Saturday, October 25, 2014

A Northside of people OR developers' gentry Highlands



In John Carpenter's ancient 1981 film Escape from New York, convicted bank robber Snake Plissken (Kurt Russell) is sent into futuristic 1997 to rescue the US President from Manhattan, which by 1997 is a gigantic max-security prison. The film was called sci-fi, but today's gentrified Manhattan or San Francisco or Denver makes the film alternate history, a future not based in reality.

Two recent news and developments in Denver's gentrification made we wonder about my Northside neighborhood, which I and Bloguista Manuel Ramos have often written about, realistically, facetiously, or soberly, as Ramos wrote:
"One of the regrettable things that has happened to Denver’s Northside, where I've lived for more than thirty years, is the rise and victory of the 'suburban aesthetic': boxy, boring housing lined up in rows; a uniform 'non-conformist' style from clothes to music; restaurants that are destinations rather than good places to grab a bite to eat; an obsession about 'making it,' a flaccid, common denominator cultural perspective. A great neighborhood has to be more than that."

A Highlands developer's dream
Gentrification is defined as: "revitalizing neighborhoods, the movement of young, often single, professionals into low-income, heavily minority, neighborhoods near urban employment centers. Low-income and minority residents are pushed out by gentrification as the local culture and consumption patterns are taken over by upwardly mobile professionals."

Progress is defined as a gradual betterment; the process of improving or developing something over a period of time; the act or process of growing or causing something to grow or become larger or more advanced."

Bolded words above took on different meanings as I sat on my front patio this week, wondering how gentrification had "revitalized, improved" or made the neighborhood "more advanced." It is "larger" in terms of population density, with condo and apartment complexes going up like Peyton Manning's touchdown-record.

Gazing down the street, from house to house, this is what I know. When people moved into these houses that were built in the 1940s, they were looking for homes to start families, places to raise their kids, within walking distance of neighborhood schools [3 within 5 blocks], and maybe not far from their jobs.

A home the developers didn't raze
In both of those two houses (imagine following my finger) live steelworkers, in that one a factory worker and his grocery clerk wife, in that one a retired railroad worker, in the corner one a postal worker, in that one lived a president of her union, and next door, a federal government worker, Until recently, I was a teacher. All of those people belonged/belong to unions--there's more I don't know about--which were part of the community culture. Finding a gentry-neighbor who's part of a union or who would support a union picket is as hard as finding cheap houses around here.

Next door to me lived a Chicano who I went to college with and was part of the Chicano student movement. Across the street, a woman who was one of its poets. The three of us, at least, had that in common. Student radicalism, Chicano pride, nonviolent protest. None of the gentry on my block come from such backgrounds.

A home, not an investment
Across the street lived two girls who went to the Northside middle and high school with my two kids, one of whom lives five blocks away. Next door and two houses down, and in others sprinkled down the block, live/lived other kids who went to the same schools. They called themselves Northsiders, Vikings and attended North High School. Many stayed together at the same schools until they graduated or went on to college. With charter and split or hybrid schools all around us, the few gentry kids won't have neighborhood schools in common.

I can see the house where the Italian old lady [her son still lives there] use to drink on her porch. She was the same woman who would take care of neighborhood Mexican kids when their mother was late getting home. Or would feed Chicano children who she knew didn't have enough to eat when they got home from school. A steelworker from another house would regularly mow the two lawns of old ladies who couldn't push a mower or afford to pay anyone. A welder who lives over there and the guy who live there will weld something for you for free or run his snow-blower down other people's sidewalks. Another guy helped me with my fire-pit and another has fixed my car for me and neither would accept money. Of course, sometimes neighbors paid for work or bartered. I wonder whether today's gentry neighbors, with some exceptions, would act so neighborly for kids who might have lice in their hair, or let their gentry kids play with them, or even imagine that hungry neighborhood kids might be part of their responsibilities.

Really--you'd want to live in this?
South of me lived a Chicano, then a Mexican family, then another Mexican family that had migrated without papers from the same region of Mexico. Next door to them, another family from that region. North of me lived a paperless Mexican family, and I can count five others on the block that are still homes to Mexicanos. Counting us, there's six Chicano families still around. Decades ago, I had no doubts about why my family moved here. Because there were Chicanos, working class, Mexicanos who spoke Spanish. Good decent-priced restaurants with a chorizo breakfast, or bars with affordable shots or a variety of tequilas, or clubs with live music and no cover and cheap beer, or Catholic church bazaars where you ate good, danced in the street and saw and talked with your raza neighbors. With the gentry here, most of that is disappearing. I know that in a lot of cases, the gentry see that as Progress.

