Tuesday, December 20, 2016

Xmas Memories 1969, Christmas Wishes 2016

Michael Sedano

It was the worst of winters, it was the best of times. I arrived at Bravo Battery in mid-July 1969. Debilitating humidity and paralyzing monsoon rains gave way to Fall’s cool weather. Winter appeared as a gentle snowfall that soon became wind-driven sleet followed by a cycle of storms, each bigger than the one before.

Penetrating cold kept men indoors where oil-burning space heaters glowed cherry red in the struggle to warm the uninsulated crew hootches.

Security guard perches close to the space heater.

Bravo was a hundred guys rotating up and down the mountain, two up, one down. Rain or shine, the manning truck left the admin area at oh seven hundred hours. A deuce and a half or a flatbed truck ferried the soldiers on the hour drive to the tac site at the top. The mile-high peak commanded strategic views for hundreds of miles. Army engineers had carved flattened spaces for launch pads and the firing crew’s cinder block shelters. At the mile-high summit, a concave radar antenna spun above the command van and the commo hootch, where I worked.

Commo worked at both ends of the site. The Admin Area’s sole connection to the outside world came via the telephone wire that stretched along the ground from the top of the mountain to the switchboard in the base camp. On the wire’s route, farmers harvested sections for copper. They worked in the early morning, cutting a quarter mile of twisted pair wire and hauling it to a safe place near the road, where they’d burn off the vinyl before hauling away their loot.

Three Homing All the Way Killers are a full load on a launcher.

One failed commo check sent the guys in the Admin Area into the field to find and replace the stolen wire. Fortunately, thieves found a favorite section near the second ford, the last crossing before the ascent.

The telephone line ran close to the road, on the far side of the alpine stream and along easy terrain. Ample vegetation streamside provided fuel for the bonfire. We used to curse the thought of the hungry farmer, squatting upwind of the smoldering plastic, reaching out his aching palms to the fire’s warmth. All we’d ever find were spirals of white and black ash lying on the cooling embers of a small fire.

There was the day the wind whipped a brittle commo line until it snapped. It was our luck, me and Concha from Santa Ana, the wire lay along a fully exposed section at the edge of the bulldozed earth. The punishing cold and buffeting gusts convinced us to remove our bulky gloves and wool glove liners and work with bare hands.

The fingers went instantly numb. We took turns on each phase of repairing the four broken wires. Strip the insulation on one strand. Re-glove and take cover. The other fellow strips the insulation of another strand, re-gloves, takes cover. With the four strands stripped, one man twists the ends together, re-gloves. The electrical tape doesn’t stick in the freezing cold so we take turns heavily wrapping the twisted pairs before wrapping them both and securing the line to anchors that hold the wire taut against the whipping wind shear.

We were out there over an hour. When we took shelter in the crew hootch, our fingers started to hurt. When we pulled off our gloves frozen blood came dripping off our fingers. We had torn layers of skin off our hands but had not noticed it in the intense cold. Another time, the wind carried me aloft off the top of the commo hootch, when I’d climbed to clear a radio antenna of ice. Unexpected adventure was the order of the day, but for the most part, Winter passed with monotonous similarity, endless days of cold and misery and being tough, and taking it.


Admin Area after first snow.

The rules for R&R were clear, in 1969. At the midpoint of a tour, a soldier could spend a week anyplace on that side of the world, and the military would provide the ride for free. My wife planned to fly out from California and we would rendezvous on Christmas Eve in Tokyo.

I’d had my fill of the romance of the world’s highest anti-aircraft missile site but more so of the relentlessness of raging elements like none I could ever have conceived, and it came day after day, then stopped. And we’d have days of incredible beauty; windless skies, sun so bright no one felt the cold and nights so black and silent snowfall made a sound when it landed, and a match held overhead reflected off millions of crystals making the air glow with the flame.

Japan was paradise.

Korea was a land of privation. Military carried ration cards limiting access and availability of anything imported, from U.S. soap to Japanese cameras, to fight the black market. The Army paid military payment certificates instead of greenbacks, to fight inflation. The first English words many GIs heard from Koreans was “you buy me soap, GI?” Or toothcream. Or booze.

Fresh fruit was entirely absent from the mess hall. One day, the cooks served up boiled potatoes and nothing else. Not all the rotted black spots had been cut away and no one walked away without a sour word for the server, who gave as good as he got. For the next two weeks Bravo ate C-rations. The battery had run out of food.

