Part I
I have
always been nervous about visiting my old neighborhood.
One day,
my brother Salomon—an acclaimed artist—invited my younger brothers (Noel and
Ismael) and I to meet him at our old neighborhood—East Los Angeles’ notorious Ramona
Gardens housing projects. (Apart from his good looks, Noel possessed the most
talent and smarts among the brothers and in the projects.)
Salomon
had to retouch his mural in memory of Arturo “Smokey” Jimenez, who was murdered
by the cops in 1991. His killing sparked days of protests and riots from local
residents against a long history of police brutality and harassment in
America’s barrios.
Two days
later, after receiving Salomon’s phone call, I drove my 1967 Mustang to the
projects.
Many
years had passed since I left the projects to attend UCLA, as a 17-year-old
freshman—majoring in mathematics.
I always
felt nervous about returning to my old neighborhood ever since, not knowing how
my childhood friends and local homeboys would welcome me.
I
abandoned them all: Buddy, Herby, Ivy, Chamino, Peanut Butter, Nayto, Teto,
Tavo, Joaquin and Fat Ritchie. There is always a fat kid. I felt like I left
them and my family in a hostile place.
Together, we were safe. Separated, we became vulnerable.
My heart
pounded as I approached the graffiti-decorated projects. I parked at the Shell
gas station on Soto Street, near the 10 freeway. I looked at the rear-view mirror, as I combed
my dark black hair with my Tres Flores hair gel and reminded myself that this
is where I came from. Be tough, I thought to myself. I gained my composure and
slowly mustered a tough demeanor. Signs of weakness only attract the bullies in
the projects. I started my engine, cruised over the railroad tracks, slowed
down for the speed bumps, passed the vacant Carnation factory and parked in
front of La Paloma Market—where our family got credit.
As I got
out of my car, not far from Smokey’s mural, a couple of homeboys confronted me.
“Where
are you from, ese?” one of the homeboys asked, slowly approaching me. Actually,
it was more of a demand.
“Hey, punk,
what are you doing in the projects?” a young homebody chimed in. He must have
been only 13 years of age, but was ready to defend his neighborhood. Sometimes,
being tough is the only thing that a kid from the projects has to hold on to.
Before I
could answer, a stocky homeboy replied, “Hey, man, leave him alone. I know this
vato.
We go way back.”
“Fat
Ritchie, is that you?” I asked, relieved to be saved from the onslaught of
blows that awaited me. There is something about pain that never appealed to me.
“That’s
right,” he said, as he welcomed me with a bear hug.
“Hey, bro,
how did you get so buff?” I asked, amazed at his transformation from the
neighborhood fat kid to the muscular gangster. “Where do you work out? Gold’s Gym?”
“Nah,
man, try San Quentin State Prison,” he proudly responded. “There’s no Gold’s
Gym in Ramona Gardens!”
“Oh,” I
said, feeling like an idiot for asking a stupid question. “By the way, have you
seen Nayto?”
“I don’t
know what happened to him,” Fat Ritchie responded. “Most of the guys we hung
out with as kids are either dead, in jail, on drugs or got kicked out by the
housing authorities. Only the dedicated ones stuck around to protect the
neighborhood.”
As kids,
we roamed the projects without paranoid parents dictating our every move. Life back
then was not as violent. It was a time before crack, PCP and high-powered guns flowed
into the projects without limits. While drugs and violence existed before the
drug business skyrocketed and outsiders intervened in the projects, back then, problems
among the homeboys usually resulted in a fistfight. And since no rival gang or outsider
dared to venture into the projects, Ramona Gardens was our haven—except when it
came to the cops or housing authorities (who behaved more like prison guards).
We were
just a bunch of project kids hanging out, playing sports and getting into trouble.
Every time we got into trouble, Nayto was in the middle of it.
There
was something special about Nayto. He was tall and muscular for an
eleven-year-old. He was dark-skinned with curly brown hair. He had great
athletic skills that gained him respect among his peers. Despite his crooked
teeth, he was always smiling. He seemed restless, always planning for his next
scheme and adventure. Like many kids from the projects, he didn’t have a father
in the household, making it difficult for his mother to keep track of him and
his two younger brothers.
Reminiscing
about Nayto takes me back to my childhood, when I played sports with my friends
all day long. We liked playing baseball. It was a hot Sunday morning. We met, like always, in front of Murchison Street
Elementary School. We had no parks in the projects, so we played
on Murchison’s hot asphalt playground. We brought our cracked bats, old gloves,
ripped baseballs and hand-me-down Dodger jerseys.
