Thursday, October 24, 2024

Baseball in Granada

                                                                                

First baseball team in Granada, my son, Danny, lower left, top, me "El Coach"

     In Granda, what many Spaniards considered Spain's “deep south,” in 1978, there were only three television stations, mostly silly variety shows, local news, and a Friday night movie, classic Mexican rancheras and American drama really popular. At the movie theaters in town, the three biggest draws, U.S. imports, were Looking for Mr. Goodbar, Rocky, and Saturday Night Fever, cutting edge, for the soft sex scenes, nothing explicit.

     El generalissimo Franco had died three years earlier, after nearly 40 years in power, and Spaniards were still “testing the waters,” so to speak, not sure how far they could go, culturally, the Catholic morality folks always on high alert. Get drunk and yell, “Viva La Republica” could get you jailed, or beaten by the feared Guardia Civil, Franco’s personal Taliban. I knew, in 1933, the U.S. refused to help Spain's Republic against Franco's fascists, supported by Hitler, and I sensed some shame.

     So, you can understand the stir it caused when a prominent magazine pushed the boundaries and announced its next cover would be graced with the photo of a woman in a bathing suit. It was the talk of the town, most Spaniards in doubt. When the big day arrived, people surrounded the town's kiosks. Sure enough, there she was, on the cover, a shapely woman in a bathing suit on full display, the older people disgusted, the younger generation delighted, yet leery. For me, an American living in Spain, it was all a curiosity, but what did it mean for the country, in some places, still living in gothic times but struggling to move into the present.

     After Franco died, King Juan Carlos decided to hold elections, anathema to the Spanish conservatives who preferred he appoint another dictator, or a close Franco replica. Juan Carlos was young, a different generation than the old-stuffy past rulers. Spain held its first election in forty years and Felipe Suarez and his socialist party came out on top. It was as if the country could breathe again, the wicked witch was dead. As a sheltered American, I learned many European countries had socialist and, even, communist, parties. It wasn't the political ideology that was so dangerous but the person elected to lead the country. Spain has had fair elections ever since, moving from right to left, following the will of the voters.

     Under the autocrat Franco, and his supporters, the country had turned inward, agriculture, mainly wine and olive oil, drove its weak economy. Jobs and food were scarce. To survive, Spanish men, with families, became Europe’s migrants, crossing borders, often illegally, to work the fields and restaurants in France, Switzerland, and Germany, work most Europeans felt was beneath them.

     As a university student, I could see many Spaniards were relieved, professors able to speak freely for the first time in many years, without the fear of punishment. In the bars and cafes, people drank wine and spoke politics, without looking over their shoulders. The youth listened to rock ‘n roll music. Tourists, mostly Japanese, once again, began flooding the streets. Cultural influences from outside the country took pokes to pierce the thick wall or fear Franco had built around the country.

     My apartment complex stood at the edge of the growing city, where the Vega began, the wide agricultural farmlands that stretched for miles towards the west, providing produce to Granadinos since the time of the Romans then the Arabs, who perfected the irrigation system that spread to other parts of Europe during the dark ages. Spring came in fast. That Friday night was movie night, the “Pride of the Yankees,” staring Gary Cooper as Yankee great, Lou Gehrig. 

     The streets were empty, everyone home watching television, if they had one, or crowding into friends' homes who did, mostly small black and whites. Movies were a big deal. Once the movie finished, the streets, again, were alive with people, each neighborhood had its own bars and cafes.

     Saturday morning, I walked outside and heard a ruckus coming from a vacant lot, a group of neighborhood kids who looked like they were trying to play baseball, one kid tossing a round stone and the other kid trying to hit it with a short tree branch then running somewhere, looking for a base. A pack of kids ran to the stone to pick it up, not sure what to do with it. The rest of the kids ran around wildly or just watched, looking for something to do. 

