Sunday, August 31, 2025

“Una llamarada en las ramas” por Xánath Caraza

“Una llamarada en las ramas” por Xánath Caraza

 


Se llena de ríos de tinta

el papel,

cibernética energía.

 

Nos enredamos en la página,

perdidos entre palabras

sin rumbo.

 

Como espinas que se entierran,

que laceran la superficie

como si rompieran la piel.

 

Cantamos el dolor en silencio.

Lo sembramos en la hoja.

Plantamos profundos alientos.

 

Un nuevo camino se vislumbra,

una llamarada en las ramas

saturada de amor.

 

 


A Blaze in the Branches

 

The paper

is filled with rivers of ink,

cybernetic energy.

 

We are entangled on the page,

lost among words

without direction.

 

Like thorns that are buried,

that lacerate the surface

as if tearing our skin.

 

We sing pain in silence.

We sow it on the page.

We plant profound breaths.

 

A new path is discerned,

a blaze in the branches

saturated with love.

 

Xanath Caraza

“Una llamarada en las ramas / A Blaze in the Branches” is part of the collection Corazón de agua / Heart of Water (Somos en escrito Literary Foundation Press, 2024) by Xánath Caraza. Translated by Sandra Kingery.



Saturday, August 30, 2025

Poetry Connection: Connecting with Santa Barbara's Fiesta Under the Shadow of ICE

Melinda Palacio


 

This year marked my first participation in Santa Barbara’s Old Spanish Days or Fiesta. As someone who is normally out of town during the weeklong festival, I had little idea of what to expect. I only knew that I had mixed feelings in participating because of the ICE raids happening in our city and across the state. 

 


In 2012, I wrote a novel, Ocotillo Dreams, about the immigration roundups in Chandler, Arizona of 1997. At the time, it wasn’t difficult to imagine myself being rounded up in an immigration sweep. The novel was published by Arizona State University’s Bilingual Press. Fast forward to 2025 and the threat is no longer fiction but a new reality our cities struggle with.

















Dance performances make up the bulk of Fiesta entertainment. Studying flamenco with Rosal Ortega also brought another Fiesta tradition, singing with Flor y Canto, a group that sings traditional old California songs in Spanish. When my dance teacher, Rosal, mentioned she was singing with Flor y Canto, I told her I was interested in joining the group. Last year, I missed singing in the posadas and many of the posada singers are also in Flor y Canto. Joining the group felt like a homecoming. I had joined them for the sheer fun of singing in a group. I didn’t realize there would be Fiesta performances and rehearsals to attend.


For me, Fiesta began on Tuesday, July 29 with the rehearsal and sound check for the Fiesta Pequena the next day. Our group, Flor y Canto, sang one song, La Primavera. The song was a tribute to the late Erin Graffey. Immediately after the soundcheck, Rosal and I rushed to the Hispanic Chamber of Commerce’s event where Rosal danced a Spanish Classical number and her students danced Sevillanas. Our dance set was similar to the one our studio offered at Poetry in Parks at the Alhecama Theatre last April.

Wednesday was the official opening of Fiesta, known as Fiesta Pequeña at the Mission. I was surprised by all vendors and families picnicking. Fellow singer, Nereyda Cotter, mentioned that for years her family and friends always planned to picnic on the rose garden’s lawn and watch the Fiesta Pequeña. This would have been Cotter’s first Fiesta without her daughter who has moved to New York. However, with a little planning from her husband, she was surprised by her daughter who flew in to spend Fiesta with her and see her sing in Pequeña. Fiesta magic. The event was televised for those who didn’t want to brave the crowds.

