Showing posts with label Latino speculative literature directory. Show all posts
Showing posts with label Latino speculative literature directory. Show all posts

Saturday, April 04, 2015

The real Superhero. And Caravana 43 in Colo.

What's "better" than a sci-fi or fantasy or thriller about One White Guy to Save Us All? What about, One Chicano Hero to Save Us All? Or better than that, One Chicana Heroine? Or maybe a multinational superhero team of both sexes. We've come a long way, bebé. But is it enough?

In fact, new books, movies and network series seem to be coming out every week where the old White Guy won't be hoarding the hero role. This has been resisted by white male writers and fans complaining about how they're being "oppressed," if you can believe.

Unqualified white guy leader
A year ago, noir author Daniel José Older analyzed a sci-fi movie and exposed how white-male privilege works on the screen. His Al Día News article was called "Snowpiercer and 'the one white dude to rule them all'." When picking a new leader, the white guy gets chosen over the People of Color (PoC), even though he was a cannibal and of course saves humanity at the end. Because he's the guy. And white. And not even "oppressed."

Then, last month on thenerdsofcolor website, Walidah Imarisha wrote about sci-fo and social justice in the article "Rewriting the Future: Using Science Fiction to Re-envision Justice." Her article is worth reading in its entirety, and many of her points made me wonder about protagonists I've created in  speculative stories.

Some of the old [white-male] guard of speculative fiction haven't totally understood the achievements that new PoC--Chicano, Latino, black, Indian--authors have accomplished by reinvigorating the literature. Some of the old guard still maintain that science and technology just have to be re-imagined better to bring new life to spec-lit.

For instance, Project Hieroglyph emphasizes "technical innovation, techno-optimism and a forward-thinking approach to the intersection of art and technology that has the power to change our world." Not about changing the inequality of the social structure. Or about people organizing to stop fossil fuel production or neverending wars or the oligarchy of the 1%.

a book that promises hope
But the lessons of nonfictional history apply to the cycles of fiction. To forget the lessons--worse, to ignore them--is to be condemned to relive them. Or as Imarisha put it, "We forget to envision what could be. We forget to mine the past for solutions that show us how we can exist in other forms in the future."

The history in question is the exclusion not only of minorities of all types. What nearly all of spec-lit also ignored is that the changes in Earth history were not accomplished by lone heroes. Good leaders led, yes. But the strongest movements were those supported by the collective of humanity, carrying out to the best of their ability the desires of their peoples. That's history.

In creating fantasies, futuristic sci-fi tales, many historical lessons can be appropriated by today's new, rising and especially young authors. Latino, Chicano, black, red--it doesn't matter. Imarisha states, "The science fiction — or speculative fiction, fantasy, horror, magical realism, etc. — we humans create doesn’t appear out of the ether." It comes from what we were, are and could become.

Writing about possible futures should inspire, not depress, the young people who will replace us and be reading our works for years to come. The dismal dystopias of vampires, Armageddons and Snowpiercers don't provide hope; they inculcate sheepish acceptance of bleak powers beyond anyone's control. Even if you're a young person, of any color.

Will this contain any hope?
The awe and magic and wonderment of speculative literature requires we look further than simply replacing the old White-Guy Hero with a multinational cast of Superheroes. What Imarisha called "decolonization of the imagination." To merge Daniel José Older's and Marisha's articles, that replacement is the people. Organized. Engaged. Democratically. Not blindly hero-worshipping another Big Hero Saves the Day. Hundreds, thousands, millions of people determining the revolutionary future as they've determined the past.

The youth and all PoC and all people deserve hope. Their literature should reflect that. In a world of Climate-Change-for-the-worse, assaults on all civil rights, and the gentrification of the U.S. that's driving poor, ethnic and working people out of the cities, speculative literature can spread seeds of how to save and rebuild society.

How do you write a thriller where the protagonist succeeds by keeping the peoples' interests at heart? How can a society be saved from Global Warming with masses of people as the prime movers? Will a successful blockbuster be written that shows young people, or even us, avenues whereby they can save their planet? That's up to speculative fiction writers.

No one novel, movie or series could accomplish all that, though we'd all love to experience such a work. In the meantime, many short stories and longer works, on-screen too, can chip away at the One or A Few Heroes myopic trope. Maybe an example will better explain my meaning.

Below, I took, and edited for this article, part of a chapter from my debut novel, the alternate-world of The Closet of Discarded Dreams. How the book's characters begin to face their own dystopia is one of my endeavors to get away from the One or A Few Heroes Save Us All. I'm not the first to put the lessons of how history has been changed into a novel's plot. And I am definitely not the last. I welcome comments about other stories that accomplish this better than mine has.

[extracted from the chapter entitled A Gathering of Souls]

People had covered over a stage constructed from ornate coffins, pirates' chests and inverted Jacuzzis, covered by scores of Oriental rugs and medieval tapestries. Someone in the audience yelled, “We’ll do anything that’ll keep us safe. But why are we here?”

I didn’t respond. Our plan or strategy couldn’t develop out of my ideas alone. It didn’t help that the reason many had come centered on their worries about losing their regular lives. Conservatism motivated those who wanted to maintain the routines. But the times called for the opposite.

