Showing posts with label john picacio. Show all posts
Showing posts with label john picacio. Show all posts

Wednesday, March 25, 2026

The Invisible Parade

Written by Leigh Bardugo

Illustrated by John Picacio 



*Publisher: Little, Brown Books for Young Readers

*Language: English

*Print length: ‎60 pages

*ISBN-10: ‎0316295701

*ISBN-13: ‎978-0316295703

*Reading age: ‎5 - 12 years

*Grade level: ‎Kindergarten - 4


 

Winner of the Pura Belpré Award Honor for Illustration!

The picture book debut from #1 New York Times bestselling author Leigh Bardugo and World Fantasy Award winner John Picacio.

It’s time to join the party! Adventure awaits readers of all ages on Día de Muertos​ in this stunningly original and lushly illustrated tour de force about family, love, and overcoming grief.


Everyone in the neighborhood was getting ready for the party.

Everyone knew somebody on the guest list . . .

This was the day the dead returned.

 

There’s a party tonight, but Cala doesn’t want to go. While her family prepares for the celebration, Cala grieves her grandfather and tries to pretend she’s not afraid.

But when she is separated from her family at the cemetery, Cala encounters four mysterious riders who will show her she is actually quite brave after all.

Brimming with magic and humor, The Invisible Parade is the first picture-book collaboration between award-winner John Picacio and New York Times bestselling Leigh Bardugo. Set on the night of Día de Muertos, Cala’s story is one of love, loss, and the courage that can be found in unexpected places.

 


Review


"A stirring story of personal and familial observance in this sweeping work... Truly captivating."―Publishers Weekly, starred review

"An understated masterclass in processing grief through culture."―Booklist, starred review

"Simply wondrous."―Kirkus, starred review

"A heartfelt journey through grief, memory, and celebration...Touching and visually stunning."―School Library Journal

 


Leigh Bardugo is the #1 New York Times bestselling author of The Familiar, Ninth House and the creator of the Grishaverse (now a Netflix original series) which spans the Shadow and Bone trilogy, the Six of Crows duology, the King of Scars duology—and much more.  Her short fiction has appeared in multiple anthologies including The Best American Science Fiction and Fantasy. She lives in Los Angeles and is an associate fellow of Pauli Murray College at Yale University.

John Picacio is a World Fantasy Award– and Hugo Award–winning artist who has created book illustrations for major works by George R. R. Martin, Rebecca Roanhorse, and many more. He’s the founder of the Mexicanx Initiative, spearheading the journeys of more than forty Mexican and Mexican American creators into the wider awareness of fantasy and science fiction audiences. John lives in San Antonio.






Saturday, August 29, 2015

Santa Fe--more livable than Denver


Playing Lotería with Juan

My wife and I took in award-winning artist John Picacio's Lotería reception at the Jean Cocteau Cinema in Santa Fe, Thursday night. Owner G.R.R. Martin showed up to support him and treat his guests as guests of his own digs. We all played Lotería, with prizes galore, except for me, but I suspect the game was rigged.

Prints of Picacio's re-interpetation of the classic Mexican game cards and sets of cards were the prizes. Luckily, everyone had a chance to sample a local favorite, George R.R. Martin's own ale. It was good enough to have more than a couple, but that wouldn't have increased my chances of winning a prize. My Lotería tabla sucked.

One guy in the back must have held the twin of my tabla because he'd periodically yell, "Bullshit!" after Juan announced the next card. I take that back; that guy couldn't have had a shittier tabla than mine. One round finished, and there was a single bean on my tabla. Did I mention it was cursed?

Juan's event alone was worth the trip, but we'd also come down for a little vacay, and in the next days, I at least discovered more about what we've lost living in Denver than about what Santa Fe still has to offer. Not that it's paradise.

Other ways Denver sucks

A Denver Post headline this morning: "Denver building implosion to bring closures." It's about a high-rise being demolished, but it could also describe well the damage being done to Denver's communities by so-called gentrification.

