Showing posts with label Alex Espinoza. Show all posts
Showing posts with label Alex Espinoza. Show all posts

Tuesday, February 22, 2022

Looking Back to Look Forward: Greatest Show On Colorado Blvd.

O, mi, cron, To Me You Were So Crummy
Michael Sedano

By the time Tuesday, March 3 rolls around, inshallah Omicron will lie behind us and ójala unmasked people won't be today's Typhoid Marys. By 1900 hours, that's 7:00, to you Delta Omicron survivors, one had best be in one's reserved seat, vaccinated and boosted and prove it, to be there when the curtain goes up on another one of those oh my gosh it's so good to be back to casí normal again events (fanfare!):

Héctor Tobar interviews Reyna Grande on March 3, 2022 at 7 p.m. at Vroman's in Pasadena

Booksellers the world over lament the mail order juggernaut that makes money for the world's richest man who laughs all the way to his private bank with your book money. Booksellers are now bereft of the market share they lost so fast. Money and books started flowing through macroeconomics, the paper distribution system of the information environment. Books got commodified, boxed, shipped, and paid for in advance. Instead of the back seats of customer cars, books arrived at the front door. 

Readers traded immediacy for convenience, at a few dollars off. Booksellers didn't adapt to such rapid change. And didn't want to compete on price alone.

Legend has it there was a massacre of brick & mortar booksellers. Pickwick. Borders. Crown. Mom&Pop. It was a classic sales training exercise: All other things being equal, why would you buy from me? The booksellers failed because the industry failed them. Things weren't equal, publishers made favorable deals with the competition, things got tough in the independent market.

The economics are daunting. Some business owners give in and quit. When a business keeps people employed, but inventory costs increase while sales dip, the profit margin shrinks. 

What can a business owner do with an 11% margin between cost and sales price, when it shrinks to 8%? Money costs 5%. That's only 3% "margin."

Belt-tightening and staff shrinkage help. Customers won't tolerate price increases. The business owner mortages their house, the big mansion on the hill with a pool and horses.

As that margin tightens, the lower prospects start getting comparative to bank rates. A business owner thinks of the money she's making running the business compared to making "about the same" by putting it into bonds, or even a bank saving account, and kicking back without all the daily hassles of running a bookstore. 

Employees worry about losing their job, business owners worry about losing the house. That big mansion with the porte cochere and the history.

Vroman's teetered and asked for help when the GOPlague had us at our lowest. Pasadena and the San Gabriel Valley's bookbuyers rallied to their brick&mortar local business. Vroman's keeps its two stores open because people are buying what Vroman's sells. There's a lot of marketing and customer service making a difference, but as always, people are making the only difference that counts.

Great ancillary programming has always placed Vroman's in a special position among the region's substantial cultural endeavors.  The bookseller stocks a wide range of current titles with adequate shelf space, features indoor and outdoor readings sites, a handprints in cement walk of fame with annual ceremony, offers quality curios, and free unmonitored parking. With the local big box, Vroman's anchors this end of Colorado Boulevard.

Sadly, Vroman's stands unique among Pasadena stores. Despite lacking competition, Vroman's acts with responsibility to its public. Luis J. Rodriguez has his prints in stone out front, and numerous raza writers have read at Vroman's. I can list ten people off the top of my head whom I'd love to put on that outdoor stage! Ten, because I have only two hands.

I would love to see more big stores in my town moving literature and packing 'em in for readings. Give Vroman's a run for our money. Going into business locally is a matter of getting a bunch of money, stocking a big store, and have fifty years history. Maybe 100 years.


Vroman's has the formula for a wonderful reading: Present a great interviewer and a great writer with a hot new title. Get a SRO audience to pack the house. The ambience alone sells books, the platica sells reading generally and makes gente want to seek out these authors. And I get some good fotos out of the whole pachanga.

I sure hope I can get out at night on March 3 to take fotos like I did back in 2018, when Alex Espinoza and Reyna Grande got together at Vroman's. Lots of things have changed since then, que no?

Some of those things, let's hope they're changinge back, that we're getting back to normal. A ver.


From La Bloga-Tuesday, October 09, 2018

Reyna Grande In Conversation With Alex Espinoza
Michael Sedano

Friday night's (2018) is an audience of readers, gente who have come on Friday night to the independent bookseller, Vroman's, in Pasadena CA (link) because reading matters to them. They want to hear Reyna Grande, whose stories to them mattered.

