Showing posts with label hector tobar. Show all posts
Showing posts with label hector tobar. Show all posts

Tuesday, February 22, 2022

Looking Back to Look Forward: Greatest Show On Colorado Blvd.

O, mi, cron, To Me You Were So Crummy
Michael Sedano

By the time Tuesday, March 3 rolls around, inshallah Omicron will lie behind us and ójala unmasked people won't be today's Typhoid Marys. By 1900 hours, that's 7:00, to you Delta Omicron survivors, one had best be in one's reserved seat, vaccinated and boosted and prove it, to be there when the curtain goes up on another one of those oh my gosh it's so good to be back to casí normal again events (fanfare!):

Héctor Tobar interviews Reyna Grande on March 3, 2022 at 7 p.m. at Vroman's in Pasadena

Booksellers the world over lament the mail order juggernaut that makes money for the world's richest man who laughs all the way to his private bank with your book money. Booksellers are now bereft of the market share they lost so fast. Money and books started flowing through macroeconomics, the paper distribution system of the information environment. Books got commodified, boxed, shipped, and paid for in advance. Instead of the back seats of customer cars, books arrived at the front door. 

Readers traded immediacy for convenience, at a few dollars off. Booksellers didn't adapt to such rapid change. And didn't want to compete on price alone.

Legend has it there was a massacre of brick & mortar booksellers. Pickwick. Borders. Crown. Mom&Pop. It was a classic sales training exercise: All other things being equal, why would you buy from me? The booksellers failed because the industry failed them. Things weren't equal, publishers made favorable deals with the competition, things got tough in the independent market.

The economics are daunting. Some business owners give in and quit. When a business keeps people employed, but inventory costs increase while sales dip, the profit margin shrinks. 

What can a business owner do with an 11% margin between cost and sales price, when it shrinks to 8%? Money costs 5%. That's only 3% "margin."

Belt-tightening and staff shrinkage help. Customers won't tolerate price increases. The business owner mortages their house, the big mansion on the hill with a pool and horses.

As that margin tightens, the lower prospects start getting comparative to bank rates. A business owner thinks of the money she's making running the business compared to making "about the same" by putting it into bonds, or even a bank saving account, and kicking back without all the daily hassles of running a bookstore. 

Employees worry about losing their job, business owners worry about losing the house. That big mansion with the porte cochere and the history.

Vroman's teetered and asked for help when the GOPlague had us at our lowest. Pasadena and the San Gabriel Valley's bookbuyers rallied to their brick&mortar local business. Vroman's keeps its two stores open because people are buying what Vroman's sells. There's a lot of marketing and customer service making a difference, but as always, people are making the only difference that counts.

Great ancillary programming has always placed Vroman's in a special position among the region's substantial cultural endeavors.  The bookseller stocks a wide range of current titles with adequate shelf space, features indoor and outdoor readings sites, a handprints in cement walk of fame with annual ceremony, offers quality curios, and free unmonitored parking. With the local big box, Vroman's anchors this end of Colorado Boulevard.

Sadly, Vroman's stands unique among Pasadena stores. Despite lacking competition, Vroman's acts with responsibility to its public. Luis J. Rodriguez has his prints in stone out front, and numerous raza writers have read at Vroman's. I can list ten people off the top of my head whom I'd love to put on that outdoor stage! Ten, because I have only two hands.

I would love to see more big stores in my town moving literature and packing 'em in for readings. Give Vroman's a run for our money. Going into business locally is a matter of getting a bunch of money, stocking a big store, and have fifty years history. Maybe 100 years.


Vroman's has the formula for a wonderful reading: Present a great interviewer and a great writer with a hot new title. Get a SRO audience to pack the house. The ambience alone sells books, the platica sells reading generally and makes gente want to seek out these authors. And I get some good fotos out of the whole pachanga.

