Monday, July 20, 2009

Attacks on Sotomayor Unwarranted

Guest essay by Álvaro Huerta

I’m baffled that some Republicans have viciously attacked Judge Sonia Sotomayor.

Too often I’ve heard Republicans talk about the lack of the so-called Protestant work ethic in minority communities and how if only poor minorities worked harder, pursued higher education and stopped depending on government welfare programs, then, they too could achieve the American Dream.

But what happened when President Obama appointed the exact type of hard-working and ambitious individual that these Republicans say they admire—the pull-yourself-by-the-boot-straps ideal—to replace retiring Justice Souter on the Supreme Court?

Instead of applauding someone with Ivy League degrees from Princeton and Yale Law School, someone with 17 years of experience on the federal bench, someone with the highest rating from the American Bar Association, many Republicans have engaged in a smear campaign aimed at portraying Judge Sotomayor as biased and outside of the mainstream.

Prior to [last] week’s hearings, the de facto leaders of the dysfunctional Republican Party, which includes former Speaker Newt Gingrich, political commentator Pat Buchanan and talk-radio host Rush Limbaugh, portrayed Judge Sotomayor as a racist and radical judge.

At the hearings, Republican members of the Senate Judiciary Committee, such as Senators’ Jeff Sessions (R-Ala), Lindsey Graham (R-S.C), Jon Kyl (R-Arizona) and Orrin G. Hatch (R-Utah), acted as if they had the moral high ground on the issue of prejudice. This is the same Republican Party that opposed many of the major civil rights laws in the past forty-five years.

While the Republican members did show more restraint when directly questioning Judge Sotomayor compared to rightwing commentators on talk radio and Fox News, they still played a divisive game by harping on Sotomayor’s “wise Latina” remark, even after she herself had backed off it. Laughably, the senators attempted to portray themselves paragons of impartiality.

Something is wrong with this picture.

I hope most Americans will recognize and renounce the condescending line of questioning by these Senators. It should not be lost on the American public that here we had a few privileged white men standing in judgment of a highly accomplished female member of a minority group that has historically been exploited for low-wage work, segregated in inner-cities and treated as second class in this country.

Sotomayor was absolutely correct when she said, “We’re not robots.” She explained what should have been obvious to the Senators: “Life experiences have to influence you.” But she insisted that “the law is what commands the result,” not your feelings or life experiences, which a judge must put aside.

Senator Sessions, who led the charge against Sotomayor, himself has a history of making prejudiced comments, a history that prevented him from being approved by the Senate Judiciary Committee two decades ago for a U.S. district court judgeship. For instance, he called white civil rights lawyers “race traitors” and said he used to think the Ku Klux Klan was OK until he found out some members smoked marijuana.

Maybe his own life experiences and prejudices have been influencing him too much. He should put them aside—not flaunt them at the hearings.

The Senate Judiciary Committee and the entire Senate should confirm the nomination of Sonia Sotomayor to the U.S. Supreme Court. She has proven—with her impressive record and her calm and thoughtful presentation at the hearings this week—that she is eminently qualified for the job.

[This essay originally appeared in The Progressive.]

Álvaro Huerta is a doctoral student at the University of California Berkeley and a visiting scholar at UCLA’s Chicano Studies Research Center.

Saturday, July 18, 2009

Thania in Santiago, Chile - travelogue

Under the influence of books
- guest posting from our world traveler Thania Muñoz, of La Semana Negra fame.

The first time I set foot in Chile was three years ago. I made the decision to study abroad in my third year of college when I was starting my Spanish major. I was part of the California State University one-year student exchange program.

I still remember how interesting and exciting my first Spanish literature classes in college were. I wanted to be reading and re-reading all the time. Even though I have been close to literature most of my life, I felt as if I was behind, that I needed to read so much more, and I did. I read books that weren’t in the classes’ syllabi, searching for new, young authors and writing summaries of each book I read.

One of my professors noticed my interest and lent me Isabel Allende’s My invented country: a memoir. This book is a wonderful memoir about the author’s native country Chile. After reading this book I decided that I needed to go to Chile and see with my own eyes what she had described. My first trips to Latin America, imaginary of course, had started through books, but now I was ready to start my first REAL trip.

