Saturday, April 28, 2018

Nightime Basketball in the Barrio by AntonioSolisGomez

Broadway Streetcar in Lincoln Heights in the 50's (similar one ran on Main Street)

Our family rented homes in Lincoln Heights through all of the 1950’s. One of those homes was on Workman Ave near the corner of Main Street where Files Garage was located. In and around Files’s, Jack and his buddy Johnny, a couple of winos hung out, it being next door to Dan’s liquor store where they were able to buy 25 cents bottles of Tokay wine. They both were a marvel to see but more so Jack who was able to lean back seemingly in defiance of the laws of gravity and anyone seeing him would think that he was about to topple backwards but at the critical moment he would right himself and begin the drama again a little later. 
My Stepfather Jesus Parral and my sister Maria circa 1956



When my grandmother joined us in Los Angeles, she having stayed in El Paso, when my stepfather moved us to Los Angeles, unbeknownst to us she had hooked up with my nina Concha’s brother, Moises, who we soon learned was also a wino. Moi, as he was known to his friends, was a super mechanic and File lost no time in exploiting his talents and paying him in 25 cent bottles of Tokay. The three of them Jack, Johnny and Moi became a fixture in the area but especially at Files garage.

Our home was a small one bedroom rear bungalow at the end of the driveway of the home of the Quevedos, mother, dad and three children Bobby, Freddie and Jimmy. I was 12, about Bobby’s age, but far behind him in his flights of imagination involving fornication with girls that he liked to tell me. And which I enjoyed hearing, thinking at the time that they were real experiences.

 Current photo of our former house on Workman Street. On the right the Quevedo's home

That first summer Dan, who belonged to one of the local merchants club, asked if I wanted to go to a summer camp and I not knowing what a summer camp was, said yes. A week later I was on a bus with other underprivileged Black and Chicano boys headed for Ernie Pyle Camp in the California Redwoods. I had never been away from home and I was miserable with homesickness for most of the two weeks. Was I glad to return home! The summer went quickly and soon classed started as did football season.

Next door to Dan’s Liquor store was a tortilleria run by a middle aged Mexican couple who were the parents of Louie, a twenty something over weight son with a baby face that matched his immaturity. He didn’t seem to have any friends his own age and he would often be playing football with us at the Safeway Parking lot across from Files Garage. He continually raided the cash register of his parents, using the money for nice shoes, clothing, and to buy tickets for the Rams football games, and he would invite one of neighborhood boys that lived nearby, including my brother Ruly or me. It was the first time any of us had been to see the Rams and we all looked forward to take our turn.

My stepfather Jesus, a World War II veteran, was a carpenter and sort of knew his way around construction.  In the Spring he rented the single family three bedroom house next door to where we were living, tripling our living space. It also came with a huge backyard and my older brother Ruly and I proposed to him that we make a basketball court. He surprised us by saying yes. Ordinarily he was not a person that went out of his way to accommodate us in any fashion, it being the era when adults and children were separated by a marked division of interests and activities. More surprising was that the dirt yard was very uneven with several low spots and in the middle a mound of dirt four foot tall and leveling the yard would require a great expenditure of physical effort. I say he surprised us because he was an individual that preferred to let us do the work whenever possible, whether it was going to the store to buy him a pack of cigarettes, getting him a tool from his tool box, or a beer from the frig etc. We were always his grunts and goffers and in this endeavor he would have to get out con pico y pala, right alongside Ruly and me.

 My brother Ruly holding our basketball, my nina Concha and I, in front of the Workman Street house.


We labored daily for over a month that spring, my stepfather working after work in the evenings and on weekends and Ruly and I doing what we could when he wasn’t around. We all used the shovel and we all took turns loading and carting the wheelbarrow. It was backbreaking work but everyday showed progress and one day the mound of dirt had disappeared. My stepfather then beginning using his carpentry skills, putting stakes here and there, stretching string from one to the other, using a level to determine low or high spots and we helping him to fill in or take off as needed. Finally it was done, a court that measured about 60 by 20 feet, level and packed down and at either end a ten foot tall 8”x 8” timber imbedded in the dirt, with a metal basketball hoop at the top.