I sure hope I can get out at night on March 3 to take fotos like I did back in 2018, when Alex Espinoza and Reyna Grande got together at Vroman's. Lots of things have changed since then, que no?

Some of those things, let's hope they're changinge back, that we're getting back to normal. A ver.


From La Bloga-Tuesday, October 09, 2018

Reyna Grande In Conversation With Alex Espinoza
Michael Sedano

Friday night's (2018) is an audience of readers, gente who have come on Friday night to the independent bookseller, Vroman's, in Pasadena CA (link) because reading matters to them. They want to hear Reyna Grande, whose stories to them mattered.

Reyna Grande has five books: two novels, three memoirs (one, the YA Distance Between Us), and translations. She's the kind of writer a passerby would want to sit and hear, and the activity in the busy Vroman's event space attracts numerous random shoppers. But there's SRO. And still they visit, and still they stand. She's that kind of speaker.

The on-purpose audience has read Grande's books. These people need to read stories like Grande's and they have. Readers like these have a story like the author's, that inspires, encourages them. Author-Person gaps disappear when Grande relates, as she did in a recent radio interview with Norma Martinez (link). of being invited to elementary schools and meeting, not with the kids, but their mothers, who had to abandon their children, as Grande's mother did her children.

Memoirs tell the readers' own stories, too, though thankfully not exactly. Their abuelas were unlikely to be the species of mean that takes away ice cream from children and places it to melt in the sun, to make a point. 

Forgiving that is perspective, Grande admits. Writing freezes that personality into that image. A dozen years after, senescence laid waste to that vicious entity. Nothing remains to hate.

As a mom, that little kid licking her lips over melted nieve, is a push-over. Discipline is not mom's strong suit. Con razón.

Grande's familia are here. The author introduces her brother, who's standing off to the side all proud of his big sister, his kids smiling at tía on that stool right-center stage. 

Left-center sits Alex Espinoza, amiably engaging. What a double delight for these readers, eavesdropping on the conversation.

Espinoza, author of Stillwater Saints and The Five Acts of Diego León plays the muse eliciting nuggets and gems from the storyteller’s repertoire of memories, along with inside information and writing advice. 




Vroman's doesn't share videos of events. I hope someone had their video running start to finish because this was an interesting evening both for the insights into Grande's novels and the writing of memoir as opposed to writing autobiography.

If I kept a commonplace book, the colloquy would have filled several pages of frantically scribbled gems, turns of phrases, inspired moments. I keep a camera.






Vroman's is a tough place to book, so I've heard. Grande arrives amid a major tour for A Dream Called Home. The full house, and afterward the long line of people at the cash register bearing multiple copies of the $26.00 hardcover A Dream Called Home, confirms the bookseller's confidence in Reyna Grande's work. Grande reads from a paperback.

Grande says she's returning to writing novels with the completion of her second memoir. Vroman's marketing people will remember that when Reyna's agent comes calling. I hope Vroman's booking tipas remember, too, those lines of buyers. Raza doesn't buy books, so Vroman's doesn't book 'em, Dano. 

I heard that, at any rate, the last time I inquired why so few brown faces had a table up front in that busy room.




YA author Daniel Acosta held the dais a few weeks ago, and in 2017, Luis J. Rodriguez embedded his handprints into the Vroman's Walk of Fame in the big time ceremony. So there's evidence Vroman's is growing. A ver, as my grampa used to declare.


The author shared the most important element of a writer's life. Reflecting on her local start at Pasadena City College--not her first plan--and looking back at critical acclaim and community one-read adoptions, she observes how writing the books, that's the easier part.

Marketing. This tour for this book, for example. And all those adoptions. After getting published, getting out the word is what defines a title's, and the next one's, life.

Tonight, Grande's home. Her familia over there, these admiring faces, the local big time. Her conversation with the Cal State LA English Full Professor, another community college kid, sounds like home. A couple of grizzled writers sitting around the lumbre while we listen, they toss leña into the sparks raising sparks of their own with stories, accounts, memories, dreams.