Excitedly, I approached the international office of my university. They had millions of places to choose from like China, Hawaii, England, México, but none in my native country, like Querétaro, Hidalgo, Guadalajara, excited me. I wanted to go to Chile; I wanted to go to that faraway country shaped like a skinny, bitten chile. I confess: it wasn’t only Allende’s book that made me want to go to the southern cone--as we call the southern part of the continent--it was also that it was very far away; I wanted to be there in South America where most of my favorite books had been written.

After visiting the international office a few times, I found out Chile’s student exchange program was a whole year long, not one semester or summer session, as I had originally planned for. I didn’t feel ready to be away for such a long time, in a strange city, in a foreign country. For a week I debated the idea of being away from my family, friends, professors and my warm life in sunny California. But I was twenty-two, almost done with college, working part-time at a retail store and hanging out at local coffee shops. I didn’t have much to lose. Even before telling my parents, I started filling out the paperwork at the international office.

I wish to keep to myself all the family drama that started because of this decision. Oh, ok, I’ll share the obvious: yes, my father was scared. He didn’t believe a “young” girl could be safe in a foreign country. My mother cursed books (sometimes she stills does). She couldn’t believe I had made a decision, based on a book by some “lady,” as she commonly referred to Isabel Allende.

Nonetheless, I wanted to go and nothing scared me: not long essays that I had to write to prove I was capable of studying away in prestigious, not the all-Spanish-speaking university (Pontificia Universidad Católica de Chile), not the selecting committee interview, nor embassy, financial aid workshops, angry parents and voltage converters. After being selected by the international office as one of the deserving participants of Chile’s student exchange program, I cried. My dream was, little by little, becoming a reality.

I still remember the chills I felt when I stepped out of the Santiago’s airport three years ago. When I arrived early June, coming from a Californian summer to a South American winter, it was a drastic change. The first weeks were full of long and cold walks around the city. I got lost every time I stepped out of the house, but I asked for directions, even though most of time they weren’t good directions. I enjoyed getting lost or sitting on a bench staring at a map, completely overwhelmed by the city's complexity, but happy I could walk anywhere, take a very clean, reliable underground metro or a yellow bus driven by a fast and impatient driver.

The classes I took at “la Católica,” as the university is commonly called, were completely different from my literature classes in California. I took all Chilean-related literature classes, history, politics and culture. I read everything I got my hands on and enjoyed every minute I spent at school. I won’t lie, I also enjoyed going out with friends to bars and having a “piscola” (a mixed drink: Chile’s aguardiente called pisco mixed with coke or sprite).

I met wonderful people. Classmates not only helped me in school, but took me out to traditional Chilean places in Santiago; talked to me about their country’s poetry for hours (as if their life depend it on it), taught me Chilean idioms, invited me to their home to have “once” (a light meal in the afternoon: tea or coffee and bread, “marraqueta”, with cheese or jelly) or to a party that lasted until seven in the morning.

Was Chile all Isabel Allende had led me to believe? Was I happy I had traveled to a far away place led by a book? Answer to the first question: No. To the second: Yes. Allende’s book was a memoir; it was written from the heart, it was her own Chile and her “invented” country. The one I got to know was a lot different, and I loved it. I enjoyed every step I took in that noisy South American city, every bite of its delicious cuisine, every poem I read in class, or outside, every conversation, every Chilean landmark I set foot on and more.

I was happy, and still am, that my real travels were initiated by descriptions in a book by some “lady”, as my mom will say. It was a wonderful year abroad; an exciting time away from California’s coffee shops and retail stores. That is why I did it again.


I’m in South America right now, collecting new memories. Now, will the second time around be as exciting as the first time? Probably not, but I know Santiago de Chile all too well, and I’m sure it still holds some secrets it can’t wait to tell me.

Saludos y abrazos desde bien lejos!

Thania Munoz

Friday, July 17, 2009

Women of Conscience to Desert Rebels


BOOKS

all blurbs from the publishers

Mujeres de Conciencia/ Women of Conscience
Spanish English parallel text and photography by VictoriaL Alvarado
Floricanto Press, 2008

This is an art book with magnificent black and white photos of prominent Latinas who have made definite and long standing contribution to the Hispanic community and the country at large. This photographic essay constitutes an important collective biography as well, with great journalistic insight and integrity into the lives of leading Latina women in the fields of education, science, literature, business, law, the arts, journalism, politics, and other fields of endeavor. This coffee table monograph, which has been published with art-book quality as a collector's edition, provides stunning artistic, B&W photographs of each subject with a parallel biographic journalistic essay in Spanish and English. The biographies explore the life-changing events of each subject, the personal mix of elements, circumstances, and values which allowed these women to set goals and objectives toward most successful careers and contributions to society. There are 72 leading women included in this collective biography and an extraordinary photographic essay offering the most incredible array of role models to inspire, guide and motivate young Latinas. This title is an important addition to reference collections and individual libraries for they are testament to the vision and values of la mujer Latina.

