Showing posts with label Valentine's Day. Show all posts
Showing posts with label Valentine's Day. Show all posts

Saturday, February 14, 2015

Love in other, stranger places


We're losing many things because we've lost the wisdom of how to love them. Our species gets wrapped up in itself, narrowing its perspective around times like Valentine's Day. We retreat into our "one couple = love," "my family = love" and beyond that, we withdraw our connection to the rest of what there is to love in the world. As if it mattered less, especially on this one day.

An addiction to corporate control decides where we put much of our love. We love convenience, cars and clutter, and so we buy, spray and land-fill corporate waste all over the planet. We aid in pumping polluting profits into the atmosphere, deluding ourselves that we deserve, earned that right, somehow. And waste hard-earned money on plastic bags, bottles and bargains that float their way into our oceans, as if loving how we live matters more than whether every place is livable.

Our lack of love is losing….

Monarch butterflies
Without them, how can we can teach children not to catch or injure them? Or teach them to let the monarchs fly free and, yes, chase them around gardens. Children need monarchs more than monarchs need them. Talk to a kid about not pulling the wings off a butterfly. And plant native milkweed everywhere. That would be love.

Water
Fresh, clean snow-melt or rainfall heading for the oceans. Some of us older people can remember what that tasted like. The plastic flavor in bottled water, even from a French spring, is not the same. You must go into the wilderness for the old purity. Places that we're also not loving enough. For your sake, filter your home's piped-in water. And for the kids' sake, fight every polluting of the aquifers. That would be love.

Air
That smells clean. Some rural people still breathe air that purifies our bloodstream and lungs, though even out there our lack of love sullies that purity. Air was not meant to give us asthma, coughs and more regulations. It was meant to circulate so we could love breathing it. Pull over on your next car trip and really smell the stuff. And think about what you could so your grandkids and theirs will have the chance to do more than read about it in ancient history books. That would be love.

Bees
It's called colony collapse disorder, but it's our collapsed love that's threatened, too. We can more imagine loving a music idol than a single bee or a hive of them. And more important than all the pollination that might no longer continue, will be all the buzzing of billions of insects that might disappear. Worse than how we'll starve without them will be how much lonelier we will feel in the universe without their presence. Put bee barns and hives in your garden. And put Roundup on your never-buy/use-again list. That would be love.

Trees
We've forgotten the ancients' love of grand trees. For the sake of softer paper wiping our tushes, stacked-up apartment buildings, and destructive development that we believe in when we cash out our homes, or so we can add to the politicians' discretionary money, we are losing our love of trees. Old growth pine, ancient redwoods, and rain forest giants falling under corporate saws. We let them because we believe that love of a tree is relevant only to children's fairy tales. Plant new trees. And also save an old one from a developer. That would be loving.

Group conversation
We love talking about ourselves, the latest movie we saw, CD we bought and trendy place we shredded our wallets at. Intimate, close-knit and family-oriented has replaced a love of groups, because we don't love the idiots at work, the road-ragers, corrupt politicians and mass shooters. Once upon a time we sat around campfires outside our cave homes and teepees and talked. Whatever we talked about apparently was meaningful enough for us to survive. Find a place and time to talk to more than one or two people, at length. And talk deeply, long enough to learn what they need help with. It might feel strange to revive a love of Man. And Woman.

Democratic decisions
Some of us love a leader because he's not white. Even if he's abusedly deported more dark people than any Anglo leader before him. And supported military intervention as much as any gun-lover ever. What little he's done that's within the realm of love, will be remembered. Forgetting that we should love democracy more than blindly follow leaders shouldn't be what we're remembered for. There are better legacies of our love. Like relearning how a meeting could operate democratically. Teaching ourselves that consensus makes us more loveable than idolatry. That would be a love refound.