Alex Espinoza told me before the event started he had a plan, where he'd lead the conversation. He figured the script wouldn't last long and he knew he'd pick up on something, and she'd pick up on something, and together they'd wend their way to the big pile of books that need signing.



And that was the last Q&A. Some tributes, "thank you for writing that!"--a couple of professors and teachers said that--only one rambling huh? participant. Alex Espinoza looks out knowing his audience shares his satisfaction.


The Gluten-free Chicano Bakes Parmesan Crusted Cod

Eating fish with frequency is one way to eat yourself to stable health.  Keeping an eye on sustainable fishing practices contributes to global health, too.

The Gluten-free Chicano is cooking for a light eater who will consume more food when the food has a bit of flair. Like chicken, I make schnitzel or piccata style. La Chickenada gets no left-overs tonight. Non-standard chicken salads benefit from texture and sweet from added fresh and dried fruit and nuts; savory from sharp cheese, olives, chips.

For Sunday Dinner just the two of us, I wanted fork-tender flaky fish,  crispy bits of papa with a creamy surprise of sour cream, and the sweet luxury of tomatoes and black aguacate. The ever-forgetful Gluten-free Chicano forgot to pick a calabaza to make steamed fresh squash.



Prepare
400º oven
Greased baking dish

Ingredients / carbohydrate count per lookup (link) 
Frozen cod, partially defrosted 0g
1 Egg, medium .34g
2 Tbs soft bacon grease 0g
Parmesan cheese ~½ cup 2g
Gluten-free flour ~½ cup 50g (King Arthur all-purpose gf flour)
¾ cup Frozen hash brown potatoes 18g
Olive oil 0g
1 small black-skinned Avocado 17g
Tomato 1g per slice
Carbohydrate count: ~89 g. Divide by 2-4 servings.



Pacific Cod in bulk frozen packages offers value and lots of fish meals. Baked or broiled as an entrée, braised, chilled, and flaked for a salad, chunked into a caldo de pescado, fish is good for your heart and health. 

Regrettably, Kroeger hasn’t caught up to the Responsibly Fished Certification movement, but Pacific Cod is a “recommended” food on the Seafoodwatch website (link).

Modifications:
Defrost the fish, towel dry with gentle pressure. This makes a better crust. Broiling at the end crisps and toasts, but do so watchfully.
For crispy coating, add gluten-free panko crumbs or broil for 3 minutes at end.
Egg froth: add mayonnaise, sour cream, olive oil, anchovy paste, mustard.
Super egg froth: molcahete or Cuisinart several toasted chile pods and soak for an hour in egg froth. Slather a thick coat of crushed chiles all over defrosted, drained, fish. Bake hot. The chile cracks off. It adds flavor but not chiloso.
More aguacate.


The Coating
Grab a small handful of flour and pour several shakes of dried parmesan cheese into a flat vessel. Equal flour to cheese. You can fry this, too, for exceptional flavor.


Mix the flour and cheese completely, add coarsely ground black pepper. Distribute evenly in the flat bottom.




Whip the heck out of a medium egg. Add a big tablespoon of soft bacon grease. If you don't collect your bacon fat, use olive oil. See the "modifications" for options..



Dip the fish in the egg froth. Place the wet fish on the dry flour-cheese mix. Have a dish towel handy to keep your fingers clean.



Turn the fish systematically, coat the edges then the other side. The egg wets the powdered egg-oil and will crust in the oven. This is a soft blanket not a crispy coat. Fry the fish for a great crispy treat.







Scrape the egg-flour left in the vessel and place add atop the fish. 

Use a flat spatula to slip the coated fish portions into a greased baking pan. Bake uncovered 15 minutes.

¡Provecho!




Hollywood Inglés From UNAM

Lots of new housing with more space
Lots of doors slamming in our face
I'll get a terrace apartment
Better get rid of your accent


$160 registration fee gets enrollment to the entirely online course (link).