People had shifted the flooring to form a shallow amphitheater. Several thousands sat around inside it, leaving aisles every hundred feet or so. Not everyone I knew had shown up, but most had. Apparently some mosquitoes too, given the slapping sounds.

A solution to save us had to spring from a new source. Even the nearly limitless knowledge I’d acquired didn’t meet our needs. Something was missing that was beyond me, likely beyond any one of us. From that we’d reasoned that everyone needed to pool their resources, put their heads together and close ranks if a solution were to be found. We had nowhere else to turn. Our first problem now was how to begin.

Brian presented the report covering logistics. "People can access the database through terminals here and at specific locations in other sectors, or search for info via the Grapevine. Ideas, questions, clarifications will be centralized in this area."

He withdrew, waved me forward. My turn had arrived, an honor I’d tried to decline. “I hope to make this short. We think the new, strange incidents indicate it may be the end of us all. We have no idea of how to stop the process, help it heal, fix itself. That’s why we’re all here or tied in via the systems.

“There’s nowhere else for us to go, nowhere to seek safety. Even
escaping the affected areas might only amount to a temporary reprieve for a handful of us. We need something more, to save us all. That’s how it is, as best as we can guess.” I gave them time to digest that before continuing.

“In reality, we have a greater task than that, a responsibility, if you will. We are not real. There is no us. We’re the dreams of Earth’s people. We’re not from Earth, because physically we never lived there. That's just a fact.

“We are the ethereal, what every human being ever aspired to, dreamed to one day be, or maybe even envisioned angels to be like. We’re not all angels and not all the dreams we live sound desirable, judicious or in some cases even humane. That’s not our concern at the moment. Something to discuss another time. What we do have to deal with, face up to is how to change our destiny, and not just for our own sake.

“We don’t know what the repercussions would be for people on Earth if we all disappeared. Whether humanity would survive. We have to assume, not!”

Close by a child giggled, which for no apparent reason irritated some listeners.

“Out there amongst you are ideas, questions, possibilities that no one has thought of before, some way of stopping the destruction. At least, that’s what we’ve got to come up with. If we don’t, so be it, but we’re here to make the attempt.

“As we come up with an idea, we’ll allocate resources to
implement it. We can't imagine what that may require, but we’ll
mobilize for it. For all our sakes.

“Whoever you are, whatever you come from, you can contribute.
There are no limits to what we should consider. Nothing is too silly or outrageous. Any idea may be the key. Open your minds, talk amongst yourselves. Share anything you've noticed or you once thought about or that just pops into your head … especially what pops into your head. That’s all we’re here to do.

“Despite whatever you heard about me, I don’t have the answers.
I need your help. We all need each other’s help, for our, for Earth’s survival. For all the living things in that beautiful blue place.”

I took my first full breaths since I’d started, wondering what had happened to my keeping it short and why they’d let me go on and on. Someone
handed me a liter of Knob Creek. I took two swigs and saw Stubby
pantomime a scissors cut with his one hand.

I took a last breath. “Until we’re forced to move, this is our headquarters. Facilitators will always be up here and regularly going through the aisles. If you have questions, direct them to us or relay them through the system. Ask, suggest, talk with your buddies alongside you. Anything you think of, however absurd it may sound, might provide a clue to our predicament.”

I hadn’t wanted an ovation, and I didn’t get one. People turned, formed circles and started talking with one another. I turned the podium over to Stumpy and headed down the aisle.
* * * *
What transpired next astonished more than me. There were the expected suggestions about physically dealing with the spreading erosion, like cementing up the cracks. Some people wanted to stack vehicles to create some sort of dam out of the larger, heavier machines to prevent the ground from shifting, just as a temporary solution. Nevertheless, people and equipment were mobilized. We had ample resources and little to lose.

We knew there’d be those who’d advocate mass, spiritual meditation or prayer marathons to gods they followed and we’d made preparations to channel the religious types into supervised areas.

We gazed at the Jumbotron, listening to Fedir who wielded a laser pointer.
“Dr. Martin Luther and Cesar Chavez’s marchers have encampments here, here and here. They’re doing what we’re doing and told us they’re ready whenever we need them, for whatever. They’ve got one zany idea: to link themselves all the way across, making themselves into a human dam. We’re letting them go with it even though the engineer types think the forces involved make that a moot effort.”

Fedir ignored some moans. “We’re still bringing the densest, heaviest material we can find along this line: lead, gold, platinum, tanks, tractors, etcetera. It’s our last line of defense, you might say, against draining away what’s under us. It won’t last long.”

Brian scooted in, touched computer keys and took over. “We’ve
put hundreds of psychics, magicians, prophets, sorcerers, levitationists,
shamans and all the Houdinis as close to the here as we can. There’s more juju, black magic and karma being thrown at it. So far, no response.”

Brian was giddy, nervous, stressed. “On the theoretical side, the cosmologists, the Einsteins, Hawkins, and Alcubierres can’t come up with a model to answer our questions. The physics here isn’t what they studied and has its own rules. Since we're in a box with walls, no matter how thick, there should be an outside, something out there. However, it’s also possible there’s nothing behind them, or something we couldn’t survive. They just can’t imagine with any certainty what’s…”

“…out there,” a bunch of people murmured.