Recommended to La Bloga by Lucha Corpi. Go here for a list of the women in this project. Quite impressive.




Atria, July 2009


In this mesmerizing debut novel by two-time Pulitzer Prize-winning journalist Liz Balmaseda, one woman's hunger for justice becomes a journey into darkness -- and a punishing, soul-searching test of priorities.

Dulce Maria "Mary" Guevara is a woman with nothing left to lose. Wrongly accused of being a cocaine queen, she has lost her job, her reputation, and -- worst of all -- custody of her son. Even after the charges are dropped, suspicion lingers. Desperate to get it all back, she takes what she considers the only path open to her: She goes on a hunt for the real drug queen. Unfortunately, the one person she believes can help her is the last person she wants to see again: Joe Pratts, her ex-fiancé, a man whose connections to the drug world once ended their relationship.

Trying not to fall for Joe again is just the beginning of Mary's challenges, however. Her search leads her through the most deceiving of jungles: suburbia. There, she comes face-to-face with disturbing realities that challenge everything she thinks she knows about her formerly tranquil life. Mary's final dilemma hits closer to home than she ever imagined.

Sweet Mary is a gripping, heartrending story with a noir soul and plenty of surprising twists -- an assured debut from a writer with tremendous experience and talent.

Liz Balmaseda (born January 17, 1959, Puerto Padre, Cuba) is a two-time Pulitzer Prize-winning journalist, a writer for The Palm Beach Post and a former columnist for The Miami Herald. She was awarded her first Pulitzer Prize for Commentary in 1993 for her writings on the plight of Haitian refugees and the Cuban-American population. She shared a second Pulitzer for breaking-news reporting in 2001, for the coverage of the federal raid to seize refugee Elián González.



Alone in the Crowd: An Inspector Espinosa Mystery Henry Holt and Co., July 2009

Inspector Espinosa unwittingly ignites the obsessions of a menacing misanthrope in the latest from the highly acclaimed mystery author.

An elderly lady approaches the front desk at the Twelfth Precinct in Copacabana and demands to speak with the chief. Tired after a long day, she leaves without further explanation, promising to return. Two hours later, Doña Laureta is dead, and witnesses’ accounts vary as to whether she was pushed or fell in front of the bus that killed her on one of the busiest avenues in the city.

Veteran police chief inspector Espinosa quickly pinpoints a suspect in Hugo Breno, an unassuming bank teller whose solitary existence takes on a sinister cast as he shadows the inspector’s movements across the city. Meanwhile Espinosa discovers an unsettling connection from the past between himself and Breno, and must turn his trademark psychological inquiry inward to determine how murky memories of a murder from long ago might play into Doña Laureta’s untimely passing. Chilling and ultimately heart-stopping, Alone in the Crowd presents Espinosa as we have never seen him before, the man of detached expertise and calm self-assurance entangled in a mystery where reason alone will not suffice.

Luiz Alfredo Garcia-Roza is a bestselling novelist who lives in Rio de Janeiro. His Inspector Espinosa mysteries—The Silence of the Rain, December Heat, Southwesterly Wind, A Window in Copacabana, Pursuit, and Blackout—have been translated into six languages and are available in paperback from Picador.


A Happy Marriage
Rafael Yglesias
Scribner, July 2009


A Happy Marriage
is both intimate and expansive: It is the story of Enrique Sabas and his wife, Margaret, a novel that alternates between the romantic misadventures of the first weeks of their courtship and the final months of Margaret's life as she says good-bye to her family, friends, and children -- and to Enrique. Spanning thirty years, this achingly honest story is about what it means for two people to spend a lifetime together -- and what makes a happy marriage.

Yglesias's career as a novelist began in 1970 when he wrote an autobiographical novel at sixteen, hailed by critics for its stunning and revelatory depiction of adolescence. A Happy Marriage, his first work of fiction in thirteen years, was inspired by his relationship with his wife, Margaret, who died in 2004. Bold, elegiac, and emotionally suspenseful, even though we know what happens, Yglesias's beautiful novel will break every reader's heart -- while encouraging all of us with its clear-eyed evocation of the enduring value of marriage.