Starbucks signs push out Chicano murals, "bistros" push out affordable family restaurants. The process resembles someone cutting their own throat in order to have their say. Actually, more accurately, cutting the throats of long-time residents who have roots in the community. Investors buying houses to flip them for a profit. So, "American."

Arguments for "gentrification" commonly center around economics. But the community suffers from those economics--higher property taxes for the aged and less prosperous, less parking, more traffic, young professional drunks on the streets, outrageous prices for food and drink, among many other financial burdens.

It's hard for me to understand how the young, supposedly educated, professional "gentry" allow themselves to be exploited, crammed into multi-storied apartments, overcharged for what the old residents know was once less costly. And much more livable.

Then in contrast, there's the city of Santa Fe where my wife and I are spending a few days. New Mexico itself is not wide open to developers. Although it's not perfect, all around is evidence of the community preserving itself, culturally, architecturally, liveably.

We entered a place called Tiny's, to hear Chris Abeyta's 4-man band of keyboard, congas, and guitars. And no cover charge. I ask the bartender what's on tap. "Jägermeister," she says, not kidding, and I know I'm in a real bar, not some preppy Denver brewery. I order a glass of Santa Fe Nut Brown Ale that costs $3.50, almost half of what Denverites allow themselves to be charged. Down here, I could afford to become a bar-n-grill lover.

Sometimes it's the little things that indicate what you've lost. A small Native American woman approaches us. "You wanna buy some nice earrings?" We pass on it, and she continues down the bar offering her hand-made jewelry. A while later, a Chicano offers to sell us red chile at a reasonable price. It wasn't hot enough for me, so, it's another pass.

Denver's now-gentrified bars don't allow people to enter and sell their wares. The community-feel and openness to supporting local residents went out the window when the IPhones and espressos entered. Plus, the bargains are gone.

We do a short stop at Omira's to hear Brian's acappella, sax and clarinet [no cover charge, again]. The Belgian draws are $4.50, but they're 8 and 9% potent. Then we head over to 2nd Street Brewery, where Tiffany Christopher's blues/folk is rocking the place [no cover charge]. Beers were $3.50 to $4.50. People are listening to her music and not texting like Denver's gentry addicts.

Santa Fe has gentry, gentrification, Starbucks, etc. But you can find parking. Free, not the $30 you might pay in Denver's LoDo. Traffic gets heavy, like everywhere, but the concentration of urban professionals is less per square block. You can drive to get to several locations without much difficulty. Controlled growth and controlled new construction. Not the spread-our-legs exercise that Denver's city government offers nearly any developer who's got the cash.

Perhaps what the Denver "gentry" have lost on most, besides the enjoyment of music with tickets costing $40 and more, are the other arts. Galleries, shops, gardens, museums, cultural events fill the pages and calendars of Santa Fe. Bistros are here, but not as if to preempt culture. Culturally deprived Denver "gentry" are the norm up north, and the poorer for it.

There are many more contrasts that speak to what I'll call the intelligence of nuevomexicanos who maintained enough control of their communities to not become a developer-raped Denver. Add your own to the list. Lament the loss. Or maybe try educating the "gentry" about how it used to be. If they don't believe any other kind of life is possible, point out Santa Fe on the map.

Commemorating 45 years ago

On August 29, 1970, the National Chicano Moratorium march and protest was held in East Los Angeles, with over 25,000, mostly Chicano people demanding an end to the war in Vietnam. As Jimmy Franco Sr. on Latinopov.com says, "The experiences of an older generation need to be shared with the younger generation."

Read his article to hear some of those experiences. In Denver, though we had fewer protestors, we often marched with the Anglo anti-war movement activists. The streets aren't so often filled with protesters, as before. But the lessons are still there for handing down to younger people. Today would be a good day to share that.