The first breakfast in the ryokan style hotel rekindled my faith in eating as something beyond mere sustenance. I went into paroxysms of joy tasting the incredibly flavorful coffee. Shiny outside delectable inside rolls. Jam, butter. Steamed fish. A silken chawanmushi. Pickles.


The tatami floors and elegant furnishings were as far from a military barrack as one could be and still be earthbound. Paradise it was.

We bought a large Go board that my wife had to schlep across the Pacific. Barbara bought a Satsuma chrysanthemum pattern porcelain espresso set. I bought things wrapped in ten. Ten tangerines in a woven fabric tube. Ten tangerines again. Ten walnuts. Ten tangerines again. Five bananas. I bought fresh fruit everyday.

We ate Kobe beef. We attended a play at the Kabuki theatre. We saw the Broadway musical, Hair, in Japanese. We saw a James Bond movie in English with Japanese subtitles. We ate street vendor yakitori under a rail bridge near Shibuya station.


We rode the subway. Taxicabs. Walked and walked.

During the Yoko and John peace event we watched the shiny helmets of youth groups snaking their way through the shadowy streets near the blazing Ginza. In a moment we were pinned against the curb and the inching traffic when a snake of black-clad youths danced into a semi-circle around us and stopped. They braced their kendo poles on the cement and at a signal lifted them and clapped them loudly onto the sidewalk. The leather clad leader stepped forward in a challenging pose. We made eye contact.  I had been a pugil stick champion in basic training but I would stand small chance against one, much less all these vatos.

I tensed for a fight and a beating. “Get out of Vietnam,” the leader demanded.


I held out my right hand, three curled fingers down, the index and middle fingers pointed up, forming a “V.” I told him “Peace," and repeated his words with conviction.

The leader looked at me, his face relaxed. He turned to address the waiting dancers, shouting a command. At that, the dancers pivoted, lifted their flags and staffs at port arms we called it in the Army, and they danced out of sight into the crowd.

Two days later, Barbara flew back to California to teach high school, and I to Korea to be a soldier. We would see each other again in eight months when I got out of the Army. It was the best imaginable Merry Christmas and Happy New year. Yet, every one since then has been better.

Including this one.

Happy Holidays. Season’s greetings. Merry Christmas, raza, Merry Christmas one and all.

Monday, December 19, 2016

Spotlight on artist and educator, José Ramírez


José Ramírez and Daniel Olivas

One of the great joys of publishing a book is having some say in the art that is chosen to adorn its cover. I have been blessed to be published by presses that have listened and considered my suggestions.


In 2009, Bilingual Press published my short-story collection, Anywhere But L.A. The press showed me several pieces of art to consider, and the one I chose was by Los Angeles-based artist, José Ramírez. This is the final product:




After many years of attempting to meet José, I finally had a chance to visit his home and studio because my wife and I desperately wanted to buy a painting or print by José for our new home.  We were not disappointed. We got to meet his wife, mother-in-law, and one of his three daughters. They are all accomplished in their own way.


After a great visit where we learned that we might be related (we both have family from Ocotlán in Jalisco, and I have family named Ramírez), my wife and I purchased a beautiful, signed print.


José earned his BFA (1990) and MFA (1993) from UC Berkeley and teaches third grade at Esperanza Elementary in the Pico-Union neighborhood of Los Angeles (not far from where I grew up). In 1995, he received a California Teaching Credential from Cal State University, Los Angeles.

José has illustrated children’s books, painted murals, and completed commissions for numerous organizations and individuals. Please visit his website (http://ramirezart.com/) to look at his remarkable art.

Sunday, December 18, 2016

Decolonize Your Holiday Menu!

One of the biggest challenges during the holiday season is staying healthy by continuing to eat a balanced diet, one that avoids spikes in glucose levels.  What causes spike levels?  Usually foods that have zero to maybe 1 fiber gram coupled with a high carbohydrate count will cause a "carb jolt" and for those individuals with diabetes (Type II), the extra high carb count becomes difficult for the body to manage.  Usually the glucose will stay in the bloodstream because the normal passage of carbohydrates into the blood cells and on to the muscles just will not happen.  And so the glucose (which should never be in the bloodstream) will cause havoc on the body, leading to serious damage.  One example of a high carbohydrate item that causes spikes in glucose levels is orange juice (or any kind of juice).  All the important fiber has been taken out of the fruit which then causes these high levels of glucose "jolts" in the body. This is why juice for babies or toddlers is not a good idea.  An adult may drink orange juice or some other high carb drink (sodas are definitely culprits here), and will still say they are feeling fine.  But, most often, they are not.  The best way to check what your body is doing and how it is handling the glucose, is to test your blood with a glucose meter. 