MUSIC

Coming From Reality
Rodriguez
Light In The Attic, 2009 (1971)

I recently picked up this CD because I read an article about a Chicano hippie (Sixto Rodriguez) from Detroit who was compared to Dylan back in the 1970s. Hey, I like it. This guy's music will grow on you. He's getting a lot of press now, apparently more than he ever got back when he recorded these songs. Check out Rolling Stone and Oxford American. I admit I didn't know about him and it seems strange that I missed him back when I collected everything that had any hint of Chicanismo - music, books, art. Second chances are great.

Here's what his record company says about him:

Back in 1971, Coming From Reality was Rodriguez's last gasp, the follow-up to Cold Fact and the final album he was allowed to record for the Sussex label. Unearthed, once again, by Light In The Attic Records, it's another treat for fans new and old, designed - at the time - as Rodriguez's vision of a perfect pop album. Coming From Reality found Rodriguez decamping from Detroit to London's Lansdowne Studios, where the album was recorded with some of the UK's top talent including Chris Spedding (Sex Pistols, Dusty Springfield, Harry Nils son) and producer Steve Rowland (The Pretty Things, PJ Proby and the man who discovered The Cure), who recalls Coming From Reality as his favourite ever recording project. Highlights include the super-poppy "To Whom It May Concern", the "Rocky Raccoon"-inspired "A Most Disgusting Song" and period piece "Heikki's Suburbia Bus Tour". The CD reissue also includes three previously unreleased bonus tracks recorded in Detroit in 1972 with Cold Fact collaborators Mike Theodore & Dennis Coffey, representing the last thing they ever did together. Meanwhile, the Rodriguez story keeps gathering pace. A Swedish documentary company are working on a feature length documentary about the enigmatic performer's life and music, and Rodriguez is planning to bring his live show to the UK and Europe come Spring/Summer 2009, along with further North America touring. "It's an extraordinary trip," says Rodriguez of his new lease on life. "It feels like Picasso, Monet. All these exciting new thoughts coming at me. It's global. I'm lucky to have this second chance. It's very real and totally unexpected."


Aman Iman: Water is Life
Tinariwen

World Village Music, 2007


Tuareg rebels who play the blues? Who were forced underground for years because of their lyrics and guitar virtuosity? Who created a new musical genre that is overtaking the world? How could I not like this group? Their record company agrees:

Born in a region plagued by exile, constant warfare and ceaseless droughts, the music of Tinariwen vocalizes the political plight of the Tuareg people. For over a century, these tribes of the southern Sahara have searched the barren landscape for every weapon available, be it touba swords or the words of Che Guevara and Nasser, to maintain hope in the midst of ethnic cleansing and public executions. With the dawn of 21st Century communications, the Tuaregs have turned to the global circuit. A Tinariwen song claims, “If I could sing so that those in London could hear, then the whole world would hear my song.” Tinariwen formed in 1982, but they were forced to remain underground (Mali and Algeria banned the political lyrics) until the group moved to the Malian capital of Bamako in 1999. There the ten members drew on a rebel rock sensibility, openly playing their passionate, trance-like desert blues. Soon they became musical revolutionaries, creating a new style of music called ‘Tishoumaren’, or simply ‘guitar.’ The songs of Tinariwen have become a rallying cry for Tuareg youth. In a land void of laptops and TVs, cheap cassette recordings spread hope and determination, sick of the suffering caused by armed rebellion, the music of Tinariwen is the new weapon of choice.

These guys are all over the 'net. How about this video featuring Tinariwen and Carlos Santana at the Montreux Jazz Festival - way cool.




Latino Rhythms Heritage Festival

The Denver Office of Cultural Affairs presents the Sixth Annual Latino Rhythms Heritage Festival this Saturday, July 18, from 4:00 pm to 8:00 pm at Lincoln Park (La Alma Park) at 11th and Mariposa Streets near downtown Denver. This event is free and open to the public!

The Latino Rhythms Heritage Festival highlights Latino music, dance and heritage. The 2009 list of performers includes:

Fiesta Colorado
The Rick Garcia Band
Jazz del Barrio
Sabor de la Calle

Latino Rhythms Heritage Festival is fun for the whole family! Children's activities will be provided by La Alma Recreation Center and Denver Parks and Recreation. The event will also feature food and community booths.