Es todo, hoy, because I'm on vacation. Heading down to Albu to interview Victor Milán about his just-released book The Dinosaur Lords. Details, later.
RudyG, a.k.a. Rudy Ch. Garcia, fantasy author and travelogue cynic

Saturday, August 01, 2015

Today – Speculative fiction authors & art


Tejano David Bowles calls his work, "at the crossroads of myth and legend, genre and literature." Today he'll share some of it at Barnes & Noble Northcross in McAllen, Tex., from 2–3 pm. A reading from his YA fantasy novel, The Smoking Mirror, answering questions and signing books. He'll probably also talk about and share from his book, Border Lore: Folktales and Legends of South Texas.
  

Daniel José Older will be speaking, and reading from his Young Adult urban fantasy, Shadowshaper, at the Chilltown Lit Fest in Jersey City. 


Canadian-Chicana Silvia Moreno-Garcia, author of Signal to Noise, has a fantasy story called “To See Pedro Infante” that appears in Lightspeed Magazine, out today.


Lastly, award-winning artist John Picacio will be in Santa Fe later this month, offering prizes of his works, and a bit of gaming. Check it out.


Es todo, hoy, at least, that I know about.
RudyG, speculative fiction author Rudy Ch. Garcia

Saturday, January 31, 2015

Latino writers, workshops, books, art, anthology, calls for stories

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Matt de la Peña YA workshop. Quiñones, the journalist. Picacio's Lotería artwork. Kick-ass Latino noir. Will Big Book include Latino spec authors? PoC Time-travel anthology.
Matt de la Peña. YA & children's books author

I'll soon review Matt de la Peña's The Living, a plot-driven YA thriller that was total, Bam! Bam! Bam! If I were younger, I would've read Living in one night. Matt's one of the few spec-authors who feature Chicano protagonists in their books. In the meantime, here's a note from Matt about a Sept. workshop that will quickly fill up.

Advanced Writer Weekend Workshop:
Digging Deep: Exploring Narrative and Character Depth
with novelists Matt de la Peña and Margo Rabb
Sept. 24-27, 2015

Matt de la Peña is the author of six critically-acclaimed young adult novels (including Mexican WhiteBoy, The Living and The Hunted) and two award-winning picture books (A Nations Hope and Last Stop on Market Street).
A long weekend of lectures, craft exercises, and workshop in Austin, Texas. Matt's workshop is entitled: The Magic of Narrative Balance: Showing Patience and Restraint in Writing for Children and Young Adults.

"In this workshop we will discuss the author/reader relationship and reader psychology and the function of the narrator in novel writing. How and when do we back off and allow the characters to drive scenes and conversations? When do we the thrust the narrator forward? We will break it down using examples a wide range of published work."

If interested, you should apply today.


Sam Quiñones, journalist, novelist and ??

Primo journalist and chignón novelist Sam Quiñones wouldn't call himself a hero. It's such a cheap term now--used to describe over 1.6 million armed, U.S. employees--I won't call him that. But for years this Chicano has investigated, interviewed and written about Border issues that get Mexican journalists disappeared or assassinated. So, you pick the term you feel describes him. Quiñones recently sent us this about his article: Boxer Enriquez, the Mexican Mafia, LAPD – What’s the problem?


"Why would you not want a former Mexican Mafia member to be educating police brass on the workings of one of the most influential, and little-known, institutions in Southern California life today? I’ve interviewed Boxer Enriquez extensively. That’s what he does, and, an articulate fellow, he does it pretty well. He’s co-author of the book, The Black Hand.

"Far from being a 'giant waste,' this seems to me to be essential work. The Mexican Mafia is Southern California’s first regional organized crime syndicate, one of the most important institutions in Southern California, particularly in communities with large Latino populations and gang problems." [Read the entire article here.]

"Also, the new Tell Your True Tale; East Los Angeles book is out, the product of a workshop I did with a great group of eight new writers. Their stories are again fantastic — about Albert Einstein in East L.A.; a Czech 'almost blind' boy growing up in a Communist boarding home; a young man going to Tijuana to help a deported friend return; a woman on her deathbed remembering the last time she saw her kids; and a girl on her way to Mexico, a child bride. Check it out, on sale at Amazon.com for only $5.38 hardcopy or $2.99 as an ebook.