Over the course of the next few days, what impressed me most were ideas that had little to do with saving our necks. A village of Quiché Maya proposed mystical methods to contact Earth, to inform them they needed to keep on dreaming. There was more. Some of it choked me up, from people’s unselfish hopes for the future, even if we all would soon cease to exist.

Whenever the committee deemed new plans were worth attempting, teams were organized to develop the details and carry them out. Thus, when a group came up with the idea of using the increasing abundance of Pink Stuff as glue, eight thousand people joined those already building dikes from Sectors 242 through 334.

We didn’t want to kill creativity, nor assume we could foretell what wouldn’t work. In some sense, almost anything was worth the effort, since it might give us additional breathing space till we came up with a real solution….

– – – –

Learn the cost of our drugs-&-guns addictions

On a more contemporary, historical note, family of the 43 missing students from Ayotzinapa, Guerrero, Mexico, who were tortured and disappeared by the Mexican state, will be in Colorado April 12th and 13th, as part of the national speaking tour, Caravana 43 (Caravan 43). The group will visit Denver, Greeley and Longmont.

The purpose of their visit is to provide to share their continued struggle for justice and to bring national attention to the systematic violence and impunity that continues to plague Mexico. The arrival of Caravana 43 in Colorado will mark over six months from the night of the attack that occurred in the city of Iguala on the evening of September 26, 2014, which left six people dead and 43 students forcibly disappeared.
Caravana 43 will be in other cities, listed here.

Es todo, hoy,
RudyG, a.k.a. Chicano lit author, Rudy Ch. Garcia, hoping to help bring back some wonderment and promise, like in The Closet of Discarded Dreams

Saturday, January 17, 2015

U.S. Latino spec-lit world blossoms

In the last two years, I've worked on half a dozen stories and books. Sci-fi, fantasy, historical fantasy, diverse characters and indigenous plots. This week I realized I'm "waiting in anticipation" too much and instead of describing more about my writing-trek, here's just of taste of what else is happening in the world of Latino speculative writers. Much more than this is going on that makes me optimistic about our writing.

Silvia Moreno-Garcia
Mexican by birth, Canadian by inclination

I'm only halfway through Silvia Moreno-Garcia's debut novel Signal to Noise, but here's a synopsis from her website:
A literary fantasy about love, music and sorcery, set against the background of Mexico City.

Mexico City, 1988: Long before iTunes or MP3s, you said “I love you” with a mixtape. Meche, awkward and fifteen, has two equally unhip friends — Sebastian and Daniela — and a whole lot of vinyl records to keep her company. When she discovers how to cast spells using music, the future looks brighter for the trio. With help from this newfound magic, the three friends will piece together their broken families, change their status as non-entities, and maybe even find love…

Mexico City, 2009: Two decades after abandoning the metropolis, Meche returns for her estranged father’s funeral. It’s hard enough to cope with her family, but then she runs into Sebastian, and it revives memories from her childhood she thought she buried a long time ago. What really happened back then? What precipitated the bitter falling out with her father? And, is there any magic left?

About the book:
“Numerous ’80s musical references make this unusual story a welcome blast from the past.” – Publisher’s Weekly
“A captivating story about friendship, music and magic, set in Mexico City.” – The Future Fire
Magic and music meet in this must-read novel.Nerds of a Feather
“It’s a sweet book that functions as a time capsule of sorts.” Lisa Shininger

From Sylvia: "Listen to my playlist for the novel. Also note a reviewer made a more comprehensive list of all the songs. Find the book on Goodreads"

Silvia's taken the classical path of seeking literary patrons, something I need to do more of. You can read about that and support her work.

Victor Milán
[with an accent on the A]

New Mexico resident, Victor Milán's next book, The Dinosaur Lords, is schedule this coming June. Here's info from his website:

"A world made by the Eight Creators on which to play out their games of passion and power, Paradise is a sprawling, diverse, often brutal place. Men and women live on Paradise as do dogs, cats, ferrets, goats, and horses. But dinosaurs predominate: wildlife, monsters, beasts of burden – and of war. Colossal plant-eaters like Brachiosaurus; terrifying meat-eaters like Allosaurus and the most feared of all, Tyrannosaurus rex. Giant lizards swim warm seas. Birds (some with teeth) share the sky with flying reptiles that range in size from bat-sized insectivores to majestic and deadly Dragons.

"Thus we are plunged into Victor Milán's splendidly weird world of The Dinosaur Lords, a place that for all purposes mirrors 14th century Europe with its dynastic rivalries, religious wars, and byzantine politics…and the weapons of choice are dinosaurs. Where we have vast armies of dinosaur-mounted knights engaged in battle. And during the course of one of these epic battles, the enigmatic mercenary Dinosaur Lord Karyl Bogomirsky is defeated through betrayal and left for dead. He wakes, naked, wounded, partially amnesiac – and hunted. And embarks upon a journey that will shake his world."

The Dinosaur Lords arrives July 2015, but can be pre-ordered from Tor Books, 416pp.

Daniel José Older
Bronx latino moving up

I also just received a paperback of Daniel José Older's debut novel, Half-Resurrection Blues - A Bone Street Rumba Novel, that I'm reading. Here's info from the publisher:
“Because I’m an inbetweener—and the only one anyone knows of at that—the dead turn to me when something is askew between them and the living. Usually, it’s something mundane like a suicide gone wrong or someone revived that shouldn’ta been.”