Free parking will be available on the Auraria Campus in Lots H & L. The festival can be accessed via light rail, exit 10th Avenue and Osage Street.

After the festival, The Rick Garcia Band will perform at Rick's Tavern, 6762 Lowell Boulevard, Denver, from 9:00 pm to 1:30 am! Information is at www.RickGarciaBand.com.


Heed the need to read.

Later.

Thursday, July 16, 2009

RAISING LORITOS...

Raising a bilingual child is hard work, especially if you don't have familia close by and don't want your crío hooked to V-Me four or five hours a day... (Although, I must admit, their programming for children rocks!) So hats off to Denver's Pam Fochtman and her audiobook company, Lorito Books, which packages Spanish and bilingual children's books with audiobooks so kids can follow along in either language.

According to Fochtman, her company "is dedicated to building second language literacy and appreciation for the richness of Latino culture." For this, she insists on nothing less than perfection. I should know... Last year we recorded the audiobook of my Mimí's Parranda/La parranda de Mimí and she had me in the studio three times. The last time to insert a missing preposition! And never mind my Caribbean final "s"... Everything had to be read e-x-a-c-t-l-y as written. Now that's attention to detail. (Was I glad I hadn't written a novel!)

Anyway, check out Lorito Books here. Under new releases you'll find: Growing Up With Tamales/ Los tamales de Ana (Bilingual) hardback with CD, 35 minutes; Adivina qué soñé
(Spanish) paperback with CD, 15 minutes; El mono azul
(Spanish) paperback with CD, 21 minutes; and Nueve patas
(Spanish) paperback with CD, 28 minutes.

Another one for Denver!

Wednesday, July 15, 2009

Macondo 2009

Café Nostalgia

Join us for three free nights of performances, dancing and music celebrating our guest writers.


Contact: Olivia Doerge
Macondo Foundation
210-534-0517 phone
210-396-2768 cell
macondo@macondofoundation.org


Macondo Writers’ Workshop presents three nights of readings by acclaimed writers Marjorie Agosín, Ruth Behar and Pat Little Dog. Their stories speak to a longing for home, both real and imagined, in poignant poetry and prose. Marjorie Agosín and Ruth Behar’s work unites communities in conflict, building bridges between communities—Latino, Jewish, Cuban, North and South American. Pat Little Dog is a Texan writer whose down-home stories speak to the experience of people on the borderlands of society.

Wednesday, July 29
Featuring: Marjorie Agosín and Macondo Writers
Music and dance by Viva Tango
Thiry Auditorium on Stage–at Our Lady of the Lake University, San Antonio, Texas,
from 7-9 p.m.

Thursday, July 30
Featuring: Pat Little Dog and Macondo Writers
Cantos by El Mariachi

Thiry Auditorium on Stage–at Our Lady of the Lake University, San Antonio, Texas, from 7-9 p.m.

Friday, July 31
Featuring: Ruth Behar, Sandra Cisneros and Macondo Writers
Live Salsa music by La Orquesta Tropicante
Casa Navarro, 228 S Laredo St, San Antonio, Texas, at 7 p.m..
Seating is limited, so come early.
(In case of inclement weather, the event will be at Thiry Auditorium on Stage at OLLU.)




Macondo Foundation
The Macondo Foundation is a not-for-profit organization that organizes and hosts an annual workshop for professional writers. It originally began as a writing workshop around the kitchen table of poet and writer Sandra Cisneros in 1998. In the last decade the workshop has grown from 15 participants to more than 135 participants. The foundation also has a writer-in-residency program and continues to grow in its outreach to writers. As an association of socially-engaged writers united to advance creativity, foster generosity, and honor community, the Macondo Foundation attracts generous and compassionate writers who view their work and talents as part of a larger task of community-building and non-violent social change.

For more information about the Macondo Foundation visit our web site www.macondofoundation.org.


About the Authors

Marjorie Agosín
Marjorie Agosín is Chilean American poet whose European relatives escaped the Holocaust. She is a human rights activist and essayist whose work speaks of memories and inner reflections of home and exile. A prolific writer, author of almost twenty books of poetry, fiction and nonfiction, Agosín is also the winner of numerous international awards for her writings and activism including: the United Nations Leadership award, the Gabriela Mistral prize for life achievements and the International Latino Book Award among others. She is the Luella LaMer professor of Latin American studies at Wellelsey were she has taught for almost 24 years.