Hands-on, manual labor, arts and crafts
We love our IPad, Pods and phones. So much, that rudely talking to them in front of others is accepted behavior. And we've become too civilized to stoop to manual labor, get ourselves dirty or create something with our hands, because we reached the technological superiority of 3-D printers. We lost our love of putting our love into a chunk of salvaged wood, drawing, painting and pasting. Stuff that we loved doing as children. Instead of electronics, gift a child a pen and pad. Better yet, pick some up in your hands, use them, until you start wondering why you ever gave them up. You could find more to love in yourself.

Whistling and singing
Our ability to make sounds like birds and put our words to music were acquired gifts few species could manipulate. Now, so many of us don't know how to whistle or ever sing aloud, alone, much less with a group. It's almost unimaginable, outside of being in an audience that we likely paid to be part of. Especially in this country, how much quieter it must seem to the other species that they only hear our songs coming from churches and elementary schools. Teach a kid to whistle to the dog, to get someone's attention, or to accompany their favorite song.

Better yet, have a drink, sit out on the patio and sing along with your favorite song or band. Your voice won't make the air any cleaner. The neighbors will think you're just drunk. But you might make the monarchs and bees wonder whether you're bringing us back from the brink. But a lot more bits of all these other kinds of love could clean up a planet. We'd all love for our kids to remember that.

That's my Valentine for you, hoy,
RudyG, a.k.a. Chicano fabulist mextasy author Rudy Ch. Garcia, looking for love in the stranger places

Saturday, February 09, 2013

Raza in the (good/bad) news


La Bloga's Dan Olivas' NYTimes op-ed piece!

I had a nephew who committed suicide the year after the San Antonio Catholic Archdiocese settled with him for $50,000 for years of priest-abuse. This is part of our cultural heritage not often spoken about, despite the trauma raza has suffered from "worship" of an instititution that provides ample room for sexual predation.

This week our mayordomo Dan Olivas has an article entitled The Priest That Preyed making its national appearance. It concerns his story, Assumption, a fictionalized piece based on an abusive Califas priest. Go here to read Olivas' solid account.

Unfortunately, you can also go here to read LatinoPOV Jimmy Franco Sr.'s  non-fiction piece, The Catholic Church: A Trail of Shattered Young Lives, about 500 victims who filed suit over priest molestation in Califas.


Landau, 2011, RJ Sangosti, Denver Post foto
Denver cops beating Chicanos not a problem, again

Like in other cities, here's another case of them getting away with it. Three Denver cops who gave Alex Landau "a beating that left him scarred and suffering persisting neurological damage" will not be charged by the Justice Dept. for violating his civil rights. The "$795,000 settlement, one of the largest payouts in city history to resolve a police-brutality case" that he was awarded, notwithstanding. Also, all the cops are still on the payroll. And the streets. Go here to read full story. Foto is of Landau w/o Denver police make-over.


"Hunting illegals" sticker not for sale, anymore

Supposedly, you can no longer purchase one of these stickers. That's good. What's bad is that, unlike in Europe, it's not a crime to print, sell, profit and get publicity out of doing so. Read the story, here.


Targeted killing of U.S. citizens okay

At least Obama didn't single out Raza in his recent White Paper on targeted killings of U.S. citizens--we'll possibly be treated equally in such assassinations. Possibly.

From what I understand, Obama isn't saying it's legal or constitutional to do this to us: he's saying the decision is outside of the constitution. So it's ironically a form of marginalization applicable to all citizens. If you've been out of the loop on this, it would be good to check these or other articles so you won't be surprised if a Predator B takes you out one day.

[Anyone upset about this cartoon, consider this: Murder (defin.): to kill another human unlawfully. There is NO LAW empowering a President to do this; only a White Paper.]