"Carlos Delacruz is one of the New York Council of the Dead’s most unusual agents—an inbetweener, partially resurrected from a death he barely recalls suffering, after a life that’s missing from his memory. He thinks he is one of a kind—until he encounters other entities walking the fine line between life and death.

"One inbetweener is a sorcerer. He’s summoned a horde of implike ngks capable of eliminating spirits, and they’re spreading through the city like a plague. They’ve already taken out some of NYCOD’s finest, leaving Carlos desperate to stop their master before he opens up the entrada to the Underworld—which would destroy the balance between the living and the dead. But in uncovering this man’s identity, Carlos confronts the truth of his own life—and death…"

Older will also be coming out with Shadowshaper, an action-packed urban fantasy, young-adult novel, in June, 2015. Here's a description:

"Cassandra Clare meets Caribbean legend. Sierra Santiago was looking forward to a fun summer of making art, hanging out with her friends, and skating around Brooklyn. But then a weird zombie guy crashes the first party of the season. Sierra's near-comatose abuelo begins to say "No importa" over and over. And when the graffiti murals in Bed-Stuy start to weep.... Well, something stranger than the usual New York mayhem is going on.

"Sierra soon discovers a supernatural order called the Shadowshapers, who connect with spirits via paintings, music, and stories. Her grandfather once shared the order's secrets with an anthropologist, Dr. Jonathan Wick, who turned the Caribbean magic to his own foul ends. Now Wick wants to become the ultimate Shadowshaper by killing all the others, one by one. With the help of her friends and the hot graffiti artist Robbie, Sierra must dodge Wick's supernatural creations, harness her own Shadowshaping abilities, and save her family's past, present, and future."

Junot Díaz
No Young Adult sci-fi?

Atlantic Monthly published what I assumed would be the opening to a sci-fi novel that Díaz has been working on. Here's the latest news on that:

"In a new interview, The Long, Wondrous Interview with Junot Díaz You Have to Read in the journal Paradoxa, Pulitzer-winning author Junot Diaz speaks at length with Taryne Jade Taylor about the allure of genre fiction, colonialism disguised as sci-fi, writing, and immigrating to the U.S. at an early age (he refers to it as "a profound fracture of my reality, a temporal and spatial anomaly"). During the interview, Diaz also said that his attempt to write his new (YA?) novel—which was excerpted in a 2012 issue of The New Yorker—has "ground to a halt," admitting, "I'm probably going to have to abandon it."

The journal Paradoxa might have more details that I'll share after I receive it. Here's a sample of the The New Yorker excerpt:

"Everybody at school knew Alex. Shit, I think everybody in Providence knew him. Negro was star like that. This flash priv kid who looked more like an Uruguayan fútbal player than a plátano, with short curly Praetorian hair and machine-made cheekbones and about the greenest eyes you ever saw. Six feet eight and super full of himself. Threw the sickest parties, always stepping out with the most rompin girls, drove an Eastwood for fuck’s sake."

I read the entire piece and thought it was typical Díaz literary, with added picante of invented, futuristic phrasing, and even dizzier prose than his other novels. But he may never complete the novel. I've been thinking on that and if I come up with anything worth sharing, I will. I can't imagine Díaz not producing something that could become classic, Latino spec lit. Here's two excerpts from the interview that lead me to believe this:

"I fell for (sci-fi) genre because I desperately needed it—in my personal mythology, genre helped me create an operational self. I suspect I resonated with the world-building in many of these texts because that's precisely what I was engaged in as a young immigrant. And then of course there was the sheer pleasure of these stories, of these narratives.

"I'm not alone in noting the irony that a genre like sci-fi, historically obsessed with alterity, should have so much trouble with actual people of color and women and LGBT peoples. But when one understands the degree to which nearly all our genres are haunted by, and have drawn a lot of their meanings, materials, and structures from the traumatic Big Bang of colonialism and its attendant matrixes of power (coloniality)— irony strikes one as the least of our problems.

"Alien invasions, natives, slavery, colonies, genocide, racial system, savages, technological superiority, forerunner races and the ruins they leave behind, travel between worlds, breeding programs, superpowered whites, mechanized regimes that work humans to death, human/alien hybrids, lost worlds—all have their roots in the traumas of colonialism."

More latino spec coming

Latino/a Rising: An Anthology of U.S. Latino/a Speculative Fiction will be the first anthology to bring together U.S. Latinos/as who are working in science fiction, fantasy, and other speculative genres. It is truly an exciting time for Latino/a speculative fiction and there is a large movement of fans and scholars who are recovering its history and promoting the work of contemporary writers and artists. The editor is Matthew David Goodwin, who recently reported he'd received over sixty new submissions.

Here are some of the authors and artists already scheduled to be in the anthology: Kathleen Alcalá, Giannina Braschi, Pablo Brescia, Ana Castillo, Daína Chaviano, Junot Díaz, Carlos Hernandez, Ernest Hogan, Adál Maldonado, Carmen Maria Machado, Alejandro Morales, Daniel José Older, Edmundo Paz-Soldán, Alex Rivera, Sabrina Vourvoulias. Publication is planned for summer of 2015.