 

 

 My Fiesta week culminated on Friday with the parade and afterparty for parade participants at the Carriage museum. Dancing in the parade was a fun event for me. I didn’t think ICE would be there to detain and harass many of the participants. I kept asking myself how best to protect myself and others if ICE were to try and disappear people. I didn’t come up with a solution, only a resolution to persist. My mind was at ease when I saw several Charros singing Mexican Rancheras together while they waited to march down Cabrillo. These were strong, fearless horsemen and women, skilled at wielding a rope on horses that pranced and danced. Later that evening, our Flor y Canto group sang half a dozen songs at Noches de Ronda at the Courthouse. There’s enough local talent to fill the courthouse stage all week. With a rodeo and a children’s parade, a carnival, vendors, food, and more dance performances to round out the weekend, Fiesta continued; but I was done by Friday and left for summer vacation. Next year, I will pace myself. 

 

Upcoming Event in Santa Barbara:


Saturday, September 13


Somos Xicanas: Anthology poetry reading and Lowrider Car Showcase, join Sant Barbara Public Library for an inspiring afternoon of lowriders and a powerful reading from Somos Xicanas, celebrating Hispanic Heritage Month, 40 E Anapamu Street, 12-5, reading at 3:30 inside the Faulkner gallery. Lowrider showcase on display from noon-5 on the plaza.

 

*an earlier version of this article was published in the Santa Barbara Indpendent 

Thursday, August 28, 2025

Enemy Without a Face, Inspired by a true story

By Daniel Cano
Dedicated to Sgt. Manuel Sanchez Jr., New Mexico,
101st Airborne Division, who remained 
strong when others failed
                                                                                  
    
     Raul wasn’t completely surprised when he heard the voice at his doorstep. “Hello! Stan Burton, U.S. Army. Anybody home?” 
     He lowered the volume on the stereo. A book in one hand, he stepped to the screen door. “Yes, how can I help you?” 
     The officer was dressed in summer khakis, a folded garrison cap in one hand and a briefcase in the other. In a tempered voice, he asked, “Raul Armenta?” 
     “That’s right.” 
     The tall lanky officer wasted no time. “I'd like to come in and have a word with you, if possible.” 
     Even though Raul suspected he knew the answer, he asked, “Can you tell me what this is about?” 
     Three months earlier Raul had disconnected his phone after former platoon mates had called with warnings disguised as friendly advice. 
     The officer set down his briefcase. He removed a wallet from his pocket and opened it. He flashed a military identification. “The Red River Valley," he said, "August 1966 through October 1967.” 
     Raul looked at the man’s badge and the words, U.S. Army, Criminal Investigation Division, Special Agent. He opened the screen door and said, “That was a long time ago.” 
     “For some people, I guess. I just need a little of your time.” 
     Raul didn’t want to appear uncooperative. The officer would probably return with a subpoena or some other official document, anyway, so he invited him inside. He pointed to a blue velvet vintage chair. “Have a seat,” Raul said, like he was inviting in a guest. He placed the book he’d been holding on a folding chair then stepped to the stereo and removed the arm from the record just as Strauss’ Death and Transfiguration was reaching a crescendo. 
     The detective sat. “Thanks.” He opened his briefcase. He removed a portable cassette recorder, a notepad, and a ballpoint pen. “Okay if I put my things here?” He motioned toward a coffee table Raul had picked up at a secondhand store. 
     “Yeah, okay, just push that stuff aside.” 
    The detective slid Raul’s heavily dog-eared books to a corner of the coffee table, his eyes on the titles, Freud’s Interpretation of Dreams, Jung’s Modern Man in Search of a Soul, and Augustine’s City of God. The officer lifted the thickest book, turned it over in his hands. “Looks like some heavy lifting.”
     Raul said, “I work at it.” He wasn’t sure if he should address the man as, “Sir.” 
     “I’m here to find out what really happened out there. We’ve gotten conflicting reports.” 
     Raul looked down at the recorder. “Is that necessary?” 
     “Procedure. Look, sorry. I tried contacting you to schedule an interview, but your line’s disconnected. I’m at Fort McArthur on business. I figured I’d take a drive up here.” 
     “San Pedro’s a long way. It must be important.” 
     “Mostly preliminary, so far, but that's right, it is important.” 
     Raul turned away from the stereo. “How about a glass of water?” 
     “Sure, a glass of water sounds great. It’s hot out today.” 
     Raul didn’t want to say any more than he had to. “Memory gets hazy over the years.” 
     “The Army has no statute of limitation on war crimes.” 
     He tried to keep an even tone but couldn't stop the emotion. “War crimes?” 
     “Possibly, depending on our investigation.” 
     Raul couldn’t remember the last time he wore a uniform. He noticed the officer’s uniform was creased in all the right places. Raul had been a STRAC soldier, one of the best in his platoon, not just for engaging the enemy but because he was smart about it and considered the lives of his men. 
     “Here you go,” he said, handing the man a cold glass of water. He took a seat on the sofa, opposite the coffee table. 
     “Appreciate that. We’re investigating Operation Tecumseh Sherman. Ring a bell?” 
     “Vaguely. The operations get blurred. We went wherever they sent us.” 
     The officer looked around. “You have a nice place, everything organized, real orderly,” the detective smiled. “Yes, sir, you must be disciplined.” Raul wasn’t sure he meant it as a compliment. 
 
