Thursday, October 10, 2024

Celebrating the Anthology: Latino Poetry: Places We Call Home

Melinda Palacio  



National Hispanic Heritage Month continues as the festivities are spread out over September and October. In conjunction with heritage celebration is a national grant to promote a new book: Latino Poetry: Places We Call Home, an anthology from the Library of America. The Santa Barbara Public Library has at least three copies of the anthology. Some of the themes in the Anthology include: Ancestry & Identity, Voice & Resistance, Language, First & Second Homes, Family & Community, Music & Performance, Labor and Eco-consciousness. The anthology, along with the grants offered for promoting the Latino Poetry anthology, has drummed up some exciting events that I hope will continue in years to come. Both Santa Barbara City College and the Santa Barbara Public Library have future programming associated with the Latino Poetry: Places We Call Home Anthology

 

Last month, I offered an hour-long poetry and music set for Palabras Vitales: Latiné Poetry Series at Santa Barbara City College. This was a kick off series for the college’s participation in promoting the anthology and the grants celebrating Latino poetry. The anthology’s themes include Voice & Resistance, Home, and Music. I decide to include poems about my own childhood home, especially those that feature my grandmother, as well as poems about children displaced at the border, who do not have a home. Since some of the poems have companion songs, I played a few of the songs on my guitar. I have really enjoyed sharing my poetry and music as part of my laureateship. 

 

Another event that was part of the anthology was a community open mic that I hosted along with the Santa Barbara Public Library and La Casa de la Raza. On September 26, community members were invited to read a poem that speaks to and from our Latino Community, as part of National Hispanic Heritage Month and the Latino Poetry: Places We Call Home Anthology. I asked Sofia De La Cruz to read her poems again because her parents came in late. I think it’s important for young people to be supported by their parents, and everyone enjoyed hearing her powerful poems for a second time. 

 

*an earlier version of this column appeared in the Santa Barbara Independent

Why Now?

