by
Ernest Hogan
Prime Meridian,
a novella by Silvia Moreno-Garcia is getting Hugo buzz, and will be
in The
Year’s Best Science Fiction.
And I’m giving it the Chicanonautica Seal of Approval.
It’s
about a young woman named Amelia, who dreams of moving to Mars, and
struggles to survive a near future Mexico City that’s so real it
causes flashbacks of El D.F. It deals with themes I’ve written
about--Mexico City, Mars, Latinoids, future urban environments--but
I’m a surrealistic slapstick comedian, and Silvia’s a more
serious, realistic writer. Those of you who think I’m too wild and
crazy may like her better. I certainly enjoy and admire her work.
Amelia
one one of those characters who sticks in your memory, and reminds me of
a lot of young women I know. Silvia is good with characters. In the
supporting cast, I especially liked the ex-movie actress, who Amelia
works for as a rent-a-friend for a social version of Uber--does
something like this exist already? There’s also a character who
never actually shows up, but left me wanting more, a
Jodorowsky-wannabe director, making quickie movies back in the 1960s.
Most writers need entire novels to develop characters that leave such
an impressions.
The novella moves between different realities: Amelia’s very real and subtly futuristic everyday world, flashes of an imagined life on a Mars colony, and sci-fi/lowbudget movie version of Mars.
It
was not at all confusing. I found it pretty damn wonderful.
It
also could be easily adapted into a screenplay. A movie wouldn’t
require a lot of expensive special effects. You filmmakers out there,
please take note.
Funny,
how Hollywood gives Oscars to Mexican directors as long as they don’t
put Mexico or Mexicans in their movies. Maybe this will change in
these tumultuous times. . .
Even
though it's top-notch, Prime
Meridian
was
turned down by the usual sff markets and had to be self-published.
This is probably because it ends where a lot of sff readers would
have liked it to begin, with Amelia deciding to go to Mars. They
would have liked it better if it began with Amelia getting on the
spaceship, or better yet, getting off, setting foot on Mars, and then
having her battling with space pirates and finding a lost
Martian civilization . . .
But
it’s better the way it is. Part of a writer’s job it to prove to
the world that the audience doesn’t know what it wants, and can like
subtle, sophisticated things if given a chance. Especially when, like
Prime
Meridian,
they fill the gaps that the genre has been leaving out of its
visions. After all, isn’t sff supposed to be all about the visions?
It’s
not easy, but when you can make a breakthrough--Wow!
I
also find myself wondering what happens to Amelia, on voyage, and on
Mars?
Ernest Hogan’s novel Smoking Mirror Blues
is
available in a new ebook edition from Strange Particle Press. Thank
Tezcatlipoca.
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