"My next Tell Your True Tale workshop begins Saturday, Jan. 31, at 10:30 a.m. at the East Los Angeles Public Library, in the Chicano Resource Center. I hope to soon expand them, with the county library's support, to Compton, South L.A. and elsewhere."


John Picacio, spec-lit artista

Two weeks ago, I wrote about a "taste of what is happening in the world of Latino speculative writers." The opportunities for Latino spec continue, like from Chicano artist John Picacio, a San Anto, Tex. homie who went spec-viral.

Picacio won the Hugo Award for Best Professional Artist in 2012 and 2013 for his illustration in science fiction, fantasy, and horror. His accolades include the World Fantasy Award, the Locus Award, five Chesley Awards, and two International Horror Guild Awards, all in the Artist category. I have his Calavera poster in my living room and wish I could cover my rincón with the others, like the Sirena below. Here's news from Juan:

Many people have requested that I make my Loteria Grande cards available for online sale -- and to produce new ones. I worked until the last day of 2014 to produce new artwork and cards -- and that last push has now paid off because they're now available! Supplies are limited.        

Here's purchase details for The Loteria Grande Once Set of eleven cards, only available until Wed., Feb. 4th. I'll be actively posting on my new blog, the Lone Boy website, and here's the first post with more details on today's product announcement.

In Loteria We Trust,


Daniel José Older, NY Latino spec author

For years, Daniel José Older has been rising in the spec-fiction world, getting  stories published in Strange Horizons, Flash Fiction, Crossed Genres, and The Innsmouth Free Press, even though others have ignored him. Whatever kind of Latino he is, the dude's first novel is going to burn up U.S. spec literature, much like Junot Díaz scorched "literary" fiction with his novels.

I mentioned him two weeks ago and am now halfway through his Half-Resurrection Blues, the first in his Bone Street Rumba urban fantasy series. I can already say: You. Should. Read. It. It's more than horror or noir. More than spec mystery. And definitely Latino. I don't how he performs in public, but if he shows up in Colo., I'll be there. His first novel is one page after another of 21st Century prose, and not regular "horror." I'll leave the rest for later, but here's a note from the writer that Publishers Weekly hailed as a “rising star of the genre, striking and original.”

"I'm so excited to announce the release of my first novel, Half-Resurrection Blues, about a half-dead hitman in Brooklyn trying to uncover the secret behind his mysterious life and death. Order it here." You can read about him.


How many Latino stories by us will The Big Book of Science Fiction contain?

Best-Book lists and anthologies of "the best" repeatedly come out with few or zero Latino authors. All we can do on our end, besides write great stories, is jump on opportunities that appear. Whether the gate-keepers let us in is of course another story. But here's an invitation from Jeff VanderMeer and Ann VanderMeer. They are editing The Big Book of Science Fiction for Vintage and are soliciting suggestions until the end of March for a massive anthology of more than 500,000 words, scheduled for 2016 publication.

"The Big Book of Science Fiction will contain short stories originally published during the period 1900 to 2000, any work of fiction under 10,000 words. Works under 6,000 words will have the best chance. We define “science fiction” very broadly, from realistic hard SF all the way to surreal material with a science fiction flavor. This includes what might be called “science fiction myths.” However, we do not define SF as including traditional stories about ghosts, zombies, werewolves, vampires, unicorns, etc.

"We are very interested in international SF originally written in English and in existing translations of international SF originally published in a language other than English. We will commission a limited number of new translations and would love recommendations if you read in a language other than English and have encountered a mind-blowing story. We have translator resources in place already."

If you're a Latino who's written such stories, get the word out to your fans. Latinos' stories will not make the cut if the readers do not suggest any. Check out the details.