UNAM is definitely in the distance learning business. There's another course in test preparation for much-needed certified teachers.


That UNAM, but its LA clone.


Saturday, October 11, 2014

Kids' Spanish mag to close. Virginia Alanis novel. Deep Down Dark.

Two years ago, my first children's story in Spanish appeared in the national magazine, Iguana. El Viaje de Clarisa la Flaquita is a fable written in Spanish. It follows the journey of a brown, skinny, young girl ant who learns to struggle against and overcome problems that life never seems to stop throwing in her path and was inspired by the burdens carried by first-grade, immigrant children I use to teach. I'm still proud of that story and was glad it would be available for some time, which is why I was not happy to receive the following (bold type - my emphasis):

"Dear Iguana family and friends,
I am heart-broken to inform you that the last issue of Iguana will be Nov/Dec 2014. Cricket Media (Carus Publishing) has decided to stop production of all Spanish language magazines. The company is shifting its focus towards China. As a result, Marc and I are no longer employed by Cricket Media. It is unfortunate that Cricket Media did not fully commit to growing the brands despite the evidence that subscriptions were increasing. 
We are in the process of getting Iguana back. However, it is currently financially infeasible for us to continue publishing Iguana. Marc and I want to thank all of you for your continued support and loyalty over these past ten years. It is thanks to you that Iguana was able to enrich the lives of many children. We hope that our paths may cross in the future and we can work together again.
Thank you, thank you so much from the bottom of our hearts. 
Christianne Meneses Jacobs, Founder/Editor, Marc Jacobs, Art Director

"Querida familia de Iguana y amigos:
Con el corazón destrozado les anuncio que la última edición de Iguana será la de noviembre/diciembre 2014. Cricket Media (Carus Publishing) ha decidido dejar de publicar todas las revistas en español y enfocarse en el mercado en China. Como resultado, Marc y yo ya no estamos trabajando para Carus. Desafortunadamente, los ejecutivos de Cricket Media no estaban completamente comprometidos en desarrollar las revistas a pesar de la evidencia de que las suscripciones estaban aumentado. 
Estamos en el proceso de que nos regresen Iguana. Sin embargo, en estos momentos se nos dificulta economicamente continuar publicando Iguana. Marc y yo les queremos dar las gracias a todos por su continuo apoyo y lealtad en estos últimos diez años. Es gracias a todos ustedes que Iguana pudo enriquecer la vida de muchos niños. Esperamos que nuestros caminos se vuelvan a cruzar en el futuro y podamos trabajar juntos otra vez.
Gracias, muchísimas gracias desde el fondo de nuestros corazones. 
Christianne Meneses Jacobs, Fundadora/Editora y Marc Jacobs, Director de Arte"

Whatever the merits of my fable, kids in my classrooms loved this magazine. I bought copies for school libraries and always had back issues in my room. Now, the magazine is threatened and might never publish again. As Virginia Alanis notes below: "Each month, approximately 50,000 US Latinos turn eighteen years of age." So, it's difficult to understand how Iguana's publishers are ceasing its publication. That they are "shifting focus toward China" might make sense; there are more Chinese kids than U.S. latinos. But here is the original press release when first taking over Iguana.

"Cricket Magazine Group’s Iguana to bring Spanish language, learning and culture to 7-­12 year-­olds
"In an interest to [sic] better serve the 50 million Latinos in the U.S., Cricket Magazine Group/Carus Publishing, a division of ePals, proudly announces the addition of Iguana magazine, its first Spanish-­language magazine for children, ages 7­‐12. Iguana will expose children to the beauty of the Spanish language and the richness of Latin American culture and heritage. The magazine received a 2009 Children's Publication Award from the National Association of Multicultural Education.
"Iguana is a Spanish language magazine for children who grew up learning and speaking Spanish. Each issue engages children with interesting text, beautiful illustrations, and intriguing photographs across a wide variety of new and interesting topics including history, geography, science, technology, language arts, math and more. Iguana's interesting content motivates children to read, reinforcing reading skills in Spanish and encouraging Latino cultural preservation."