                                                                                       
My mestiza grandmother's immigration card, circa 1920
                                                                                                                                                                             Hundreds of years after the conquest, Mexico’s former president, Andres Manuel Lopez Obrador, or AMLO, as he is affectionately called, said, of Spain's king, Felipe VI's refusal to apologize for injustices committed during the conquest of Mexico, “Spain acted arrogantly…put aside racism,” and take responsibly and apologize for the horrid acts it committed during the conquest. 
     It started in 2019, when AMLO asked Spain’s king, Filipe VI and Pope Francis to apologize for their past “injustices” during Mexico’s conquest? Spain, one of Mexico’s closest allies, didn’t respond, but later told journalists, "...its current leaders should not be held responsible for the actions of their forebears." Pope Francis said he already apologized, in 2015, in a visit to Bolivia, to all of America’s indigenous for the “sins” committed against them by the Church. So, why now? Why was AMLO ruffling feathers?
    Recently, it came up again, Spain's apology, or lack of one, as Mexico’s new president, Claudia Sheinbaum, Mexican by birth but not by blood (her paternal and maternal grandparents, Sephardic Jews, migrated from Bulgaria and Lithuania) decided not to invite Spain to her inauguration, for snubbing AMLO’s demand for an apology. 
     Mexico's new president has Spanish roots, as do AMLO and millions of Mexican mestizos, many who hail from every corner of Mexico, especially the northern states of Michoacan, Nayarit, Jalisco, Zacatecas, Durango, Chihuahua, Sinaloa, and Sonora. 
     When Cortez landed and began his conquest of Mexico in 1519, his army consisted of 600 Spaniards, give or take. Without the alliances of Moctezuma’s enemies, like the Tlascaltecas, and a crucial informant and translator, Malintzin, or Malinche, in Spanish, Cortez never could have conquered Tenochtiltlan, the Azteca capital, and, according to Spanish chroniclers one of the most beautiful cities upon which they’d ever laid eyes. 
     If AMLO demanded an apology from Spain, shouldn’t he also demand an apology from the indigenous groups who aided Cortez in his conquest of Mexico, and of Malinche's descendents, if any still exist? Shouldn't they also be held responsible? 
     Maybe AMLO should take a closer look inside, at today’s Mexico. When he heard about AMLO's demand for an apology, Peruvian novelist Mario Vargas Llosa suggested, after two hundred years of independence, shouldn’t Mexico apologize to its indigenous poor, which the country continues to exploit and abuse? Another way of saying it is: shouldn’t Mexico, also, apologize to itself for the injustices committed against the Mexican people after independence from Spain? 
     Many Mexican politicians, from opposing parties, claim AMLO’s demand for an apology from Spain and the Church is a strategy to distract the public from his own failed political policies and the promises he hasn’t kept while in office. Some also state this isn’t a time for Mexico to cause distrust among a close ally, like Spain, or any other country in Latin America. A good point, considering more than a few radical conservative U.S. politicians, including presidential nominee Donald Trump, have proposed invading Mexico and destroying its drug cartels, more of an excuse for the U.S. failure to manage its own insatiable appetite for drugs. Still, Mexico might need friends and allies. 
     Among the working-class Mexicans, and many of the poor, AMLO’s is popular, and his ratings remain high. He's been at it a long time and is a crafty politician, walking the firepit of Mexican politics. He created many social programs to help the poor; though, not nearly enough, to alleviate the country’s poverty or, even, put a dent in the violence many suffer, some on a daily basis. If AMLO is asking Spain to apologize for “injustices it committed with the sword,” doesn’t this get a bit sticky? 
     Yes, Spaniards conquered and occupied Mexico, torturing and enslaving Indians for hundreds of years, but not long after the conquest, the Spanish also began blending their blood, so to speak, with the blood of Indians, mulattos, and other Europeans, like the French and German, creating a new ethnicity of people, the Mestizo. After all, doesn’t Mexico proudly proclaim it is a country of mestizos? Without Spain, there would be no mestizo and no Mexico, as we know it, or as educator Jose Vasconcelos proudly proclaimed, la raza cosmica.
     What of Mexico’s treatment, historically, of the lower caste Mexicans, including Indians, like the Yaqui, whom Porfirio Diaz kidnapped, enslaved, and forced to work on hemp plantations in the Yucatan jungles far from their homes, in Sonora, or the hundreds of students killed at Tlateloco during the Mexico City Olympics in 1968, or the Tzotzil Maya, in Chiapas, who lost lands after NAFTA was passed, and suffered under the weight of broken promises president Ernesto Zedillo made, which sent them fleeing into the Lacandon jungle, seeking their own justice under the banner of the EZLN, or Zapatista Liberation Army, their livelihoods still threatened under Mexican rule. Then there were the 43 students who disappeared and presumed killed in Iguala, not even considering the scores of women killed in Juarez in the 1990s.
    Is Vargas Llosa, correct? Is Mexico culpable of injustices it committed and continues to commit against its own people? Is that where the apology should start? Mexico apologizing to Mexicans? 
     What will President Claudia Sheinbaum do to address today's injustices? In Mexico’s drug capital, Sinaloa, her husband's homeland, a battle rages, literally, on the streets of Culiacan, people dying every day, businesses closed, parents afraid to send their kids to school, as the sons of El Chapo Guzman, “Los Chapitos,” and El Mayo Zambada, “Los Mayitos,” one-time partners of the Sinaloa cartel, fight it out, as the incarcerated “mero jefes,” El Chapo and El Mayo, sit in U.S. prisons. 
     Yet, Mexico is not a poor country. Some of the world’s richest people are Mexicans. Go figure. Though President Sheinbaum claims Mexico still has a close relationship with Spain, is an apology worth straining that relationship? Then, I guess one could also ask, what would it cost Spain to say, "We are sorry for the injustices our forebears committed against the Mexican people," even if, at the time, Mexico hadn't yet been formed, completely? A pretty complicated, and rich, history if you ask me. Then again, without the merging of Spain and Mexico, none of my ancestors would have walked the earth, nor would their many descendants, who are now not only Mexican but, also, American.

