Showing posts with label National Hispanic Cultural Center. Show all posts
Showing posts with label National Hispanic Cultural Center. Show all posts

Wednesday, April 14, 2021

2021 Children's Bilingual Book Festival

 

 

For more information visit 

https://www.nhccbookfest.com/

 

 

National Hispanic Cultural Center

​

 a division of the New Mexico Department of Cultural Affairs

 

 

THURSDAY THROUGH SUNDAY

April 15 - 18, 2021

 

9am - 5pm (MDT) Via Zoom

 

 

No Registration Required

​

A Free, Multi-Generational, Community Event.

 

​

Four days of author readings, book events, workshops and more, featuring children's bilingual books in Spanish and English and Native languages and English.  Free and open to the public.

​

Cuatro días de lecturas de autores, eventos de libros, talleres y más con libros bilingües para niños en español e inglés e idiomas nativos e inglés. Gratis y abierto al público.

 

 

This is the list of authors and illustrations/ Esta es la lista de los autores e ilustradores.

 

 

Alexandra Diaz         

Amy Córdova y Boone         

Ana Siqueira 

Anna M. Nogar          

Cathy Camper          

Concepción Saucedo Martinez        

Enrique Lamadrid   

Eric Velasquez          

Jessica Gonzez           

Maria Gomez 

Matt de la Peña        

Naibe Reynoso          

Raynelda Calderon  

René Colato Laínez   

Robert Liu-Trujillo   

Rocío Cervantes Garcia        

Traci Sorell    

Viviana Torres          

Xavier Garza 

Xóchitl Guerrero       

Yolpaki Xihuit

Saturday, January 04, 2014

Kathleen Alcalá on latinos/SciFi. 2 opps for novels and writing samples


Three chingón lit pieces today, including opportunities for submitting your novel manuscript or writing. First, Kathleen Alcalá provides her sober and challenging views about latinos entering the world of American spec lit. Do leave her comments about your own views. Kathleen's credentials for this include her attendance at the prestigious Clarion West Science Fiction Workshop as a student and an instructor.

Science Fiction and You
by Kathleen Alcalá

Is there a place on science fiction for Latino/as? No. Anywhere in the publishing universe? No. You have to make a place. Want a checklist?
You get 1 point if you are White, East Coast, Old money, a straight male or have a famous last name.
You lose a point if you are: Brown, West Coast, Female, A gay male or have a name that is hard to spell or pronounce for non-Latin@ English speakers.

Are you still at zero or below? So what? Why are you writing?
The advantage of writing science fiction, mysteries, or romances is that genre writing pays. It has an established system of conventions where readers meet writers and buy books. There are fan clubs, and plenty of media cross-over. The only category of fiction that lacks this is literary fiction. If this is your passion, you must write for love. Editors are subservient to the marketing department, and marketing continues to stay well behind the curve on demographics.

More to the point, if you have read this far, why should you care about science fiction? Because science fiction offers both the grandest and most nuanced metaphors for the human condition. Where do the templates for the civilizations of the future originate? In the past, including yours. Countless writers have mined your history for their work. This is the same history that certain school boards don’t want you to know. It speaks of science, of religions, of land dearly won or lost. My ancestors looked at the stars and saw the campfires of their beloved departed. They used the plants around them for medicine, grew and wove cotton for their clothing. All of these details are gold for people who have lost or tired of their own mythologies.

Latin@s can step into this field and bring an authentic voice to it. Will people accept you? Who cares? You create your own gravity in any field, and people come to you. Will you get published? Yes. There are thousands of places to publish, and one of them will take your work. Can you succeed through self-publishing? If your work is good and you persist. Can Latin@s help each other? Sure. Publishing is a new frontier. You can form publishing co-ops, review each other’s work (as Rigoberto Gonzalez did without pay for ten years), read drafts, share opinions, go to Cons and form your own caucuses. You can start a Con.

Will you be disrespected? Yes. Will you be adored? Yes. Science fiction readers are early adopters, so many jumped to e-readers and intermedia presentations early. They are also collectors, so if you have published one or more books, you might be approached by someone with a bagful to get your autograph.