     When I returned from my errand a couple of hours later, the kids were still out there trying to figure out the game. I knew most of them, older friends of my five-year-old son, Danny, who became their American friend by default, took him in as if he were an orphan and taught him Spanish. When I asked them what they were doing, they told me they'd seen the baseball movie on television, Los Jankees, and wanted to be like the guys in the movie. Lou Gehrig had inspired them. They knew I was an American and asked if I’d teach them the rules. That’s how it started.

     The days turned into weeks and a month passed. The kids were out there, every day, after school, some foregoing soccer, like clockwork, enough for two teams, practicing as I'd taught them. They got it after I explained all the positions and how the game worked. We carved a playing field from a corner of the Vega, clearing it of rocks and debris. The Moors of old had no idea a portion of their farmland would be used to play American baseball. Imagine, baseball in Granada.

     With a knife, I shaped a piece of wood into a bat, not quite a Louisville slugger, a little rough around the edges but close enough. I figured a tennis ball might move too fast for them, so I made something of  a wiffle ball, like when I was a kid, taking tin foil, shaping it into a ball, and wrapping it with packaging tape, something they could hit and catch with their bare hands. After a month, the kids were, actually, pretty good, enough to make the games exciting, even attracting strangers who would stop by to watch.

     Hey, if the U.S. Marines could teach kids in Dominican Republic and Panama to play ball during breaks in combat operations, why couldn't I start a baseball league in Granada, during peace time, much less damaging, balls and bats better than bombs? 

     I knew my parents were coming to Granada to visit. They’d never been this far from home before. I had told my dad about the kids and their love of baseball, so he showed up with a baseball, a bat, and a mitt. When the kids saw the real thing, their eyes lit up. They all wanted to touch the bat, ball, and mitt, as if touching it would bring them closer to Lou Gehrig, their hero. 

     By the time I left Granada, some months later, the kids were still playing, good enough to transition from the tin foil ball, which was more manageable for beginners, to a tennis ball, which sped up the game and opened up the outfield to long fly balls from the real Louisville slugger. The catcher got to use the mitt. 

     It was strange how teaching them the fine art of baseball brought us closer together, their parents okay with it, I guess. I received invitations to their homes for dinner. I'd come to Granada to learn the roots of my Hispanic culture, as well as the language. Each day, meeting these kids out on the field, I felt a little less America with them, and when I returned home, for good, I brought a little bit of Spain with me. Maybe, I was teaching them more than baseball, maybe something about the larger world outside their world, as I was learning something about the world outside my world, a world of my Spanish-Arab ancestors.

Wednesday, October 23, 2024

XV International Children's Poetry Festival, Manyula



The XV International Children's Poetry Festival, Manyula will take in El Salvador from Sunday, November 24 to Saturday, November 30. Silvia Elena Regalado, René Colato Laínez, Alejandra Labbé de Abrego, Manlio Argueta, Jorge Argueta and El Aleph Sanchez are our participating authors.


We have created a Go Fund Me page. If you would like to donate, this is the link, https://www.gofundme.com/f/support-the-15th-childrens-poetry-festival-manyula


The International Children's Poetry Festival, Manyula, has been held in El Salvador every November since 2010. Bilingual published authors and poets from the United States and El Salvador conduct presentations and writing workshops for Salvadoran children and youth.

The children that attend love to read books, write stories and dream big for a better future. Unfortunately, many are from rural areas where their parents work hard to provide for them and often there is not enough money to buy books or school supplies.

This Children Poetry Festival brings hope to more than a thousand children in the country. They are exposed to children's books, poetry and author presentations. Each child receives a festival tote bag with school supplies and gifts. A delicious lunch is also provided during the Fiesta Educativa.


What We Need

The 15th Children's Poetry Festival is fundraising for $5,000. This money will help us purchase the gifts that each child will receive including books, supplies and snacks. Children will be grateful for your collaboration. Please consider making a donation in any amount.