Reyna Grande has five books: two novels, three memoirs (one, the YA Distance Between Us), and translations. She's the kind of writer a passerby would want to sit and hear, and the activity in the busy Vroman's event space attracts numerous random shoppers. But there's SRO. And still they visit, and still they stand. She's that kind of speaker.

The on-purpose audience has read Grande's books. These people need to read stories like Grande's and they have. Readers like these have a story like the author's, that inspires, encourages them. Author-Person gaps disappear when Grande relates, as she did in a recent radio interview with Norma Martinez (link). of being invited to elementary schools and meeting, not with the kids, but their mothers, who had to abandon their children, as Grande's mother did her children.

Memoirs tell the readers' own stories, too, though thankfully not exactly. Their abuelas were unlikely to be the species of mean that takes away ice cream from children and places it to melt in the sun, to make a point. 

Forgiving that is perspective, Grande admits. Writing freezes that personality into that image. A dozen years after, senescence laid waste to that vicious entity. Nothing remains to hate.

As a mom, that little kid licking her lips over melted nieve, is a push-over. Discipline is not mom's strong suit. Con razón.

Grande's familia are here. The author introduces her brother, who's standing off to the side all proud of his big sister, his kids smiling at tía on that stool right-center stage. 

Left-center sits Alex Espinoza, amiably engaging. What a double delight for these readers, eavesdropping on the conversation.

Espinoza, author of Stillwater Saints and The Five Acts of Diego León plays the muse eliciting nuggets and gems from the storyteller’s repertoire of memories, along with inside information and writing advice. 




Vroman's doesn't share videos of events. I hope someone had their video running start to finish because this was an interesting evening both for the insights into Grande's novels and the writing of memoir as opposed to writing autobiography.

If I kept a commonplace book, the colloquy would have filled several pages of frantically scribbled gems, turns of phrases, inspired moments. I keep a camera.






Vroman's is a tough place to book, so I've heard. Grande arrives amid a major tour for A Dream Called Home. The full house, and afterward the long line of people at the cash register bearing multiple copies of the $26.00 hardcover A Dream Called Home, confirms the bookseller's confidence in Reyna Grande's work. Grande reads from a paperback.

Grande says she's returning to writing novels with the completion of her second memoir. Vroman's marketing people will remember that when Reyna's agent comes calling. I hope Vroman's booking tipas remember, too, those lines of buyers. Raza doesn't buy books, so Vroman's doesn't book 'em, Dano. 

I heard that, at any rate, the last time I inquired why so few brown faces had a table up front in that busy room.




YA author Daniel Acosta held the dais a few weeks ago, and in 2017, Luis J. Rodriguez embedded his handprints into the Vroman's Walk of Fame in the big time ceremony. So there's evidence Vroman's is growing. A ver, as my grampa used to declare.


The author shared the most important element of a writer's life. Reflecting on her local start at Pasadena City College--not her first plan--and looking back at critical acclaim and community one-read adoptions, she observes how writing the books, that's the easier part.

Marketing. This tour for this book, for example. And all those adoptions. After getting published, getting out the word is what defines a title's, and the next one's, life.

Tonight, Grande's home. Her familia over there, these admiring faces, the local big time. Her conversation with the Cal State LA English Full Professor, another community college kid, sounds like home. A couple of grizzled writers sitting around the lumbre while we listen, they toss leña into the sparks raising sparks of their own with stories, accounts, memories, dreams.









Alex Espinoza told me before the event started he had a plan, where he'd lead the conversation. He figured the script wouldn't last long and he knew he'd pick up on something, and she'd pick up on something, and together they'd wend their way to the big pile of books that need signing.



And that was the last Q&A. Some tributes, "thank you for writing that!"--a couple of professors and teachers said that--only one rambling huh? participant. Alex Espinoza looks out knowing his audience shares his satisfaction.


The Gluten-free Chicano Bakes Parmesan Crusted Cod

Eating fish with frequency is one way to eat yourself to stable health.  Keeping an eye on sustainable fishing practices contributes to global health, too.

The Gluten-free Chicano is cooking for a light eater who will consume more food when the food has a bit of flair. Like chicken, I make schnitzel or piccata style. La Chickenada gets no left-overs tonight. Non-standard chicken salads benefit from texture and sweet from added fresh and dried fruit and nuts; savory from sharp cheese, olives, chips.