Wednesday, October 09, 2024

Latinx KidLit Book Festival- Final Week



On September 27, I  was part of  the bilingual reading platica ¡Vamos a leer! 

You can watch all the past author and illustrator events by visiting this link, 





From https://www.latinxkidlitbookfestival.com

 

The Latinx KidLit Book Festival was created in 2020 during the COVID pandemic by members of Las Musas Books. Our aim was to connect Latinx authors and illustrators with readers and educators in classrooms around the globe. Since then, and with the help of countless volunteers, the festival has continued to foster a love of story and literacy as well as increase empathy and conversation among educators, students, and book lovers while uplifting the voices of Latinx kidlit book creators.

The Latinx KidLit Book Festival will be streamed live on the festival’s YouTube channel, or YouTube links can also be found on each individual event below.  All posted times are in EDT!


Sessions can be safely streamed into the classroom and shared with students using an educator's account. Classrooms can engage with festival authors and illustrators using the live-chat option! All video content will be recorded and available after the festival.


This is the schedule for this Friday, October 11.

 



Tuesday, October 08, 2024

A Railroad Runs Through It

Review: Mona Alvarado Frazier. A Bridge Home. Houston: Piñata Books Arte Publico Press. 2024. ISBN: 978-1-55885-995-1

Michael Sedano

It's 1972, the Chicano Movement has found its way to a nondescript small California town named San Solano. Railroad tracks divide the town. Raza and black families struggle to make ends meet on their side of town. Seventeen year old Jacqueline Bravo attends St. Bernadette High School, on the anglo side of town. 

Jacqui's a good student whose dream is winning a scholarship to attend UCLA next year. She won't be able to apply for the scholarship if St. Bernadette's transfers Jacqui to public school because she's hundreds of dollars behind on tuition. 

Tuition, rent, bills, five people in a one-bathroom house, a father killed in Vietnam two years before, add incredible stress to the teenager's tortured life. Jacqui perseveres with maturity forced upon her by economics and by having to be big sister mother-substitute to a boy-hungry 13 year old sister (who already gets hickies) and younger twin brothers.

This is the tapestry Mona Alvarado Frazier weaves to entangle her characters in a plot that probably mirrors the lives of young adult readers whom Frazier's story will inspire and motivate to do like Jacqui does in the exciting final chapters. With Jacqui's example, kids won't fall into the traps Jacqui gets herself into. In a sense, Jacqui has no option other than sneak around and take a job behind her mother's back. Jacqui's poorly considered choice is working in a sleazy restaurant-bar. In no time, Jacqui is in over her head running drugs and collecting payments.

To her credit, Jacqui doesn't know what's going on. Catholic school girls can be sheltered from the real world, especially when mother detests the word "chicano" and warns off her eldest child from those people.

Those people are the bridge Jacqui needs to find voice, direction, and salvation. Readers will thrill at the final chapters of Frazier's 43 short chapters, 290 page, gem of a YA novel from Arte Publico's Piñata imprint.

How does a kid find success when repressive nuns clamp down on individuality, practice public shaming of kids whose families fall behind on tuition, and go into high dudgeon over feminism? Jacqui can't go it alone, but that's Jacqui's method. Readers see how wrong it all can turn out, and here's one of Alvarado Frazier's more valuable author's messages: you can't do it alone. You need help.

When Jacqui learns this lesson she awakens her entire community, Mother included, and the movimiento's message hits the streets. El pueblo unido jamas sera vencido.

I won't delve into the finer points of the novel's plot and character development because there's so much fun for readers feeling the tension build as the plot and characters wind their way to an entirely engaging and satisfying climax. It's only for Jacqui, but there's probably good news for her peers. And the community might get that bridge spanning the railroad tracks.