                                                                                       ***** 
     Raul’s colonial-style apartment complex was built above a row of garages, the entire structure taking up half a block in Westwood, on Veteran Avenue, the Veterans Administration just blocks to the west and his university campus a mile to the east. Raul liked telling people, “I live between war and peace.” Built in the 1930s, the units had no air conditioning, but Raul’s place had large sliding glass doors facing west and catching just enough of the afternoon ocean breeze to make the place bearable. 
     There wasn’t a glass or dish out of place, books and magazines neatly stacked in corners of the living room, his desktop free of clutter, and three rows of books placed neatly in a homemade bookcase, cinder blocks, and pine planks for shelves. 
     He’d placed the Hitachi receiver and turntable he’d purchased on his R&R in Bangkok on the top shelf, a JBL speaker at each end. Above the bookcase, tacked to the wall, a mural-size bullfight poster announced the opening of the 1973 bullfighting season in Madrid, a gift from a girl he’d dated while studying in Spain. A potted plant in beaded macrame hung from the wood vaulted ceiling. 
     Raul’s dark wavy hair nearly covered his ears and the back of his neck. He wore shorts, huaraches, and a t-shirt, stenciled with “UCLA” and underneath “Psychology Department”. The faint sounds of rock ‘n roll thumped from somewhere in the neighborhood. 
     “Yes, sir, real nice place. Shows you have a sense of pride, ask me.” 
     “I need order to work.” 
     "I don't doubt that." The officer slid a small plastic microphone closer to Raul. When Raul’s eyes landed on the plastic device, the officer said, “It’s an official visit.” 
     “What does that mean, exactly?” 
     “Anything you say can be used as evidence.” 
     “Am I under investigation?” 
      “No, not formally, no.” 
      “Why now, after all this time?” 
      “I suppose some guys couldn’t live with it any longer. They made serious allegations, out-right murder.” 
     Raul rubbed his palms together, slowly. “Should I have a lawyer or something?” 
     The man knew Raul could shut down the interview by refusing to talk, so he asked, “Did you commit a crime?” 
     “No,” Raul answered, emphatically. 
     “Good. Then, I think we can start.” The officer spoke into the microphone, “Test, 1-2-3.” He rewound the tape, hit the PLAY button, and listened to the volume. “Sounds about right. He held down a red record button. When the tape whirred, he said, “Subject, Raul Armenta. Los Angeles, California, August 27th, 1975.” He lowered his eyes to his wristwatch, “14:35 hours.” 
     Raul thought, ironically, a month earlier North Vietnamese troops and Vietcong cadre had triumphantly marched into Saigon’s streets, soldiers from the South shedding weapons and uniforms as people welcomed the victors with flowers and kisses. 
     “Did you kill or witness members of your platoon, the Lions Claw, murder innocent people, or execute prisoners?” The detective’s friendly chatter was gone. 
     Instead of answering, Raul looked up at the bullfight poster, a painting of a massive animal following a red muleta, a thin man in a suit of lights guiding the beast past him. Finally, Raul answered, "I heard stuff.” 