The Impact

The 15th International Children’s Poetry Festival, Manyula will help children to discover the world of poetry. The festival will give children books, poems and a wonderful experience with the literary world. We encourage children to dream big as we promote the importance of education.


These are some videos of previous festivals.


 


   


 



Tuesday, October 22, 2024

Reading Poetry At Matter Studio. Hail & Farewell Richard Alatorre

A Good Place to Read Is Good to Find

Michael Sedano

The Gallerist spoke sincerely, “we want to hold poetry readings in this space.” The space is Matter Studio Gallery on Pico in mid-city Los Angeles. Gerda Govine-Ituarte, who had interviewed artist J. Michael Walker in a gallery talk, heeded Karla Funderburk’s invitation and, together with long-time colleague, Thelma T. Reyna, organized the reading October 19.

Surrounded by abstract drawings and contented listeners, featured poets Govine, Reyna, and Hazel Clayton, were preceded by an open mic featuring Pauli Dutton, Lester Graves Lennon, GT Foster, Vibiana Chamberlin, Carolina Rivera Escamilla, who read poems published in Altadena Poetry Review Anthology 2024 (link). This superb lineup includes the founder of Altadena’s enduring laureate program, two Laureates Emerita, and Altadena’s current Co-Laureate. 

Gerda Govine listens as GT Foster reads

The afternoon’s listening joy springs from seeing and hearing poets comfortable in their own work, public speakers alert for adaptations available with this audience and ambience, poets offering considered reading and gesture consistent with the poets’ personal style. It is an afternoon of sublime moments, expression, thought, and motivation.

The reading begins inside the automobile driving into dismaying LA traffic. I am chauffeur to the three spotlight poets. The computerized map leads the route onto surface streets then changes her mind, directing the car back toward the congested freeway system. I drive onward into the heart of Koreatown, the edge of Pico-Union, then nondescript mid-City environs where Matter Studio Gallery needs to thrive at the corner of Pico and Redondo Blvd., 5080 W. Pico Boulevard LA, CA 90019

We arrive just as a busload of itinerant art collectors wrap up a visit to the exhibition. We mingle and share wine, water, fruit, cake, cookies laid out by the gallery for the tour and the reading. The collectors leave as the poetry friends filter into the space.

Driving to Matter Studio is no deterrent even on trafficky days. From Altadena, the drive will be half an hour or forty-five minutes. That’s better than most journeys in LA where gente know it takes an hour to get anywhere, even on the train.

Gallerist Funderburk has suggestions on seating and lectern placement. She asks about introducing the panel, only to learn she’s working with seasoned professionals. Reyna and Govine enlist Karla to distribute copies of the program and biographical notes, printed in sufficient number for every listener to get their own copy.

Printed material is essential to a top-quality audience experience. A portable P.A. system amplifies, and fuzzes, articulation.  With printed materials in hand, audiences will both hear and read the introductions. Nothing is lost owing to technology and acoustics. 

Vibiana Chamberlin

Pauli Dutton, who founded the Altadena Poet Laureate Program

Lester Graves Lennon, Co-Poet Laureate of Altadena, Ca

GT Foster

Carolina Rivera Escamilla 

Gerda sets the tone for the afternoon recounting the origins of today’s invitation. Thelma holds together the program, introducing each Poetry Review poet and the featured readers as each takes the lectern. 

Hazel Clayton, Poet Laureate Emerita of Altadena

I am impressed at the efficiency Karla Funderburk and an assistant display, clearing the gallery floor within minutes of the final spoken syllable! It’s not unusual to see audience and poets pitch in to clean up a space after a reading. Matter Studio isn’t the usual place.

Gerda Govine-Ituarte, founder of Pasadena Rose Poets

A few weeks ago, someone asked me if I knew where she could organize an AWP Off-site reading when AWP hits LA in March 2025. My friend chose a site on the Eastside. AWP Planners will want to consider Matter Studio. Mid-City is close to the convention center where AWP convenes; not walkable, but inexpensively ride-sharable.