Es todo, hoy, but the year's just beginning.
RudyG, a.k.a. Rudy Ch. Garcia, Chicano spec author working on his own good news for 2015

Saturday, May 03, 2014

A Day of Latino Science Fiction - thoughts & info


Wednesday this week, I joined other Latino writers for the workshop sponsored by Science Fiction and Technoculture Studies Program at Univ. of California, Riverside, organized and hosted by Sherryl Vint, Professor of Science Fiction Media Studies. Appended are the 2. La Bloga Spec Lit Directory, and 3. links I promised to post. [photos by Michael Sedano]

Prof. Sherryl Vint
1. The workshops were great, a great hostess and audience for the event. Being there with Mario Acevedo, Ernesto Hogan, Rosaura Sanchez, Beatríce Pita, Jesús Treviño and La Bloga's Michael Sedano was uplifting. What immediately follows are my notes, only some of which I shared there:

Latinos have had to follow Anglo-Americans; they kept invading our lands, our Aztlán and our islands. That's their history and why we had to adopt and follow the ladder of the American Dream, even when forced to assume the role of Boogie Man. As U.S. society "allowed" Latinos to enter, we worked our way up, saving money, buying homes, sending kids to college, becoming professionals, established or famous. Our relatives the immigrants do the same, getting a credit card, a home, buying a big black truck, etc.

As our gente's educational level rose and Latino spec writers emerged. We weren't uneducated before; the problem was the literary establishment's English-only prejudice about accepting Spanish. Getting past the East Coast/White Boy publishing curtain, latinos' SF works were/are being published, winning awards as best sellers, even making their way into movies; no Nobel Prize winners, yet. In the SF Hugo Awards for Best Professional Artist, Daniel Dos Santos and John Picacio were nominated this year and last year, with Picacio taking it in 2013.

However, latinos haven't always followed the exact path of Anglo writers, and this speaks to why we may not need to and maybe shouldn't follow in their footsteps.

Anglo sci-fi lit arose in the 1930s with John W. Campbell, Isaac Asimov, Damon Knight, Frederik Pohl, Robert A. Heinlein, Arthur C. Clarke, Ray Bradbury. They called it the Golden Age of science fiction--golden as in blond-haired--with stories centered on scientific achievement and progress, like at the first World Science Fiction Convention held in NY in 1939.

5 of the 6 Latin@ authors
My father grew up in those times and with that technological awareness; he read SF pulps every day. He never became a Rudy Rucker mathematician or David Brin scientist and never wrote SF. He rose as he could, up to supervisor of military jet maintenance, a prestigious position for a tejano in the 1950s. But, as a Mexican, he was tracked into Tech High School, otherwise he might have graduated from college and written SF, and I could've pimped off his fame.

Decades later, the "forward-thinking" SF establishment opened its white-man's club to women and then, people of color. The rear, kitchen door was always open, but now the front door is ajar. Now that Latinos have a foot in the door so they can't close it on us, what directions will we take or even create?

In a recent interview, YA novelist Matt de la Peña asked, "Where's the African-American Harry Potter or the Mexican Katniss?" Elsewhere, author Armando Rendón asked where are the "guidelines appropriate to writing aimed at Latino children, created by Latino literati who understand their needs?" And a member of our better, mestizo half, Sherman Alexie, said, "I want to see more brown kids as characters!" Such statements made me begin to wonder if there are different paths Latino SF could take.

We know Latino youth need Latino-authored stories about Latino heroes and heroines. If you need backup to convince your principal, school board or politicians, just check the recent and ongoing #WeNeedDiverseBooks campaign.

Focusing on mainstream, YA sci-fi (and fantasy), there are five, frequent themes: Good vs Evil, Love Triangles, Paranormal Beings, Dystopian futures and the Superhero. What perspectives do Latinos bring to these themes? I'll skip the struggle of good vs. evil that could be the topic of a whole conference. I'll also skip Twilight's love triangles of two hunky boys competing for one hot girl because I was never the former nor did I get the latter.

Ernesto Hogan & Mario Acevedo
#3. Paranormal beings, like aliens, vampires, werewolves, mermaids, zombies, shape-shifters, fairies. Latinos bring indigenous Taíno zemí spirits and the huracán god, and La Llorona and El Cucui from Mexican heritage. But we didn't stop there, even as Anglo SF writers appropriated our monstruos. Mario Acevedo gave us a Chicano vet bitten by an Iraqi vampire. Ernesto Hogan gave us sentient, gaseous life-forms on Jupiter. Magical realism regularly emerges from the latino heritages.

Theme #4 in YA SF- Dystopia, which includes futuristic, dismal settings where teens battle tremendous odds, and sometimes, adults, in order to save humanity. What I'd like to see from Latinos is more about our dystopias. A future where there's no electricity, no lights or power, no gas for cars or food on store shelves? Hey, Latinos (and all the poor) have been living that dystopia before Anglo SF writers even knew how to misspell the word.

What about portraying the barrios, when mamá can't pay the utilities because she only has a lowly typist job. Zombies stomping all around in the future? Try making it to the baño in the middle of the night when the rats are playing all over the sink, without crunching the cucarachas that're running all over the floors! You want hunger games? How 'bout your familia doesn't qualify for food stamps, and the only things in the cupboard is cans of lima beans and garbanzos. I don't think Latinos have even begun to exhaust the contemporary dystopias we could write for mainstream U.S. readers.