     “Sergeant, like killing unarmed villagers, for nothing, just for the thrill…that kind of thing, even kids and babies.” It wasn’t a question. 
     Strange, Raul hadn’t been called Sergeant since before his discharge. It had a familiar yet foreign ring to it. He answered, “Murdering for nothing?” 
     “Reports were members of the Lions Claw assassinated villagers, raped women, mutilated enemy bodies, executed prisoners, among other illegal acts. You’re a smart guy, a leader not a follower, I’m told. Didn’t’ you consider your platoon was out of control?” 
     “There were bodies, but I didn’t witness anybody do anything that didn’t need to be done. I mean, like I said, I heard rumors.” 
     The officer looked down at his notepad and scribbled something. He let a few seconds pass and said, “You understand lying to an agent of the federal government is a crime.” 
     Raul ran his hands through his hair, pushing it back. “Understood.” 
     “You’ve thought about it, maybe even justified it, psychoanalyzed it. You’ve nearly finished your Ph. D. in psych. There are rules in war just like in life, so if somebody gave illegal orders, that’s a crime.” The detective sounded more righteous than he intended. He caught himself. “Some guys said they witnessed Lions…” he paused, “commit horrible acts, play jump rope with a dead villager’s intestines, soccer with a human head, you know, see how many times it took to behead a man with a machete.” 
     Raul sat silently. After some time, he answered, “That was then, you understand, a different me, not who I am today, not who any of us is today. We were fighting a guerilla war where the enemy had no face. That’s what they told us, ‘Charlie’s got no face.’ Did guys crack and go too far. Absolutely. Did they commit crimes? If those are the charges, you better arrest the entire U.S. Army.” 
     The officer looked at Raul and squinted, slightly, “Psychobabble, semantics, rationalizations, or whatever you want to call it, Sgt. Armenta. I’m talking reality. You can’t split morality. Many soldiers maintained their moral compass.” 
     “Innocent people died. We were recon and trained to terrorize, a different breed, to kill or be killed, orders from the top.” 
     “But you knew, didn’t you, the difference between right and wrong?” 
     “I’m not saying things weren't bad and villagers didn't die, but in that valley they all supported the other side, fought their own secret war, in their own way, and had their sights on us.” 
     “What about the truly innocent going about their daily lives.” 
     Raul paused. “They told us nobody was innocent, drilled it into us, not in this kind of war.” 
     The investigator was silent. He glared at Raul. Finally, he said, “You believe a baby was guilty, a sympathizer, or a mother walking her child to work the field?” 
     Raul nibbled at his lower lip, “I’m not saying it was right, any of it. You reach a point where there is no right or wrong.” He breathed deeply, as if the air was thick. “We watched B-52s, Phantoms, and our own artillery obliterate complete villages and people, burn them to a crisp, nothing left but ashes. We’d get so close to Charley, we could smell his breath before blowing him away. War crimes, come on, sir.” 
     “And that’s how you justify it?” 
     “It’s not a justification. It’s the reality. You took us, eighteen and nineteen-year-old kids, trained us, then turned us loose, told us to go for it.” 