It appears Carus is  dropping their "proud" commitment to "better serve the 50 million Latinos in the U.S." But you can see for yourself what a great full-color, illustrated magazine Iguana was, at this interactive sampler. It will be missed by more than me.

To get Carus Publishing's explanation for shutting down Iguana, I contacted them this week, and their computer answered: "We received your correspondence and will respond within two business days." That would be this coming Tuesday, and if I receive anything I'll append it to this post. You can contact Christianne M. Jacobs for further information about Iguana's future (revistainfantil@yahoo.com) or Karen Dudra (kdudra [@] caruspub.com) about Carus Publishing's decision. I assume publishing rights to my Clarisa story will revert to me, so I'll be seeking to get it published as a picture book.


Virginia Alanis about her forthcoming novel

"I wrote Love Field so readers could inhabit the 1980s and 1990s and smile at the things I took so seriously as a young woman. Even though I created outrageous characters and situations in my novel, I remained true to the basic thematic elements of a coming-of-age novel. I think of Love Field as Jane Eyre for Latinos, literary fiction about a girl in high school who runs away from home rather than return to Mexico with her family. She has the added baggage of making an early marriage, a jealous husband, and murderous in-laws—all while attending college."
Alanis's debut novel, Love Field, will be published in 2015, but in the meantime you can read her summary.


Deep Down Dark

"On August 5, 2010, thirty-three miners were trapped underground following a mine cave-in at the Chilean town of Copiapó. Pulitzer Prize-winning journalist and novelist Hector Tobar obtained exclusive access to the miners and tells their story in his novel Deep Down Dark. Latinopia asked Tobar how the novel came about.

Es todo, hoy,
RudyG, a.k.a. Rudy Ch. Garcia, author of El Viaje de Clarisa la Flaquita, in print for a limited time

Friday, April 26, 2013

From La to L.A.


Melinda Palacio



I've spent most of National Poetry Month in Louisiana. The Spring here has been unusually cool, almost cold with skies darkening at noon and crazy rain dumping sideways and falling at angles that flip umbrellas upside down.

Last weekend, California ordered up sunshine and warmth for the Los Angeles Times Book Festival. 
I was one of the lucky authors to be invited to sit on a panel with David Treuer, Luis J. Rodriguez, Reyna Grande, and our moderator Hector Tobar.


If you tuned into La Bloga on Tuesday, you'll be able to read Michael Sedano's excellent account of the Festival. We had a great crowd. I'm glad a full house attended the panel because it was one of the best (Sure, I always say that, but last Saturday's panel was up there).
Reyna Grande and Melinda Palacio riding the metro to the festival.


I am grateful to Hector Tobar and the organizers of the festival for including me on this panel. Of course, I always think of great things to say after the panel is over; this is probably why I am a writer and not a news pundit. In hindsight, I wish I had talked more about the memoir qualities of How Fire Is a Story, Waiting.

Every author interviewed on our panel had a new memoir, except for me. Originally, the panel was going to be called: Memoir: American Identity. Although I was the only one without a memoir, I could see how my poetry book disguises itself as a memoir and reveals several themes that memoirist lean on. However, as Frank Mundo points out in his review for the Examiner, the narrator of the poems in How Fire, is not always Melinda Palacio, but, rather, a made up narrator, especially in "Water Mark," where I make up an entire childhood in New Orleans, a town I first visited ten years ago.