San Anto Gallista Gallery 2nd Sat. Show

Today, Sat. Feb. 9, from 6-9:00pm, Gallista Gallery presents "Acrimony and Cheese," featuring work by RAW San Antonio Visual Artist Of The Year, 2012, Moe Profane. With special spoken-word performances hosted by 2011 & 2012 Grand Slam Poetry Champion Amanda Flores. San Antonio, Tex., 1913 S. Flores, 210-212-8606. Free and parking behind Gallery.
https://www.facebook.com/events/481104951924963/permalink/488672407834884/


Reyna Grande - another achievement

Her autobiography, The Distance Between Us, is one of thirty finalists for the 2012 National Book Critics Circle award. Go here to read Rigoberto González's coverage and review.


Denver Valentine's Dance

Maybe one of your last chances to tirar some chancla at what will be remembered as one of Denver's last great Tejano-Norteño dance spots. That had great hosts and NO cover charge.


Carlos Santana & tequila

La Bloga ordinarily avoids promoting business interests, but this falls under the category of totalísimo self-interest--I like Santana and drinking. If you try the recipe, let me know.

Carlos w/wife Cindy
"First time Grammy Award winning singer Carlos Santana tasted the new “El Beso de Luz” Margarita with Casa Noble Crystal Tequila, and likened the experience to the first time one falls in love. He insisted it could have no other name than the Kiss of Light, a tribute to his wife Cindy.

This Valentine’s Day, what could be a more appropriate tribute to love than cuddling up with two glasses of this romantic drink?

El Beso de Luz Margarita - The Kiss of Light, as named by Santana
2 oz Casa Noble Crystal
½ oz Licor 43
1 oz lime juice
¼ orange squeeze & drop

Music icon Carlos Santana sits on the Board of Casa Noble Tequila and is part owner of the brand. Contact Amy Benson, The Baddish Group, for more info."

Es todo, hoy
RudyG

Saturday, February 11, 2012

Música tejana. Marianismo. Writing opps.

Baila where you still can

Yesterday, Manuel Ramos's post ended with a small poster about the Denver Valentine's Day Dance at Rick's Tavern. Last year, Sec. of the Interior Ken Salazar and two-time Grammy award winner Ruben Ramos recognized Rick Garcia for his contribution to Tejano and New Mexico music. The inscription on the award reads: "in recognition of keeping Tejano and New Mexico music alive in Denver."

The Mambo Club, The Doghouse, The Keg are long gone from North Denver's nightlife, places where you could swing a samba or toss your chanclas about the dance floor to the beat of mexicano accordion music or unas rancheras, whether or not the place had a license for dancing. Those and other Chicano clubs were replaced by gentry joints filled with those who invest in neighborhood homes because of their charm, much of which comes from its being an ethnic neighborhood. The entrance of the gentry of course razes a community, whitewashing its unique identity. In the end, there's nowhere for us to go for a baile on a Friday or Saturday night.

If you're a Chicano or something similarly latino, you know what such places mean, how la música mexicana can carry your body and alma to another place--one where spirits soar and prides swell with self-awareness. It makes you "feel like a Mexican." Maybe it reminds you of your Tío Ramón who would let out with a grito of "ay-yay-yay" whenever the band played Puño de Tierra. Or maybe after you had enough cerveza in you, you found you could actually sway your hips almost as sensuously as your Tía Consuelo seemed to be able to do so supernaturally.

That was all a thousand years ago. Yes, there are new mexicano clubs opening across the country--thanks to the influx of gente fleeing the societal plagues of Mexico--but at least in Denver most of those are relegated to the outskirts of town, where housing for the lowest-paid classes is almost affordable.

Things may be different in San Anto or Albu or East Los. But like Rick Garcia's plaque states, his tavern (it's actually a little north of North Denver) is one of the last "keeping Tejano and New Mexico music alive in Denver." Who knows for how long.

So, whenever you're in the Denver area, if you're looking for a place where gritos can still be shouted as politically correct, a club where everybody else dances better than you--like they were raised on bottled cumbia--make sure to hit Rick's Tavern, before the gentry discover the area. And maybe we'll bump hips at the Valentine's baile.