A note on glucose meters:  Not all are the same.  The most accurate is Aviva.  Here is the link of an article on glucose meters, by David Mendosa, that is very helpful:  (click here)

Now let's get back to our holiday season and what to eat.  Below are some suggestions of foods that are a combination of our indigenous Mexican heritage and what is available on our twenty-first century grocery shelves.  Last year,  I posted reviews and interviews with Luz Calvo and Catriona Esquibel, on their cookbook, Decolonize Your Diet.  (Click on link to receive info on this cookbook.) Since its publication, it has been doing very well.  I mention this book because, below, I am using one of their recipes.  Here is a link to Luz and Catriona's website:  (click here)

Professor Amelia Montes with Norma Cantú, who is the Norine R. and T. Frank
Murchison Endowed Professor in Humanities at Trinity University--holding the book, Decolonize Your Diet
Before mentioning a specific recipe, I encourage you to think about enjoying your holiday with "Prickly Pears."  Prickly pears or "Tunas," as they are called in Mexico, are the fruit of the cactus.  They contain a potent combination of B-vitamins, magnesium, potassium, calcium, vitamin C, and dietary fiber.  I eat them raw and they can also be cooked or included in smoothies.  Because of their unique combination of vitamins, research has shown that Prickly Pears (Tunas) help keep cholesterol and glucose levels low.  Also, the Tuna also contains flavonoids, polyphenols, and betalains, which are antioxidants. This is key in preventing the mutation of cancer cells.  The Tuna may be small, but it is quite mighty.  See below.  



Tunas are either green in color or red.  If they are green, they will still be edible and you don't have to wait for them to turn red (because they won't).  


Above is a close-up of the Tuna.  You can see where it is marked with tiny 
nodules where cactus spines once were.  It's important when buying Tunas, to make sure that those spines have been removed.  

...about to cut into the Tuna. 

I usually cut both ends off first.  You'll notice that it has seeds.  The seeds can be hard, almost like pomegranate seeds.  It is not harmful to eat these with the seeds.  In fact, it is nutritious and also helps in regularity with all the fiber it contains.  

Here is the Tuna now that I have cut off both ends and cut the skin off as well.  Almost ready to eat!

Here is a good look at the Tuna and the amount of seeds it has.  
It is very refreshing as well as medicinal.  

The Amaranth Chocolate Cake from the cookbook, Decolonize Your Diet
Luz Calvo and Catriona Esquibel (co-authors of Decolonize Your Diet), encourage all of us to take their recipes and experiment with the ingredients.  And that's what I have done with the "Amaranth Chocolate Cake."  Because I have Diabetes, I am constantly seeking substitutes for processed sugar.  This chocolate cake recipe calls for honey. I cannot have honey because honey spikes my glucose levels.  How did I find this out?  IMPORTANT:  75 minutes after the first bite of whatever you ate, test your blood and you should then know how this food (or anything you've eaten) is affecting you.  

Research shows that the sweet potato has manageable carbohydrate counts and the high fiber it contains further helps to prevent further damage from Diabetes.  The sweet potato is also rich in antioxidants and high in Vitamin A. It turns out to be a splendid substitute because the cake ends up having an even stronger taste of the chocolate.  

The yams
The yams, after they've been mashed and put in the freezer, (in case you're not going to use them right away).  You first take the yams and pierce them with a fork, bake them in the oven for about an hour at 400 degrees.  When you take them out of the oven, the skin should easily come off.  Then place the "meat" of the sweet potato in the food processor and mix until it is smooth and creamy.
Another excellent holiday suggestion is serving cashew cheese (non-dairy) for holiday parties.  Below I have photographed two types of cashew cheese that I enjoy eating.  TheTreeline Cheese has a more garlic pepper taste to it-- very smooth, and the second cheese below is from Miyoko's Creamery in San Francisco, California.  The "Sundried Tomato Garlic" is quite tasty.  Although these two foods are "processed," the ingredients are organic and a little goes a long way on crackers.  And speaking of crackers . . .