Ruly and I began shooting hoops the next day and two neighbor boys David and Frankie joined us. Our backyard was higher than their home and separated by a retaining wall that they had to climb to reach our basketball court. Their home was at the rear of a couple of two story quadplexes, each having four dwellings and whose front doors faced Main Street. The Quevedo boys from next door, Bobby and Freddie, also joined us. When my stepfather came from work he joined in too. We were playing a version of Horse, not really having enough players for an actual game until other neighbor men from the quadplexes, getting home from work, came over and asked to play. Soon we did have ten players and the game started until the sun began casting a closing shadow and we could no longer see the ball.

The summer wore on, with immediate neighbors coming over for a game as well as passerby’s that could see us playing from the street. One of our regular players was Louie from the tortilleria. Another regular player was Mercedes, a man who had a vintage two hand set shot that he learned when he played a little college ball in New Mexico. Yet another player who saw us playing while on a walk was an Anglo medical student at the Osteopath Medical School on Mission Road, that I see in retrospect, was an arrogant young man who was convinced that he spoke better Spanish than we did.

It was a popular spot all summer, so much so that my stepfather had to wire two light bulbs above the rims in order to have some night basketball.




Friday, April 27, 2018

Phoning It In



Literary news was slow this week. Meaning, I got nothin' for La Bloga.
Or maybe I was sidetracked and didn't pick up on what I should have. I can be as distracted as the next guy, more so, actually. Ni modo. Desperate people take desperate chances. This is mine: I return to my trusty Samsung phone and pull out .... fotos.

Presenting a short selection of random photographs, for your viewing and enjoyment, I hope. Or not. Click on the photo for a bigger image.
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Two New Orleans Bookstores: Arcadian Books and Prints and FAB













Snow Agave and Dangerous Beauty









Peace 1 and Peace 2












Dream 1 and Dream 2










Later.


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Manuel Ramos has three noir short stories in the literary pipeline: Night in Tunisia (Blood Business, Mario Acevedo and Joshua Viola, eds., Hex Publishing, 2017), Snake Farm (Culprits: The Heist Was Only the Beginning, Richard Brewer and Gary Phillips, eds., Polis Books, 2018), and Sitting Ducks (Blood and Gasoline, Mario Acevedo, ed., Hex Publishing, 2018). His next novel is scheduled for publication in September, 2018.

Thursday, April 26, 2018

Chicanonautica: From Mexico City to Mars


Prime Meridian, a novella by Silvia Moreno-Garcia is getting Hugo buzz, and will be in The Year’s Best Science Fiction. And I’m giving it the Chicanonautica Seal of Approval.

It’s about a young woman named Amelia, who dreams of moving to Mars, and struggles to survive a near future Mexico City that’s so real it causes flashbacks of El D.F. It deals with themes I’ve written about--Mexico City, Mars, Latinoids, future urban environments--but I’m a surrealistic slapstick comedian, and Silvia’s a more serious, realistic writer. Those of you who think I’m too wild and crazy may like her better. I certainly enjoy and admire her work.

Amelia one one of those characters who sticks in your memory, and reminds me of a lot of young women I know. Silvia is good with characters. In the supporting cast, I especially liked the ex-movie actress, who Amelia works for as a rent-a-friend for a social version of Uber--does something like this exist already? There’s also a character who never actually shows up, but left me wanting more, a Jodorowsky-wannabe director, making quickie movies back in the 1960s. Most writers need entire novels to develop characters that leave such an impressions.

The novella moves between different realities: Amelia’s very real and subtly futuristic everyday world, flashes of an imagined life on a Mars colony, and sci-fi/lowbudget movie version of Mars.

It was not at all confusing. I found it pretty damn wonderful.

It also could be easily adapted into a screenplay. A movie wouldn’t require a lot of expensive special effects. You filmmakers out there, please take note.