                                                                                ***** 

 The two jostled verbally like two prize fighters jabbing and weaving, waiting for an opening to land a hard right hand. Raul, no verbal slouch, admitted to nothing incriminating; yet, he wanted the detective to understand what it was like, the sheer terror, the pressure, days without sleep, weeks without relief, no food, water, and, sometimes, no ammunition, the complete and total exhaustion, the chaos, snipers, like vipers, the blood and the broken bodies, Vietnamese, American, and civilians, dark shadows moving through the jungle, sometimes real, sometimes illusion. “The Red River Valley was a nightmare. We thought we’d die out there, like we'd been forgotten.” 
     The detective’s voice mellowed, “I’m investigating crimes not nightmares.” 
     Each time Raul thought he should stop talking and end the interview, he forged ahead, believing he’d done nothing wrong, “They trained Lions to be guerrilla fighters, not just recon but more like Charlie, to terrorize the enemy and triumph. That was our MO, terrify and triumph.” 
     “There’s no documentation about a unit of paratroopers called the Lions Claw, no insignias, no unit flags, nothing. On paper, you guys didn’t exist.” 
     “That should answer your questions.” 
     “Are you saying you were trained to murder?” 
     “I can’t talk for anybody but myself.” 
     “And what do you say?” 
     “What you’re looking for was above my rank.” 
     After two hours of questioning, the detective realized Raul just might believe the story he had invented for himself. “Sergeant?” Raul looked at the officer. “It’s reported you executed an elderly blind man and his son, innocent villagers, a war crime.” 
     Raul answered, “You mean like My Lai?” 
     The officer’s face flushed. News of the My Lai scandal and trial had spread around the world. Both the investigator and Raul knew, for the Army, it was still raw, and not one ranking officer had been arrested. The detective said, “The Army brought the guilty to justice.” 
     It was an absurd statement. Raul answered, “They scapegoated a second lieutenant who served three months in prison, house arrest, and a presidential pardon. That’s who the Army convicted of mass murder, a second lieutenant.” 
     The detective shook his head. “You can use all the psychology in the world, Sergeant, but you were there. You know, deep inside, even if you won’t admit it, you know.” 
     The next words came as if Raul had rehearsed them. “We saw shit no human should see. If the Army thinks by bringing a bunch of emotionally damaged grunts into court, it will redeem the country’s conscience, it’s wrong. Even after everything was revealed about My Lai, Americans supported Caley and the grunts who killed those people. They believed if American kids massacred Vietnamese villagers, there had to be good reasons.” 
     The officer knew he’d get nothing more out of Raul. He grew frustrated, slowly packed up his equipment, and stood to leave. Raul’s eyes caught the name stenciled on the black plastic name plate over the man’s right breast pocket, Burton. He looked closer at the chief warrant officer’s bars on each shoulder, CID Special Agent pins on the collars, and over his left breast pocket two rows of colorful ribbons, one for service in Vietnam, a purple heart, and a bronze star among them. 
     As the agent stepped to the door, he said, “Sergeant Armenta,” for technically, Raul still owed Uncle Sam two more years of inactive military reserve before receiving a clear discharge. “What I know is the Army will move forward with the investigation. Some Lions are cracking. My team and I will find everyone we can get to testify and confess as to who did what. If you’re telling the truth, you can move forward with your career.” He stopped talking and looked around, once again, at the orderly apartment, nothing like the dilapidated farms, the raggedy shacks, broken-down trailers, and filthy apartments he’d visited interviewing alcoholic, drug addicted Lions barely hanging on. He said, somewhat sardonically, “…but if you’re lying, silver star or not, you’ll be needing a lawyer along with that doctorate in psychology.” 
     A year later, Raul received an envelope, anonymously, inside clipped articles from the Army newspaper Stars and Stripes, reporting that after a thorough investigation, a military tribunal had found insufficient evidence to bring charges against members of a unit dubbed the Lions Claw. 
     Executive and junior officers denied knowing anything, and too few men had been willing to testify, except for a couple of ex-grunts under heavy sedation. Other Lions couldn’t be located. Some had vanished. No major news outlets covered the investigation or the tribunal. 
     Raul stood on his balcony as an ocean breeze blew in, a .22 pistol in his hand. He looked at the apartment complexes across the street but really didn’t see them. A muscle car sped past, rock ‘n roll blaring out the open windows.

Wednesday, August 27, 2025

How to Say Goodbye in Cuban

By Daniel Miyares

 


*Publisher: ‎Anne Schwartz Books

*Publication date: ‎September 30, 2025

*Language: ‎English

*Print length: ‎240 pages

*ISBN-10: ‎059356829X

*ISBN-13: ‎978-0593568293


 

Here is the dramatic coming-of-age graphic novel memoir of 12-year-old Carlos (who would grow up to become the author’s father), his life during the Cuban Revolution, and his family’s harrowing escape to America.