These two cashew cheese spreads go very well with the crackers I have photographed below.  Flackers (below) come in more than two flavors.  I only had these on hand to photograph -- and, of course, they are my favorites and go well with either of these cheeses.  These are non-gluten crackers made from flax seeds and have a very low carbohydrate count.  

Flackers Crackers in two flavors here:  Savory and Rosemary  
I am wishing all of you an enjoyable and healthy year!  Here's hoping you'll be adventurous in 2017, adventurous enough to try the sweet potatoes in the cake recipe or in other dishes, the Tunas, and these crackers.  Be creative!  Make eating low carbohydrate dishes an exciting adventure.

Here's to balanced glucose levels!!
Sending you all many good wishes for a generous, loving, ethical, and activist holiday and New Year!















Friday, December 16, 2016

Patti Smith's Nobel Laureate Ceremony Performance

Melinda Palacio




One of the most exciting moments to come out of the announcement of Bob Dylan's Nobel Laureate in Literature was not his long silence or subsequent acceptance speech, but Patti Smith's singing "A Hard Rain's A-Gonna Fall" at the 2016 Nobel Prize ceremony.

What's remarkable about her performance is that the super star blanked on the lyrics, yet went on to sing a show-stopping rendition of an already moving song she's known by heart since she was a teenager. After the first verse she became disoriented and stopped. She then apologized and expressed her nervousness. While nerves never go away, an unseasoned performer would probably fake it and simply continue. I know I would.

In my experiences reading my own work and performing my poetry, I've always felt compelled to keep going, even if I've made a mistake. Somewhere along the line, I've been taught to follow an unwritten rule of keep reading and performing, regardless of missing a word, sentence, stanza or verse. Making mistakes happen to everyone. I know I've blanked out on words that I've written, poems that I could usually recite anytime, anywhere. Part of the writing life is having the opportunity to read your work aloud. With that, comes the real possibility of skipping a phrase or pausing extra long, or taking a sip of water while recomposing yourself.

I usually work through my nerves or blunders. Few people, except for my husband, Steve who knows my work backwards and forwards, realize my mistakes. However, singing alongside live musicians is less forgiving than reading.

Patti Smith did an extraordinary thing by admitting her nervousness and breaking the illusion of a perfect performance. I was in awe by her performance and by her essay, "How Does It Feel," in the NewYorker.

In an even braver moment explaining how she felt afterwards, she details what happened on stage. "Unaccustomed to such an overwhelming case of nerves, I was unable to continue," she writes, " I hadn't forgotten the words that were now a part of me. I was simply unable to draw them out."    

Smith's essay was such an honest gift. As if the song weren't enough, the essay lets us in on what she was thinking before, during, and after her performance. All of my questions as to how she ended up choosing the song and how she found the courage to stop and start again were answered. She was asked to perform one of her own songs for the Nobel prize, but upon hearing that Dylan had won, she changed her mind and sung a favorite of hers and her late husband's.


The song's emotional and political gravitas speaks to current events, especially the atrocities in Allepo. While the songs lyrics include the words "I stumbled alongside of twelve misty mountains," and ends with "And I'll know my song well before I start singing," Smith acknowledges that that she entered the song in a way that made the hiccup necessary and beautiful. In her 70 years, she is able to state the reason for her calling: "Why do we commit our work: Why do we perform? It is above all for the entertainment and transformation of the people. It is all for them. "

Wednesday, December 14, 2016

The Virgin of the American Dream - Bowers Museum

Hey folks - This Sunday I'll be at Bowers Museum in Santa Ana, CA, speaking about my new project: photos of murals of the Virgin of Guadalupe.

I call her the VIRGIN OF THE AMERICAN DREAM, for the way she's been used to protect small mom-and-pop businesses.

I've published a book of photos by that title, of murals of her on the walls of Los Angeles....which I'll have on sale... :) They make great Christmas presents.

The talk begins at 1:30pm...
Bowers Museum
2002 North Main Street
Santa Ana, CA 92706

More info at the link below.....Please share this if you can....
See you there,
Sam Quinones



La Bilioteca de los Sueños- The Library of Dreams




This November, I had the great opportunity to read my books to Salvadoran children at La Bibilioteca de los Sueños, The Library of Dreams in El Salvador. It is so wonderful to give ‘mi granito de arena’ to inspire children to read, imagine and dream.




Telemundo visited the Library of Dreams



Monica Olivera writes on her article ‘Library of Dreams’ Brings Books, Safe Space to Kids in El Salvador

Compassion. It's something our country needs more of. Lucky for us, there are people like poet and children's author Jorge Tetl Argueta who seem to have an abundance of it to go around.

