Lost Chord Guitars is a quaint venue with an amazing array of talent that passes through it. On the last day of August, poet Ruben Lee Dalton from Buellton happened to play his original songs on guitar, along with Peter Claydon and Friends. It was an evening of all original songs and I was not surprised to notice how much I enjoyed Ruben’s lyrics. The poetry in his work really stands out. It could also be that I was attuned to hearing his lyrics because I recently read with him at the Goleta Valley Library. Look for an upcoming interview with Ruben Lee Dalton in the near future. If you are a fan of the local poetry scene and are scratching your head, wondering why you haven’t heard of Ruben Lee, it might be because he has changed his name. I kept asking myself the same question. Why is it that I haven’t heard of this poet and musician. Ruben Lee Dalton is the stage name for Bruce Schmidt. I remember reading with Bruce Schmidt years ago. I am happy to make the connection. 

 

September brings the celebration of National Hispanic Heritage Month. I am honored to participate in two events celebrating the Latino Poetry Initiative, Places We Call Home. The first is Palabras Vitales: Latiné Poetry Series on Wednesday, September 18th 1pm-2pm at Calden Overlook at Santa Barbara City College. All community members are invited to attend this special event. I will be presenting a series of poems and their companion songs that I have written. It’s not always a given that I am asked to prepare both music and poetry. As someone who is a late-blooming musician, it’s only been during the past couple of years that I have been adding music to my poetry readings. In some cases, the song preceded the poem. Although the themes of the poems and their companion songs are similar, each poem and song is its own entity and stands on its own. I am grateful for the time I have spent as your poet laureate to pursue music in addition to poetry and fiction. 

 

Another event that is part of National Hispanic Heritage Month and the Latino Poetry Initiative is the community open mic I am hosting at La Casa de la Raza, Thursday, September 26 from 6-7:30pm. This event is sponsored by the Santa Barbara Public Library. Poets and poetry lovers are invited to read a favorite poem that speaks to and from our Latino community. Participants may read from the Latino Poetry Anthology or read their own poems in English, Spanish, Spanglish, or Indigenous languages to Latin America, with one poem per person and a three-minute.   

 

Poet and pianist, Esteban Ramirez also combines poetry and music. He writes instrumental piano pieces to accompany his poems. On September 21, he will offer a free concert showcasing his piano work and his new book of poems, Welcome Home. He has added a third element to his presentation, visual art. Ramirez combines artificial intelligence and photoshop to produce illustrations for his poems. He says he is excited to share this multi-sensory experience with the community: “The audience can expect an evening of rich, evocative storytelling, brought to life through spoken word, visuals, and the beautiful harmonies of piano and cello." 

Upcoming Poetry Events:

 

September 11, Blue Whale Reading Series, 5:30-7:00 pm, Chapel, Unity of Santa Barbara, 227. E. Arrellaga Street. Featured poets includes Jace Turner and Catherine 

Abbey Hodges. 

 

September 18, Poetry and Music presentation by Santa Barbara Poet Laureate, Melinda Palacio at Santa Barbara City College’s Calden Overlook, 1pm-2pm with a reception to follow. This free program is part of Palabras Vitales: Latiné Poetry Series. This program is presented as part of Latino Poetry Places We Call Home. 

 

 Saturday, September 21, an evening of artistic fusion as Esteban Ramirez unveils his second poetry collection, Welcome Home—The Poetry Book, inspired by the romantic neoclassical melodies of his piano/cello album. at the Community Arts Workshop (CAW), located at 631 Garden St, Santa Barbara, CA. The event will begin with a mixer at 4 PM. The concert starts at 5 PM and concludes at 6 PM.


Sept. 21st at 11:30: Youth Poetry in the 805 hosted by Estimable Poet & Poetry Impresario, Sean Colletti
Don't miss this group of younger poets!  They are the nerve center of the next generation of Ventura County's famous poetry scene.

Sept. 22nd at noon:  Places We Call Home hosted by Marsha de la O.

This reading is in conjunction with the exhibit called "Places We Call Home" at the Santa Paula Agricultural Museum and with the statewide initiative by our California Poet Laureate, Lee Herrick.  It's called 'Our California' and is designed to get people throughout the state writing about their home whether that be their city, county, natural surroundings, place of origin or personal family.

 

September 26, Favorite Poem Open Mic/Poemas Favoritos, 6-7:30 pm, La Casa de la Raza 601 E. Montecito Street. Santa Barbara Public Library invites the community to a poetry open mic. In celebration of National Hispanic Heritage Month and the Latino Poetry Initiative, Places We Call Home, poets and poetry lovers are invited to read a favorite poem that speaks to and from our Latino community. 



*a version of this column was previously published in the Santa Barbara Independent