Tuesday, December 18, 2007

Doce Días de Mis Krismas - Day 8

the Spanglich version
Posted each day, beginning Dec. 15th

(Esa's voice in red; Ese's voice in black.)

On the 8th día 'til mis Krismas My true love gave to me, 8 shades a-looming ...
"Hijo de su--. Qué es eso?
"Es mi Krismas tree."
"A tree is something in a forest. That's un monstruo off a graffiti wall. Where'd you get it?"
"It was a blue-light special. 10 foot for only 19.99. And I got there just in time. La vieja Ramirez was looking at it."
"Baboso, they saw you coming. And why's it all painted like that?"
"You know those leftover cans o' paint we had out back? I sprayed it--with all of 'em."
"No shit."
"I think it looks suave."
"You thought a pink house would look suave. Now they call us the locos en la casa jota."
"They're just jealous."
"How'd you get it in here, anyway?"
"It came in pieces."
"Then why don't you take it out in pieces? But, use the back door."
"I don't think I can, Esa. I tried unhooking it, but the pipes are all stuck. Too much rust, I guess."
"That ain't all that's rusted. What were you thinking?"
"I was thinking it would make our living room muy Krismasy."
"Krismasy, chismasy.... I don't know… maybe it's not that bad."
"See? It grows on you."
"Just so it don't grow nada más."
"You wanna help me decorate it?"
"I'm 5 foot, remember? It'd take two of me to reach the top."
"Nah, it's pretty strong. I think if you get in the middle there and climb up, I could hand you the stuff."
"Always thinking, huh, Cariño?"
"That's why you married me, qué no?
"No, it was your Ford. I thought I'd look bien chula cruisin' in it."
"And you do, Esa, you always do."

(Continued on Day 7.)
© Rudy Ch. Garcia

Monday, December 17, 2007

Doce días de mis Krismas - Day 9

the Spanglich version
Posted each day, beginning Dec. 15th

(Esa's voice in red; Ese's voice in black)

On the 9th día 'til mis Krismas My true love gave to me, 9 chicas prancing ...

Slam!
"So what happened?"
"Qué chingaus! You wouldn't believe how p-o'd your people can get."
Honk! Honk! Honk! Honk! Honk!
"See what I mean?"
"Know what I figured out while you were gone, Cariño?--that you're getting me perfume for Krismas."
"What gives you that idea, Esa?"
"Your clothes stink like you laid on the Chanel counter at cómo-se-llama's."
"I haven't been near the mall. It must be--"
"Must be what? Dioses mios, not that! You go to that chichi bar, again?"
"But, mi corazón--"
"You've got your body parts mixed up, Ese. Why do you even go there?"
"The boys, you know."
"You boys should staple your money to your wallets and stick broken glass in your chones."
"But, Amor, it's just a little entertainment."
"Naked sinverbuënzas with big plastic ones ain't entertainment. Plus, you can't afford it, Sonso. You're no yuppie."
"Okay, I promise ..."
"Promise what?"
"... to only have lascivious thoughts about you, mi osita preciosa."
"Now I think I'm being insulted. And at this time of the year, to boot!"
"That's not what I meant, estrellita mia."
"I'll show you some stars if you come home smelling like that, again."
"Como tu dices, mi angelita, como siempre."

(Continued on Day 8.)
© Rudy Ch. Garcia

Sunday, December 16, 2007

Teatro Luna's GREAT News



CURRENTLY PLAYING:
MACHOS



After a sold out run at Chicago Dramatists, MACHOS is moving to the 16th Street Theater in Berwyn, IL, conveniently located near the CTA/Blue Line Austin stop.

Tickets are already on sale, and I hope you will help spread the word!