Thelma T. Reyna, Poet Laureate Emerita of Altadena

For the poets of the Altadena Poetry Review Anthology 2024, the afternoon marks yet another productive outcome of their publication in the book. Publisher Thelma T. Reyna plans additional readings in coming months in venues like Matter Studio and backyard floricantos. La Bloga is happy to be included on the guest list and as chauffeur. 

(Fotos taken with iPhone)


Note: Richard Alatorre lived large in Los Angeles politics. A pioneering campaigner who held statewide and city office, he died in August 2024.

In memoriam

Richard Alatorre El Guerrillero Del Pueblo

By Jorge “Coqui” H. Rodriguez 


Richard Alatorre was a believer in possibilities 


He was the ultimate people’s politician…….


No one before him or after him can get near his tallones or accomplishments…….


Richard always did things to help people and impact the well being of their lives especially RAZA!…….


Richard could deal with Chancellor of Universities, police chiefs, heads of corporations, the Los Angeles Metro Board, heads of countries and tell them what he needed and what had to be changed……


Richard made them aware they were not getting the money they wanted for their projects if the people in State of California, City of Los Angeles, people in his 14th Council District,  weren’t treated with dignity, fairness, and justly attended to……..


Richard held firm to his principles to serving the Mexican people and others during his time in elected office…….


Richard was totally a grassroots politician……..


Richard brought the expansion of affirmative action at the universities, colleges and realigning the political redistricting lines for RAZA’s representation and inclusion across the Golden State, the City of Los Angeles and as Chair of the MTA he built the frame work for what is now the Los Angeles Metro Transportation System…….   


Richard brought us the world famous Mariachi Plaza on Boyle Avenue and First Street, in Boyle Heights…….


Richard march in 1984 down Broadway locked in arms with then Presidential Candidate Jesse Jackson and icon civil rights attorney Antonio H. Rodriguez what was then the largest pro-immigrants rights march in Los Angeles…….


Richard was the people’s Guerrillero, Advocate, Defender, Champion and the grassroots voice for the voiceless……. 


Richard was the marker of possibilities who changed the landscape of politics for Mexicans for future generations always delivering on his commitments…….


Richard Alatorre PRESENTE! …….   Richard Alatorre PRESENTE…….


About the author:


Jorge “Coqui” H Rodriguez is Founding member of the Sin Fronteras Project y First LA Annual Street Poetry Committee. Jorge is a long time civil, labor, immigration, environmental right activist. Sent from my iPhone





Monday, October 21, 2024

Una cita literaria en el Writers Place en Kansas City por Xánath Caraza

Una cita literaria en el Writers Place en Kansas City por Xánath Caraza

 


El 1 de noviembre a las 7 p.m. CST el Writers Place en la Ciudad de Kansas abre sus puertas para una cita literaria en Zoom con Juanita Salazar Lamb, Juliana Aragón Fatula y la que escribe.  Será una noche para celebrar la palabra y Día de muertos. Ojalá y nos acompañen.

 




Juanita Salazar Lamb
grew up in a bilingual, bicultural familia along the Texas border. She writes from the heart, which is puro Mexicano.   Her fiction and essays have appeared in Zopilote (2000), Latina Magazine (2001), Border Senses, Azahares, Cuentos del Centro: Stories from the Latino Heartland (1st and 2nd edition) and Primera Página: Poetry from the Latino Heartland (2nd Edition); and Corazón y una lengua peregrina: Poesia y Narrativa.  Under the pen name Juana Cordero, her first mystery novel Death at the Rock was published in 2024. Juanita is currently working on the second Yara Garcia Mystery, The Corpse Wore Red Lipstick.

 


Juliana Aragón Fatula
, author of Crazy Chicana in Catholic City and Red Canyon Falling on Churches, and The Road I Ride Bleeds, identifies as Chicana with Ute, Diné, Pueblo ancestors. She lives on her ancestors’ homeland in Southern Colorado. 