This week Argueta filled his luggage with books and flew to his hometown of San Salvador, El Salvador, for the 7th Annual Manyula International Children's Poetry Festival. As one of the main founders, he helps organize the poets and authors who give presentations to the school children participating in the literacy-boosting activities taking place at the Biblioteca Nacional (National Library).

But this year's event is extra special because Argueta will be officially opening the Library of Dreams (La Biblioteca de los Sueños), a place where children can dream, strengthen their spirits, and learn about their culture in a multilingual environment.



Tuesday, December 13, 2016

Baeza in Three Dimensions. Holiday Notes. Bermejo at Latinopia. On-line Floricanto for Mid-December

Sculptor Meets 3D, Wowed
Michael Sedano

Armando Baeza welcomes visitors to his studio in 2015

During a studio conversation last November with Armando Baeza (link) , the sculptor emphasized the difficulty he experiences to change the size of a successful piece. At the same time, the soon-to-be 93 years old artist lamented the impact of age on his hands and fingers, how he grows fatigued in the process of carving mud and wax to fashion the molds he takes to the foundry to be cast in bronze.

Mario Guerrero offered a technological solution: scan the work and let 3D software enlarge, or shrink, the object. Print the file on a 3D printer and use that to make the mold. The east LA native said, “show me.” Recently, that’s what Guerrero did, joined by his wife Angel, along with Mario Trillo and Michael Sedano, when Raul and Armando Baeza came to Casa Guerrero to experience 3D technology.

Raul and Armando listen intently to Mario's overview of the 3D system

Guerrero, an industrial educator and CAD/CAM software industry veteran, explains he’s still in the process of mastering the software and affiliated hardware, but has advanced to a point he and Armando can collaborate on a scanning and printing project.

The weekday meeting illustrated the start-to-finish process by scanning a bust of Armando, crunching it in various software packages, and launching the 3D printer.

Armando Baeza, inspired by a 3D printed bust, brainstorms possibilities to Raul Baeza and Mario Trillo.

Earlier in the week, Guerrero had printed a scan of his grandson, which he handed to Armando. The sculptor immediately began a wish-list of projects: "What have they done to the rain?", the monumental fountain at Pico Rivera city hall made small, Baeza’s “Emerging Power” made large, a new cast of the complex two-figure sculpture awarded to the bilingual educator of the year, pure silver—or gold--mini-figures for charm bracelets and jewelry. The others chimed in with favorite ideas of their own. All agreed this technology will serve delightfully to advance Baeza's art.

Mario Guerrero scans and Armando's 3D image populates the computer screen

Using a hand-held scanner, Mario created a bust of Armando. Raul, who is his dad’s apprentice, shared the excitement at the possibilities of the technology and the advantages over the existing state of the art.

Scanned data whizzes into the computer and in a few seconds the screen populates with a three-dimensional virtual object that rotates with a finger touch. This software allows the operator to edit out random noise and provide clean edges.

Raul rotates his dad's 3D scan as Armando takes a foto

The image is processed in preparation for printing

Guerrero transfers the image file from that first computer to a second device where the data are compiled into a format that he feeds through a third software bundle that prepares the file for the printer. Mario transfers this file to a thumb drive that he plugs into the 3D printer. Depending on the resolution in the file and printer capacity, the printer lays down the figure in layers of plastic material that can be .0006” high.

During 2015 studio visit, Armando displays a hard wax work-in-progress

As currently set up, Armando hand sculpts several versions of a figure over hundreds of hours, until the final modèle goes to the foundry. When he enlarges a work, Armando notes he inevitably changes features of the piece so the two are never identical. Sometimes that's good, other times not as satisfying.

Using 3D technology, the sculptor can fashion a single version, scan it, edit it, print it, and make the wax modèle in less than a week. Reproducing a finished bronze piece would require a single day to scan and print at the desired size. And they would be identical, except for size.

An intriguing possibility is no clay sculpting. Guerrero has acquired a haptic mouse that trained hands like Armando’s can learn to manipulate and sculpt in empty space, the image appearing in three dimensions on the computer screen!