Science fiction people are very sweet, very bright, and have their own subculture. If you’ve got a good story, it will be picked up, and you will have the opportunity to promote it in a very supportive environment. Your first publisher might not be Tor, but there is a publisher for you. Science fiction readers have always valued small presses as much as large, and pride themselves on discovering new writers. Rudy Ch. Garcia met some amazing writers and editors at his first WorldCon. Would that have happened if he had gone to New York and tried to meet the top writers and editors in mainstream publishing? Not a chance, unless he had already written a bestseller, or received a major prize.

Common advice is to “write what you know,” but Ursula K. LeGuin advised us to “write what you care about.” The greed of a few corporations has brought us to the place where we are destroying the world around ourselves. Is that important to you? Human rights? Censorship? All topics of science fiction. All aching to be written about.

Ursula LeGuin said of her first collection, “This is a book of wonders. Each story unfolds with humor and simplicity and perfect naturalness into something original and totally unpredictable. The kingdom of Borges and García Marquez lie just over the horizon, but this landscape of desert towns and dreaming hearts … is Alcalá-land. It lies just across the border between Mexico and California, across the border between the living and the dead, across all the borders – a true new world.

Kathleen Alcalá is the author of a short story collection, three novels set in 19th Century Mexico and the Southwest, and a collection of essays based on family history. Her work has received the Western States Book Award, the Governor’s Writers Award, and a Pacific Northwest Booksellers Association Book Award. She received her second Artist Trust Fellowship in 2008. Kathleen has a B.A. in Linguistics from Stanford University and an M.A. in Creative Writing from the University of Washington. She completed a Master of Fine Arts at the University of New Orleans. Her work is often referred to as magic realism, but Kathleen considers most of it historical fiction. She has been both a student and instructor in the Clarion West Science Fiction Workshop. A permanent faculty member at the Northwest Institute of Literary Arts.


Untold Press Open for Submissions

We are currently open to Novel Submissions for a limited time.
We accept stories from Middle Grade to Adult.
Novels must be a minimum of 50k words (40K min for middle grade).
Genres: Fantasy, Paranormal, SciFi, Steampunk, Horror, Romance (except Erotica)
We also accept previously published novels as long as you have the rights back. Author will need to provide proof of release of rights.
To submit, please E-mail submissions@untoldpress.com the following:
Query letter (be sure to include word count and genre), Synopsis, and First Chapter.
If you have questions, please feel free to contact us at the same E-mail address. We will get back to you as soon as possible, normally in 2 weeks or less.

About Untold Press: There are an infinite number of stories, most of them remain unheard. No tale should ever remain untold. We are a small group of authors dedicated to sharing these tales. Thus began Untold Press LLC. A US company (based out of Florida) with Canadian parts. Untold Press is not a vanity publisher. An author will not be asked to pay for publication, editing, cover art or other services. We pride ourselves on publishing works that are exceptionally edited, formatted and have gorgeous covers!

Submit your writing samples
[from the National Hispanic Cultural Center]

May 22-25, 2014, 10 am - 5 pm
NHCC History and Literary Arts Bldg., Albuquerque

Mark your calendars to attend this unique conference emphasizing the work of Latino writers and poets; all are welcome. Genres include: novel, poetry, memoir, play/screen writing, young adult, children, creative non-fiction and news writing.

Internationally recognized authors from Mexico and Spain and nationally known authors, publishers, editors and agents will conduct workshops, panels and individual consultations. There will be opportunities to read from your work and to interact in an intimate and beautiful setting. Faculty will read writing samples submitted by the deadline of April 1, 2014.

Price for the 4-day conference ($400) includes several meals and a formal awards banquet. Register early and get an early bird discount. For more info contact Greta Pullen at greta.pullen@state.nm.us 505/724-4752.


Es todo, hoy,
RudyG
Author FB - rudy.ch.garcia
Twitter - DiscardedDreams

Saturday, November 17, 2012

Chicanada @ LoneStarCon. Melinda Palacio @ NHCC. Café Fresco @ Gallista Gallery


World SciFi Convention wants Chicano/mexicano programming

This past summer I ran a four-part series entitled Spic vs Spec, in which I spoke to latino participation in the U.S. spec fiction world. That world is a changin'.

Next year, one of the largest fantasy / sci-fi gatherings will be held in San Antonio, Texas. What will make it stand out is that organizers want to diversify their programming into the Spanish-speaking and mexicano world. Qué bueno!

