Translated by Anne McLean
Riverhead Books - August 3
Riverhead Books - August 3
[from the publisher]
The characters in Songs for the Flames are men and women touched by violence—sometimes directly, sometimes only in passing—but whose lives are changed forever, consumed by fire and by unexpected encounters and unyielding forces.
A photographer becomes obsessed with the traumatic past that an elegant woman, a fellow guest staying at a countryside ranch, would rather leave behind. A military reunion forces a soldier to confront a troubling history, both personal and on a larger scale. And in a tour-de-force piece, the search for a book leads a writer to the fascinating story of why a woman is buried next to a graveyard, rather than in it—and the remarkable account of her journey from France to Colombia as a child orphan.
Juan Gabriel Vásquez returns to stories with these nine morally complex tales, fresh proof of his narrative versatility and his profound understanding of the lives of others. There’s a romantic wistfulness that combusts with the realities of dangerous histories, both personal and political, to throw these characters into the flames from which they either emerge purified, reborn, or burned and destroyed.
The characters in Songs for the Flames are men and women touched by violence—sometimes directly, sometimes only in passing—but whose lives are changed forever, consumed by fire and by unexpected encounters and unyielding forces.
A photographer becomes obsessed with the traumatic past that an elegant woman, a fellow guest staying at a countryside ranch, would rather leave behind. A military reunion forces a soldier to confront a troubling history, both personal and on a larger scale. And in a tour-de-force piece, the search for a book leads a writer to the fascinating story of why a woman is buried next to a graveyard, rather than in it—and the remarkable account of her journey from France to Colombia as a child orphan.
Juan Gabriel Vásquez returns to stories with these nine morally complex tales, fresh proof of his narrative versatility and his profound understanding of the lives of others. There’s a romantic wistfulness that combusts with the realities of dangerous histories, both personal and political, to throw these characters into the flames from which they either emerge purified, reborn, or burned and destroyed.
____________________
Silvia Moreno-Garcia
Del Ray - August 17
[from the publisher]
1970s, Mexico City. Maite is a secretary who lives for one thing: the latest issue of Secret Romance. While student protests and political unrest consume the city, Maite escapes into stories of passion and danger.
Her next-door neighbor, Leonora, a beautiful art student, seems to live a life of intrigue and romance that Maite envies. When Leonora disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents.
Meanwhile, someone else is also looking for Leonora at the behest of his boss, a shadowy figure who commands goon squads dedicated to squashing political activists. Elvis is an eccentric criminal who longs to escape his own life: He loathes violence and loves old movies and rock ’n’ roll. But as Elvis searches for the missing woman, he watches Maite from a distance—and comes to regard her as a kindred spirit who shares his love of music and the unspoken loneliness of his heart.
Now as Maite and Elvis come closer to discovering the truth behind Leonora’s disappearance, they can no longer escape the danger that threatens to consume their lives, with hitmen, government agents, and Russian spies all aiming to protect Leonora’s secrets—at gunpoint.
Velvet Was the Night is an edgy, simmering historical novel for lovers of smoky noirs and anti-heroes.
1970s, Mexico City. Maite is a secretary who lives for one thing: the latest issue of Secret Romance. While student protests and political unrest consume the city, Maite escapes into stories of passion and danger.
Her next-door neighbor, Leonora, a beautiful art student, seems to live a life of intrigue and romance that Maite envies. When Leonora disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents.
Meanwhile, someone else is also looking for Leonora at the behest of his boss, a shadowy figure who commands goon squads dedicated to squashing political activists. Elvis is an eccentric criminal who longs to escape his own life: He loathes violence and loves old movies and rock ’n’ roll. But as Elvis searches for the missing woman, he watches Maite from a distance—and comes to regard her as a kindred spirit who shares his love of music and the unspoken loneliness of his heart.
Now as Maite and Elvis come closer to discovering the truth behind Leonora’s disappearance, they can no longer escape the danger that threatens to consume their lives, with hitmen, government agents, and Russian spies all aiming to protect Leonora’s secrets—at gunpoint.
Velvet Was the Night is an edgy, simmering historical novel for lovers of smoky noirs and anti-heroes.
_______________________________
Stephen Graham Jones
Gallery/Saga Press - August 31
[from the publisher]
Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange.
Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface it is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.
Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.
Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.
Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange.
Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface it is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.
Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.
Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.
