Coast to Coast Interview with Toni Margarita Plummer

Melinda Palacio

Toni Margarita Plummer at the Santa Barbara Writers Conference

On Tuesday, Michael Sedano wrote his review for The Bolero of Andi Rowe. I’ve also recently finished Toni Margarita Plummer’s book and relished each of the stories. What struck me was the outstanding way in which she portrays strong, female characters who are in control of their sexuality. These are not your abuela’s stories of rebellion and tortilla making, but contemporary coming of age stories, set in South El Monte, Plummer’s hometown. Of the Winner of the Miguel Mármol Prize and Honorable Mention in the Mariposa Award, Sandra Cisneros writes:

“Heartfelt stories of girls who ache to live in any other world than the one given them and who disastrously believe falling in love is the only way to get there. American tales for the new millennium.”

First Book Panel at the SBWC with Amy Franklin-Willis, Melinda Palacio, Ramona Ausubel, and Toni Margarita Plummer

Attendees at the Santa Barbara Writers Conference had the pleasure of hearing Toni Margarita Plummer both as an editor and an author on the first book panel, which included Amy Franklin-Willis (The Lost Saints of Tennessee), Ramona Ausubel (No One Is Here But All of Us), and Melinda Palacio (Ocotillo Dreams). This year the SBWC had the best first book panel, and the best looking bunch as well. Sure, I’m biased because I was on the panel. I’ve also had several people tell me they appreciated our candid words. I’ve been attended the SBWC for ten years and it was certainly the most packed first book panel. Our moderator was late and we took over. Judge for yourself and read all of our books and then you can add your comment of how great it was to read these four female authors in conjunction.

Interview with Toni Margarita Plummer

Melinda Palacio: After polishing these award-winning stories, what have you learned about yourself as an author and what surprises you most about your role as author?

Toni Margarita Plummer: Well, I know that I love being an author! Now that I have this first book done I want to write 10 more! What’s surprising is hearing how differently people can read the same story. As readers, we seize on different things, connect with different aspects. And some readers have made these really insightful comments, things I never even thought of.  So the writing and intention is one thing, and the interpretation is another. It’s fun that we can discuss these stories. I’m the author, but that doesn’t mean I’m the only one who has anything to say about them. I revised them a lot. So it’s also great to know that they’re being well-received. I feel my instincts were right.

MP: How do you know when to end a story? Do you change your mind often about the ending?

TMP: The ending is usually the one part that stays the same! It’s more likely I’ll decide to begin in a new place or play around with the middle.  I usually know where I want to go. It’s getting there that can be tricky.

MP: You write about women who own their sexuality, such as Inez Suarez. Who is your biggest influence in writing strong women characters and why is this important to you?

TMP: I think of Inez as not really knowing what else to do with herself, or how else to express her sexuality, and so she’s in this pattern where she moves from guy to guy and does the whole club scene. But strong women and women exercising their sexuality is very important to me. I don’t think that comes from any particular influence, but more from just my experiences as a woman and hanging out with other women. A woman’s sexuality is a key part of who she is. So it’s really more about capturing the reality that I’ve seen and writing women who are as true-to-life as possible.

Melinda and Toni in Manhattan two weeks ago

MP: What is your favorite thing about being an editor in New York?

TMP: It’s finding authors whose work I love and connect with. I get to share that work with my colleagues and ultimately with the larger reading public. Your whole self goes into selecting the books you acquire. It can end up being quite personal. What’s really gratifying is hearing that other people love it too. I guess that’s more than one thing!

MP: Since your life allows you to see both sides of writing, what advice would you offer to begining writers.

TMP: So many writers focus on just getting that first book published. Of course that’s important, but it’s just the beginning! Set long-term goals for your writing. Remember that a career is usually built over many books. Be a part of the literary community however you can.

MP: What else would you like to tell readers of La Bloga about yourself?

TMP: I recently joined the board of Kweli Journal, an online literary journal for writers of color. We’re always looking for submissions, and we’re especially in need of nonfiction. Check out the website: http://kwelijournal.org. You can also read a short story of mine there, about Andi Rowe!


MP: Read more about Toni Margarita Plummer on her website: http://tonimargaritaplummer.wordpress.com/

Bolero & Plummer. Chupacabra & UNM Press.

Miguel Marmol Prize winner coming out

Toni Margarita Plummer's first book, The Bolero of Andi Rowe, winner of the Miguel Marmol Prize, comes out in June from the new Curbstone imprint at Northwestern University Press.

From the publisher:

"Largely set in Los Angeles’s San Gabriel Valley, this prize-winning collection of interlinked stories centers on the Rowe family. Olivia Real, originally from Mexico, marries Charles Rowe in the 1970s. They have two daughters: Andi takes after her mother, Maura is blonde, blue-eyed, and fair-skinned. Olivia and Charles get divorced a few years later, but Olivia, whose parents died when she was a child, continues to have a special relationship with her Irish-born mother-in-law.

"Plummer’s characters share a keen sense of the loss that comes from distance both figurative and literal. In “Happy Hour,” Olivia grapples with her mother-in-law’s death, and in “To Visit the Cemetery,” she visits her parents’ grave in Mexico City, where she seeks reconciliation with her sister, who has remained in their native land. Andi, an architecture student in New York, struggles to connect to the friends and neighbors she’s left behind, including her best friend, a Filipina bent on finding love in the club scene, and Andi’s almost-sweetheart, a musician doctor-to-be torn between affections.

"When distances are closed between characters, the emotion and passion is explosive and honest. Plummer has written an evocative, sometimes surprisingly sexy collection that, when taken as a whole, shows an incredibly rich picture of a place and a way of life. The Bolero of Andi Rowe marks the arrival of a truly original voice in Latina fiction."

Here's Sandra Cisneros's blurb on this debut short story collection: "Heartfelt stories of girls who ache to live in any other world than the one given them and who disastrously believe falling in love is the only way to get there. American tales for the new millenium."

Watch for readings this spring and summer in your area. La Bloga will be doing a review and possibly a Q&A with Plummer.

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Chupacabra sighted at UNM Press

Leading off the University of New Mexico Press's Spring 2011 catalogue is the book Tracking the Chupacabra by Benjamin Radford.

From the publisher:

"Among the monsters said to roam the world’s jungles and desolate deserts, none is more feared than the chupacabra—-the blood-sucking beast blamed for the mysterious deaths of thousands of animals since the 1990s. To some it is a joke; to many it is a very real threat and even a harbinger of the apocalypse. Originating in Latin America yet known worldwide, the chupacabra is a contradictory and bizarre blend of vampire and shapeshifter, changing its appearance and characteristics depending on when and where it is seen. Rooted in conspiracy theory and anti-American sentiment, the beast is said to be the result of Frankenstein-like secret U.S. government experiments in the Puerto Rican jungles.

"Combining five years of careful investigation (including information from eyewitness accounts, field research, and forensic analysis) with a close study of the creature’s cultural and folkloric significance, Radford’s book is the first to fully explore and try to solve the decades-old mystery of the chupacabra."

Click here for the author's website.

Benjamin Radford is managing editor of Skeptical Inquirer science magazine and a Research Fellow with the nonprofit educational organization the Committee for Skeptical Inquiry. The author of five books and hundreds of articles, he is a regular columnist for Discovery News and LiveScience.com. He lives in Corrales, New Mexico.

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New Spanish language imprint

There's a Q&A with the Editorial Director of Penguin's new C.A. Press on Marcela Landres's website. Go here to learn more about the 
challenges and opportunities in Spanish language publishing in the U.S., 
as explained by Erik Riesenberg.