La Bloga was recently contacted by Lone Star Con3 program organizers with the following request:

"We want to develop a Spanish Language Track to the World Science Fiction Convention. Panels might not be bilingual, but should include Spanish-speaking fans, TV shows, and unique Spanish language contributions to Science Fiction & Fantasy. We are looking for local authors from the San Antonio area to help us put together programming that would promote SF&F from Spanish language sources, who are interested in helping us develop that track along with local clubs and media."

This effort is in the beginning stages, but offers an opportunity for Chicano and mexicano spec authors and readers to enter an arena of U.S. literature that is just beginning to learn about us. It also provides us a new mechanism to take our literature to mainstream readers.

Other gente outside the San Anto area can possibly also get involved in some way. I believe there will be many opportunities and ample reason not only to attend, but to participate in enrichening this convention.

Please contact us for further info if you are interested. Note this, too: whatever is accomplished in San Anto can possibly be taken to similar conventions in the U.S. in the future. I among others are definitely interested in that. And spread the word.

LoneStarCon3, Aug. 29 - Sept. 2 2013, San Antonio, Texas, Aztlán

Melinda Palacio to read at National Hispanic Cultural Center

Award winning novelist and poet Melinda Palacio will read from and sign her new collection of poetry How Fire is a Story, Waiting at the National Hispanic Cultural Center on Saturday November 17th at 2 PM in the Salón Ortega. The event is free to the public.

According to Northwestern University Press, “Melinda Palacio’s newest poetry collection creates images that are at once heartbreaking and humorous. She tackles elemental subjects of family and childhood with the same depth and grace as that of myth making and death. As the only child of a mother who died too young, she infuses her words with longing and life, and celebrates the women who came before her. Each poem offers up the truth in a fearless and unsentimental voice.”

Melinda Palacio lives in Santa Barbara and New Orleans. Her novel Ocotillo Dreams (ASU Bilingual Press) received the Mariposa Award for Best First Book from the International Latino Book Awards. She also received the 2012 PEN Oakland-Josephine Miles Award for Excellence in Literature. She was also a finalist for the Premio Aztlán for 2011. Her poetry chap book Folsom Lockdown was the winner of Kulupi Press’ 2009 Sense of Place award. She is a contributing columnist to the Latino literature blog, La Bloga.

No doubt, her new collection of poetry explores similarly complex territory. Contact Greta Pullen at (505) 724-4752 or e-mail greta.pullen@state.nm.us.

Joe Lopez invites you to Café Fresco

Café Fresco is now open at Gallista Gallery, San Anto. We are excited about the cafe/sandwich bar re-opening at Gallista, under new management. If you're in the area, stop by and help us welcome our new cafe manager Yolanda Aravelo.
Cafe Fresco will be open Tuesday - Saturday from 7 am - 2 pm.
The Menu includes breakfast and light lunch items, such as English Muffins filled with ham, egg, and/or sausage, Buttermilk Biscuits by the dozen and half-dozen, and Hoagie sandwiches.

Enjoy local art with your coffee! - Free Wifi
Gallista Gallery, 1913 S. Flores St., San Antonio, Texas, Aztlán


Es todo, hoy,
RudyG, aka Rudy Ch. Garcia, author of The Closet of Discarded Dreams, the Chicano fantasy with a Chicano hero


Saturday, September 29, 2012

San Patricios celebration, Albuquerque


by Rudy Ch. Garcia

The San Patricios Brigade is one of my favorite topics in bars and classrooms. On St. Patrick's Days I've asked bar patrons who were celebrating St. Pat's with beers if they knew about La Brigada; in all of my years of polling, only one red-haired American ever did. The majority of the others didn't look pleased nor thank me for filling out their historical ignorance about an ignored period of their homeland's past.

And each Sept. in my primary classrooms I've introduced the history of the Irish immigrants who fought on the side of Mexico in the War to Steal the SW from Underdeveloped Mexico. It quickly made my students more historically aware than most Anglo American adults. About their own country's history. The children were always greatly affected, by the brutality perpetrated against those white immigrants and by their solidarity with their Mexican ancestors.