One significant change I'd like to see: Piñata must devote a lot more attention to editing out the novel's several apostrophe-as-plural errors. It's not a minor flaw when YA readers are soaking in a wonderful story filled with important lessons about character, desperation, honesty, academics. Ineffective editing blinds the kids to effective spelling and perpetuates inattention to detail.

Mona Alvarado Frazier clearly is hitting her stride as a writer and author of YA literature. A Bridge Home, her second novel, marks a high point in a promising future.

You can order publisher-direct at https://artepublicopress.com/browse-and-order-books/ or ask your local indie bookseller to get your copies of this $15.95 gem.

Monday, October 07, 2024

Xánath Caraza: 1era presentación de sus libros en Cuba por Natasa Lambrou

Xánath Caraza: 1era presentación de sus libros en Cuba por Natasa Lambrou

 

En el marco del 1er  Encuentro Internacional de Culturas y Artes en Las Tunas de Cuba, la doctora Natasa Lambrou tendrá  el honor de presentar por primera vez en Cuba, los dos últimos libros de la poeta mexicana Xánath Caraza. 

 


El 16 de octubre a las 12 (hora de Cuba) en el Cine Teatro Moncada vamos a presentar las dos obras tituladas Corazón de agua y Tejerás el destino.

 


El evento estará disponible a través del enlace https://meet.google.com/qyn-eqav-jzi

 



Friday, October 04, 2024

New Books for Under the Tree

 

It's ninety degrees in October, so why not start thinking about shopping for the winter holidays?  Makes as much sense as anything else these days.  Here are a few suggested titles (unique and offbeat) for stuffing stockings, available in December, just in time for you know what.

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Alter Ego
Alex Segura

Flatiron Books - Dec. 3

[from the publisher]
Alex Segura, award–winning author of Secret Identity, returns with a clever and escapist standalone sequel set in the world of comic books. In the present day, a comics legend is given the chance to revive a beloved but forgotten character. But at what price?

Annie Bustamante is a cultural force like none other: an acclaimed filmmaker, an author, a comic book artist known for one of the all time best superhero comics in recent memory. But she’s never been able to tackle her longtime favorite superhero, the Lethal Lynx. Only known to the most die-hard comics fans and long out of print, the rights were never available—until now.

But Annie is skeptical of who is making the offer: Bert Carlyle's father started Triumph Comics, and has long claimed ownership of the Lynx. When she starts getting anonymous messages urging her not to trust anyone, Annie’s inner alarms go off. Even worse? Carlyle wants to pair her with a disgraced filmmaker for a desperate media play.

Annie, who has been called a genius, a sell-out, a visionary, a hack, and everything else under the sun, is sick of the money grab. For the first time since she started reading a tattered copy of The Legendary Lynx #1 as a kid, she feels a pure, creative spark. The chance to tell a story her way. She's not about to let that go. Even if it means uncovering the dark truth about the character she loves.

Sharply written, deftly plotted, and with a palpable affection for all kinds of storytelling, Alter Ego is a one-of-a-kind reading experience.

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Daniel Aleman
Grand Central Publishing - Dec. 3

[from the publisher]
A suspenseful dark comedy about a struggling writer who wakes up to find his date from the night before dead—and must then decide how far he’s willing to go to spin the misadventure into his next big book.

A few years ago, David Alvarez had it all: a six-figure book deal, a loving boyfriend, and an exciting writing career. His debut novel was a resounding success, which made the publication of his second book—a total flop—all the more devastating. Now, David is single, lonely, and desperately trying to come up with the next great idea for his third manuscript, one that will redeem him in the eyes of readers, reviewers, the entire publishing world…and maybe even his ex-boyfriend.

But good ideas are hard to come by, and the mounting pressure of a near-empty bank account isn’t helping. When David connects with a sexy stranger on a dating app, he figures a wild night out in New York City may be just what he needs to find inspiration. Lucky for him, his date turns out to be handsome, confident, and wealthy, not to mention the perfect distraction from yet another evening staring at a blank screen.