"If you only read one new book of poetry for National Poetry Month this year, make it this one." --Frank Mundo

A few weeks before the Los Angeles Times Festival, the organizers decided to leave me on the panel with three memoir authors and simply changed the name of the panel to Writing American Identity. This allowed for a lively discussion on identity, stereotypes, and I, along with the audience, had a chance to hear from David Treuer, author of Rez Life, who was very funny; I'm looking forward to reading his book.
Melinda Palacio, Reyna Grande and Hector Tobar before the Writing American Identity Panel (not shown are David Truer and Luis J. Rodriguez).


I'm glad I was able to dash to the festival last weekend. Many thanks to my super hostess, Reyna Grande, for picking me up, asking her five-year-old daughter to give up her princess bed for me, and having her 11-year-old son make us sweet potato pancakes, bacon and eggs. Our metro to  adventure to USC, the festival's site, will be the subject of a future blog post.

Happy National Poetry Month

Here's a video of me reading Martin Espada's Isabel's Corrido from his award-winning book, The Trouble Ball. Among Espada's many awards, he received the Milt Kessler Award for the Trouble Ball. I was lucky enough to be a finalist for the 2013 award, which went to Marilyn Nelson.

Recently, Daniel Olivas interviewed me for the Los Angeles Review of Books. Read the entire interview here. 

Congratulations to all the finalists for the 2013 InternationalLatino Book Awards, especially fellow Bloguero and La Bloga Founder, Rudy Ch. Garcia. How Fire is a Story, Waiting is also a finalist. Winners will be announced next month after the awards ceremony at the Instituto Cervantes in NYC. Last year, Ocotillo Dreams, won the Mariposa Award for Best First Book and an honorable mention for Historical Fiction. 



Last night, April 25, the events coordinator at the Jefferson Parish Library was impressed by the turnout (I think my name in lights helped).



Upcoming Events:

April 26, Tonight in Baton Rouge at Louisiana State University
& the beat goes on, featuring Tony Medina, with My Nguyen, Martha Reed, and Melinda Palacio.


Starting: 2:00PM to 3:00PM

PANEL: Omnipresent: The Vibrancy of Latino Literature (2:00pm-3:00pm)
Omnipresent: the Vibrancy of Latino Literature offers something for everyone. From memoir to noir mystery, poetry to historical fiction, and magical realism to L.A. fiction. The showcase of literature by Latino authors includes Reyna Grande (The Distance Between Us: A Memoir), Manuel Ramos (Desperado: A Mile High Noir), Alex Espinoza (The Five Acts of Diego León), Melinda Palacio (How Fire Is a Story, Waiting), and moderator Daniel Olivas (The Book of Want). (Julia Child Stage)

May 18, Tia Chucha's Words and Music Festival,

The Banned Books panel is slated to begin at 1:30 and will end at 2:15 on Saturday May 18, 2013 at Los Angeles Mission College, 13356 Eldridge Avenue, Sylmar, CA. 91342.


May 19, Bat Cave Reading Series at the Old Zoo in Griffith Park at 4pm.
The readers are Chiwan Choi, Melinda Palacio, Diana Wagman and Amanda Yates, with our special musical guest, Bloody Death Skull

Friday, March 29, 2013

Cycling for Today's Revolutionary Woman of Color and La Global Bloga

Claudia D. Hernandez. Photo by Melinda Palacio



Claudia D. Hernandez is a revolutionary woman. La Bloga has been following the progress of her project, Today's Revolutionary Woman of Color. The idea of creating a photo exhibit of 50 revolutionary woman of color to inspire young girls is a growing movement with a website, a facebook page, and plans to showcase future revolutionary women around the country. La Bloga spoke with Claudia on the eve of her clycothon at Hollydale Park in South Gate, March 24. It turns out there are many ways to support this project.

La Bloga :
When did you first come up with the idea of Today's Revolutionary Woman and how has the project changed or evolved?

CDH:
I came up with the idea of the project in October 2012. I was going through a difficult time in my life and instead of isolating myself like I normally do because I’m a very private person, I surrounded myself with amazing women who not only inspire me with their art and careers, but were there for me to support me in the most difficult time of my life.