Here's the scoop:

MACHOS
At 16th Street Theater 4 weeks only! January 25 through – February 17, 2008

Fridays at 7:30 PM Saturdays at 5:00 PM Saturdays at 8:00 PM Sundays at 6:00 PM

BUY TICKETS ONLINE
at www.brownpapertickets.com/event/25539

Guest columnist: Ann Hagman Cardinal

La Bloga happily welcomes writer & columnist Ann Hagman Cardinal to a second visit with our friends. Ann, with Jane Alberdeston Coralin and Thursday La Bloga Bloguera Lisa Alvarado authored the wonderful Sister Chicas

Full Scale Parenting
Ann Hagman Cardinal


During this time of year I find myself thinking of my parents, missing them. For a Christmas gift for my son I am preparing a photo album of the grandparents he never met, and in my research I unearthed a collection of photographs of a trip our family took in the late 1960s to Washington DC. There are several shots of some of the more famous Greek revival structures that pepper the city, and there we children are; tiny beings at the bottom left hand corner of the image, so small that it’s hard to distinguish which one of us is standing where. For years, whenever my siblings and I traveled with our parents, you would hear them say, “Annie, honey, go stand in front of that building.” Then they would step back, and back, the wide angle lens glinting in the sunshine like a distant star and even in my five-year-old brain I’d be thinking, “Where are they going? I’m back here!” Once we returned home and they developed the pictures, I would shuffle through them, looking for one of me, and there I was, the size of a penny while the building’s image filled the page. Though we were certainly well-documented children—our parents were amateur photographers and would spend Sundays taking dozens of portraits of us in scratchy clothing and with overly combed hair—in the majority of our travel photographs we were only included to give scale to the buildings.

I’ll be honest with you, until very recently this really pissed me off. Every few years I’d come across one of these pictures and see our little bodies dwarfed by some marble monolith that towered behind us like a predator, and think, “why did they even bother to take us on vacation with them?” And in many ways I’m trying to compensate for this as when we travel now I can’t take enough pictures of my son, and often our photos are of the same people set in different backgrounds: Carlos and my husband Doug in front of palm trees, Carlos and Doug in the snow, Carlos and Doug on a city street. But as I’ve grown older, become a parent myself and attempt to juggle my day job and writing career at the same time, I’ve come to realize that my parent’s choices of photography subjects was not necessarily a slight on me and my siblings, I’m realizing that it represents a larger issue, one about passion and parenting and how they fit together.

I’m starting to understand that when my parents were traveling and saw a building that particularly struck their interest, the architect took over and the parent took a back seat. Their only thought was to capture that simplicity of geometric form, or the reinterpreted pediment. They saw us every day. But parenting back then was less “hands on” than it is now, so I doubt it was even an issue. Now our children are expected to be the center of our lives—as they should be—but I have some concerns with that, and lately I’ve been reflecting on our modern roles as parents and how artistic and professional priorities fit in.

Though my son is my first priority, Carlos also knows that when I’m writing it’s important—to me and to the family—so he usually gives me my space. Does my dedication to my art take away from my role as parent or add to it? Though it certainly does bite into family time, it also establishes space for him to discover his own interests. When I write sometimes Carlos does too, or plays his guitar. And many of my friends find ways to shoehorn their passions into their lives and in between their ever-increasing responsibilities. For instance my friend Heather wakes up at four a.m. so she can write and drink black coffee before her family awakes. And when Amy is home from the office her husband Freddy goes off to train for his next triathlon. I like to think that having your children see you passionate about something else, about something that really energizes and feeds you but doesn’t directly involve them is important, it establishes you as an individual and not just “Carlos’ Mom.”

What I’ve come to realize when I see those pictures of my miniscule siblings and I next to a unique example of a Bauhaus building, is that my parents were teaching us that sometimes the scales shift, and you’re an architect who happens to be a parent instead of a parent who happens to be an architect. And as I attempt to strike that balance myself, I’ve come to understand that this isn’t a bad thing, in fact it’s vital. Hopefully we’ll arrive at a time in our lives when the kids are healthy and grown—God willing—and it changes yet again, but until that time, it is up to us to find the balance on the scale, and encourage each other to make time in our lives for things that feed us, thereby making us better parents, wives, husbands, better people.