The Valentine's dance:
Sunday, Feb. 12, 6–10:00pm, 6762 Lowell Blvd. (north of North Denver)

About the band: "The Rick Garcia Band performs a signature blend of Tejano, New Mexico, country, rock and oldies music. Rick Garcia is considered one of the finest entertainers in the Denver area, due to his vocal ability and range, stage presence, and showmanship." For more info, including booking the band for your next pachanga or tamalada, go here.
_______________

Stories wanted and a book on marianismo

Courtesy of Marcela Landres, comes the following: 


Cosmo Latina Magazine
Cosmo Latina seeks: 1. Your wildest sex fantasies. Have you ever wanted to
do something so bad it consumed you? And then actually made it happen? 
Yes, you can be anonymous. 2. Sh*t my mami says. Remember all the funny, outrageous things your Mami has been saying to you all your life? Now's your 
chance to get even. Share her worst quotes on everything from men to 
fashion. This can also be anonymous. 3. Most awkward party fouls and hangover cures. What's the worst thing you've ever done at a Cinco de 
Mayo bash? What weird Latin-American dishes do you swear cure your 
hangover? Please submit all ideas to Editor-in-Chief Michelle Herrera Mulligan, mmulligan@hearst.com 


The Maria Paradox
Now an E-book
 by Drs. Rosa Gil and Carmen Vazquez
The Maria Paradox is a unique self-help guide for Hispanic women and the men who love them. The 
authors challenge the machismo-reinforcing idea of "marianismo," a centuries-old belief system that in effect tells Latinas: "Don't forget a 
woman's subservient place; never put your own needs first; sex is for making babies." Filled with self-help exercises, this clearly written manual offers practical advice on how to build support networks, overcome passivity, forge career paths, change or get out of abusive relationships, and increase sexual fulfillment. Available for sale at all major online retailers.

Kweli seeks submissions
Deadline: April 1
Kweli, a literary journal by and for writers of color, pays the writers whose
work it publishes. They seeks stories, essays, and poems inspired or informed by the following topics: Celebration of Mothers, Gay Pride, Travel/Global, Blue Collar/Labor. For more information, click here. 
http://kwelijournal.org/

[excerpted from Latinidad® © 2003 by Marcela Landres]

Saturday, January 30, 2010

Two early heartfelts

[Jpegs taken from CHAC Valentine's Day showings, 2010 or prior years.]

This first piece doesn't begin in a "heartfelt" fashion, but bear with.

There's an adage about Life being the cruelest teacher: first it gives the test, then it gives the lesson.

Actually, there's something just as cruel that's omnisciently administered in U.S. public schools, that's called the pre-test. Those of you sans children or who've never personally benefited from this experience and don't know how lowly it can make children feel, well, don't despair; at some point in your remaining life you or yours may yet undergo the uplifting rigor of a pre-test.

Why test children--even five-year-old kindergartners--on something they know little to nothing about? For the sake of the BASELINE, a word teachers and students come to know as well as their daily schedule.

A schoolchild's progress (or lack of) and effectiveness of the teacher's skills (ditto), you see, justify the expenditure of millions of dollars and sustain thousands of jobs for "academic" number-crunchers and bean-counters whose existence depends on providing DATA to politicians, education corporations and administrators with the justification for cutting teachers, jobs and closing public schools so charter schools can be opened.

Even Colorado's entry into Obama's Race to the Top includes monies to be used for software, hardware and more numbers-people to cure our academic incompetence in international teaching standards. The thinking is that, if we're behind countries like Singapore, China and Denmark, it must be the teachers' fault.

Those millions of dollars and thousands of jobs might instead have been channeled into classrooms to teach children. Maybe with more teacher assistant paraprofessionals--try raising the educational level of 32 third graders by yourself all day long. Or more education specialists instructing in the classroom--try finding time to give differentiated one-on-one to a special ed kid in that same third grade room. Or more office staff to support teachers with children's behavioral problems and counseling--yeah, try teaching while one kid is hitting others and then being informed, "He's your fault and problem."