I believe theme #5 is the biggest challenge--and opportunity--for Latino SF writers. The lone hero on a quest to save the world or to defeat the forces of evil.

Only a part of the Riverside audience
To take just one old white-guy SF, R.Heinlein's Stranger in a Strange Land, the character Michael Smith was raised by Martians to have psychic powers and superior intelligence and battles evil, church forces and starts a new religion that will remake and save human, gringo society. In another of my favorite readings, The Foundation Trilogy, Hari Seldon develops the statistical math to save the intergalactic empire but he's outflanked a human mutant named The Mule, who's even more gifted and powerful.

Catniss in Hunger Games (2008) or Frodo in Lord of the Rings (mid 50s) are slightly different. These heroes need allies because they are not superhuman enough to accomplish their deeds, alone. They need help, they need to gain or win friends for that. They're like today's kids. Actually, they're also like my 30-year-old kids when they were growing up with friends of other colors--white, Asian and multi-ethnic.

So what can Latinos bring to this theme? In Afro-6, maybe the first Chicano SF novel, blacks form a military alliance with Latinos of NYC, the Boricuas. Think on that for a second. The first latino SF book. Wasn't just about Latinos. It was not about a Latino Robin sidekick for an ethnic Batman vato--it was about two ethnic groups, communities uniting, about black and brown solidarity.

In another examples, Jesus Treviño's screenwork includes Ed Olmos in Battlestar Galactica--as the admiral, not a drug lord. Treviño also wrote for the multinational cast of Star Trek.

Afro-6 didn't come out of the civil rights struggles; it pre-dated them. However, ethnic mixing is not surprising for NYC. Remember, the book Afro-6 came out 50 years ago. Realize how many decades it took the old white-guy SF writers to have characters, peoples cross that line. Some still never leave their fictionally colorless Gringolandia where many characters are still college-educated scientists. So, what different routes have Latinos taken?

As in all Latino lit, our SF includes the successful, middle-class Hispanics. But a lot of it doesn't. Looking at today's panelists, The Techos and Migros in Lunar Braceros were the homeless and unemployed; Mario Acevedo's Felix Gomez character and my protagonist didn't graduate from college; Ernesto Hogan's character Pablo Cortez, a self-educated dropout, probably spent most of high school in detention or suspended. And Jesus Treviño's characters in The Fabulous Sinkhole live in a poor, border town colonia. Qué. Curioso. Somos. How different the Latino SF protagonists--no?

Jesús Treviño on media panel
The indio Sherman Alexie also said, "With YA, you can make real, significant, social change." In general, the same is possible with sci-fi and spec lit. Latino SF is politically and socially more progressive because of our shared histories dominated by U.S. Manifest Destiny, oppression and exclusion. Again, looking to the panelists' novels, this is developed in Lunar Braceros to a great degree. Cortez on Jupiter is about a Chicano artist dealing with an unbelieving, white establishment. The Chicano protagonist of Nymphos of Rocky Flats doesn't just get screwed over like so many latino Iraqi War vets, he returns home vampire-bitten! And my hero in The Closet of Discarded Dreams has one goal--to get out of a mad, consumer-goods-worshipping world where americanos' dreams are his nightmares.

But speaking about the lone hero in SF, in Afro-6, Lunar Braceros and in my novel, there's something else--united action, popular uprisings, mass movements like those of the 60s and 70s. The last Hunger Games novel has rebellion and urban guerilla warfare and the defeating of the establishment, much like Afro-6. But that's still an old, white-guy SF story. It's not new.

I'll pimp my novel to get to a new theme different from the lone hero. Not to do a spoiler, in the book, the hero is only part of a mass movement. That movement is spontaneously organized, works by democratic consensus and volunteer brigades. They don't have Twitter or Facebook, but they use a crowd-sourced Grapevine to organize themselves. The multinational population divides up based on their skills and abilities. Their efforts succeed in helping stall the forces of evil long enough for others to realize how my hero plugs into their struggle. If the book had been published when I finished it, I could have taken credit for predicting the Occupy Movement.

I don't think Latino SF writers have tapped into our roots of communal action enough yet and there's reasons we should. From our indio roots, come many traditions of councils of elders, some matrilineal, where it wasn't just one, big warrior who saved his people. Also, all latinidad have familial, even clan, traditions where mass action helps everyone survive (not to romanticize us as perfect). From the annual communal clearings of acequías in the Southwest to almost magical way families contribute to a tamalada, we have historically proven methods of accomplishing almost anything. If you've never seen one, try describing the dynamics of an Easter celebration at abuela's house.

One great, black author who went beyond the lone hero theme was Octavia Butler in her Parable of the Sower series where the Oya heroine begins a religion, a movement to "shape God and the universe." Now there's something mass(ive)--a peaceful, though not passive, movement.

Some Latino SF writers will explore developing our own themes to shape the future, something going beyond the lone hero, however much the Hero's Quest must be used as a narrative approach. I don't know all of what might come out of that. I do know the Afro-6 revolution isn't necessarily it, but not because I'm a pacifist. My first published novel began my thinking that I further developed in a just completed YA manuscript, Hearts bruised, dreams mended.