It doesn't seem ironic to me that Hispanic Hispanic Heritage Month in this country, officially celebrated from Sept 15-Oct.15. doesn't coincide with Mexico's annual recognition of The San Patricio Brigade earlier in Sept. It seems in keeping with typical American denial of dismal historical crimes.

After my reading/singing of my fantasy novel at the National Hispanic Cultural Center in Albuquerque* will follow a special event. La Bloga has written before about this event that is greatly celebrated in Mexico and Ireland. In this past post two significant books were reviewed, Irish Soldiers of Mexico and Molly Malone and the San Patricios, that describe the events leading to the torture, beatings, brandings and hangings of those Irish-American heroes. You can read additional background info from The Society for Irish Latin American.Studies, among others.

As important to read about and contemplate as Bury My Heart at Wounded Knee, it's something every American should know, not just those of us of Spanish-speaking heritage or seven-year-old Mexican immigrant children, or those in Ireland or Mexico. Below is the information from NHCC on the Albuquerque commemoration:

El Día de los San Patricios
Saturday, September 29th at 4:00 pm
Wells Fargo Auditorium
National Hispanic Cultural Center
Free Admission

For the third year, the NHCC commemorates the courage of the St. Patrick’s Battalion whose soldiers fought for Mexico, forging strong ties between Ireland and Mexico that continue to this day. During the U.S.-Mexican War of 1846-48, more than five hundred immigrant soldiers, mostly Irish, deserted the U.S. Army and joined forces with Mexico. These men became known as the San Patricios. Every year this event is commemorated in Mexico and in Ireland at the highest levels of government.

A lecture by UNM Professor Caleb Richardson, live music by Gerry Muissener and Chuy Martinez and a screening of The San Patricios: the Tragic Story of the St. Patrick’s Battalion, a video documentary by Mark Day will be offered to the public free of charge by the National Hispanic Cultural Center in the Wells Fargo Auditorium on Saturday Sept. 29th at 4 PM.

Dr. Caleb Richardson is an expert on Irish, British, and European history and will give his perspective on the reasons for the formation of the St. Patrick’s Battalion during the U.S.-Mexican War. Gerry Muissener of the Irish American Society will perform live music as will Chuy Martinez of Los Trinos.

Commenting on the Mark Day film, historian Howard Zinn said, “Absolutely enthralling. Dynamite material. It is a perfect example of historical amnesia in America that this story is virtually unknown to every American. A superb job.” Howard Zinn author of A People’s History of the United States. For more information, call Greta Pullen at 505-724-4752 or Laura Bonar at 505-352-1236.

_ _ _ _ _ _ _

* LaBloga-ero Rudy Ch. Garcia will do a reading & signing of his Chicano fantasy novel tomorrow Sat. Sept. 29th at 2:00pm in the National Hispanic Cultural Center, 1701 4th St. SW, in Albuquerque. Please inform anyone in that area that you think might be interested. The Closet of Discarded Dreams on sale for $16. (NHCC contact Greta Pullen 505-724-4752)

Saturday, August 18, 2012

The Closet goes to Albuquerque NHCC


A reading and book-signing of Rudy Ch. Garcia's

The Closet of Discarded Dreams

Saturday, Sept. 29, 2012, 2:00 p.m.

at the

National Hispanic Cultural Center

1701 4th Street SW
Albuquerque, Nuevo Mexico

For info: 505-246-2261


Some of my promotion efforts for my new book, like the above, have born fruit. I'm honored at the opportunity, but a little nervous at the prospect of the Hispanic Center's membership cringing when I utter the word Chicano. Hopefully the literary experience will be good for both of us. Their September events will be listed here soon.

By coincidence, I'm in the same publishing stage as Melinda Palacio who posted yesterday on La Bloga about turning in her final manuscript for her upcoming book of poetry, entitled How Fire Is a Story Waiting. I too just turned in the final for my upcoming novel, The Closet of Discarded Dreams. Dos frijoles in a pod?

By an even greater coincidence, Melinda graced our patio in Denver this past week at a small gathering of writers, artists and familia. In her post Melinda wrote how she preferred live readings and we were treated to a sampling of both her work and her voice. It wasn't the sing-song rendition that some poets perform, it was more hearing descriptions of thought and feeling from the poetess' own mouth. Four poems representing the book's four sections gave us a great experience of the literary lyrics in her book. I highly recommend not only buying it, but seeing and hearing her in person. Melinda was a delight.