For Sunday Dinner just the two of us, I wanted fork-tender flaky fish,  crispy bits of papa with a creamy surprise of sour cream, and the sweet luxury of tomatoes and black aguacate. The ever-forgetful Gluten-free Chicano forgot to pick a calabaza to make steamed fresh squash.



Prepare
400º oven
Greased baking dish

Ingredients / carbohydrate count per lookup (link) 
Frozen cod, partially defrosted 0g
1 Egg, medium .34g
2 Tbs soft bacon grease 0g
Parmesan cheese ~½ cup 2g
Gluten-free flour ~½ cup 50g (King Arthur all-purpose gf flour)
¾ cup Frozen hash brown potatoes 18g
Olive oil 0g
1 small black-skinned Avocado 17g
Tomato 1g per slice
Carbohydrate count: ~89 g. Divide by 2-4 servings.



Pacific Cod in bulk frozen packages offers value and lots of fish meals. Baked or broiled as an entrée, braised, chilled, and flaked for a salad, chunked into a caldo de pescado, fish is good for your heart and health. 

Regrettably, Kroeger hasn’t caught up to the Responsibly Fished Certification movement, but Pacific Cod is a “recommended” food on the Seafoodwatch website (link).

Modifications:
Defrost the fish, towel dry with gentle pressure. This makes a better crust. Broiling at the end crisps and toasts, but do so watchfully.
For crispy coating, add gluten-free panko crumbs or broil for 3 minutes at end.
Egg froth: add mayonnaise, sour cream, olive oil, anchovy paste, mustard.
Super egg froth: molcahete or Cuisinart several toasted chile pods and soak for an hour in egg froth. Slather a thick coat of crushed chiles all over defrosted, drained, fish. Bake hot. The chile cracks off. It adds flavor but not chiloso.
More aguacate.


The Coating
Grab a small handful of flour and pour several shakes of dried parmesan cheese into a flat vessel. Equal flour to cheese. You can fry this, too, for exceptional flavor.


Mix the flour and cheese completely, add coarsely ground black pepper. Distribute evenly in the flat bottom.




Whip the heck out of a medium egg. Add a big tablespoon of soft bacon grease. If you don't collect your bacon fat, use olive oil. See the "modifications" for options..



Dip the fish in the egg froth. Place the wet fish on the dry flour-cheese mix. Have a dish towel handy to keep your fingers clean.



Turn the fish systematically, coat the edges then the other side. The egg wets the powdered egg-oil and will crust in the oven. This is a soft blanket not a crispy coat. Fry the fish for a great crispy treat.







Scrape the egg-flour left in the vessel and place add atop the fish. 

Use a flat spatula to slip the coated fish portions into a greased baking pan. Bake uncovered 15 minutes.

¡Provecho!




Hollywood Inglés From UNAM

Lots of new housing with more space
Lots of doors slamming in our face
I'll get a terrace apartment
Better get rid of your accent


$160 registration fee gets enrollment to the entirely online course (link).


UNAM is definitely in the distance learning business. There's another course in test preparation for much-needed certified teachers.


That UNAM, but its LA clone.


Monday, August 03, 2020

TOMÁS RIVERA BOOK PRIZE FINALISTS ANNOUNCED BY LARB BOOKS


TOMÁS RIVERA BOOK PRIZE FINALISTS ANNOUNCED BY LARB BOOKS
Guest Blogger, Alex Espinoza

LOS ANGELES, CA - Tom Lutz, publisher of LARB Books, has announced the finalists of the inaugural Tomás Rivera Book Prize: Maceo Montoya, Toni Margarita Plummer, and J. L. Torres.

The Tomás Rivera Book Prize is a unique partnership between the Los Angeles Review of Books and the University of California, Riverside, committed to the discovery and fostering of extraordinary writing by an author whose work examines the long and varied contributions of Chicanx/Latinx in the United States. 

Known for his seminal collection of stories, …y no se lo tragó la tierra/ …and the Earth Did Not Devour Him, Rivera was the first Latino chancellor of the UC system and a champion of higher education and social justice. The Tomás Rivera Book Prize honors his legacy and his belief in the power of education, activism, and stories to change lives.
The award attracted applications from writers from California, Texas, the East Coast, and the Midwest.