My holiday wish for you: find some time to enjoy your passion this season amidst all the mince pies and retail craziness. And felicidades, gentle readers!


La Bloga welcomes guest columnists. If you've a holiday memory, new year news, or Spring bouquet of rosas-- a literary piece, an interesting critical view-- click here or leave a comment. As the bigamist said, "the more the marrier."
El Blogmeister.

Doce días de mis Krismas - Day 10

the Spanglich version
Posted each day, beginning Dec. 15th

(Esa's voice in red; Ese's voice in black)

On the 10th día 'til mis Krismas
My true love gave to me,
10 Fords a-beepin ...

"Get that!"
"It's not for us."
"How can you tell?"
"It's the wrong kind of horn, Esa. It's a Ford."
"None of our amigos have Fords?"
"Our friends aren't real smart, but they're not pendejos."
"What if it's the chotas?"
"In the barrio, the cops don't come a-honkin', they come a-shootin'."
"Right. But what if it is for us?"
"Then you get it."
"Listen, now there's two of 'em. Are they both Fords?"
"Simón, but one's got a bad rod."
"How come you can tell so much from how a car sounds?"
"They tracked me into auto mechanics, remember?"
"But you flunked out."
"Yeah, but I was always paying attention."
"I swear there's 4 or 5 of 'em honking now."
"Six, exactly. And two need valve jobs."
"They're probably checking out the Ramirez's Santa with 8 tiny burros. I told that vieja it would just cause trouble."
"Don't worry. The Migra'll probably get word and round up the burros, too."
"And I suppose they're still all Fords?"
"Not really, Esa. Two are pinche rice burners. Which reminds me, what we gonna have for Krismas?
"Tamales, frijoles, and fideo. The usual."
"Yeah, the usual--what we had Sunday."
"Oh, and maybe some chile."
"Just so it's yours, not your ma--"
"Don't start."
"There must be ten honkers out there now. How come your people ain't smart enough to get out of a car or use a doorbell?"
"I don't know. Why don't you go put a stop to it and show 'em?"
"Esa, I think I will."
Slam!

(Continued on Day 9)
© Rudy Ch. Garcia

Saturday, December 15, 2007

Doce días de mis Krismas

Intro

Okay, it's a day late, but since there has yet to appear an overwhelming opposition to this more-or-less annual La Bloga tradition, I will again post the dreaded Spanglich version of "Doce días de mis Krismas", in as many days.

In deference to regular La Bloga contributors, each short installment will be posted below their assigned daily post, so if you for whatever silly reason, wish to keep following the breathtaking momentum of this comedic attempt at capturing the Chicano Krismas spirit, you'll only be able to partake of them after checking out the regular post. As always, let us know how these move you, even if it's in the direction of repulsion. To play catch-up, below we begin with the first two installments.
RudyG

Doce días de mis Krismas
the Spanglich version
Esa's voice in red; Ese's voice in black

On the 12th día 'til mis Krismas,
My true love gave to me,
12 numbers numbing ...

"Cariño!"
"What? What's wrong?"
"Nothing, Cariño. Why do you ask?"
" 'Cause it's always something when you call me that."
"Not this time, Cariño."
"Oh, okay."
"By the way ..."
"Qué ching--"
""... Cariño, you did remember to get my numbers, qué no?
"Tus num--"
"My lotto numbers--my 2 winning tickets. Today's the drawing, and I need that 50 mill. I gotta get presents, get mis uñas done and there's that bingo tomorrow. I'm just feeling lucky."
"Numbers--"
"You must not be feeling lucky 'cause it sounds like you forgot! Uh, bobo?"
"What happened to cariño?"
"Same chingada that's gonna happen to you if my numbers come up!"
"But Cariña, I--"
"And if you forgot, Ese, you get nada de lucky from this cariña--that will be tus Krismas."
"But, but--"

On the 11th día 'til mis Krismas,
My true love gave to me,
11 peppers pepping ...