 


Xánath Caraza
is the author of more than twenty collections of poetry, and two short story collections. Caraza has been translated into English, Italian, Romanian, and Greek; and partially translated into Nahuatl, Portuguese, Hindi, and Turkish. For the 2018 International Latino Book Awards, she received First Place for Lágrima roja and Sin preámbulos/Without Preamble for “Best Book of Poetry in Spanish” and “Best Book Bilingual Poetry”.  Syllables of Wind received the 2015 International Book Award for Poetry. She writes for La Bloga and Monolito. 

 


Register in advance for this event:


https://us02web.zoom.us/meeting/register/tZIsd-2trjosHdLNHGiEgUFZvPs-RDv5JNJM

After registering, you will receive a confirmation email containing information about joining the Day of the Dead Literary Event.



 

 

Thursday, October 17, 2024

Chicanonautica: Election Flashes on the Road

by Ernest Hogan



Of course, on a vacation you’re supposed to get away from it all, but I rarely end up succeeding. I am a writer, and the road trips I indulge in with my wife and her brother Mike always have an element of research in them. 


More than one writer has told me that writing is just an excuse for research. 


And when the world is in all kinds of turmoil, like an election going on—even one that isn’t spilling out into the streets like this one—the weird shit, that is the stuff of art and drama manifests, often in your face.


It can be unpleasant, but it can trigger inspiration. 


Call me perverse, but it’s my idea of a good time.



We found out about the second assassination attempt while leaving Filmore, California. Emily read us a news story off her phone. We got gory details of the Israeli/Hezbollah pager bombings in a thrift store in Garberville, CA.Then there was Hurricane Helena devouring the South like the ultimate kaiju–and I didn’t find out about the weather-control conspiracy theory until later. Batshit craziness fills the air. There is no escape.  


My trip notes are sprinkled with such things . . .



The election would manifest now and then.  


Like the donut shop woman who responded to one of Mike's quips about Trump with a defense of the man’s predatory sexuality. Pobrecito, all those awful women who don’t have the decency to just say no. His life must be a living hell . . . (Snicker-snicker . . .)



Occasional signs and bumper stickers. A Harris sign on a Buddha statue in Santa Barbara. In rural areas Trump signs popped up. Then there was a house flying the Confederate flag and a Trump flag, and a Harris flag . . .


Another Confederate, on a pickup truck, passed us when we reached Brookings, Oregon. Not very South . . .



In Bandon, OR, a thrift store attached to a deli that offered “artisan” sandwiches had come to hard times since we visited last year. The deli was boarded up. The giant JOE BIDEN SUCKS sign was still in place, but the store was going out of business, too. Everything was $1. Lots of LET’S GO BRANDON and other Trump paraphernalia were gathering dust. All books were free.


Back on the 101, I saw a TRUMP/VANCE placard, but no real enthusiasm for the election.


I thought a TRUST JESUS sign said TRUMP JESUS before my eyes properly focused. 


A sign with the photo of bloody-eared Trump and a FIGHT! FIGHT! FIGHT! headline stood in the countryside along with a faded LET’S GO BRANDON flag.



This was as we were heading north to Washington, where we saw SAVE OUR DEMOCRACY–VOTE HARRIS/WALZ, along with Trump signs. 


As we zigzagged along the jagged coastline, there was strawberry roadkill, bikini espresso with cannabis on the side -- or was it the main course? On San Juan Island, I overheard people bitching about how there isn’t a state where you can go and get a good job and buy the American Dream anymore. Maybe they’ll just go to Mars with Elon Musk. Why not? The first vehicle off the ferry we got on was a Cybertruck.



Will cannabis be legal on Mars?


Even up near the Canadian border, Mexican restaurants are plentiful. Immigrants coming in, starting businesses. Meanwhile, Trump and Vance scream about rape and murder, with visions of mass deportations dancing in their heads. Can cannibalism and human sacrifice be far behind?