UC-Riverside grad students on panel
But we don't need a new jefe, caudillo, chingón Supermacho imposing his will, followed around by his bodyguards, having his pick of the women, and leading and saving his people. A female one, either. We need Latino heroes and heroines for the 21st Century.

Dystopia, economic collapse, unaffordable college, homelessness, Global Warming catastrophes, even the heightened racism against immigrant and "legal" Latinos--this isn't some futuristic SF, it's what many young people face now and for their foreseeable futures. In our small way, Latino SF writers can give all children something--new themes, methods, paths. Hope. Esperanza. Poder. Fuerza. We can't follow in the footsteps of the East Coast, Anglo-male dominated publishing industry, anymore. We need our own Latinonautica, we need to show others a multinational effort for change, what Ernesto Hogan terms, "an international, Latino New Wave in speculative fiction."


2. La Bloga Spec Lit Directory 
[Speculative literature = science fiction, fantasy, horror, magic realism, a lo menos]
Below is the latest list of Latino spec novelists, only their first books, publishers, and websites in chronological order. I welcome contributions to making this more complete and current and will periodically update.
[Self-described: Chicano, Cubano, Hispanic, Mexicano, Mexican American, Puerto Rican, Sudamericano, American y más, expanded as needed. ?? = undetermined by us. Publisher in parens.]
1922 Campos de Fuego - breve narración de una expedición a la región volcánia de "El Pinacate", Sonora Gumersindo Esquer [M]. "A Mexican Jules Verne." This came out after the Border got put up, but we could claim Esquer as a precursor.
1969 Afro-6, Hank Lopez. [MA?] (Dell Publishing) According to NYTimes obit, Lopez was "born in Denver of parents who had emigrated from Mexico." A futuristic thriller about a Black, armed take-over of Manhattan. [Copyright includes Harry Baron, not listed as co-author.]
1972 Bless Me, Última, Rudolfo A. Anaya (Ch] (Quinto Sol) http://www.neabigread.org/books/blessmeultima/readers-guide/about-the-author/
1976 Victuum, Isabella Rios. (Diana-Etna Inc.) Where psychic development epitomizes with the encounter of an outer-planetary being. O.O.P.
1978 The Road To Tamazunchale, Ron Arias (Ch) (Bilingual Press) http://www.amazon.com/Tamazunchale-Clasicos-Chicanos-Chicano-Classics/dp/0916950700
1984 The Rain God: A Desert Tale, Arturo Islas [Ch]  (Alexandrian Press) http://business.highbeam.com/4352/article-1G1-18616692/historical-imagination-arturo-islas-rain-god-and-migrant"
1984 The War of Powers, Victor Milán [??] (Hodder & Stoughton Ltd.) http://www.victormilan.com
1990 Cortez on Jupiter, Ernest Hogan [Ch] (Tor Books) A Ben Bova Presents publication. "Protagonist Pablo Cortez uses freefall grafitti art--splatterpainting--to communicate with Jupiter's gaseous forms of life." http://www.mondoernesto.com
1992 Mrs. Vargas and the Dead Naturalist, Kathleen Alcalá [Ch] (Calyx Books)
1993 Like Water for Chocolate, Laura Esquivel [Ch] (Random House Black Swan)
1993 Afterage, Yvonne Navarro [A] (Overlook Connection Press) http://www.yvonnenavarro.com/ Dark fantasy & horror.
1995 The Fabulous Sinkhole, Jesus Treviño [Ch] (Arte Público Press) "Stories into magic realism: spunky teen Yoli Mendez performs quadratic equations in her head." Film/TV Director/Writer of Prison Break, Resurrection Blvd. Star Trek Voyager, Babylon Five, Deep Space Nine. http://chuytrevino.com/
2000 Clickers, J.F. Gonzalez [??] (DarkTales Publications) Horror. http://jfgonzalez.com/
2000 Places left unfinished at the time of creation, John Phillip Santos [Ch] (Penguin Books) "A girl sees a dying soul leave its body; dream fragments, family remembrances and Chicano mythology reach back into time and place; a rich, magical view of Mexican-American culture." http://provost.utsa.edu/home/Faculty_Profile/Santos.asp
2000 Soulsaver, James Stevens-Arce [PR] (Houghton Mifflin Harcourt) www.stevens-arce.com
2001 The New World Border, Guillermo Gomez-Peña [??] (City Lights Publishers) News reports from a borderless future where whites are a minority and the language is Spanglish.
2003 Matters of the Blood, Maria Lima (Cu-Am?] (Juno Books) http://www.marialima.com/
2004 Unspeakable Vitrine, Victoria Elisabeth Garcia [??] (Claw Foot Bath Dog Press) Chapbook collection of short magic realist fiction
2004 Devil Talk: Stories, Daniel A. Olivas [Ch] (Bilingual Press) These twenty-six stories bring us to a place once inhabited by Rod Serling . . . only the accents have changed; Latino fiction at its edgy, fantastical best. http://www.danielolivas.com
2004 Creepy Creatures and Other Cucuys, Xavier Garza (Piñata Books)
2005 The Skyscraper that Flew, Jesus Treviño (Arte Público Press). An enormous crystal skyscraper mysteriously appears in the Arroyo Grande's baseball field. Then the stories begin. http://chuytrevino.com/
2006 The Nymphos of Rocky Flats, Mario Acevedo [Ch] (Rayo Harper Collins) http://marioacevedo.com
2006 Gil's All Fright Diner, A. Lee Martinez [A] (Tor) Born in El Paso, he has other books, but may not consider his books or himself anything latino. http://www.aleemartinez.com/
2007 Firebird, R. Garcia y Robertson [A] (Tor)
2007 Abecedarium, Carlos Hernandez [??] [w/D. Schneiderman] (Chiasmus Press)
2007 Moon Fever, Caridad Piñeiro [Cuban American] (Pocket Books) http://www.caridad.com/bio/" Paranormal romance.
2008 Happy Hour at Casa Dracula, Marta Acosta [L] (Pocket Star) http://www.martaacosta.com
2008 The King's Gold: An Old World Novel of Adventure, Yxta Maya Murray (Harper Paperbacks)
2009 Lunar Braceros, Rosaura Sanchez, Beatrice Pita & Mario A. Chacon. (Calaca Press)
2012 The Witch Narratives, Belinda Vasquez Garcia, [??} (CreateSpace Independent Publishing Platform) http://www.belindavasquezgarcia.com/ The little-known world of Southwestern witchcraft.
2012 The Closet of Discarded Dreams, Rudy Ch. Garcia [Ch]. (Damnation Books) A Chicano alternate-world fantasy. Honorable Mention, SF/F category, 2012-13 International Latino Book Awards. Discarded-dreams.com
2012 Spirits of the Jungle, Shirley Jones [H] & Jacquelyn Yznaga [H] (Casa de Snapdragon)
2012 Virgins & Tricksters, Rosalie Morales Kearns [PR +Dutch] (Aqueous Books) Magic and folklore pop out of everyday encounters. http://rosaliemoraleskearns.wordpress.com
2012 Joe Vampire, Steven Luna (Booktrope Editions) [??] thestevenluna.wordpress.com
2012 Summer of the Mariposas, Guadalupe Garcia McCall [Ch] (Tu Books) Pura Belpré Award winner; Andre Norton Award nominated. http://www.guadalupegarciamccall.com .
2012 Roachkiller and Other Stories, R. Narvaez [PR] (Beyond the Page Publishing) Winner of 2013 Spinetingler Award for Best Anthology/Short Story Collection and 2013 International Latino Book Award for Best eBook/Fiction.
2012 Salsa Nocturna, Daniel José Older [??] (Crossed Genres Publications) http://ghoststar.net
2012 Dancing With the Devil and Other Tales From Beyond, René Saldaña Jr. [MA] (Pinata Books) http://renesaldanajr.blogspot.com
2012 Ink, Sabrina Vourvoulias [L] (Crossed Genres Publications) http://followingthelede.blogspot.com
2013 The Miniature Wife & Other Stories, Manuel Gonzales [??] (Riverhead Books) www.facebook.com/pages/Manuel-Gonzales/110962335695879
2013 Spirits of the Jungle, Shirley Jones & Jacquelyn Yznaga [??] (Casa de Snapdragon) Kindle version, 2012.
2013 The Odd Fellows, Guillermo Luna [?] (Bold Strokes Books) http://friendshiploveandtruth.blogspot.com
2013 This Strange Way of Dying: Stories of Magic, Desire & the Fantastic, Silvia Moreno-Garcia [M] (Exile Editions) silviamoreno-garcia.com. Collection of fantasy, science fiction, horror—and time periods.
2013 Infinity Ring: Curse of the Ancients, Matt de la Peña [??]. (middle-grade, Scholastic Inc.) "Sera sees the terrifying future, but can’t prevent the Cataclysm while stranded thousands of years in the past. The only hope lies with the ancient Maya, a mysterious people who claim to know a great deal about the future." http://mattdelapena.com