Angel photographs Armando photographing Michael photographing Armando and Angel


News 'n Notes
New Year Poetry Planning Advisory
Featuring:
Don Kingfisher Campbell
Jessica Ceballos
Beverly Collins
Seven Dhar
Pauli Dutton
Richard Dutton
Gerda Govine
Dorothy Randall Gray
Luivette Resto
Karineh Mahdessian
Dorothy Skiles
Thelma T. Reyna

All these poets were published in the national award-winning Altadena Poetry Review: Anthology 2016, winner of 2 national book awards in 2016.

Event hosted by Editor/Publisher Poet Laureate Emerita, Thelma T. Reyna, Golden Foothills Press: Pasadena, CA

Holiday Sale This Weekend in Frogtown

Holiday Neighborhood Market on Saturday, Dec. 17th in Los Angeles' Elysian Valley, or Frogtown as  local gente have always called it. This includes Ron Arias, whose collection The Wetback and Other Stories features this riverside enclave. Arias will be at the sale with The Wetback.





Living Room Floricanto: Bermejo's Posada at Latinopia

Poetry readings belong in living rooms and back yards, they need not confine themselves to galleries and coffee houses. Xochitl-Julisa Bermejo proves the point in this reading (click here for  link) videographed by Jésus Salvador Treviño in a Pasadena living room.



Be sure to explore Latinopia's front page. There's another Bermejo reading, the touching "Our Lady of the Water Gallons," performed in a back yard Floricanto.


Mid-December 2016 On-line Floricanto
Kai Coggin, César L. de León, Iris De Anda, Jackie Joy, Jo Reyes-Boitel.

“The Rock Remains Standing (for the Water Protectors)” Kai Coggin.
“Stormcutter” César L. de León.
“Mni Wiconi” Iris De Anda.
“So Tired Of Being Mad” Jackie Joy.
“We Move Like Stone” Jo Reyes-Boitel.


The Rock Remains Standing
(for the Water Protectors)
By Kai Coggin

Tonight
the Rock remains Standing
defiant
in its grace
I can hear the drums
in
the
four
winds
echoing
off the river’s moving heart
the sound
of victory song chanting
the black snake will not burrow its
poisonous mouth
beneath the ever-stream of life
and the bodies of Water Protectors
will sleep in the warmth of knowing
a shift has been made
smoke rises a new consciousness of hope in chaos
a triumph with rippling implications
there is no going back from this
this is a new treaty of hope
this is a white buffalo woman tilt on the side of light
the scales weigh heavy tipped dark
but tonight
there is movement
there is dance
there are drums
a circle of peace warriors cry freezing tears of joy
upon each others’ tired shoulders
a country’s history
looks
350 native tribes
in the eyes
and for a moment
mouths the words “I’m sorry”
through the lines of permits and political statements
the black snake is blind for the night

this battle is won
the war continues
nothing can penetrate
the peaceful will of the water protectors
not rubber bullets
not pepper spray
not water cannons in hypothermic conditions
not incoming (un)presidential corporate figureheads
not militarized attacks on unarmed patriots of the planet
let it be known
the water protectors are protected by a higher force

these sacred keepers
these ancient warriors have returned
to claim the land of their people
yes it’s true
many have faltered against the forces of greed
but as a whole
there was more resilience
there was a battle cry that echoed worldwide
there was the coming together of tribes
who lit a fire of change so bright
it lights the way for humanity
tonight
earth mother
lays her hands upon
the Oceti Sakowin Camp
she hums the vibration
of the planets and stars
into tepees and yurts
the children
smile in their sleep

the snow that blankets
beneath the feet
of these indigenous warriors of light
holds the vibrations
of conflict and coming together
of pain and of promise
of prayer and of deliverance
this snow
is the foundation
of a long winter’s falling piling up
the waiting of a nation
witnessing the changing of the guard into
what may be the darkest times
but come spring
the snow at Standing Rock
will
melt
will
become the water
so desperately fought for
the water
which holds a story of solidarity
that will rush down through
all the rivers and tributaries
rush to the lowest points of creation
and
lift up again
into the ocean of man’s collective consciousness

a story of overcoming
a story of fighting peacefully the good fight
a story of listening to the wisdom of elders
a story a prayer and protectors (not protestors)
a story of men and women with hearts of eagles
a story held there now in the collecting winter snow

the crystals of ice
became mirrors of (in)humanity
the indignity offered to our brothers
did you offer
your hand
your voice
your body
your heart

the snow
at Standing Rock
will become
a water history
that runs its path
that rises to the sky
that moves through us
that we breathe in and back out
that will evaporate into the clouds
and rain down in particles of truth
telling us that we are in this together
that earth is a finite home unless we stand in her defense

tonight
I can hear the drums (my heart)
in the four winds
water
moves
through us
with each breath
the Rock remains Standing for us all

Min Wiconi
#NoDAPL #Waterislife




Stormcutter: The Morning After the Election
By César L. de León

What now? Do I go back into the closet? Build a secret door I can escape through on holidays? Let friends in if they know the secret password? How will I know they are friends?