“The selection committee was impressed by the quality of the manuscripts and the range of voices,” said Alex Espinoza, the current Tomás Rivera Endowed Chair of Creative Writing at UC Riverside and author of The Five Acts of Diego León, the first title published by LARB’s Libros series. “The three finalists selected exhibit the freshest and most innovative voices in Chicanx and Latinx prose in the country.”

Award finalist Maceo Montoya is a California-based author, artist, and educator who has published The Scoundrel and the Optimist (Bilingual Review, 2010); The Deportation of Wopper Barraza (University of New Mexico Press, 2014); Letters to the Poet from His Brother (Copilot Press, 2014), a hybrid book combining images, prose poems, and essays; You Must Fight Them: A Novella and Stories (University of New Mexico Press, 2015), which was a finalist for Foreword Review’s INDIEFAB Book of the Year Award; and Chicano Movement for Beginners, which he both wrote and illustrated. He is currently an associate professor of Chicanx culture and literature at UC Davis.

  Toni Margarita Plummer, a finalist from Hudson Valley, is the author of the story collection The Bolero of Andi Rowe and won Honorable Mention for the 2019 Reynolds Price Prize in Fiction given by the Center for Women Writers. A Macondo Fellow and graduate of the Master of Professional Writing Program at USC, she is a contributor to the anthologies East of East: The Making of Greater El Monte and Latina Outsiders Remaking Latina Identity. She is a member of Latinx in Publishing and currently mentors a writer in its inaugural Writers Mentorship Program.

  Finalist J. L. Torres is the author of The Family Terrorist and Other Stories; a novel, The Accidental Native; and the collection of poetry, Boricua Passport. He has published stories and poems in numerous journals and magazines, including the North American Review, Denver Quarterly, Hayden’s Ferry Review, Eckleburg Review, Puerto del Sol, Las Americas Review, and the anthology Growing Up Latino. Born in Puerto Rico, raised in the South Bronx, he lives in Plattsburgh, New York, where he teaches American literature, US ethnic literatures, and creative writing at the SUNY campus there. Besides the PhD, he holds an MFA in creative writing from Columbia University.

The winner of the Prize will be announced on October 1, 2020, and will receive a $1,000 prize; publication of the manuscript by LARB Libros, a series by LARB Books dedicated to highlighting emerging Latinx talent; and 10 copies of the book. Additionally, the winner will have a book signing at UC Riverside during Writers Week in 2021. The award's final judge will be Luis Alberto Urrea, Mexican-American novelist, poet, and essayist.


Contact: Jessica Kubinec, jessica@lareviewofbooks.org



FINALISTAS DEL PREMIO DEL LIBRO TOMÁS RIVERA ANUNCIADOS
POR LARB BOOKS
Bloguero invitado, Alex Espinoza

LOS ANGELES, CA - Tom Lutz, editor de LARB Books, anunció a los Finalistas del Premio inaugural Del Libro Tomás Rivera: Maceo Montoya, Toni Plummer y J.L. Torres.

El Premio del Libro Tomás Rivera es una asociación única entre Los Angeles Review of Books y la Universidad de California, Riverside, comprometida con el descubrimiento y el fomento de la escritura extraordinaria por un autor primerizo o de carrera temprana cuyo trabajo examina el largo y variado contribuciones de Chicanx / Latinx en los Estados Unidos

Conocido por su colección seminal de historias “...y la Tierra no lo Devoró,” Rivera fue el primer Canciller Latino del Sistema de la UC y un defensor de la educación superior y la justicia social. El Premio del Libro Rivera honra su legado y su creencia en el poder de la educación, el activismo y las historias para cambiar vidas.

El premio atrajo solicitudes de escritores de California, Texas, la costa este y el medio oeste.


"El comité de selección quedó impresionado por la calidad de los manuscritos y el rango de voces", dijo Alex Espinoza, Jefe del Comité y autor de The Five Acts of Diego Leon, el primer título publicado por la serie Libros de LARB. "Los tres finalistas la exposición seleccionada muestra las voces más frescas e innovadoras en prosa chicana / o y latina / o en el país ".