PoC Time Travel anthology
La Bloga received a request to spread this news:

Co-editor, Heidi Durrow (NYT best-selling author of The Girl Who Fell From the Sky) and I are putting together an anthology about Time Travel. Have you ever wanted to time travel? It sounds fun, unless you're from an under-represented community and then it might be not only NOT fun, but downright dangerous. Imagine being Japanese American during World War II, mixed during slavery or in the Jim Crow South, or LGBTQ, well, at any point in our history.

We are looking for writers to submit proposals for short stories (5–10 thousand words) featuring a character from an under-represented community, traveling to some time period before this one. And that's where you come in. We were hoping you could help spread the word to all of your writers and contacts. Please send proposals or questions to: Time.Traveling.4.All.of.Us ALA gmail.com. Deadline for proposals is Feb. 14, 2015. Details on the flyer.

Sincerely,
Koji Steven Sakai [Koji’s debut novel, Romeo & Juliet Vs. Zombies, will be released by the fantasy imprint of Zharme Publishing Press in 2015.


Alfredo Vea – un chisme
An Internet rumor going around regarding spec genres: "I just read a manuscript by Alfredo Vea that's going to blow the roof off that subject when Oklahoma University Press publishes the novel."

Es todo, hoy, but debe ser suficiente,
RudyG, not a rising Chicano spec author, apparently more like, floating

Saturday, October 26, 2013

Latinos in fantasy y sci-fi news

New opportunities for and success of latinos in the world of spec lit (fantasy, sci-fi, magic realism and horror) seem to be popping up like ICE agents at a tamalada. Thursday, bloguista Ernest Hogan wrote: "The sci-fi corporate product was produced mostly in the English-speaking quarter, considered to be the intellectual property of Western Civilization and light-skinned peoples."

Below are three news pieces, two about publishing houses open to submissions, and one about a Chicano artist. As far as what's below, I may have different views on sexism, support for Israel and our bashing of Cuba, but I'm providing info that may help latino literary people get their work out. And maybe what Hogan described is more possible today: "It’s time [latinos] claim the future, the galaxy, and beyond."


 
New publisher open to latino writing

From their website: "Restless Books is a digital publisher for readers and writers in search of new destinations, experiences, and perspectives. From Asia to the Americas, we deliver stories of discovery, adventure, dislocation, and transformation. Our books—fiction and nonfiction, graphic novels, travel writing, criticism, and visual arts—reflect the restlessness of our multiform lives.

"Ilan Stavans, as publisher, and others have launched a new publishing house, Restless Books. Stavans is Latin American and Latino Culture professor at Amherst College, author of Bandido: The Death and Resurrection of Oscar "Zeta" Acosta and Uncollected Works: Oscar Acosta, and editor of The Norton Anthology of Latino Literature, among other works.

From Stavans: "Our objective is to create a community of readers passionate about other cultures and other languages; who share an interest in how people tell stories. We are committed to bringing the best of international literature—fiction, journalism, memoirs, poetry, travel writing, photography, and graphic novels.

Jimmy Santiago Baca

"Our debut will includes a bracing new work by award-winning poet Jimmy Santiago Baca, who discovered his poetic voice while serving six years in prison. Baca has written a gorgeous short text in which he meditates on his own face, what people see in it, and how it often misrepresents him. The Face is published together with two extraordinary collections of poetry, The Lucia Poems and The Esai Poems. Jimmy has been called 'one of America’s foremost poets.'


"The Art of Protest is about the controversial Oakland print-making workshop Tupac Taller Amaru, whose posters on immigration and other timely topics have galvanized protesters around the country. With a powerful introduction by award-winning journalist Rubén Martínez, The Art of Protest gives a face to activism rarely acknowledged by the media.