Carlos, who lives in a small town in the Cuban countryside, loves to play baseball with his best friend, Alvaro, and to shoot home-made slingshots with his abuelo.

One day, a miracle happens: Carlos' father, his papi, wins the lottery! He uses the money to launch his own furniture business and to move the family to a big house in the city.

Carlos hates having to move -- hates leaving Abuelo and Alvaro behind -- and hates being called country kid at his new school. But the pains of moving and middle school turn out to be the least of his problems.

When rebel leader Fidel Castro overthrows the existing Cuban president, the entire country is thrust into revolution. Then, suddenly, Papi disappears. Carlos' mother tells him that Papi has gone to America, and that they will soon join him. But Carlos really doesn't want to leave Cuba, the only home he's ever known. Besides, how will they get to America when Castro's soldiers are policing their every move? Will Carlos ever see his father again?

This powerful book about a boy coming of age amid massive political upheaval tells a timeless story of one family's quest for freedom and for a new place to call home.

 

 

Review


“Miyares beautifully renders Carlos' home and experiences in ink and watercolors with warm tropical tones and inky shadows that recall the work of Raul Colón.” —Booklist, starred review

“A heartfelt, suspenseful story about family and resilience.” —Kirkus Reviews, starred review

“[A] reverent graphic novel about one immigrant family’s experience navigating Cuba’s tumultuous political history that offers a glimpse into the events’ effect on future generations.” —Publishers Weekly, starred review

"The ­stunning art is rendered in watercolor and ink, with murky blues and browns in especially harrowing scenes and pops of orange and pink that inspire hope throughout." —School Library Journal

 

Daniel Miyares is the critically acclaimed author-illustrator of NIGHT OUT, which was called a “pleasure” by Publishers Weekly in a starred review, and FLOAT, which the Boston Globe called a “perfect wordless picture book.” He is also the illustrator of NIGHT WALK TO THE SEA, written by Deborah Wiles, described as “majestic” by Bulletin Center for Children’s Books, and THAT IS MY DREAM! a picture book version of Langston Hughes’ “Dream Variation,” hailed as “a must-read” by Kirkus in a starred review. He lives in Kansas with his family.





Tuesday, August 26, 2025

PITS Poets and Friends Read At Casa Reyna

Michael Sedano

For years now, La Bloga-Tuesday has promoted the idea of inviting poets and other writers into one's living room or backyard to celebrate friends and food and Floricanto. Circumstances dictated my abandonment of the celebration, so Altadena Poet Laureate-emerita, Thelma T. Reyna, picked up the initiative. 

Reyna has for many years hosted numerous gatherings in her exquisitely landscaped backyard, her Casa Reyna Poetry Garden. In recent years, Casa Reyna took the lead to continue the Pasadena sessions of Backyard Floricantos, including a memorable afternoon featuring Richard Vargas.(link) Despite this summer's record heat wave, Reyna hosted a dual reading floricanto featuring PITS, Poets in the Schools professionals, joined by members of Don Kingfisher Campbell's Saturday Afternoon Poets series. Given the heat and sun, the poets gathered on the shaded backyard porch.

The acronym, PITS, stands for (California) Poets In the Schools (link). I like the metaphor of seeds at the heart of luscious fruits, pits. That's what PITS does, it engages kids K-12 to blossom and develop their poetic center that enriches their own literacy, develops empathy and understanding, and write poems that matter. 

Does your child's school nurture creative sensibilities through reading, analyzing, writing, performing and publishing poetry? PITS' mission statement offers "opportunities for professional development, peer learning and fundraising assistance for Poet-Teachers in California. We also cultivate relationships with school districts, foundations and arts organizations which can fund and support our members’ professional practices."

The program brings poet-teachers into classrooms to work with the students, and the teacher, to exercise a kid's creative writing through workshops that enrich the classroom experience. "The Poet-Teacher leads students in discussion of poetic tools, including image, metaphor, rhythm, line, stanza, alliteration, and wordplay. Most of the workshop is devoted to a writing exercise that follows from examples and discussion. Students are encouraged to share their new poems aloud and to respond to each other’s creative efforts in thoughtful and positive ways, to learn from each other’s work, and to approach literature with an insider’s—a writer’s—appreciation and understanding."