Funny, how Hollywood gives Oscars to Mexican directors as long as they don’t put Mexico or Mexicans in their movies. Maybe this will change in these tumultuous times. . .

Even though it's top-notch, Prime Meridian was turned down by the usual sff markets and had to be self-published. This is probably because it ends where a lot of sff readers would have liked it to begin, with Amelia deciding to go to Mars. They would have liked it better if it began with Amelia getting on the spaceship, or better yet, getting off, setting foot on Mars, and then having her  battling with space pirates and finding a lost Martian civilization . . .

But it’s better the way it is. Part of a writer’s job it to prove to the world that the audience doesn’t know what it wants, and can like subtle, sophisticated things if given a chance. Especially when, like Prime Meridian, they fill the gaps that the genre has been leaving out of its visions. After all, isn’t sff supposed to be all about the visions?

It’s not easy, but when you can make a breakthrough--Wow!

I also find myself wondering what happens to Amelia, on voyage, and on Mars?

Ernest Hogan’s novel Smoking Mirror Blues is available in a new ebook edition from Strange Particle Press. Thank Tezcatlipoca.

Wednesday, April 25, 2018

New Lil' Libros- Little Libros for Little Hands




Lil' Libros baby board books uses a simple one word/one image per page format to introduce the littlest readers to first concepts such as numbers, colors, and body parts. Lil' Libros also introduces children to Latin American culture, history, and traditions! Patty Rodríguez and Ariana Stein are the creators of this wonderful libritos. The books are illustrated by Citali Reyes. For more information visit www.lillibros.com.





The Life of /La Vida De Selena: A Lil' Libros Bilingual Biography

Selena s career started at a young age when she became lead singer in her family's band, Selena Y Los Dinos. She went on to become an award-winning artist with albums like Amor Prohibido and Selena Live, and earned the title "Queen of Tejano Music. Your little one will learn that Selena s favorite food was pizza and that the most important people in the world to her were her familia and fans.



Around The World With - Alrededor Del Mundo Con Cantinflas

Inspired by one of the world s most iconic comedians, Mario Moreno (better known as the inquisitive Cantinflas), this book will take little ones around the world while introducing them to their first English and Spanish words. Travel with the curious Cantinflas through Los Estados Unidos by train, through France on a hot air balloon, and through magical Brazil.



Un Elefante: Numbers- Numeros

Inspired by one of the most beloved nursery rhymes in Latin America, “Un Elefante se Balanceaba,” is a traditional children's song in Spanish that has one verse repeated over and over again, while increasing the number by one each time it is sung. This book introduces little ones to counting in English and Spanish.



La Catrina: Emotions - Emociones

Inspired by one of the most recognized symbols of Dia De los Muertos (Day of the Dead), this book introduces little ones to emotional expressions and their first English and Spanish words―and teaches them to recognize feelings like emocionado (excited), triste (sad), and confiado (confident).



 The Life of/La Vida De Celia

Known for her powerful voice and eccentric style, Celia Cruz has become one of the most popular singers in the world. In this book you’ll introduce little ones to her remarkable life. Known as the “Queen of Salsa”, the incomparable music of Celia Cruz continues to be sugar to our ears.



Cuauhtémoc: Shapes - Formas

Explore the city of Tenochtitlan along side Cuauhtémoc, the last Aztec emperor―where you’ll come across the circulo (circle) in the Aztec calendar, the triángulo (triangle) in the pyramid, the heart in the shield of an Aztec princess, and more! This book introduces your little one to shapes and their first English and Spanish words.



Unable to find bilingual first concept books she could enjoy reading to her baby, Patty Rodriguez came up with the idea behind Lil' Libros. Patty and her work have been featured in the Los Angeles Times, Rolling Stone, CNN Latino, Latina Magazine, Cosmopolitan, People En Espanol, Cosmo Latina, and American Latino TV, to name a few. She is currently Sr. Producer for On Air With Ryan Seacrest|iHeartMedia, jewelry designer for MALA by Patty Rodriguez, and creator of Manolos And Tacos.