With all the work preparatory to my book being released in September, my head and days seem to be filled with book business, if not the literary. And with little prospects for employment this next school year, my life seems to be transforming into something like the writer's life, albeit with little to no income to support it.

Last week on my front patio the Friday evening, end-of-week cervezas turned into a discussion about the of starting one's own publishing company to distribute one's novels. Manuel Ramos, Pocho Joe of KUVO La Raza Rocks fame (that you can stream on-line here), myself and a neighbor who's completed a novel batted around this idea, ending with an agreement to agree that every novelist should decide his own path. Goes to show you how deeply cervezas can uncover the ultimate truth.

And one morning this week, an aspiring author and I traded our entries for Esquire Magazine's 79-word story contest. (No entry fee, great prize and only a couple of weeks left to enter.) This was no reading out loud experience, but instead a process of reading each other's work to ourselves several times. Some authors prefer not to undertake this sharing, but I sometimes find it beneficial, as happened that day.

My initial promotion was a great success. The first 25 autographed, monogrammed and numbered copies of my novel have been spoken for. I now know I'll sell at least that many the first week it's out. About mid-September or earlier when it's available, I'll have to aim for 26. Possibly even more.

Over on The Closet of Discarded Dreams website, it's obvious that it's not easy to give away an autographed copy of a new book from a debut novelist. Maybe I made the rules too difficult, so I decided to change them to make it simpler. Below are the new ways to win, so I encourage La Bloga readers to enter.

Winning an autographed copy – now made easier!
Beginning Sept. 1st, readers can enter to win an autographed copy of The Closet of Discarded Dreams (continental U.S., only; an unsigned E-book or pdf for others), following its release in Sept., each week I’ll randomly pick one lucky person.

Here’s how: This novel is filled with dreams, nightmares, aspirations and passions that people have abandoned. DON’T send me one of yours. Instead just send 5 words or more that pertain to your dream or whatever. If you don’t have one, make it up; I won’t know the diff. Example: bicycle, monster, nighttime, my BFF, eating nachos. Simple, huh?

Fill out the “Contact the Author” form on the homepage, put “My dream” or nightmare, etc. in the Subject line. Send me your words in the Message box. I’ll blindly draw one winner. I’ll only announce the winner, not their words, unless you prefer to.

 Feel free to pass this info along. And hurry before the Closet’s Door slams shut!

This week Facebook and Twitter sites should be ready for the book. Hope you "like" them.

Es todo, hoy,
RudyG

Saturday, July 21, 2012

Nuevo Mexico, in my troquita


by Rudy Garcia

My wife Carmen and I were on the road last week, covering the winding roads of northern New Mexico, an area with too much history and culture to cover in anything less than a book. We'll head for Arizona and, southern California next, so here's just a few vignettes of what we found that might be of use to La Bloga readers.

A '94 Ford Ranger with an extended cab served as our camper. Maybe I'll need to patent my alterations, since it could become the home of future Americans learning to live with and on less. It's got cedar posts in the four corners of the truck bed to hold up a PVC framed bubble. Over that goes mosquito netting and, when needed, either a sun-reflective or rain-repellent tarp. The bed's totally lined with a 4-inch foam bed cushion, and that's what we sleep on. Sometimes, freeze on, because I haven't dealt with how to supply heat. It's called roughing it, something we won't be doing for much longer, since this fits the lifestyle of young people, or desperate ones, neither of which we are anymore, or yet, anyway.

The troquita's only got four cylinders, which saves on gas, considerably, and also makes us the slowest travelers on the road, because everybody but three people passed us on the trip, with us doing the optimal sixty miles an hour and the rest of the world gassing away at much higher speeds. That's okay by me, but it made the climbs up the hills and mountains of Aztlán last longer than most people can probably tolerate.

Not having air conditioning in mid-summer when temperatures were always in the nineties and often over 100 also has its downsides. Sweat. Sweating. Stickiness of your body pasted to the seat--those downsides. I disconnected the air after finding out about its pollution factor and have never thought of reconnecting it. Shops want over a hundred dollars to fill the system, and, besides, it cuts down on mileage and horsepower, the latter of which the troquita has little enough.