As a photographer, I first envisioned the project as a photography exhibit, but when women come together, great ideas explode like colorful fireworks. Odilia Galván Rodríguez gave me the idea to make it into a photography book. From there, I decided to add the component of a live interview where women talk about their accomplishments, involvement with the community, and their story of resilience, a five-minute interview that will inspire young women in our communities.

Someone else gave me the idea to create a Facebook page specifically for the project. After uploading all the interviews on my Youtube Channel and on Facebook, I came up with the idea of compiling the interviews on a DVD, which will also be part of the photography book and be given as a gift to all the women who attend the opening night of the exhibit. 

Now I’m in the process of creating a webpage for the project because I want the project to be accessible to everyone, not just people on Facebook. Eventually, I want other women/artists to help me expand the project to other states and other countries. This is one of those projects that will continue to grow because there are too many women out there who are not getting the recognition they deserve for the exemplary work they are doing for our communities.  Not to mention their powerful stories of resilience that need to be told.

La Bloga:
Are you almost done with all of the interviews and photographs? How many in total? How many left to go?

CDH:
Almost done. I have interviewed 40 women out the 50 who first confirmed participation. The project continues to grow. I have been presenting the project at different events and I continue to meet phenomenal women who have unique stories of resilience to share with the world. I have to admit that now it’s more like 65 women who want to participate in the project. I might have to publish another book in the near future. But for the purpose of the project, I will only publish 50 women in the book and exhibit 50 in the photography-walking exhibit.

La Bloga:
What have been some of the challenges and why are you personally committed to seeing this project through?

CDH:
I have confronted many challenges with this project, but I have to admit that I have conquered most of them and that makes me feel great and unstoppable.

To start, I am a full-time student, pursuing two masters (please don’t ask me how I got myself into that) I’m also working full-time as a bilingual educator at an elementary school, and I am the proud mother of a wonderful teenager. The project alone has become another full-time job. Balancing all these tasks has been the greatest challenge.

Money has been another significant challenge. I have written several applications for grants and now I’m waiting for the money to come in. In the mean time I don’t waste my time, I have created several events to raise funds for the project. Coordinating these events has been a learning experience.

The project is supposed to last a year. I have learned to sacrifice sleep, exercise, and going out. I live in a tiny studio that has become my heaven where I write, edit, and create art. I’m personally committed to seeing this project become successful because it has been my medicine, my therapy. . . a healing journey that will not only last a year, but hopefully a lifetime. I am most interested in the impact that it will have in other communities as well.

Not only am I helping myself, but I’m helping others as well, especially young women who sometimes experience certain situations in life and find themselves alone in the world. Not knowing how to cope and overcome such obstacles in life. This is for them, to empower and inspire them and also to highlight the revolutionary women who are transforming our communities with their art and careers.  


La Bloga:
In the Facebook page for the Cyclothon, you mention different levels and leaders for the race. How will this work? Who are the cycle leaders? Will most of the program take place after the race? Have you been involved in such a Cyclothon before? 

CDH:
I created a Cyclothon event for March 30th, where professional and beginner cyclists will meet at Hollydale Park at 8:00 a.m. to help me raise funds for the project. The program will take place before and after the race.

Before the race, I will present the project and introduce some of the Revolutionary Women who will briefly share their story of resilience. Raffling tickets will be sold before and after the race for $10. Cruz Cycling Team will help me divide the cyclist into two groups: beginners and advanced. They will lead the cyclist towards the lighthouse in Long Beach and back to Hollydale Park where the event will culminate with the raffle.

I will raffle one of my photography pieces and other art pieces that several artists have kindly donated to help me raise funds.  LunaSol Mexican Vintage will donate a gift basket. Artist Irene Carranza will donate several of her “Bella Mujer” 2013 calendars. Melinda Palacio will donate a signed copy of her latest poetry book: How Fire Is a Story, Waiting.