After one of the best nights of his life, David wakes up hungover but giddy—only to find prince charming dead next to him in bed. Horrified, completely confused, and suddenly faced with the implausible-but-somehow-plausible idea that he may have actually killed his date, David calls the only person he can trust in a moment of crisis: his literary agent, Stacey.

Together, David and Stacey must untangle the events of the previous night, cover their tracks, and spin the entire misadventure into David’s career-defining novel—if only they can figure out what to do with the body first.


__________________________


No Place to Bury the Dead
Karina Sainz Borgo
, Translated by Elizabeth Bryer

HarperVia - Dec. 10


[from the publisher]
In an unnamed Latin American country, a mysterious plague quickly spreads, erasing the memory of anyone infected. Angustias Romero flees with her family, but their flight is tragically cut short when she loses both her children. Consumed by grief, she finds herself within the hallucinatory expanse of Mezquite––a town corrupted by greed and populated by storytellers, refugees, and violent, predatory gangs.

Here, Angustias is finally able to lay her children to rest at the Third Country, a cemetery run by the larger-than-life Visitación Salazar and a refuge beyond suffering and fear. While Visitación remains defiant in her mission to care for the dead, the cemetery she oversees is the focal point of a bitter land dispute with Alcides Abundio, the most feared landowner of the border. Caught in this power struggle, Angustias and Visitación–friends and sometimes rivals– stand their ground on a frontier where the law is dictated by violence; a surreal territory whose very nature blurs the boundaries between life and death.

Exploring what we are capable of and how far we will go when we have nothing to lose, No Place to Bury the Dead confirms Karina Sainz Borgo’s importance amongst the voices of modern Latin American literature, merging thriller, western, and classic tragedy in an unforgettable and urgent novel that won the 2023 Jan Michalski Prize.


 ____________________________


Lauren E. Rico
Kensington - Dec. 24

[from the publisher]
Thirty years ago, musicians Emilia Oliveras and Paul Winstead were married in Puerto Rico. Forty-eight hours later, Paul vanished from their honeymoon cruise, leaving Emilia devastated—and the prime suspect in his disappearance. So, she ran for her life, leaving behind her love, her dreams, and her identity.

Today “Emily Oliver” is a divorced music teacher and mother of two daughters who know nothing about her past: Gracie, a talented attorney who excels in the courtroom but grapples with personal relationships, and Meg, a gifted concert pianist who wrestles with her ambition and purpose.

When a cryptic caller claims the unthinkable—that Paul is alive, Emily returns to Puerto Rico in search of the truth. What she doesn’t know is that her daughters aren’t far behind. Shocked to find their mother isn’t the woman they thought she was, Gracie and Meg wonder how much of their lives have been a lie.

As the paths of the three women intertwine, they are compelled to confront their pasts, reevaluate their relationships, and seek forgiveness. Together they embark on a quest to unravel the mystery of Paul’s disappearance and redefine their futures on their own terms, navigating a maze of family ties, secrets, and redemption.

Later.
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Manuel Ramos
writes crime fiction. Read his latest story, Northside Nocturne, in the award-winning anthology Denver Noir, edited by Cynthia Swanson, published by Akashic Books.

Thursday, October 03, 2024

Chicanonautica: Foreshadowing a Re-Entry

by Ernest Hogan




I just returned from another road trip.




Like a re-entry into the Earth’s atmosphere–if you’ll pardon the flashback to my Space Age childhood–coming back home can be stressful.



No danger of burning up like a meteor, but after being in different environments, home and the old routine seem different.




It’s like one of those science fiction stories where an astronaut returns from a long mission and finds that life on Earth is no longer what they thought it was.



 

Hmm . . . I should probably offer that as a prompt for the class I’ll be . . . teaching . . . in a couple of days! No, wait a minute --that won't be happening due to circumstances beyond my control . . .




Argh!



It’s always future–or some other kind of–shock.



Shock you can get high on.

 


The photos used here are from the trip, presented in reverse-chronological order.



Ernest Hogan, the Father of Chicano Science Fiction, is readapting to his altered environment.