Here's snippet's of what we found and recommend:

Taos:
We arrived late Saturday in time to enjoy the Taos Pueblo Pow Wow. If you ever go to one, don't stand around and watch; find someone who can relate the significance of what's going on. This is not just some natives dancing. Unfortunately, we witnessed one of the rarest events that can happen--a Fancy Dancer losing an eagle feather. When everyone learned it had fallen and hit the ground, their attention refocused on what's considered a tragic event. Other dancers and some elders commiserated with this dancer, and small ceremonies were conducted and many words shared over what we would term bad luck. Afterwards, the handful of dancers engaged in maybe the most spectacular looking of many dances.

We were graciously invited to spend that night with a friend who is building a cultural center outside of Taos. I don't mention his name or other specifics to respect privacy and help preserve the area from human intrusion. But, we stayed in a fabulous great-room building that will one day serve to spread and teach about the indio, mexicano and Chicano cultures. After we assured him of our discretion, he took us to a nearby warm springs for a wonderful experience. It was a site that had previously been developed, and then abandoned, and we benefitted from the seclusion and lack of tourists.

Our host plans on opening his center, possibly this year, and should he allow us, I'll inform La Bloga writers of a great place to finish your work-in-progress novel. As long as you like the night stars visible around Taos, an occasional bear, some coyotes, and a quiet that makes you realize you're one in this universe. Plus, the dude will be serving some of the most chignon green chile you ever sweated from.

Writers of every flavor should check out SOMOS, the local literary group. John Nichols, of Milagro Bean Field War fame, lives in the area and apparently is a very active member. If you want to reach the neighboring literati with a reading or book signing, you should contact them, although I can't speak to how easy it is to book an event.

Their mission statement: "SOMOS, the Society of the Muse of the Southwest, supports and nurtures the literary arts, both written and spoken, honoring cultural diversity in the Southwest. Our vision is to see a community culturally enhanced and enriched through heightened literacy."

Santa Fe:
I don't like New Mexican food. It's not what we call Mexican food in Texas or Colorado. Too much whole corn, very little picoso, too low a level of picante to awaken my taste buds. So, I don't recommend you eat in the restaurants right around the Taos Plaza. Better, go off-plaza about a block and hit the Church Street Cafe. Much better fare, and maybe a little cheaper.

Albuquerque:
The best part of the trip for me was visiting the National Hispanic Cultural Center. I spoke with Senior Librarian Greta Pullen about the possibility of securing an author signing/reading for my debut novel. Although there's no guarantee it will be a good fit for the Center, I was totally surprised by my reception. Greta knew of and loved La Bloga--and Michael Sedano--had heard of Latinos in Lotusland that featured a story of mine, and also informed me that the director loved our website. Not getting out of Denver much, I hadn't realized how much word had spread. As any bloggers out there know, the labor of a blog often seems to go unnoticed, especially when your post gets few or zero comments. Perhaps Albu will see me reading from the Center's stage this fall. Quién sabe?

My cousin Deanna is a news anchor for the CBS affiliate, so she treated us to a great tour of their studio, and we watched her do the morning news from behind-camera and the booth. Everything has become so high tech, it's nothing like what we see in TV shows.

Best place for breakfast: Weck's. You'll love it.

Best Tequila find: Kah Añejo Tequila. I have no idea what it tastes like, but the bottle alone has got to be worth the $105.

Malarky's was a great find. The live music scene in Albu is much more alive than Denver's, at least. We accidentally found this pub-food, (that we didn't sample) sports bar with a jamming band that regularly played, except on Fri. and Sat. when bigger talent performed. The bar was mostly empty, which is what all the DUI propoganda and repression has done to both the bar and music business, and why you pay chingos for tickets to concerts. But, if you're in Albu, check this place out.

San Luis, Colo.
By the time we came down the mts. from 285, I was hungry. We entered San Luis, one of the oldest non-indigenous cities in the country and hit the only Mexican restaurant in town. Chingaus!--REAL Mexican food. Half the price of almost anywhere else we'd eaten and thrice as tasty. I don't remember the name of the place, but it's all there is there and is also a kickin' dance hall on weekends. This coming weekend, San Luis hosts its annual Santiago and Santa Ana Fiesta from July 25th to July 27th, that we hope to check out on our way to Ariz. If you miss the old-days, small mexicano fiesta, this is the place to be.