Kurt can't save us from Highlands
Our Chafee Park pocket of ranch house bungalows is zoned for families and no apartments. The developer-gentry may try to change that. (Over mi cuerpo muerto.) The old Northsiders moved here to find homes. Yes, they expected the house's value to rise, at least from inflation. But they moved here to stay, except for Mexicanos and Chicanos who got trapped by balloon payments, ARMs and under-qualifying loans. The four families I know about who lost homes had to move east to Aurora where ethnics can more afford to live or rent.

Architecture: Highlands-ugly
The developers have created another circle of Dante's Hell. Apartment buildings are going up, yes, like a Broncos' score. Monthly rents average $1,145. "Over 9,000 new apartments were built in 2013, 8,700 more are expected this year, and another 8,700 in 2015. 55,000 people will migrate here next year. "People are definitely looking at Colorado as the place to be. We have become an area where young professionals are moving. Entrepreneurs can start their businesses anywhere in the country, and so they are choosing areas where the lifestyle matches their preferences."

You buy this, you breathe the chems
I think of the new Northside--the developers renamed us Highlands, without our input--as Legoland. Like Ramos described above, apartment and condo boxes are slapped together with OSB instead of plywood like the old homes. It's 2/3 cheaper and the gentry will only see the outside. It doesn't matter that California wants to require special warnings for these "chemicals known to cause cancer and birth defects or other reproductive harm, wood dust known to cause cancer." The median price for these boxes is $263,000. It's about money, investment, flipping houses and moving on. Not about neighbors and community.

This month in the Denver Post, Fine Arts Critic Ray Mark Rinaldi published "Did diversity miss the train in Union Station's architecture?" (The place is only ten minutes from my house.) The whole article is worth reading, but here's a sample:


Not Union Station; just big Lego

"The urban playground at Union Station isn't drawing people of color and it may be the building's fault. Walking through the station, it doesn't look at all like Denver in 2014. More like Denver in 1950, Boise, Idaho, or Billings, Mont. If, that is, you are white and not paying attention. Or if you think diversity doesn't matter. If you do, you can't help but feel like something is off amidst all the clinking of martini glasses. If you are a tourist, you might get the idea that Denver doesn't have people of color. Or worse, you might think it's one of the most segregated cities in the U.S. That's not the case.

"The architecture's roots are in the glory days of France, England, Greece and Rome, empires that were nearly absent of ethnic minorities and who felt fully at ease invading, exploiting and actually enslaving the people of Africa, Asia and South America.
"Yes, that's all in the past; things have changed. But the $54 million renovation of Union Station doesn't take that into account. It restores the symbols of an old world with no updates. The gilded chandeliers have been rewired, the marble polished, but there's no nod to the present. Is Union Station Ready for the Next 100 years, as its marketing proclaims?"

Rinaldi received over 316 comments. I won't't be surprised if the paper's conservative owners demoted or restricted him to articles about Bronco Stadium architecture. Here's a sample of the comments:
"So writing a racist article is OK if it is against white people?"
"White guilt is a large part of any college education now."
"We should just blow up all beautiful old buildings so that nobody is ever made uncomfortable by being reminded of what their ancestors didn't accomplish."
I don't know how many comments came from developers or gentry. But none of this sounds like the old Northside's neighborly ways of Italians, Chicanos, Mexicanos and others living next to each other. It certainly doesn't sound like tolerance.

Highlands next improvement?
If you missed it, check Bobby Lefebre's La Bloga post from last week, Vanishing Chicano Culture and the Gentrification of Denver’s Northside. "He is the driving force behind the We Are North Denver movement that has shined a bright spotlight on the massive changes happening to the Northside - good and bad. When racist flyers recently appeared in the neighborhood, Bobby responded with action that focused on unity in the community. He wrote the following article originally for his website, which you can find at this link." Like Ramos said there, "As a resident of the Northside for more than thirty years, I agree with much of what Bobby says in this piece. Both Bobby and I would be interested in your reactions."