But our society doesn't believe in spending money in something so obviously beneficial because its targeted scapegoats are the teachers. The final solution is DATA and the obligatory pre-test.

In my case, for the sake of whatever self-esteem my first graders might salvage from such gauntlets, I regularly tell them that an answer of "Right now, I don't know." is acceptable. Thus I get many pre-tests with such responses. After all, how much would a six-year-old know about an index?

So, this week this teacher gave one of those pre-tests. Among other questions, was the following:
"Explica qué es un diagrama." ("What is a diagram?")

A few students had some idea. Most had none and responded as expected.

But one of the flaquitas, F__, usually does well or better in all subjects, She's a beanpole of unassuming ability, soft-voiced and reserved delight, who even after five months seems to enjoy deliberately driving me pre-testy by holding her pencil like she's attacking a steak, which in real life she probably doesn't do very often.

She also has within her a determination that won't allow her to easily admit failure. So, she tried. And she thought. And she dared to write this:

"Diagrama es el día de las fiestas de las abuelitas." (It's grandmothers' day.)

[Monolingual spoiler: F__ had deconstructed diagrama into "dia", which with an accent is the word for "day" (diá), and "grama" into a pochismo denoting grandmother.]

Amongst the teachers that day, it earned instant, funniest phrase of the week, because it demonstrated her imagination, her attempt to find sense in a nonsensical exercise--no matter her misinterpretation--and belied the intentions of pre-testers.

She brought more than laughter to our end of the building. She rejuvenated my tested-to-death teaching soul with her inventiveness and resourcefulness. Whichever cruel teachers, Life or otherwise, come her way, hopefully she'll continue putting her mind to them and send the inane scurrying.

And that's why I believe the episode with F__ fittingly, heartfelt.

_____________

Denver's CHAC Gallery
Milagros del Corazon
Miracles of the Heart is Underway!


February 12th, Friday night 6 to 9pm at Space Gallery across the street from CHAC is the site of this year's incredible Milagros del Corazon Auction. Join us for our Silent Auction that will feature hundreds of beautiful hearts designed by local Denver Artists, schools and our community supporters. Choose from numerous donated art pieces and services. Proceeds from this event will benefit our year round cultural arts programming!

Live classical Spanish guitar music by James Garcia.

Tickets: $7 per person or $12/couple and may be purchased in advance at CHAC. 303-571-0440 or click here for more info. (Artists go to "Artists News" for latest details on participating in the show.)

About CHAC
The Chicano Humanities & Arts Council (CHAC) was founded in 1978 by a group of visual and performing artists. The organization was established as a place where Chicano/Latino artists were provided with a venue to explore visual and performance art and promote and preserve the Chicano/Latino culture through the expression of the arts.
The gallery offers two shows each month by local visual art exhibits and performances by area musicians, actors, dancers, writers and poets. Other popular annual events include the Members Season Opener in January, Santos & Crosses in August, El Dia De Los Muertos in November and our Luminarias de la Guadalupe & Christmas Mercado in December.


Es todo, hoy,
RudyG

Thursday, February 12, 2009

St. Valentine's Day, Mesoamerican Conference

Michael Sedano

Click here for a musical accompaniment to the image above.

On the eve of St. Valentine's Day, it's my pleasure to share some of poetry's best expressions of love. I like to print these out and give them to my wife, and to friends.


Read these aloud to your own Valentine.


WHEN YOU ARE OLD

WHEN you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim Soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.

--William Butler Yeats, 1893

I always toss in this one as a cautionary tale.

SWEETHEART, do not love too long,
I loved long and long,
And grew to be out of fashion
Like an old song.
All through the years of our youth
Neither could have known
Their own thought from the other's,
We were so much at one.
But O, in a minute she changed-
O do not love too long,
Or you will grow out of fashion
Like an old song.