Overall:
Everywhere we went, it was the same topic: the drought, the heat, the early summer, climate change, global warming--it's too real. Aztlán is burning up.
Stay out of the indio casinos; they're no more generous than the Anglo ones. Nor should you expect to save a lot of money on gas or cigarettes on the rezes; it's not worth the extra drive.
And, of course, expect to pay chingos for eating almost anywhere.

Es todo, hoy,
RudyG

Friday, February 10, 2012

Bits & Pieces - Books/Events - Something For Everyone

A few recent books from a few "small presses" - well worth checking out.


New Books

Indigenous Quotient/Stalking Words: American Indian Heritage as Future
Juan Gómez-Quiñones
Aztlan Libre Press/November, 2011

[from the publisher]
We're very excited about the release of our new publication, Indigenous Quotient/Stalking Words: American Indian Heritage as Future, by the award-winning Chicano scholar from U.C.L.A., Juan Gómez-Quiñones. Already three schools have adopted the book as one of their texts for their Chican@ Studies/American Indian Studies courses: San Diego State University, the University of Minnesota, and the Institute of American Indian Arts in New Mexico. Rodolfo Acuña, acclaimed historian and author of Occupied America: A History of Chicanos, says: "Indigenous Quotient/Stalking Words is an original, complex work that will influence future generations of scholars. Juan Gómez-Quiñones combines an excellent narrative with shrewd analysis of the construction and distortion of native American identity by Western/American scholars, and he makes a compelling case for a reexamination of Indigenous history."





The Secret of a Long
Journey
Sandra Shwayder Sánchez
Floricanto/January, 2012

[from the publisher]
The Secret of a Long Journey is the story of a cherished and dangerous secret, passed along from generation to generation through many lands and many perils: from Spain to Flanders across the ocean to Vera Cruz and up through the desert to what is now New Mexico. In magical realist style, this chronicle takes the characters through the terrors of the Inquisition, shipwrecks and hurricanes, sandstorms and wars, lost loves and illness, all culminating when Lois Gold, a passionate court advocate for the disenfranchised, discovers the legacy of her lost grandfather.

"In The Secret of a Long Journey, Sánchez moves effortlessly through time and place with a mesmerizing plot. Generations come and go and each one propels the next. Her fascinating characters are solidly grounded in vivid natural or urban environments. Whether it is 16th century Flanders or 20th century Denver, you never lose the thread of the story, thanks to the author’s mastery of craft and her powerful imagination. The characters will lodge in your mind long after you’ve read the book . . ." Gloria DeVidas Kircheimer, author: Goodbye Evil Eye, and Amalie in Orbit. .

"Set against the backdrop of Inquisitional Europe and the early history of the Spanish rule of the American southwest, The Secret of a Long Journey chronicles the lives of painters and healers, explorers and adventurers, lawyers and cowboys . . . Along the way, it sheds light on the intricate ways Sephardic Jews, Spanish, Native American, Mexican and Anglo cultures often collided, sometimes commingled, and ultimately coexisted, finding a way to transmute ancient traditions into contemporary secular justice and compassion." Mary Saracino, author of The Singing of Swans, Voices of the Soft-bellied Warrior, Finding Grace and No Matter What.



American Copia: An Immigrant Epic
Javier O. Huerta
Arte Público/March, 2012

[from the publisher]
This inventive combination of poetry, fiction and non-fiction in a mix of English and Spanish creates an epic story of immigration.

“Today I’m going to the grocery store,” begins this creative fusion of poetry, fiction and non-fiction. This is also the sentence Javier O. Huerta was given to write during his naturalization interview. Having lived in the U.S. for twenty years already, he was put off by the simplicity of the sentence.

“I wanted to tell the INS agent that I could do things with the English language that she could never imagine,” he writes in the preface.

In this innovative work that uses grocery stores as a guiding motif, he deftly combines English and Spanish to explore his identity as an immigrant, naturalized citizen, son, brother, lover, graduate student. Visits to grocery stores in the U.S. and northern Mexico lead to questions about himself. “I often wonder if I would have grown up thin had my family stayed and bought groceries in Mexico. The day we crossed the river my seven-year-old body had not an ounce of fat on it,” he remembers.