The Northside that's become the developers' and gentry's Highlands is a great candidate for a new Darwin Award for City Suicide. Already the signs of super-congestion, unflavored architecture and an unaffordable lifestyle and life have settled over my neighborhood like a new Brown Cloud. It didn't and doesn't have to be that way. Richer, whiter neighborhoods were inoculated from turning into Legoland. For instance, there's the Bonnie Brae Neighborhood Association whose zoning committee reviews all zoning requests. It's one of the most charming, coveted, million-dollar-homes areas in the West. Take note developers--of million-dollar-homes. Not made of cheap, toxic OSB or intended to look like Legos. And how about some solar?

Old Northside home, family-friendly
Except for the Lefebre and Rinaldi articles, I don't know why I wrote this. I'm not lamenting so much as remembering. Why we came here. What here is. And was. What it shouldn't become. What it shouldn't lose. Its ethnicity. Its multi-national neighborhood quality. Its sense of community. It's the Northside.

Es todo, hoy,
RudyG, a.k.a. a Northside who's not quitting. Or moving.

Friday, October 24, 2014

Disaster Strikes in Threes

Melinda Palacio
The calm after the storm

So the saying goes, disasters strike in threes. After I fell down the stairs and broke my leg, I wanted to count those two events as disasters two and three. Number one was earlier this year when our house was broken into. The good news on that was I had nothing to take. The burglars made a mess of the house, overturning drawers, taking out every box, stuffed into my closet. The rascals tore open a pretty envelope that I was saving to use when the mood struck me to surprise someone with old fashioned postal mail. I was even offended when the thieves didn't take any of my jewelry, opting instead to throw earrings and bracelets to the floor. However, what they did take was a jar of quarters. Somewhere, dirty thieves needed to do laundry. I hope they feel good about themselves in their clean clothes.

The work of messy thieves.

So the break-in and my broken leg counted as numbers one and two. Fate would not allow me to count the surgery as number three. The proverbial third shoe finally dropped three weeks ago when a broken washing machine caused the house to flood. A fifty-cent plumbing part nearly destroyed the house. Luckily, we have flood insurance which will cover the cost of the demolition (now finished) and restoration. As with my million dollar leg, a fall that resulted in a giant medical bill, I am very fortunate to have health insurance and flood insurance.
What used to be the kitchen. Walls, floors and ceiling flooded.


The good news is that the house will be even better than it was before and we will be able to get rid of the carpet on the stairs that caused me to slip and break my leg. Perspective is key here. After having been rushed to the emergency room with a dislocated ankle, my foot facing the wrong way, and a broken fibula, most other disasters like the house flooding, the ceiling caving in the kitchen, complete with sink, cabinets, and appliance, walls and floors needing to be demolished and rebuilt, doesn't seem that horrible. I'm able to continue writing. There are two rooms in the house that were unaffected. And luckily, I had my laptop with me and was not in the house when the disaster happened.
My million dollar leg
I spent the entire summer in the bed office due to my broken leg and I get to spend the next couple of months there again due to a near total house flood and forced remodel.

My leg is healing well, although it will be another couple of months until I am up and running, or dancing. In writing news, I took Rudy's challenge and entered the William Faulkner WisdomCompetition, I made it to the final round in Poetry. Congratulations to winner Claire Dixon. Entering poetry competitions is sobering and challenging, but it's nice to be recognized for work that has already been published. Last week, Nicole Thompson featured me in Latin Post.

Blas Falconer, Melinda Palacio, Michelle Detorie after the Mission Poetry Series reading.


A highlight of this summer was reading in the Mission Poetry Series with Blas Falconer and Michelle Detorie. The September day was gorgeous. With perfect weather on one of the last days for tourism in Santa Barbara, along with a street closed by the Sol Food Festival, the audience could have been sparse, but instead we had a crowd eager for poetry. As my friend reminds me, It could've been worse. 

Thursday, October 23, 2014

Pat Mora talks to La Bloga

Pat Mora
 
LYDIA GIL:  How has your work as a poet shaped your writing for children?

PAT MORA:  Wonderful question! I believe there can be a close connection   between writing evocatively for children and writing evocative poetry. Both invite the writer to compress and to play with language(s).

LG: Día has been a phenomenal success across the US; what were your expectations when you first proposed it?