Pat Little Dog
Folklorist Pat Little Dog is foremost a Texas storyteller. Heartfelt and humorous, her poetry and prose chronicle the voices of folks on the fringe. She has received numerous awards including a grant from the National Endowment for the Arts, Southwest Book Award, P.E.N. Award, Dobie-Paisano Fellowship and others. She was the 2009 recipient of the Gloria Anzaldua Milagro Award, given annually by the Macondo Foundation. Her books include: Border Healing Woman: The Story of Jewel Babb, Tonics, Teas, Roots & Remedies, The God Chaser, Afoot in a Field of Men and When the Sky Splits, Birds Fly. She has written and been published in anthologies including: A Treasury of Texas Poetry, Literary Austin and Literary Dallas. She grew up as a “military brat” stationed in Germany as well as West Texas. Pat currently lives in Dale, Texas with her dog Grover and her donkey Don Quixote.

Ruth Behar
Cuban born Ruth Behar is a MacArthur Foundation Fellow. Her work revolutionized anthropology by its humanistic approach, achieving international recognition for compassionate stories about experiences in Spain, Mexico and Cuba. Reviewers say her narratives “tug at the heart” and reveal an artistry that allows her to “capture and share intimate stories while preserving their tellers’ dignity.” Her writing crosses borders and blurs genres of biography, storytelling and testimonios. Behar’s work, including her most recent book An Island Called Home: Returning to Jewish Cuba (2007), builds bridges from the island to the continent, bringing to life the stories of Jews in Cuba. She is a Professor of Anthropology at the University of Michigan and has served as a Distinguished Visiting Professor at the University of Miami. She is a member of the MacArturos collective, a recipient of a John Simon Guggenheim Fellowship and an emeritus member of the Executive Board of the Macondo Foundation.

Sandra Cisneros
Sandra Cisneros is the founder of the Macondo Foundation, a MacArthur Foundation Fellow and the organizer of the Latino MacArthur Fellows, los MacArturos. For over thirty years she has published poetry, novels and short stories. Her awards are several, including two National Endowment for the Arts fellowships and a Texas Medal of Arts. Her House on Mango Street (1984) is required reading in schools across the nation and recently celebrated its 25th anniversary. Her books have been published across the globe.

To arrange interviews with the authors please contact Olivia Doerge, Macondo Executive Director, at (210)-534-0517 or (210)-396-2768. Photos of the authors are also available.


Macondo Writers’ Workshop
Invites You to Join A Free Seminar
for Teachers and Educators


Wednesday, July 29, 2009 4-6pm
Our Lady of the Lake University
Fine Arts Building, Rm 200
San Antonio, Texas.

Join award-winning writers Amada Irma Pérez and René Colato Laínez for this free workshop as they share their ideas, experiences and tips on using children’s books in the community to foster knowledge and understanding. Come and learn how they have transformed their children’s memories into a valuable and educational resource. Get ready to be inspired! For More Information Contact Yvette DeChavez at ydechavez@macondofoundation.org

Amada Irma Pérez is a former teacher and the author of the award-winning bilingual books Nana’s Big Surprise/Nana !Que Sorpresa!, My Very Own Room/Mi Propio Cuartito and My Diary From Here to Here/Mi Diario de Aqui Hasta Allá.

René Colato Laínez has been a bilingual elementary teacher for many years. He is also the award winning author of Waiting for Papá, Playing Lotería and I Am René. His two forthcoming books are René Has Two Last Names (Piñata Books, Fall 2009) and The Tooth Fairy Meets El Ratón Pérez (Tricycle Press, Spring 2010).


How To Write A Picture Book Manuscript

René Colato Laínez directed an excellent panel on writing picture books at the National Latino Writers Conference, and has generously provided a portion of it to VOCES. I am sure that aspiring (and published!) picture book authors will find this information extremely helpful. Read more at
http://adrianadominguez.com




Tuesday, July 14, 2009

Three Art Shows at East Los' Chimaya Gallery

Michael Sedano

This week has started out as a gallery week. Sunday, bloguera Ann Hagman Cardinal relates an experience with an irritating woman who made it her business to fault Cardinal's choice of clothing. Although the altercation happens in a department store rather than an art gallery, it is a fine piece of performance art that would have made a superb set of photographs.