Are mass deportations possible without a pre-existing police state?


And what’s with all the Confederate flags? What country is this?



The Stars & Stripes–the American flag–what does it mean these days?


Are the Sasquatchlandia Trumpers an organized community, a mere sprinkling of rugged individualists railing against what they see as their oppressors?



Near the Obsidian Flow Trail in Oregon, we met a woman who wore a Harris button, and later saw a lone pickup flying the Stars & Stripes and a TRUMP TRAIN flag.


Back in NorCal: GOD, GUNS, & TRUMP and TRUMP FREEDOM, HARRIS COMMUNISM signs, and a ripped, faded Stars & Stripes.



As we made our way back through Nevada, in a rock shop, a Jeep had a Stars & Bars plate, and a Hispanic-looking customer wore an I CHOOSE THE FELON Trump T-shirt.


I can hardly wait for my early ballot to get here.



Ernest Hogan, the Father of Chicano Science Fiction, is the author of Guerrilla Mural of a Siren’s Song: 15 Gonzo Science Fiction Stories, and is damn proud of it.

Wednesday, October 16, 2024

Pockets of Love


By Yamile Saied Méndez

Illustrated by Sara Palacios

 


Publisher: ‎HarperCollins

Language: English

Hardcover: ‎40 pages

ISBN-10: ‎0063234971

ISBN-13: ‎978-0063234970

Reading age: ‎4 - 8 years

Grade level: ‎Preschool - 3

 




Sweet or savory.

 

Fried or baked.

 

Little pockets filled with love and a taste from home.

 

Grandma Monona always made the best empanadas for Mami’s birthday. But this year Monona is in heaven and Mami is sad. Her birthday won’t be the same without Monona.

 

Star and Sebi know they need a special birthday surprise to cheer up Mami. Maybe they can make Mami Monona’s empanadas themselves! But will they be able to capture the same magic as Monona’s empanadas if they don’t know her secret ingredient?

 

From Yamile Saied Méndez (acclaimed author of Where Are You From? and What Will You Be?) and Sara Palacios comes a moving and heartfelt picture book about the ways in which we carry those we’ve lost with us always—in pockets of love.

 

 

Review


"Cozy illustrations feel like a big hug, full of delicious details such as examples of other cuisines from around the world. The heartwarming tale beautifully depicts how love and tradition can create new memories, even in the face of loss... A celebration of family, culture, and the healing power of homemade empanadas."—Kirkus — Kirkus Reviews

 

"A heartwarming story reassuring readers that cooking cherished family recipes preserves precious memories while creating new ones." — School Library Journal

 

"Pura Belpré winner Méndez deals with death and loss sensitively and gently, showing children how to celebrate life and remember those no longer with us. A wonderful two-page spread, depicting and naming “pocket” foods from around the world, highlights cultural commonalities and the pleasure of sharing good food. In delicate, cheerful multimedia illustrations, Palacios (herself a Pura Belpré Honor Book winner) scatters musical notes, stars, hearts, and flowers, concretely illustrating the characters’ feelings and emotions." — Booklist

 


Yamile Saied Méndez is the author of many books for young readers and adults, including the award-winning picture books Where Are You From? and What Will You Be? She was born and raised in Rosario, Argentina, and now lives in a lovely valley surrounded by mountains in Utah with her husband, five children, two dogs, and a majestic cat. She’s a graduate of Voices of Our Nations and the Vermont College of Fine Arts MFA writing for children and young adults program. She’s always trying new empanada recipes. Connect with her at yamilemendez.com.

 

Sara Palacios is the recipient of the 2012 Pura Belpré Illustrator Honor for her work on Marisol McDonald Doesn't Match/Marisol McDonald no combina. A native of Mexico, Sara earned BFA and MFA degrees in illustration from the Academy of Art University in San Francisco. She works with a variety of media such as collage, ink, and digital artwork.