3. Websites relevant to the Latino SF workshop:

"Speculative fiction is at its core syncretic; this stuff doesn’t come out of nowhere. And it certainly didn’t "spring solely from the imaginations of a bunch of beardy old middle-class middle-American guys in the 1950s." from N.K. Jemisin's Continuum GoH speech last year in Australia, calling for "a Truth in Reconciliation commission, such as encouraging blind submissions, demanding diverse characters on book covers. Women and people of color have our own suggestions for change. . . . Who has the greater stake in teaching mainstream U.S. sci-fi "how to be multicultural, and in tune with the world?" Women and POC have learned from the mistakes and successes in sci-fi "to truly become the literature of the world’s imagination."

"According to the Cooperative Children's Book Center, fewer children's books were written by Latinos or African-Americans in 2013 than in previous years. . . . Publishers turn down 97% of manuscripts they receive, regardless of the topic."

"55% of young adult books purchased in 2012 were bought by adults between 18 and 44 years old, according to Bowker Market Research.




A summary of sites about Racefail 09


Daniel Jose Older's article "Diversity Is Not Enough"


12 Fundamentals about writing the Latino Other

Junot Diaz’s article on the POC failures of MFAs


Es todo, hoy,
RudyG aka Rudy Ch. Garcia
Author FB - rudy.ch.garcia         Twitter - DiscardedDreams