One by
one, we scaled the school’s twelve-feet fence. Most of us climbed easily, like
Marines performing boot camp drills. Yet, Fat Ritchie struggled. Like many
other times, he found himself sitting on top of the fence, as Buddy shook it.
“Don’t
mess around man,” Fat Ritchie pleaded with Buddy to stop.
“Hey, Buddy,”
said Nayto, “leave him alone or else I’ll kick your ass, again.”
Once on
the playground, we picked teams. Suddenly, Nayto ran off towards the school’s bungalows
without saying a word. The game was not the same without Nayto. We would miss
his home runs and wild curveballs. He would even nose dive like Pete Rose, when
stealing second base. But, the game must go on, where we started to play
without our best player.
Short a
man, the team captains argued over the odd number of players to pick from. As a
compromise, they decided that the team with less players got stuck with Fat
Ritchie.
As the
game began, we heard a noise coming from the janitor’s storage facility,
adjacent to the empty bungalows with the broken windows.
“It’s
just Nayto messing around,” yelled Joaquin from right field.
In the
bottom of the third inning, Nayto finally emerged from the storage area. He ran
across the playing ground with his clothes drenched in what appeared to be motor
oil.
“Nobody
say shit or else,” Nayto yelled, as he interrupted our game.
“What
did he say?” asked Buddy.
“Nothing,”
I replied. “Let’s keep playing, it’s just Nayto being Nayto.”
“Come
on, let’s play,” said Herby. “I need to go home before I Love Lucy re-runs start.”
A few
minutes later, a police helicopter appeared over the storage area. Five LAPD cars
surrounded the school. Before we could run, the cops cut the lock on the fence
and stormed the playground like a SWAT Team.
We knew
the routine: we got down on our knees, put our hands behind the back of our heads
and waited to be spoken to.
“Did you
street punks see a dirty Mexican kid run through here a few minutes ago?” said
a white cop. “He’s about five feet tall and full of oil.”
Following
the neighborhood code, we stayed quiet in unison.
“Fine,”
said the exasperated cop. “Clear this playground before I arrest all of you for
trespassing.”
Frustrated,
the cops drove away without knowing about Nayto’s whereabouts.
Pissed
off, we slowly picked up our bats, gloves and balls to leave the school
playground.
Out of
nowhere, Nayto reappeared and ran towards the storage room, again. This time,
he emerged carrying a large, oily item.
“Nayto
ripped off Toney-the-Janitor,” said Fat Ritchie in a panic, while checking out
the pillaged storage room.
We all
ran home, before the cops returned.
Days
later, as we played tackle football on the parking lot, Nayto cruised by in a
gas-powered go-cart. We stopped our game and chased after him on our old bikes
and skateboards.
It
wasn’t your typical push-from-behind, wooden go-cart. It was a customized, low
rider go-cart: painted cherry red, velvet seat covers, leather steering wheel
and small whitewall tires with chrome-plated spoke rims. The engine was positioned
in the back, like a VW Beatle. It had a Chevrolet emblem glued to the front.
It was a
barrio gem!
“Where did you get that low rider go-cart?” I asked with
envy.
“I made
it myself,” Nayto said, not making a big fuss over his invention.
Aware of
his tendency to lie, I closely examined the go-cart. The frame consisted of
parts from Nayto’s old Schwinn bike. The seat—with the velvet upholstery—was a
milk crate taken from La Paloma Market. And I will never forget the leather steering
wheel, which Nayto took or borrowed from a stolen ’76 Cadillac El Dorado
convertible that the homeboys abandoned in the projects. It still had the shiny
Cadillac emblem in the center. In the front of the go-cart, the Chevrolet
emblem also originated from a stolen car in the projects.
Once
stripped by the homeboys, like a piñata at a kids party, the stolen car parts
were up for grabs for the locals, prior to being torched.
The
engine looked familiar, but I couldn’t figure out where Nayto got it from.
“Read
what is says on the engine,” Nayto said, impatiently.
I took a
second look at the oily engine. “Property of M.S.E.S?” I asked, not being able
to decipher the acronym.
“I
thought you were the smart one?” Nayto said with a smirk. “M.S.E.S. stands for
Murchison Street Elementary School.”
“Oh,
man!” I said. “You stole that … I mean … you got that from the storage room
when the cops were looking for you the other day at Murchison.”
“Why do
you think the school doesn’t clean the playground anymore?” he asked. “Do you
remember that big vacuum cleaner that Toney-the-Janitor drove after school, while
trying to hit us?”
“Yeah,
that jerk hit me one time,” I said.