I have never been involved in a Cyclothon event, let alone coordinating one. Four years ago, I was part of a cycling team of educators from Southeast LA. The team evolved into Cruz Cycling Team, with Tony Cruz being the founder. I stopped riding because I had knee surgery, and decided to go back to grad school. These cyclists have become lifetime friends who continue to support my art projects.

La Bloga:
What is your vision for an ideal Cyclothon and what are your fundraising goals. Can people help by sending checks directly to you or to the fundraising account?

CDH:
The ideal Cyclothon for me would be that everyone who says they are participating shows up on time, buys a raffle ticket, and enjoys the ride. I don’t have a fundraising goal at the moment because I’m not sure how many people will show up and how much money they’re willing to donate. I just hope that the people, who are planning to attend, help me spread the word so that more people show up and learn about the project.

Many people have offered to sponsor a cyclist because they are not able to attend or because they live out of state. Since the Cyclothon evolved from a race to a tour, I prefer they donate to the project by sending checks directly to an account I opened specifically for the project or to my PO box address:

Wells Fargo Bank account
Routing#122000247
Account#1018433472

Send a check to:
Claudia D. Hernández
PO BOX 522
SOUTH GATE CA 90280




La Global Bloga

Photo by Douglas McColloh and article by Susan Straight for KCET


Susan Straight has another wonderful article on the history and haps in Riverside in KCET SoCal Focus. Read about Riverside's Our Lady of Guadalupe.


Over in Denver:
"Please post on La Bloga, Write a letter of support to name Denver's new library in Westside after Rodolfo Corky Gonzalez, to Librarycommission@Denver library.org. see www.quevivacorky.com"


Tonight at Tia Chucha's in Sylmar...The Open Mic Feature is Karineh 'you don't want to miss her' Mahdessian
    • 8:00pm until 10:00pm
  • Open Mic Feature: Karineh Mahdessian
    Friday March 29, 2013 @ 8-10pm

    Karineh Mahdessian learned English by reading Nancy Drew books and watching Married with Children. She has a great affinity for really large earrings. She enjoys tacos from highland park taco trucks. she will challenge anyone to a thumb wrestling match. anytime. anyplace. She always has her chess set riding around in the trunk of her car. And she is absolutely in love with haikus.


    Ire'ne Lara Silva 

    Over in Texas. Congratulations to Ire'ne Lara Silva. She is a Genre Finalist in Fiction and will receive $5000 from A Room of Her Own foundation for women artists and writers.


    Tomorrow, Saturday, March 30 in Albuquerque, the NHCC presents Reyna Grande at 2pm, 1701 4th Street SW, Albuquerque, NM 87102

    Sunday, Easter.


    Next month in Los Angeles...


    Next month at the Los Angeles Times Festival of Books, the panel to see is Saturday, April 20 at 3:30 pm with Reyna Grande, Luis J. Rodriguez, Melinda Palacio, David Treuer, and Hector Tobar, Taper Hall 201, Conversation 1134 with interviewer, Hector Tobar.
     Taper Hall (THH 201)

    11:00 a.m.Young Adult Fiction: Danger & Determination
    (Conversation 1131)
    A.S. King
    Martine Leavitt
    Elizabeth Wein
    Interviewer: Angelina Benedetti
    12:30 p.m.Serious Science: Stunning Stories
    (Conversation 1132)
    Sean M. Carroll
    K.C. Cole
    George Dyson
    Moderator: Michael Hiltzik
    2:00 p.m.Memoir: Close to the Bone
    (Conversation 1133)
    Meghan O'Rourke
    Emily Rapp
    Rebecca Solnit
    Moderator: Samantha Dunn
    3:30 p.m.Writing American Identity
    (Conversation 1134)
    Reyna Grande
    Melinda Palacio
    Luis J. Rodriguez
    David Treuer
    Interviewer: Hèctor Tobar