 El finalista del premio Maceo Montoya es un autor, artista y educador con sede en California que ha publicado The Scoundrel and the Optimist (Bilingual Review, 2010), The Deportation of Wopper Barraza (University of New Mexico Press, 2014), Letters to the Poet from Su hermano (Copilot Press, 2014), un libro híbrido que combina imágenes, poemas en prosa y ensayos, You Fight Them: A Novella and Stories (University of New Mexico Press, 2015), que fue finalista del libro INDIEFAB de Foreword Review. Premio del Año y Movimiento Chicano para Principiantes, que escribió e ilustró. Actualmente es profesor asociado de cultura y literatura Chicanx en UC Davis.


 Toni Margarita Plummer, finalista de Hudson Valley, es la autora de la colección de cuentos The Bolero of Andi Rowe y ganó la Mención de Honor por el Premio Reynolds Price en Ficción 2019 otorgado por el Center for Women Writers. Becaria Macondo y graduada del Master of Professional Writing Program en USC, es colaboradora de las antologías East of East: The Making of Greater El Monte y Latina Outsiders Remaking Latina Identity. Es miembro de Latinx in Publishing y actualmente es mentora de una escritora en su Programa de Mentoría de Escritores inaugural.

 El finalista J.L. Torres es el autor de The Family Terrorist and Other Stories; una novela, The Accidental Native; y la colección de poesía, Pasaporte Boricua. Ha publicado historias y poemas en numerosas revistas y periódicos, incluidos The North American Review, Denver Quarterly, Hayden’s Ferry Review, Eckleburg Review, Puerto del Sol, Las Americas Review y la antología Growing Up Latino. Nacido en Puerto Rico, criado en el sur del Bronx, vive en Plattsburgh, Nueva York, donde enseña literatura estadounidense, literatura étnica estadounidense y escritura creativa en el campus de SUNY. Además del doctorado, tiene un M.F.A. en escritura creativa de la Universidad de Columbia.

El ganador del premio se anunciará en 1 de octubre de 2020 y recibirá un premio de $ 1,000, la publicación del manuscrito por LARB Libros, una serie de LARB Books dedicada a resaltar el talento latinox emergente y diez copias del libro. Además, el ganador tendrá una firma de libros en UC Riverside durante la Semana de los Escritores en 2021. El juez final del premio será Luis Alberto Urrea, novelista, poeta y ensayista mexicano-estadounidense.

Información de contacto: Jessica Kubinec, jessica@lareviewofbooks.org


Monday, May 25, 2020

Interview of Alex Espinoza by Xánath Caraza


Interview of Alex Espinoza by Xánath Caraza


Alex Espinoza is the author of Still Water Saints, The Five Acts of Diego León, and Cruising: An Intimate History of a Radical Pastime. He’s written for the Los Angeles Times, the New York Times Magazine, Virginia Quarterly Review, LitHub, and NPR's All Things Considered. The recipient of fellowships from the NEA and MacDowell as well as an American Book Award, he lives in Los Angeles and is the Tomás Rivera Endowed Chair of Creative Writing at UC-Riverside.

Xánath Caraza: Who is Alex Espinoza? 

Alex Espinoza: Never really given it much thought. I guess I would say that I’m a writer who likes to both read and produce stories that illuminate the marginalized voices that typically go on undocumented in the world.

Xánath Caraza: As a child, who first introduced you to reading? 

Alex Espinoza: My elementary school teachers who constantly read stories to us, who encouraged us to fall in love with books, and my mother who would often take us to the library.

XC: How did you first become a writer? 

AE: I don’t know the exact moment when I first became a writer. I think I’m in a constant state of “becoming” with each new project I take on. That is, the process is always teaching me new things, always challenging and tempering me. I published my first piece in my community college literary journal. I won the short story prize and was awarded $50. It was one of the biggest ego boosts, and it motivated me to continue to pursue the art.

XC: Do you have any favorite authors?

AE: Tons. James Baldwin, Toni Morrison, Flannery O’Connor, Helena Viramontes. These are just a few.

XC: When do you know when a piece is ready to be read by others?

AE: When I answer yes to the question, “Is this the best that I can make this piece?”
  
XC: Could you comment on your life as a cultural activist? 

AE: I see my writing as a means to incite and support social change. My writing is always grounded in the belief that art and words can shape communities of color to act up and resist preconceived notions about class, race, gender, and dis/ability.

XC: What projects are you working on at the moment that you would like to share?

AE: I just completed a novel about a family of luchadores. I will be revising it this summer.

XC: What advice do you have for other writers?

AE: Edit. Revise. Read. Be humble in your efforts and let yourself be challenged.