“I hated
that man,” said Nayto. “That’s what he get for messing with us.”
“How
about a ride?” I asked.
“Get on
before the cops come by,” he replied.
We
cruised around the projects in his customized, low rider go-cart, chasing down
the little kids on their way to church and the winos in front of Food Gardens
Market. Protecting their turf, the winos hurled empty Budweiser bottles at us, missing us by a mile. Unfazed, Nayto stepped
on the pedal. Not paying attention, he ran over a cat. It belongs to Mother
Rose, the only black lady left in the projects. Fearing Mother Rose’s wrath, he
kept driving until we got drenched from the gushing water from the yellow fire
hydrant on Crusado Lane.
Lacking
a local pool, the homeboys would open the fire hydrant during hot days for the
kids.
Driving
for almost an hour, we ran out of gas. Luckily, Nayto was always prepared. He had
a small water hose handy, where I volunteered to siphon gas from an old Toyota
Pickup that belonged to Father John Santillan from Santa Teresita Church. Nayto
claimed that he was once an altar boy, where Father John wouldn’t mind if we
borrowed some gas.
Either
way, there were some bad rumors in the neighborhood about Father John, so we
didn’t consider it a sin.
Grateful for the ride, I siphoned the gas before the Sunday
mass ended. The gas left a bad taste in my mouth. The Wrigley's Spearmint gum that my
father gave me later that day didn’t help. That adventurous ride, however, was
worth every drop of gas that I consumed.
Those
were the days...
Part II
The phone rang. It
was 3:00 a.m. I slowly opened my eyes, taking a deep breath before I answered
the call.
“What’s wrong?” I
asked, knowing that good news never comes this early.
“Fat Ritchie passed
away,” Buddy said. “The cops killed him, where witnesses said he was not armed.”
I hung up the phone.
I felt numb. Another childhood friend was killed. When was this ever going to
end, I wondered aloud?
Like most of the
kids from the projects, from day one, Fat Ritchie never had a chance. He was a
short, chubby kid who was constantly picked on by the neighborhood bullies. Whenever
we played handball, one of the bullies would force him to stand against the
wall until everyone had a chance to hit him with the ball. Once, while playing
football at Murchison, the quarterback gave him the ball and everyone,
including his teammates, dog piled on him until he couldn’t breathe. When he
got up, everyone acted like they were innocent.
Since I last saw
him, however, no one dared to pick on Fat Ritchie. Those who thrived in the penitentiary
returned with a sense of respect and status.
While Fat Ritchie
had earned the respect of the neighborhood, it was another story with the
cops. Angry that they couldn’t bust him
on a major crime, the cops falsely arrested Fat Ritchie for armed robbery based
on the word of a local snitch. A couple of years later, upon his release, Fat
Ritchie became another victim of police brutality.
Three days after
receiving the tragic news, I returned to the projects to pay my last respects
to Fat Ritchie. It was also an opportunity to reunite with my other childhood
friends.
I arrived late. The
church was full. I decided to wait outside with the other mourners, waiting for
the coffin to be taken to the hearse.
Suddenly, I saw a
tall homeboy with dark skin and curly brown hair
carrying the coffin with three other homeboys. They’re all dressed in black
with dark sun glasses.
“Is that
Nayto?” I asked a stranger.
“What,
ese?” he asked, sounding annoyed while he got closer to me.
“Back
off, man,” I replied, letting him know that I, too, grew up the projects.
Once the
homeboys gently placed the coffin inside the hearse, I walked towards the tall
homeboy, as he made his way towards a 1967 Impala low rider. He got into his car and started the
engine.
“Nayto,
is that you?” I yelled out in his direction.
He
glanced at me and, with without a word, drove away towards the cemetery.
A tear came down my
cheek.
[Dr. Alvaro Huerta is an assistant professor of urban and
regional planning and ethnic and women’s studies at California State
Polytechnic University, Pomona. He is the author of Reframing
the Latino Immigration Debate: Towards a Humanistic Paradigm (San Diego State
University Press, 2013). As a scholar-activist, he primarily publishes
scholarly books and journal articles, along with policy papers and social
commentaries. Occasionally, while traveling and lecturing throughout the
country, he writes short stories based on his childhood experiences in East Los
Angeles. He holds a Ph.D. (city & regional planning) from
UC Berkeley. He also holds an M.A. (urban planning) and a B.A. (history)
from UCLA. Note: Based on a compilation of true stories, where some
of the names and scenes are changed, a version of this short story appeared in The
Homeboy Review Issue 1 (Spring), 2009.]
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