I've heard people have begun wearing a safety pin on their shirts to identify themselves as allies for LGBTQ, Muslims, immigrants, and refugees.

Do I buy safety pins? Wear one when I go out and about? Is that enough? Will this mark me as a target?

Do I buy a gun to protect myself, my loved ones? If I go buy one should I wear something camouflage? Do I accessorize with an American flag? Is a Confederate flag too much? Do I eye everyone suspiciously when I walk into the gun store? Or do I joke about niggers, fags, wetbacks, and ragheads?

I've never shot a gun in my life and last night I dreamt I shot a man, shot him right in the mouth. He bled waves of black oil.

Do I shave my head? Shave my dark mustache and beard? If it was blonde I wouldn't be asking. Do I cover my skin and let it pale under layers of clothing this winter? Do I cut the hoods out of all my hoodies?

Do I cut out my tongue so it doesn't betray me through mispronounced words and dangerous accents?

Do I cut off my feet so I don't run if they chase me? They can't say I was fleeing or resisting if I don't have feet. Can they? They can.

Do I pluck out my witness eyes?

Do slice the fingers off my writing hand?

Do I lock myself up in the closet like mamá did when we were young and storms got bad?

No.

I remember grandmother telling us that when she was young and storms threatened the farm they would take the sharpest knife they had in the kitchen, walk outside into the wind, and draw an X with the blade across the darkest part of the storm, yelling "aquí no!"

Cortar tormentas she called it.
That is what I will do.




Mni Wiconi
By Iris De Anda

There is a black snake

slithering in the shadows

of sacred stones

There is a white people

sleeping in the illusion

of oil oblivion

There is a rainbow warrior

rising in the sun

of pachamamas prophecy

There is you & I

at a crossroads

so choose

water is life

Agua Es Vida

mni wiconi




So Tired Of Being Mad
Jackie Joy

I am so tired of being mad
fighting for a space in this all white America
thinking I had a voice
but every time I spoke
I could hear the pitter patter in the distance
of someone typing,
"Well, actually...."

I want to say
that being a child of immigrants
that being a woman
after fighting the last 6 years
for better education
for the environment
for women's health
that

I am so tired of being mad
I just want to exist
without explaining
and not be mad
and just live in an America
where half an America doesn't hate
the idea of me
a college educated, liberal
who is also a woman of color
a child of immigrants
a poet and an activist.

I am so tired of being mad
here, you can have it
my anger, my sadness, my fight
because I am so tired of being mad




We Move Like Stone
Jo Reyes-Boitel

we move like stone
through our days

stone
cracked into fire

   uncontrollable wilderness
falling from the edge of our land
into sand crystals

in all that is allowed of us
we are crushed, split open
like pomegranate

our hands separate
into fingers
tips lose themselves
and we crumble into softness

our voices
a roar of water
striking the beach




Meet the Poets
“The Rock Remains Standing (for the Water Protectors)” Kai Coggin.
“Stormcutter” César L. de León.
“Mni Wiconi” Iris De Anda.
“So Tired Of Being Mad” Jackie Joy.
“We Move Like Stone” Jo Reyes-Boitel.


César L. de León is a lifelong resident of the Rio Grande Valley in south Texas. His poetry has been published in various anthologies and journals. In 2014, César was awarded 2nd place for Literary Magazine Poem from the Texas Intercollegiate Press Association, and in 2012 he was awarded 3rd place in the Golden Circle Awards from The Columbia Scholastic Press Association. Currently, he is an MFA candidate in creative writing with a certificate in Mexican American studies at The University of Texas Rio Grande Valley.



Jackie Joy Ho-Shing is a bi-Racial, Multi-Cultural vegan, feminist, writer, animal and human lover, living life one nap at a time. Border Texan born and raised who loves pop culture, coffee and taking pictures of her food.



jo reyes-boitel ~ poet and writer – third world latina mezcla - working class graphics designer - music researcher - libertada y realizada.