Click this link to explore the possibilities of bringing a poet into your school. It's not free, nor a one-day event. Programs run 5, 10, 15, 30, or 60 sessions, starting at $375, topping at $5400. PITS staff will explore funding with a school or district.  




Sadly, one of the invited PITS readers cancels with a case of GOPlague. COVID is back, gente, have a care!

In addition to sharing their own work, the audience enjoys readings of several Poets in the Schools students, and it's La Bloga's pleasure to share a sampling today.

Gia Civerolo shares fire poems from South East High School in South Gate, California:

Untitled
Fire
Burned so bright
The street lights had no purpose
Million of sparks turned into fireflies
The smell of being around a campfire
But there’s no camp

Untitled
The look of surprise spread across my face as I saw the fires. A sense of fear flooded by mind as the snow storm of heat engulfed the streets. Anything and everything flammable is consumed but my feelings and hope will not be taken by this fire.

Nancy Lynée Woo shares Helena Donato-Sapp's artivist poem recounting the beginning of the nation's ongoing nightmare.

The Day After the 2024 Election
By Helena Donato-Sapp
 
I went to bed sad
I went to bed depressed
I got a little sleep
I got a little rest
I woke up determined
To protect my spirit
The work continues now
And I’m the one to do it
 
Injustice means opportunity
To use my smarts and skills
To fight for what is right
To work with all my will
 
I will not choose despair
And stand under that gray cloud
I will choose to shout
And say my truths out loud
 
I say, “Can you hear me?”
You say, “I want a better world!”
I say, “Will you join me?”
You say, “And make our voices heard!”
 
A Spirit hovers over us
This Spirit of community
This Spirit of collectiveness
This Spirit of collaboration
 
I say, “How do we fight against injustice?”
You say, “Together we fight against injustice!”
I say, “How do we fight against hatred?”
You say, “Together we fight against hatred!”
I say, “How do we fight against dehumanizing?”
You say, “Together we fight against dehumanizing!”
 
Together we cry
Together we fight
Together we rise
In the Spirit of justice
 
I went to bed sad
I went to bed depressed
I got a little sleep
I got a little rest
I woke up determined
To protect my spirit
The work continues now
And we are the ones to do it

Author’s Note: I wrote this poem the morning after the 2024 election.  I went to bed so fearful and worried.  I asked my two dads, “Will we still be a family tomorrow?  Will they take me away from you?  Will you still be allowed to be married to each other tomorrow?” I felt filled with despair when I laid my head on my pillow that night. But, when morning came on November 7th I had to make a decision.  And this is the decision I made. This poem is influenced by the strike lines I have walked on and the rallying calls that strikers chant.  

Helena Donato-Sapp is a 16-year-old scholar, activist, keynote speaker, and poet who believes in the power of youth voice and uses her own in the work of equity and justice. She is an accomplished activist and educator internationally recognized for her work in Disability Justice. She has been the Poet Laureate of The National Institutes for Historically-Underserved Students since 2019. She was a Long Beach YPL Ambassador in 2023-2024, the Long Beach Youth Poet Laureate in 2024-2025, an L.A. County YPL Ambassador in 2024-2025, and is currently the 2025-2026 Runner-Up for the Los Angeles County YPL and a 2025-2026 YPL Runner-Up for the Western Region of the United States. Find out more about Helena at https://www.helenalourdes.com.








Portraits of the Poets At An Afternoon Backyard Porch Floricanto 
Gia Civerolo

Diosa Xochiquetzalcóatl

Don Campbell

Marvin Louis Dorsey

Mani Suri

José Enrique Medina (winner of this year's Rattle chapbook contest)


Nancy Lynée Woo

Michelle Smith

Marc Cid

Soul Stuff (Christian Perfas)

Sunday, August 24, 2025

“Viento / Wind ” by Xánath Caraza

“Viento / Wind ” by Xánath Caraza

 


Viento, deja tu canto

esgrafiado esta mañana

en el opalescente mar.