--William Butler Yeats, 1904

I used to send out just the Yeats alone, to virtual valentines at the CHICLE list of yesteryear. 

One time I was surprised to get a bitter comment "You don't have any chicano love poems!" No, I didn't. I'd read none to equal the lamentation of "When You Are Old" nor the irony of "Do Not Love Too Long".

Then I came across Ina Cumpiano's fabulous "Metonymies" in Lauro Flores (ed)
Floating Borderlands Cumpiano's final metonymy, the ashes, for me expresses a passionate intensity that reflects a powerful love.

Metonymies / Ina Cumpiano

1

LAST JULY, they loosened their grip, let go--
plum, sweet plum--until the grass
was bloody with the warm flesh. Months later
the finches, purple fruit, hide in what's left of leaves
so that only when they fly off,
when the branches bounce back to true
is their presence known. They will not outstay
the leaves, the thin white light disclosing
those empty hands, the tree, against the sky.
2

This trip south, the egret questions the lagoon:
the white curl of its own back is the answer.
No matter how many times I return, this shallow inlet
to the sea will be here; and the egret, long gone,
will grace it with presence.
In "The Blind Samurai" the camera zooms
to the old man's clever ear: a double metonymy
that links our deafness to his danger. By the time
we catch on--snap, snap, footsteps
in the underbrush--
he has done battle and
bandits litter the forest like cordwood.

3

The camellia loses its head
all at once; it does not diminish
petal by petal
so for weeks the severed blossom lingers
as moist as pain, at the foot of the bush.


4

If the police ordered me to evacuate,
what would I take with me?
Baby pictures, computer disks, the silver,
proofs of birth? The sun
would hang like old fruit until the smoke
gathered it in. Then: night in day, sirens,
and knowing that whatever I took
would hold in its small cup
everything I had ever lost.
So if the police ordered me to evacuate during a firestorm,
I would write your name on a slip of paper,
light it, and--
in those few hurried moments allowed me--
watch it burn, brush the ashes into an envelope
which I would seal and keep with me, always.

The Floating Borderlands, Twenty-five Years of U.S. Hispanic Literature. Ed. Lauro Flores. Seattle: UofW Press, 1998, pp. 390-391. 1998



And a final St. Valentine's Day Offering...


foto msedano : Diego Rivera. Mexico DF, Palacio Nacional.
 











































2009 Conference on Mesoamerica

“Continuity and Change in Mesoamerican History
From the Pre-Classic to the Colonial Era”
An Homage to Tatiana A. Proskouriakoff


May 15-16, 2009
Salazar Hall E184
California State University, Los Angeles



This conference on Mesoamerica commemorates the first centennial of Tatiana A. Proskouriakoff’s birth. Born in 1909 in Tomsk, Siberia (Russia), Proskouriakoff migrated with her family to the United States in 1916. She studied architecture and archaeology at the University of Pennsylvania, and began doing fieldwork on Maya sculpture and architectural reconstruction in Piedras Negras, Guatemala (1936-1937), Copán, Honduras (1938-1939), Chichén Itzá (1939-1940), and in Mayapán (1951-1955). 

In her first published article (1944), Proskouriakoff linked historical inscriptions in carved jade found in Chichén Itzá with the history of rulership in Piedras Negras, thus making it possible to undertake stylistic analysis of Classic Maya monuments and to understand the inscriptions in Maya sculptures and glyphs of the historical succession of rulers. 

Proskouriakoff’s work during the 1950s dealt with Mexico’s Gulf Coast, giving due emphasis to the meaning and function of the ancient ballgame as found in regional sculpture. While at the Peabody Museum (Harvard University), Proskouriakoff began her detailed stylistic analysis of Maya hieroglyphic inscriptions in the belief that, more so than a record of ritual and calendric information, the contents were historical in scope. This breakthrough in Mesoamerican research led to Proskouriakoff’s historical dating of ruling dynasties in Yaxchilán, México (1964). 