Monday, bloguero Daniel Olivas extols the entrepreneurial treats he discovers down in the OC, Santa Ana to be exact, at Calacas, one of those welcoming mercantile and arts hot spots the internet hasn't managed to kill.

Today, I'm happy to introduce ChimMaya, a spot of entrepreneurial genius located in eastern East Los Angeles. ChimMaya has the distinction of being one of those rare eastside galleries to have gotten some ink from the Los Angeles Times. Felicidades, ChimMaya.

El Lay gente will find a trip to this Land of Nod (it is at the east of ELAC) well worth their time. Art collectors with a few thousand dollars can pick and choose from a tempting array of genuine bargains in the three shows running concurrently, 16 X 20, Duality, and Frida.

Visitors on a summer vacation jaunt into Southern California will deprive themselves of one of LA's hidden treasures if they do not find time to make the trek out the Pomona Freeway. Beverly Drive is not in Beverly Hills, but ChimMaya has all the cachet of a chicano Rodeo Drive.

In addition to artwork, Chimaya Gallery offers a dazzling array of women's accessories, particularly purses and exquisite sparkly jewelry. I ran into poet extraordinaire Olga Garcia at the register, as well as Margaret Quiñones-Perez from El Camino College, whose husband Monte Perez, of Moreno Valley College, was buying his wife a glamorous trinket. Garcia emailed me that "I had to control myself at that place yesterday. I did buy the best yellow purse ever! Unfortunately, the art was way out of my budget." My feelings exactly. If I had unlimited funds I would have bought ten or twelve of the works on display.

Ricardo Ortega's stunning pair of canvases captured many an admiring eye. The dark triple portrait expresses the model's beauty stunningly. Unfortunately, the not-dancing Shiva-like figure is so compellingly imaginative that it steals the show.

The woman in red, above, was dancing like Shiva when I happened upon her. Seeing the camera, she stopped and stepped out of the frame. "No, no," I implored, I need people in the shot." She obliged admiringly. I wish gente would realize they have more right to space than a camera. Don't duck under the lens, don't step out of the shot, don't halt your forward progress.


Ortega's wall stands alongside the Frida show featuring San Diego and Baja California artists, in the West Gallery.

The signature piece, the blue Frida illustrating the show poster, is far subtler than web colors allow. It will make you stop and stare, then come back and stop and stare again.

The Frida collection includes one stunning portrait that depicts middle-aged Frida, what she must have looked like at the end of her life, or maybe older. So many paintings, including Kahlo's own, depict her at younger ages, so this older Frida stands uniquely beauteous.

Sadly, I did not photograph this gallery, owing to close quarters and lingering gente, testimony to the enduring popularity of Frida images.

In the main and east galleries, Chimaya was opening the 16 X 20 group show featuring 32 artists. The 16" x 20" canvases hang side by side, encouraging comments and comparison of various painters' styles. This wall shows Dolores Haro, Aydee Lopez Martinez, Yolanda Gonzales, Joe Bravo. Opposite wall, not illustrated, contains additional work by Bravo, Gonzales, Ernie Herrera, and other outstanding creators.


The north gallery offers "Duality," a perplexing display of stylistic syncretism that left me scratching my head in confusion, wishing I could have engaged painter CiCi Segura Gonzales in an extended platica about her work. Filling the east wall was a large abstract canvas of colors and shapes that offers little to challenge the eye and, had this been her single contribution, would have led me to about face in search of something interesting. I have nothing against Segura's abstracts; I own a small piece bought at the now-closed Carlotta's Passion.

On the north wall she hung a circus triptych of colorful doll-like figures that resemble illustrations in a children's picture book. Although well executed, the canvases would have limited appeal to a wide audience. This was evidenced by the passersby who spent scant moments scanning the canvases.

Ni modo, I thought, when I looked to the south wall of the room where people stopped and studied, conversing excitedly about the work here. Arresting portraits. Compellingly executed, dramatic, and highly refined technique. These, too, are "circus" pieces, though the reference is irrelevant to the quality contained within the bounds of each portrait. As the artist notes in her statement, I was inspired by the photographer, Irina Ionesco, who was born into an eastern European circus and worked as a snake charmer. She challenged me to create paintings of her exotic photographs. They lent themselves well to the darker mood that runs through my small circus scenes. My abstracts capture the rhythm and color of the theme. I wish I could show you close-ups of all these, the highlight of the show, which is tough to say when I think of Shiva, most of the Frida, and numerous pieces not mentioned here. Silence on my part is no excuse on your part not to visit ChimMaya. This is a trip you owe yourself, even if just to get that fabulous yellow purse. Oh, that's right. Olga Garcia purchased that one. Better get there soon, que no?

