Showing posts with label Gronk. Show all posts
Showing posts with label Gronk. Show all posts

Tuesday, June 13, 2023

Poetry At LA Plaza: Legends Get Made This Way

Michael Sedano

Luis J. Rodriguez beams proudly, looking across the museum meeting room where dozens of eager faces know what kind of work Rodriguez’ Tia Chucha Press publishes: two books a year, poetry of impeccable accomplishment. Today, La Plaza de Cultura y Artes showcases its work.


Today’s lineup of readers and one artist sets high expectations,and Melinda Palacio, Luivette Resto, Miguel Rivera reading work he translated written by Humberto Ak'abal, Gail Wronsky in tandem with Gronk, exceed every imaginable expectation, unless someone expected a "regular" poetry readin g.


Melinda Palacio, recently installed as Poet Laureate of the City of Santa Barbara, leads the reading with a selection from How Fire Is A Story, Waiting (link).

Palacio enchants the audience with poems from Bird Forgiveness (3: A Taos Press) and adds to the experience when she plays Ukelele and sings. 

Enchanted, La Bloga's photographer didn't take fotos of the songs.




Luivette Resto reads from her Flowersong Press title, Living On Islands Not Found on Maps, and Tia Chucha Press' Unfinished Portrait.



Translators don't often receive the attention their labor deserves, so having Humberto Ak'abal's work, In the Courtyard of the Moon, presented bilingually by Ak'abal's translator, Miguel Rivera, gives Rivera's ten minutes a double delight.



Art by Gronk Poetry by Gail Wronsky reads the cover of the stranger you are, a collaboration between the poet Wronsky, and painter printmaker opera set designer, Gronk. 

The book is an ekphrastic collection. Per Wronsky, Gronk did not illustrate this collection. Rather, Wronsky wrote what she saw in Gronk's drawings.


They wow the audience.


The pair use their ten minutes to demonstrate the ekphrastic process, but in reverse. Wronsky holds up a page. 


Gronk recognizes the poem, turns to an easel, and while Wronsky reads the page, Gronk draws up the words and mood.


Synchrony happens loosely but synchrony happens; Wronsky finishes reading and Gronk has to catch up, speeding up crayon to complete his expression.

Then the audience participation part begins.


Gronk tears the drawing from the easel pad, wrinkles the piece, and tantalizes the house, holding the bundle toward them like a prize. Gronk hands a drawing to Luivette. The audience understands.

Wronsky reads another of the short poems and Gronk gets drawing. This one goes into the house!


Poetry read aloud, like a scribble on an easel pad, is ephemeral; it's here and now and then it's gone. But people have ways to bind time into artifacts.


You can bet your bottom dollar those "genuine Gronks" are going into frames and stories. And the poems themselves? Melinda's fire and bird songs, Luivette's introspection and humor, Ak'abal/Rivera's insight and outrage, Wronsky's verbal exploration of Gronk's graphic mind, come in book form.

Tia Chucha Press comes virtually to your door via a package delivery service, hands you all the books you order via the links in this column.

There's going to be another Tia Chucha Press reading, featuring these writers and Gronk, up in Santa Barbara. Soon. La Bloga-Tuesday will share details of the event. You might go home with your own Gronk. For sure, you'll go home with the best time you're likely to enjoy at a poetry reading.

Melinda Palacio
How Fire Is A Story, Waiting
Bird Forgiveness

Luivette Resto
Unfinished Portrait
Gail Wronsky / Gronk
the stranger you are

Friday, January 21, 2011

A Little More from What Books Press
by Melinda Palacio

Chuck Rosenthal, Gail Wrongsky, Gronk, and Alicia Partnoy


Over a glass table and several glasses of wine, the collective at What Books Press was born. They are cultural workers, made up of professors, poets, filmmakers, and, as bloguero Daniel Olivas mentioned, a haunting and famous L.A. artist, Gronk.

Poet and professor at LMU, Alicia Partnoy said the Glass Table Collective were fed up with non-responding publishers and ego-filled editors when they decided to form their own publishing company, What Books Press.

The non-writers in the group, Partnoy’s husband Antonio and artist Gronk add dimension and perspective. Alicia says, “Gronk and Antonio keep us sane because they are not writers.” Their logo is a piece by Gronk, a book stranded on an island. Partnoy says What Books aims to save those stranded books.

The story of how the group came to be and the friendships they’ve formed is at the heart of What Books Press, a labor of love in itself. Colleagues at What Books Press and LMU, professors Gail Wrongsky and Alicia Partnoy, have grown their friendship over the past ten years, so much so that both poets have translated each others work.

When Alicia decided to translate Gail Wrongsky’s So Quick Bright Things, poems about A Midsummer Night’s Dream, Alicia learned more about Shakespeare from Gail as she bemoaned the awful Argentine translation she had studied. She sat in Gail’s Shakespeare class at LMU in order to soak up the surrealist poems in conversation with A Midsummer Night’s Dream. The result is a whimsical bilingual text, worth reading even if, heaven forbid, you’ve never read the Bard. The bilingual book features Gronk’s Neue Sachlichkeit, mixed media on paper on the cover. The cover depicts a blue cake, red candles and a devil figure behind the cake. Gail knew immediately when she saw Gronk’s images that she wanted that as the cover for So Quick Bright Things.

Gronk has told the collective they have full use of his images for the covers of What Books Press. When the East L.A. born artist was creating his first book, he chose not to do a splashy coffee table book, but rather have his book look like a book of poems or fiction. The enigmatic artist may have an intimidating scowl, but he laughs a lot and lights up when he talks about his work. He describes his book, The Giant Claw, as his uncensored visual diary. Each drawing says something and Gronk challenges the reader to find the humor in his work.

What Books publishes poetry, fiction, and non-fiction, and the visual as represented by Gronk. For now their books are print on demand and there is no submission process; instead they invite selected authors. The future of What Books Press looks very bright with more anthologies and the publication of books by contest winners. The current goal is to make the books in hand more accessible to readers.

More Readings and Information Panels from What Books Press at Beyond Baroque, February 18 and at the ALOUD series at the Los Angeles Public Library, panel moderated by Susan Salter Reynolds March 22.

Excerpt from Gail Wrongsky's So Quick Bright Things, What Books Press 2010.


A Cultural Thing


We Latinas want

sharp profiles and visible

mystery

says the queen. The moon's

asbestos and so on. Blood

spattered on the windowpane.


Theseus peering

through the cracks in his

Eagle warrior mask for

a glimpse of something infinite---


Una Cosa Cultural (translation by Alicia Partnoy)



Nosotras Latinas deseamos

perfiles definidos y un misterio

visible


dice la reina. El asbesto

de la luna y todo eso. Sangre

que salpica el cristal de la ventana.


Teseo espía a través

de las ranuras de su máscara

de guerra un Aguila en

busca del destello de algo infinito---


****

There are also some exciting poetry readings and panels this weekend, including the prison poetry panel featuring

Robert Juarez, Rolando Ortiz, Hugo Machuca, Melinda Palacio, and Luis J. Rodriguez at La Palabra reading series, Avuenue 50 Studio, 313 N. Avenue 50, Highland Park, 323, 258-1435.

On Saturday, January 22 enjoy a full day of poetry and short stories. Afternoon Poetry Reading at the Pasadena Public Library, 999 E. Washington Blvd from 3pm to 5pm features Michael Cluff, Frank Mundo, Sojourner Rolle and more.

Thelma Reyna reads at the Jose Vera Fine Arts & Antiques, Saturday, January 22 at 7pm, 2012 Colorado Blvd, Los Angeles, 90041.