Recognized for her fieldwork and publications on Maya inscriptions, architectural reconstructions, and the stylistic analysis of Maya sculpture, Proskouriakoff is also remembered for her contributions to the interpretation of ideological features in Mesoamerican art, religion, and native reverence toward ancestors. 

In 1984, Guatemala honored Proskouriakoff with the Order of the Quetzal. She died in 1985. Proskouriakoff’s book, Maya History, appeared posthumously in 1993 as a testimony of a life devoted to the study of Mesoamerica. 

In this commemoration of Proskouriakoff’s birth, the conference organizers invite papers on the following topics:

1. Tatiana Proskouriakoff and her contributions to Mesoamerican studies.
2. Maya Epigraphy.
3. Mesoamerica and its historical periods
4. The Epiclassic and multiethnic urban centers
5. Art and ideology in Mesoamerican Artifacts
6. Mesoamerican cave archaeology
7. Landscape, skyscape, and architectural design
8. Colonial ethnohistorical narratives and the question of historical periods
9. The Mexica and the Triple Alliance during the reign of Moctezuma Xocoyotzin
10. Religion, divination, and lunar symbolism in The Codex Borgia
11. History and ideology in the work of Spanish cronistas of the 16th century.
12. Mesoamerican culture and language in the work of Franciscans, Dominicans, Augustinians, and Jesuits during the Colonial era.
13. Mesoamerica as a linguistic area: continuity and change in indigenous language texts.
14. Architecture, painting, literature, and sculpture: the encoding of Mesoamerican cultural features during the Colonial Era.
15. Transculturation in Art and History of 16th Century Mesoamerica

The deadline for a one-page abstract of conference papers is April 17, 2009. Please send your abstract as an electronic attachment to rcantu@calstatela.edu or mail to the following address:

Prof. Roberto Cantú
Department of Chicano Studies
California State University, Los Angeles
5151 State University Drive
Los Angeles, CA 90032
Telephone: (323) 343-2195


Conference Program forthcoming in the Spring 2009.
This event will be free and open to the public.

La Bloga welcomes your comments. Click the counter below to leave a favorite poem, a comment on today's column, or an inquiry. If you'd like to be a La Bloga Guest Columnist, click here to explore your idea.

Friday, February 06, 2009

Bless Me, Ultima opens in Denver

Thursday, Feb. 12!

Yes, this is THE Bless Me, Ultima—the script by Rudolfo Anaya based on his beloved coming-of-age novel. A workshop production by Su Teatro, featuring an incredible ensemble cast led by veteranos Angel Mendez-Soto and Yolanda Ortega. Tickets: $18, $15 students/seniors. Call 303.296.0219

Día de San Valentín Dinner Theater
Saturday, Feb 14!

Bring your sweetheart for a variety of tempting beverages and luscious treats. Cuddle on a couch or relax in the candlelight ambience of our transformed dance studio as an array of savory and sweet antojitos come your way: For only $60, you can enjoy scrumptious homemade dinner, cash bar, sinful treats, and a special performance of Bless Me, Ultima. Get waited on by your favorite Su Teatro actors and make this a Valentine’s Day to remember. $60 per couple, $35 individual. Call 303.296.0219 to purchase your tickets today!

2008 Mayor’s Award
for Excellence in the Arts!


Please join Su Teatro as we are honored with the 2008 Mayor’s Award for Excellence in the Arts—no RSVP necessary!

A free community reception and awards presentation will be held at:

Ellie Caulkins Opera House
in the Denver Performing Arts Complex
6:30 p.m. February 18
14th and Curtis Downtown Denver

Performers will include: Rocky Mountain Children's Choir, Sweet Edge Dance Company and Purnell Steen & Le Jazz Machine.