That's the second Tuesday of July, 2009. A Tuesday like any other Tuesday, except you are here, or on your way to East Los and ChimMaya gallery and boutique. Thank you for visiting La Bloga.

Ate,
mvs

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Monday, July 13, 2009

Calacas in Santa Ana

Last week, I had the opportunity to visit Santa Ana and happened upon a jewel of a place called Calacas located at 324 W. 4th St., not far from the federal courthouse. What caught my eye were the wonderful Mexican and Chicano crafts, posters, clothing and books visible through the windows of the storefront. So, because I had a little time left before I had to head back to court, I wandered in and started browsing. I found a wonderful wooden box with a smiling skull (for my son) and two beautifully-crafted cards.

I eventually introduced myself to the woman behind the desk and sang the store’s praises. She smiled and introduced herself as Jackie Cordova, co-owner of Calacas. In short order, we made cultural connections including our mutual friendship with author Gustavo Arellano. In fact, the store had hosted Gustavo’s reading and signing of his most recent book, Orange County: A Personal History (Simon & Schuster). Turns out that Gustavo is a big booster of Calacas…which is no surprise. As Jackie noted, Gustavo “walks the walk” when it comes to supporting Chicano culture, particularly in his hometown.

Jackie and her husband Rudy opened the store to fulfill a dream of theirs. She said that they had traveled far and wide across southern California to folk art stores, and one day they decided that they loved the art so much, they wanted to have a store of their own. Jackie and Rudy opened Calacas in 2005, and then moved to their current location in January 2009. They strongly believe in their community, and leading by example, so they put together events, got involved in non-profits, and tried to tell the youth every chance they get that they need to be the change they want to see in “SanTana.”

In the end, the goal of Calacas is to bring together the artesanía and cultura of our heritage while keeping the traditions alive. As Jackie and Rudy put it: “We promote our culture through products made by the hands of the indigenous people of Mexico, as well as products from rising artists and business people of Southern California. Visit our store and check out our walls lined with local art and artesanía!”

I couldn’t put it better. So, visit Calacas and tell Jackie and Rudy that La Bloga sent you. And then make a purchase or two!

Calacas, Inc.
324 W. 4th St., #B
Santa Ana, CA 92701
714-662-2002; http://www.calacasinc.com/

◙ HINT FICTION: I was perusing Lisa Alvarez’s very fine litblog, The Mark on the Wall, where she has a wonderful habit of posting some of the most interesting literary opportunities. One recent post was a call for submissions for something called “hint fiction” for an upcoming W. W. Norton anthology to be edited by Robert Swartwood. Hint fiction? What the heck is that? Well, Mr. Swartwood explains:

It’s a story of 25 words or less that suggests a larger, more complex story. The thesis of the anthology is to prove that a story 25 words or less can have as much impact as a story 2,500 words or longer. The anthology will include between 100 and 150 stories. We want your best work.

Here are the submission guidelines. Submissions will open August 1. Start writing! I think it’d be great to have Raza represented in the anthology!

◙ MARK YOUR CALENDARS: The upcoming Los Angeles Latino Book & Family Festival, to be held at California State University Los Angeles (CSULA) on the weekend of October 10-11, will feature an outstanding lineup of 45 Latino authors. Read a preview here. I will be posting more on this event as we get closer to the event.

◙ IF YOU COULDN'T MAKE IT TO THE LIVE PERFORMANCE: Rancho Pancho, the acclaimed play by Gregg Barrios (which we at La Bloga have written about several times), is now available in paperback from Hansen Publishing Group. It may be ordered at your favorite bookstore or online.

◙ ART AND COFFEE INSPIRING POETRY: My poem, La Tormenta at the Lost Souls Café, appears in LatinoLA. It will be featured in my first poetry collection, Crossing the Border, that will be published in 2010 by Ghost Road Press.

◙ That’s all for now. So, in the meantime, enjoy the intervening posts from mis compadres y comadres here on La Bloga. And remember: ¡Lea un libro!