 

Tres aves negras

en el cielo

penetran el agua,

su aleteo rompe

la monotonía.

 

El pecho de las aves

se empapa de celo.

Turquesa acuática.

 

Viento, ven a mí,

ensortija las sílabas,

susurra los sueños de antaño.

 


Wind

 

Wind, leave your song

sgrafitted this morning

on the opalescent sea.

 

Three black birds

in the sky

penetrate the water,

their wingbeats break

the monotony.

 

The birds’ chests

drenched in zeal.

Aquatic turquoise.

 

Wind, draw near me,

bejewel the syllables,

whisper the dreams of yore.

 

Xanath Caraza

“Viento / Wind” is part of the collection Perchada estás / Perching (2021) by Xánath Caraza. Translated by Sandra Kingery. In 2022, Perchada estás / Perching won honorable mention for the International Latino Book Award: Juan Felipe Herrera Best Poetry Book Award-One Author-Bilingual.

 


Cover art by Xánath

 

Thursday, August 21, 2025

Chicanonautica: Still Lost in Trumptopia After All These Years


by Ernest Hogan




Yippie! Our Creative Realidades: A Nonfiction Anthology was a finalist for the Next Generation Indie Book Awards in the BIPOC category. Because Chicanx/Latinx reality is so different from Anglo reality, when we honestly write about it, it gets labeled magic realism, surreal, sci-fi, and other handy distortions.


My contribution, “Lost in Trumptopia,” is a collection of posts from Chicanonautica here at La Bloga and Mondo Ernesto, reactions and observations of a certain president's first term. They are very strange and come off like a bizarre science fiction story. I assure you that it's all true, though confabulation seeps in. It's the way I process reality and how I survive in a transmogrifying world.


Psychedelic sombreros are a real thing. Honest. I see them all the time.


I know where the sci-fi ends and real life begins. I think . . .


I’m quite disturbed to find that after all these years, we are still lost in Trumptopia. We thought the monster was killed, but the corporate forces have decided that a sequel–a franchise, even–will be profitable.



I haven’t written much about the current Trumptopia–the news media is doing an okay job, though they tend to tone it all down. Like the first adventure of Captain America, where Adolph Hitler is referred to as Rudolf Hender. I guess they were afraid that he might sue. Or that he might win the war.


Where would the franchises be then?


I’m glad to see that the cartoonists and comedians are doing a good job. The vicious laughter helps.


I have to admit that I’m having trouble coming up with suitable satire. The story I wrote a few months ago looks tame compared to recent headlines. What? He’s talking about giving Alaska back to the Russians? What about the Inuits?

 


To be a proper short story writer, I held back, having it seem to make sense, and I went too far. I have to go back, go wild. Pure Hieronymus Bosch surrealism! Luis, Luis Buñuel, oh no, don’t cut my eyeball . . .


Tezcalipoca must have been listening to my bitching and moaning. Like a sniper’s bullet, ideas exploded my hypothalamus. Talk about brainpan fallout. Visions of mayhem are flooding my synapses. Not just for this story, but another, new one.


I see a Mexican restaurant, in . . . maybe Gnome, Alaska (some research may be needed here) Russian troops eating tacos, “Americans” plotting an exodus through Canada to a country that will be picky about who they let in. I like “Bye, Bye, Russkie Eskimo Pie” for a title. Yeah, I know two ethnic slurs, but I can dream, can’t I?


Is dreaming still legal?


Meanwhile, buy Our Creative Realidades, and enjoy the inner/outer realities. Not just mine. Inspire yours. These realities are our superpower.


Heh-heh-heh . . .



Ernest Hogan, the father of Chicano Science Fiction will be teaching “Gonzo Science Fiction, Chicano Style” at the Fall Palabras del Pueblo Writing Workshop. Apply now!