PM: I smile at your statement. I feel Día, has so, so far to go to reach its full and necessary impact. My dream, as I've been stating the last few years, is now that Annual April Día celebrations (often on or near April 30th) become as firm a tradition as Mother's Day and Father's Day. I want to stress that Día is a daily commitment, día por día, and that it celebrates not only the importance of literacy but also the wonder of children. In 2016, we'll celebrate Día's 20th Anniversary.


LG:  How do you respond to the claims of a lack of diversity in children's writing today?

PM: It's a fact. According to the census bureau, about a quarter of students in U.S. public schools are Hispanics/Latinos. In 2013, of the more than 3,000 children's books published in this country, 57 were about Latinos, 48 by them. Yes, we need to speak to publishers, reviewers, etc., and we need to work with educators and librarians to purchase and enthusiastically share books written and illustrated by culturally diverse authors and illustrators, BUT we also need to be an active part of the solution. We need to buy and give and share those books. Publishing is a business, and we need a nation of readers.

LG: What is the role of bilingualism in your writing? 

PM: I grew up in a bilingual home and have always been bilingual. Since my educational and professional experience has been primarily in English, I am English dominant. I feel blessed, however, to be bilingual and to be able to think and speak and write in both languages.


LG: Could you comment on the process and experience of writing with your daughter?  How many books have you written together? 

PM: Writing with my daughter Libby Martinez, a lawyer by training, was great, great fun. We've published two books together, and we laughed and laughed on the phone working on both. Libby is an excellent writer and is very creative. Publishing children's books is becoming more and more challenging for many reasons. I so hope that Libby finds success and joy in this work.


LG: What would you say is your biggest responsibility when writing for children?

PM: I'm smiling again. Certainly I feel a responsibility to be inventive and to do my very best to create a poem or book that will in some way delight my young readers for whom I have so much respect. They are our future readers--and our future.  



The National Poetry Series
is pleased to announce the winner of the 2014 Paz Prize for Poetry:

Nueve Monedas by Carlos Pintado from Miami Beach, Florida
Chosen by Richard Blanco, to be published by Akashic Books


Honorable Mention: Un enigma esas munecas
by Lourdes Vázquez of Miami, Florida
 

 ¡Felicidades!

Wednesday, October 22, 2014

Mi Familia Calaca/ My Skeleton Family



Review by Ariadna Sánchez
Día de los Muertos or Day of the Death is approaching. In preparation for this amazing festivity, reading Mi Familia Calaca/ My Skeleton Family by Cynthia Weill in collaboration with Oaxacan paper mache artisan Jesús Canseco Zárate is a great way to start the celebration.
Weill’s latest bilingual book gives a glance of the vast Mexican art. Anita is a young calaca girl, who introduces each member of her skeleton family.  With short and catching sentences in English and Spanish, each character reveals its beauty to the young readers. Each page shows a colorful encounter starting with Anita’s brother Miguel (el travieso/the brat), followed by her cute baby brother Juanito, then her stylish mother, next her handsome father, as well as her adorable grandparents, and last but not least her cat and dog. 
The astonishing art created by Canseco Zárate pops-out automatically like jack-in-the-box. The wonderful sculptures in paper mache are a pleasure for the senses.
Mi Familia Calaca/ My Skeleton Family is a must read for the season. Reading gives you wings. Visit your local library to check out more exciting stories.
For additional information about Cynthia Weill’s books and artisan Jesús Canseco Zárate’s calacas click on the following links:




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Latino/a Rising is the first collection of U.S. Latino/a science fiction, fantasy, and other speculative genres.


There is a growing movement of people who are interested in the incredible U.S. Latino/a writers and artists who have turned to science fiction, fantasy, and other speculative genres. Latino/a Rising: An Anthology of U.S. Latino/a Speculative Fictionwill introduce the public to the work of these writers and artists.

With the exception of Edward James Olmos’ Bladerunner and Battlestar Galactica, positive U.S. Latino/a characters have been largely absent from mainstream speculative fiction novels and films. Films such as Men in Black and Alien Nation, and shows such as X-Files, express the anxiety that the mainstream has concerning Latinos/as and recent immigrants.  Latino/a Rising will contest this trend, showing how Latino/a writers and artists are transforming the genres.

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