"The next year will bring all sorts of treasures and discoveries: science fiction from Cuba and Poland, classic travelogues from extraordinary women, border stories from Mexico, and many more."

about Taller Tupac Amaru - The Art of Protest
"The world-renowned Taller Tupac Amaru creates vivid, iconic images that agitate for a better, more just world. Gathered for the first time in book form, the work of the Oakland poster-art collective takes a righteous stand on issues such as immigration, police brutality, indigenous rights, and the corrupting forces of globalization. With an introduction by Rubén Martínez."

about A Planet for Rent
"A Planet for Rent marks the debut in English of an astonishingly brave and imaginative Latin American voice. The most successful and controversial Cuban science fiction writer of all time, Yoss (aka José Miguel Sánchez Gómez) is known for his acerbic portraits of the island under Communism. In his bestselling A Planet for Rent, Yoss pays homage to Bradbury’s The Martian Chronicles and 334 by Thomas M. Disch.  A Planet for Rent is both a send-up and a sharp critique of Cuba after the fall of the Soviet Union. The first title in a series of essential Cuban Science Fiction, in Spanish and English translation by David Frye."

You can check out an Interview with Jimmy Santiago Baca here. Among other joyas is this:
RB: Is digital literature different from print literature?
Baca: Yep, the first lacks intimacy, sex with a rubber; the second is a love affair, a mad, ribald encounter with a lusty provocateur who makes your soul bellow and groan with ecstasy, even as it hurts.
[His books are being published by a, for now, digital-only publisher.


Chicano artist's 2014 Lotería calendar

Chicano spec artist John Picacio
For our gente to succeed, latino writers and other artists need support, especially from latinos buying their works. Es simple. Below is a great opportunity to also get that perfect gift for your favorite raza. It comes from the Hottest spec artist in the U.S., a San Anto Chicano. 
One of the most prolific American cover illustrators for science fiction, fantasy and horror books over the last dozen years, he's created a wide spectrum of major interior, editorial, and product illustration work.  The Hugo Award-winning artist John Picacio--Best Professional Artist, 2012 & 2013!--has a Kickstarter campaign going for "all-new iconic Loteria artworks."



From Picacio: "This full-color, 12” x 12”, 2014 wall calendar features all-new artwork inspired by Lotería, the classic Mexican game of chance. My mother and grandmother played Lotería with me when I was a kid. I'm creating new art that re-imagines these icons in my way and features the first of those works. I want the final result to be the best I can possibly give you. The calendar’s cover will be printed on 12 pt. premium paper stock, with a satin aqueous-coated finish, and the interior pages will be printed on 100# text.


El pescado and la rosa artwork from the calendar

"I not only created the artwork, but also personally designed and oversaw every detail. This is that kind of calendar. It’s available exclusively via this Kickstarter campaign, an offering from me to you, with all best wishes to you and yours for 2014."
Kickstarter stats: 194 backers; $12,274 pledged toward the $15,000 goal, 82% funded, 19 days to go.


New spec imprint from Simon & Schuster

I've had a bit of success getting my stories publishing by submitting to non-latino new publishers during their first calls for submissions. My thinking was that they had not developed an entrenched attitude against "ethnic" fiction and writers. This might be a great time to submit to one of the biggest corporate publishers, Simon & Shuster. Below is info from their website. Y buena suerte!

S&S logo
"Simon & Schuster is preparing to up its presence in the science fiction, fantasy and horror market with the launch of a new imprint dedicated to the category. The as yet unnamed imprint will publish books for readers of all ages. The audience for the new imprint is seen as YA and above.

"Although S&S has published a range of science fiction and fantasy authors, but hasn't had a dedicated imprint for the genre in either its adult or children’s departments. A lot of content comes our way that we find compelling, but which won’t work in teen sections [of bookstores]. We don’t want to use that as an excuse to not publish books for a growing market.

"We expect to publish 12 to 15 hardcovers annually starting in spring 2015, hopefully able to release a few titles by fall 2014. In addition to publishing in traditional print formats, the imprint will publish in a variety of digital formats, including e-only and serial publishing. Most new sci-fi/fantasy at S&S will be published under the imprint. Titles will be sold by both the adult and children’s sales forces.

Es todo, hoy,
RudyG