Ariana Stein, a graduate from California State University, Dominguez Hills, has a Bachelor's Degree in Business Administration. Ariana spent the first eight years of her professional career in the corporate world. Her life changed with the birth of her baby boy. She immediately realized that bilingualism played a very important role in his future, as well as the future of other children.





Tuesday, April 24, 2018

Spring At Last. April songs

Spring At Last
Michael Sedano

First snowfall morning in Admin Area B 7/5 1969

So that’s what they mean by “Winter.” I reeled for months in shock until the yellow Forsythia began spotting the Korean hillsides and I knew finally, Winter was over. Spring at last.

World's Highest Anti-aircraft Missile Site, B 7/5 1969
As a native Californian I had no information for the fact of cold. The debate team in college visited wintry places like Idaho, New York, and Vermont. But walking across an icy Dartmouth campus to a warm classroom is nothing like commuting semiweekly to the world’s highest missile site. Heat or cold, rain, shine, blizzard. Despite passage of 48 years now, that 1969 Winter permanently struck me witless.

Spring in California happens overnight. One morning I wake and get the fireplace going. The next morning I’m wondering if the kindling and firewood I’d gathered should go back out to the woodpile until November’s fireplace season?

A morning’s examination of the garden brings the excitement of incipient wonder. Epiphyllum cacti, sitting dormant in their clay pots, overnight grew buds. Flowers in another two months or sooner.


The Casa Sedano Epiphyllum Collection originates with my grandmother and her sister. The familia migrated from Michoacan to Texas, Kansas, Nebraska before settling in Colton, San Bernardino, East Highlands, and Redlands. Stuck in coffee cans, draping from the eaves, planted in soil, epiphyllums were favorites and willingly shared.

Natives of Mexico and points south, epiphyte cactus blooming season doesn’t respect a calendar. This year, a pink-hearted beauty debuted in January. In past years, I’ve had specimens for Guadalupe Day in December. Juan Diego presented the Archbishopric with epiphyllum blossoms. The gachupín had no name for these wonders, so he called the miraculous blossoms rosas.

Epiphytes have been hybridized to produce a breath-taking variety of colors, sizes, and shapes. In Arcadia, the epiphyllum society holds annual sales of cuttings for a few dollars, and plants for up to hundreds of dollars.

Plum Purple-bordered spray a week before opening.
My collection sprouted less from the Arcadia botanical gardens and more from a penca here, a penca there from plants happened upon at San Diego’s Presidio, a Point Loma landscape, or some other old-time California garden my mother happened to visit.

Plum Purple-bordered bud opening late afternoon
Plum Purple-bordered fully opened next morning

Break off a penca. Cuidado, most have subtle espinitas. Let the cutting heal for a week. Prepare a pot of dirt, pebbles, and peat. Push the healed penca into moist dirt and set the pot aside. In a few weeks, new growth appears and your new epi has joined the collection. They like small tight pots and moderate water and fertilizer. They do better in open shade than full sun.

Plum Purple-bordered spray first flower (above).

This year, close friends left California for the Pacific Northwest. Owners of a spectacular epiphyllum collection, the Giffen family left their plants in my care. They are mine now, though should the family migrate back to warmer climes, I’ve already started cuttings.

This Spring’s first spectacular bloomer is a Giffen collection. Plum red with purple fluorescent bordered petals, the plant produced a penca with a wondrous spray of flowers that are opening now.

Plum Purple-bordered spray third day openings.
Spring! The epiphyllum blossom season announces the best time of year. Yet, abundance means more than one species. Echinopsis and Echinocactus, trumpet shaped flowers in multiple, follow the peak Epiphyllum blooming.

Pink Echinopsis Bouquet

Dateline: Houston
Pretending To Be Arizona

Librotraficante and cultural accelerator Tony Diaz is raising alarms that Texass legislators are pulling dirty movidas out of a ten-gallon John B. MAGA hat.