But he looks beyond his own personal circumstances as he explores the abundance of experience found in going to the grocery store. Through poetry written in Spanish, a short play, non-fiction passages and even text messages, Huerta delves into subjects such as consumerism and health foods available only to a limited class of people. The diverse pieces and themes in American Copia pulsate with all that can be both communal and autonomous in everyday life. Men take advantage of women; people protest against practices that place corporate profits above a fair wage for farmworkers; and, sometimes, people commit acts of violence.

Though Huerta touches on serious subjects, many of these short vignettes are quirky and humorous. His is an original, evocative voice that articulates the immigrant perspective to create a thought-provoking look at the land of plenty. This is a must-read for anyone interested in experimental or Mexican-American literature.


The Madness of Mamá Carlota
Graciela Limón
Arte Público/March, 2012

[from the publisher]
It’s 1852 in Cholula, Mexico, and three sisters, indigenous girls of the Chontal people, seek work at the Hacienda La Perla. They rapidly make their way from dish washers to the cook’s assistants before entering the house as servants to the wealthy Acuña family. But when the youngest sister is viciously raped by a family member, they flee the estate—after taking their revenge—only to be caught up in the historic Battle of Puebla, where native Mexicans defeat invading French troops.

Fearful that the Acuña family will not rest until the sisters are found and punished, they keep moving, ultimately finding work as servants at the National Palace in Mexico City, where the French have recently taken control. There, the sisters’ fortunes become intertwined with that of the Empress Carlota. Both beautiful and extremely intelligent, she dedicates herself to the empire, chastising Napoleon when he reneges on his promise to send troops and antagonizing the Church by proposing that the empire secularize at least part of its holdings. But her love for Mexico’s people is not reciprocated, and soon the sisters have to decide whether to stay behind without the empress’ protection or to accompany her to Europe.

Weaving the story of Mexico’s indigenous peoples with that of the tragic Belgian princess who became the wife of the Austrian Archduke Maximillian von Hapsburg, acclaimed author Graciela Limón once again explores issues of race, class and women’s rights. She skillfully crafts a gripping novel about a smart, wealthy woman who is not afraid to challenge powerful men, and re-imagines the story behind Empress Carlota’s descent into madness and eventual imprisonment in a remote European castle.


Events


Artful Science!


unapologetic_Mexican_by_vigilart.jpg
From the Denver Museum of Nature & Science World Ethnology Collections storage area, get a peek into where and how the DMNS cares for rare treasures of Latino and Hispanic culture, and have the chance to speak directly with one of the Rocky Mountains' leading Chicano artists! In this unique conversation between museum scientist Dr. Chip Colwell-Chanthaphonh, Curator of Anthropology and Chicano artist Jerry Vigil, we will explore the arts and cultures of Latin America. A particular focus will be on the historic crafts of Central and South America, and Jerry's contemporary Dia de los Muertos (Day of the Dead) pieces, some of which are in the museum collections.

Grades 4-8
Wednesday, February 29, 2012
45 minutes. Sessions are held at 9, 10 a.m., 1 p.m.
Times listed are mountain standard time.
Cost: Participating in this electronic field trip is FREE at this time.

Registration Information:
Call Reservations at 303.370.6371, Monday-Friday, 9:00 a.m.-4:00 p.m. or outreach@dmns.org.
More information and instructions to attend this electronic field trip is at: http://www.dmns.org/teachers/at-your-school/scientists-in-action/artful-science/







Project Revive
Project Revive is complete! Several authors responded to a call to interview and write the stories of Boulder homeless people for a book to promote greater understanding of homelessness. Until They Have Faces: Stories of Recovery, Resilience and Redemption will be unveiled at a book launch event at 7:00 p.m. Saturday, March 3. Everyone is invited and urged to attend this celebration of community compassion at Cornerstone Community Center, 1190 South Lashley Lane, in Boulder, CO. Registration is $55 for individuals and includes one copy of the beautiful book plus the party--live music, hors d'oevres, fine wine, and a chance to meet all the people involved in this great project. Most important, 100% of all book sales benefit Bridge House and BOHO (Boulder Outreach for Homeless Overflow). Please come! To register, contact Ken Miller at Ken.Miller@uscm.org .









Later.