"Honey, Esa ..."
"Ahora, qué quieres?"
"I want you mi corazón."
"Did you stop at that preppie tequila bar, otra vez?"
"No, mi muñeca magnifica."
"Then why you calling me those names?"
"Because of my infinite adoration for you."
"Did you eat?"
"Amor, I didn't have--"
"That's what I thought. There's frijoles you can microwave, and there's still that chile mi 'amá brought over."
"Still?"
"You speaking ill of my mom's cooking?"
"Nunca, mi flor encantada, it's just that--"
"Just that you're a huevón when it comes to eating real chile, huh?"
"Perhaps you'd consider whipping--"
"You, maybe?"
"No, mi estrellita lindísima, I just thought--"
"You just thought you could come in late bien pedo and sweet-talk me?"
"I thought you might find it in your heart--"
"This heart's tired from cleaning up after your marrano friends' poker game last night."
"But I thought you agreed--"
"I tell you what I agree. I agree I won't tell your macho friends what an aguitado you are about chile and you ..."
"Anything you say, mi mariposa mas luminosa que ..."

[Continued on Day 10.)
© Rudy Ch. Garcia

Friday, December 14, 2007

Un Poco

Manuel Ramos

This post is quick and slim -- the holidays are bearing down and time is short.

LIBRARY JOURNAL SELECTS DÍAZ AS ONE OF THE BEST OF 2007
Among the Library Journal's recently released list of the best books of 2007 can be found The Brief Wondrous Life of Oscar Wao, by Junot Díaz (Penguin Group ). Here's LJ's take on this highly-regarded novel:

Díaz follows up his breathtaking story collection, Drown, with a brief and wondrous novel about a second-generation Dominican nerd nicknamed Oscar Wao. More than a coming-of-age tale—and more than an account of the Latino experience—this robust work uses Oscar’s sharp and distinctive voice to delineate the human struggle to define oneself. (LJ Xpress Reviews, 8/28/07).

The LJ list also includes The Spanish Bow by Andromeda Romano-Lax (Harcourt):

Loosely based on the life of the great Spanish cellist Pablo Casals, Romano-Lax’s riveting debut novel follows a Catalan boy’s musical journey through 50 years of Spain’s tumultuous history. (LJ 8/07).

FOURTH ANNUAL WRITERS STUDIO LITERARY CONTEST
First place winners win $250, publication in Arapahoe Community College's literary magazine, Progenitor, and a guest invitation to the annual Literary Festival in April. The winners read their work at the festival. See General Submission guidelines here. Writers Studio runs a yearly literary contest in fiction, creative non-fiction and poetry. The contest is open to ACC students, faculty and the Colorado community. All entries are considered for publication in The Progenitor. Submissions for this year's contest will be accepted January 1, 2008 through March 1, 2008.

NEW LITERARY SITE
We recently received the following message:

I am very pleased to announce the creation of alternative-publications, a new virtual press devoted to publishing innovative Latina/o literature.

Alternative-publications intends to provide an outlet for innovative literature that may not be considered marketable by established presses, to encourage the public to play an active role in the literary process, to serve as a public action in favor of a literature that is not market-driven, and to create a database of
reader-responses for future use by researchers.

Please pay us a visit (and spread the word!): http://alternative-publications.ucmerced.edu

(Please note: if you get a message to the effect that the server is not found, please try again after a few minutes. If the problem persists, please let us know).

Looking forward to your comments,

Manuel M. Martin-Rodriguez
Professor of Literature and Founding Faculty
University of California, Merced

TALES OF MYSTERY AND SUSPENSE



ANOTHER LOOK AT THE GREAT LOTUSLAND COVER

This book is finally on its way -- early 2008. More info on Daniel Olivas's website. You know you want it.



Later.