Diaz has an extended essay (link) investigating the evil and offers ways to innoculate classrooms against the ICE-like disease promulgated in certain despicable Texass minds. With recent approval of an ethnic studies née C/S component for Texas schooling, Diaz aims to head off diabolical schemes. Help by clicking the link, picking up the issue, and GOTV in your locale.

Dateline:Los Angeles
UNAM in Los Angeles


On-line Floricanto Gives April A Send-off
Donny Jackson, Olga García Echeverría, George Wallace, Vanessa B. Becerra-Bautista, José Chapa


what you hear is not a test By Donny Jackson
Moody Thunder By Olga García Echeverría
NO GOLDEN FLEECE WILL SAVE YOU, SAVIORS By George Wallace
Wake Up By Vanessa B. Becerra-Bautista
Anchor By José Chapa


what you hear is not a test
By Donny Jackson

this is a game of taboo where you can say black boy but not bullets

they hit the body after someone says freeze even though sometimes he was already
frozen
stopped in time that is
how quickly you know what i’m talking about because
practice

often entering from the back because echoes have a cruel sense of humor

and when they hit the body they make a sound and a sound
we’re taught
is the beginning of a note
itself
the beginning of music therefore
as his chest cavity expands the sound
into note into music and
the black boy is for the first time
an opera house
where they don’t speak the play but
they make a sound and so then note and so then music and
an opera house he is now and
arias through his body
is the way the story is told
which what they sing written down is called
a libretto
which means small book in a country
in europe
so
to review
a black boy’s story isn’t even a big book in his own language
when he’s ringing with arias inside
remember the joke
how do you get to carnegie hall
practice practice practice
and oh
arias were named in a different country in europe after a goddess
who married the god of poetry
and music and
how fucked up is it that his name was
apollo
but anyway the ones who release arias into him
get to be elevated
to musician
another version of artist
you know
the people who turn reality back to you in their own voice so you can hear it
better

the black boy full of song is a loud thing to us now

no wonder we crave
less melody
more beats
which sound less like singing
more like
running yeah
beats sound like
beats sound like
beats sound like
beats sound like
beats sound like running from how black boys die in perfect pitch





Moody Thunder
By Olga García Echeverría

In her
the river’s pull
a frozen lake
a soft tide
a high tide
a red turbulent tide
a dried up stream
a polluted lake
murky mirror
in her tears
a quiet love
a stormy love
a deep ocean ridge opening love




NO GOLDEN FLEECE WILL SAVE YOU, SAVIORS
By George Wallace

le monde ancien strikes again, a ritual sparagmos, disfiguring the innocents, blood sacrifice
on the hillside or in the schoolhouse, it is all the same -- shot in the back, slaughtered like a
ram or hiding in a broom closet, cut off from the others -- body from body, part from part, friend from friend and love from love, strewn for the crows and fresh for the crop -- you
preach in the name of god you preach in the name of the people, you preach in the name of country – country country country – home, hearth, hunt, male dominion -- you preach in the name of a power that does not reside in your cold dead hands, but in the young hearts shaken or combed out of existence, in the young lives lying bloodfresh in the parking lot sun

and you hold your weapons sacred as a golden fleece over your head, stolen from a savage
land and shook at the sky

but no fleece will save or succor you, saviors, you will die miserable, not as you have lived, arrogant, influential, rich and already dead, (yes dead, because you have always been dead, you've been dead for centuries, dead to humanity, dead as human sacrifice, dead even now, your hearts are cold and your hands are dead, and it is not in your power to ward off death
with death, it is not in your power to play the protector, innocent and religious, no not in
your power to lay low under the righteous wind which judges you, to survive, to live to kill again)
because your power derives from the country of death, not life

and you will die like jason died, rotting in his rotted hull, hiding your eyes -- like jason in his dying ship, powerless to rule even himself, struck in the head by a beam of ruin, grasping at
the tattered sails like lifeshreds -- and you will die as you have lived, grasping at the lives of
the people, wrapped in false and murderous righteousness, clothed to the last in the raimants of blood you have placed diligent as death over the eyes of our children