_______________________
Suzanne Chazin
Kensington - August 31
[from the publisher]
Jimmy Vega straddles two worlds--the hardscrabble Bronx where he grew up as the child of a Puerto Rican single mother, and the upscale, mostly white, suburban county where he now serves as a police detective. Yet despite his sense of never belonging, he's a good and decent cop-even if the multi-million-dollar civil suit he's facing says otherwise.
His own troubles take a back seat when Vega learns that a court officer has just been shot and killed while transporting a controversial judge across the courthouse lot. Vega quickly surmises that the judge was the real target. She's earned the ire of alt-right hate groups for going soft on undocumented defendants accused of petty crimes. The sole witness to the sniper's identity is a Guatemalan girl traveling by bus from the border. And now, she's vanished-melted into a community fearful of the police. Her days are numbered if Vega can't get to her before the killer does.
But as Vega and his girlfriend, Adele Figueroa, head of the local outreach center, probe deeper into the shadowy farm community where immigrants toil in horrifying conditions, they tap into a chilling discovery. One that offers Vega a stark choice: keep quiet and be lauded as a hero, knowing he let the real villain go. Or risk everything for an ugly truth no one wants him to find...
Jimmy Vega straddles two worlds--the hardscrabble Bronx where he grew up as the child of a Puerto Rican single mother, and the upscale, mostly white, suburban county where he now serves as a police detective. Yet despite his sense of never belonging, he's a good and decent cop-even if the multi-million-dollar civil suit he's facing says otherwise.
His own troubles take a back seat when Vega learns that a court officer has just been shot and killed while transporting a controversial judge across the courthouse lot. Vega quickly surmises that the judge was the real target. She's earned the ire of alt-right hate groups for going soft on undocumented defendants accused of petty crimes. The sole witness to the sniper's identity is a Guatemalan girl traveling by bus from the border. And now, she's vanished-melted into a community fearful of the police. Her days are numbered if Vega can't get to her before the killer does.
But as Vega and his girlfriend, Adele Figueroa, head of the local outreach center, probe deeper into the shadowy farm community where immigrants toil in horrifying conditions, they tap into a chilling discovery. One that offers Vega a stark choice: keep quiet and be lauded as a hero, knowing he let the real villain go. Or risk everything for an ugly truth no one wants him to find...
__________________________
María Amparo Escandón
Flatiron Books - September 7
[from the publisher]
L.A. is parched, dry as a bone, and all Oscar, the weather-obsessed patriarch of the Alvarado family, desperately wants is a little rain. He’s harboring a costly secret that distracts him from everything else. His wife, Keila, desperate for a life with a little more intimacy and a little less Weather Channel, feels she has no choice but to end their marriage. Their three daughters—Claudia, a television chef with a hard-hearted attitude; Olivia, a successful architect who suffers from gentrification guilt; and Patricia, a social media wizard who has an uncanny knack for connecting with audiences but not with her lovers—are blindsided and left questioning everything they know. Each will have to take a critical look at her own relationships and make some tough decisions along the way.
With quick-wit and humor, Maria Amparo Escandón follows the Alvarado family as they wrestle with impending evacuations, secrets, deception, and betrayal, and their toughest decision yet: whether to stick together or burn it all down.
L.A. is parched, dry as a bone, and all Oscar, the weather-obsessed patriarch of the Alvarado family, desperately wants is a little rain. He’s harboring a costly secret that distracts him from everything else. His wife, Keila, desperate for a life with a little more intimacy and a little less Weather Channel, feels she has no choice but to end their marriage. Their three daughters—Claudia, a television chef with a hard-hearted attitude; Olivia, a successful architect who suffers from gentrification guilt; and Patricia, a social media wizard who has an uncanny knack for connecting with audiences but not with her lovers—are blindsided and left questioning everything they know. Each will have to take a critical look at her own relationships and make some tough decisions along the way.
With quick-wit and humor, Maria Amparo Escandón follows the Alvarado family as they wrestle with impending evacuations, secrets, deception, and betrayal, and their toughest decision yet: whether to stick together or burn it all down.
Later.
__________________________
Manuel Ramos writes crime fiction.
2 comments:
Thanks for including my latest book, The Fragile Edge, in your list of hot new books with Latinx themes and characters.
Thanks for including my latest book, The Fragile Edge, in your list of hot new releases with Latinx characters and themes.
Post a Comment