Wake Up
By Vanessa B. Becerra-Bautista

So many shifts
In the environment
It’s the moment
To wake up
Shake shake shake
Rain rain rain
People going
Insane
But insanity
Is living on
A living organism
That we believe
Is inanimate
To the pollution
Please tell me
Humans
We are the solution
I'll shake shake shake
Until I wake you up
Like a mother
Waking up her children
To go to school
There are no fools here
Only people
Who have not persevered
In acknowledging
There's something
We need to hear
Mother Earth tells no lies
How deep can she go
On the outside
Lessons
Are coming too soon
Will #humanity #wake up?




Anchor
By José Chapa

The truly solitary
don’t know what to say to their mothers
in the sky´s cold rooms.

Secretly they tire of their own kids:
laughing water birds
that crash into walls and keep laughing.
They sacrifice everything to move away,
to the beaches and peaks and the quarries.

The solitary have lovers who ruin themselves
of reasons they should be together,
of nude selfies
sent nervously.
They don’t promise anything, but they feel a certain
warm emptiness.

The lone wolves show respect:
nod to police,
curse with coworkers,
look away from the beautiful.
Surrounded,

they only wish
to be truly alone.
Their hair starts to fade
and their family,
they are afraid
to be truly alone.

Perhaps their eyes move rapidly
in that dark electricity magenta and green,
towering visions.
Or perhaps they don’t sleep.

But the swollen hours of night
are their only freedom.
White noise
reverberates in their bones.
Wine or true mescal
defuse them.
Daybreak catches them biting
a hard coin.

They are the ones who think about crying
at funerals. Who become teachers, firefighters,
keepers of open land, dieticians and bankers.
Who only wish they were smart enough
for space exploration.
They’d strand themselves out there
but no further than the moon;
what would be life without view of the ocean?




Meet the Poets Giving April A Send-off
what you hear is not a test By Donny Jackson
Moody Thunder By Olga García Echeverría
NO GOLDEN FLEECE WILL SAVE YOU, SAVIORS By George Wallace
Wake Up By Vanessa B. Becerra-Bautista
Anchor By José Chapa




Dr. Donny Jackson is a lifelong poet, clinical psychologist, and Emmy-winning producer in documentary television.


Born and raised in East LA, Olga García Echeverría is the author of Falling Angels: Cuentos y Poemas (Calaca Press and Chibcha Press 2008) She lives, teaches, and shape shifts in Los Angeles. She also writes for La Bloga.


George Wallace is writer in residence at the Walt Whitman Birthplace, first poet laureate of the National Beat Poetry Festival, and author of 33 chapbooks of poetry. A writer of celebration and witness, he has contributed his voice to human rights issues since the 1960s, when he was an outspoken generational critic of the Vietnam war. Since that time he has been active in a range of social justice issues, and interfaced with such figures as Cindy Sheehan, Germaine Greer, Aaron Kramer, Jesus-Papoleto Melendez, Martin Espada and Naomi Shihab Nye. In 2016 George's poem May Day Is Not The Day was included in the SB 1070 anthology Poetry of Resistance.



Vanessa B. Becerra-Bautista, MS, NCC, CPC-I is a Mexican-American philanthropist, National Certified Counselor, inspirational writer and speaker and is currently working on becoming a Neurotherapist and author. Vanessa graduated from California State University Sacramento with a Bachelors degree in Psychology, then pursued her Masters in Science from the University of Nevada Las Vegas in Clinical Mental Health Counseling. Vanessa recently specialized in Neurofeedback at New Mind Academy and is working on her certification and therapist license. In August 2017 Vanessa became a mentor of the book “The Hidden Spark” where she collaborated with international writers around the world to inspire the human mind. Vanessa has traveled to different Universities talking to students about the power they hold on their perspective about themselves, their culture and our multicultural society. Vanessa strives to culturally empower individuals to see the strengths in their heritage. Vanessa incorporates interventions in creative outlets such as poetry, speeches, and inspirational messages to empower the human Mind and Spirit.