Things Falling Apart, Be the Center
Michael Sedano
Raza are walking around with a dazed expression on their faces over the revelations of rape and sexual abuse by Cesar E. Chavez. The Chavez family’s response acknowledged their abject dismay and acknowledged the man’s crimes. That should put a finis to the controversy and remove the term “alleged” from the public discussion.
But no. Conspiracy theorists are writing crap like “why now?” and their addled readers scream “Yeah!” because, why not? Numerous writers jump into the fray rehashing the same ground as if repetition will make the truth less hurtful to themselves; their discourse contributes little to public knowledge and can have a deleterious impact on the writer's peace. Pax, gente, let us find the center and gather together.
It’s been a horrid week changing street signs, renaming schools, feeling shame for being duped. But that’s not all that’s falling apart.
The poetry community, too, has gotten entangled in pedo that may have been kicked off by the Chavez debacle. Over in Texas, a poet announces she’s pulling her book from Flowersong Press. Why? The announcement hints at dark news without sharing it. Pulling a book is a big deal. Flowersong Press is a big deal, among the nation's premier publishers of poetry.
In Southern California, another poet writes to describe a man’s abuse by his common-law wife. Stomach-turning examples of the man’s suffering--a noted poet-- get exacerbated by a group of “mean girl poets” whose presence at readings has some influence on the poetry community. Subversives chip away at the solid foundation that has grown since movimiento days. The movement lives, and it requires affirmation, reaffirmation, purification. Not the crap that's so easily penned and posted.
Things are falling apart. Mean girls, icons, bad stuff hinted at, conspiracy theories, rejectors of truth; these people are filled with passionate intensity. They’re not the worst—those are the MAGATs who rub their hands in gleeful schadenfreude seeing beautiful raza and allies cohesion being torn apart.
And what about the Epstein files? And a meaningless attack on Iran?
Things fall apart. Our best don’t lack conviction, and we are not whelmed by the crap these worst-of-us scatter into the winds hoping to ignite a conflagration, seeking to hold onto clearly failed hero worship, or simply to hear the sound of their own words.
Things come together when people make them come together. This is poetry month and the month of International Women’s Day. Poetry is a way of observing, making sense, being heard, of finding beauty and truth even as things fall apart.
A recent Saturday reading at the appropriately named El Tranquilo Gallery in the heart of Los Angeles’ Olvera Street, finds these truths to be evident if not self-evident. Four poets and a small audience gather to share longer poems celebrating womanhood, antipatriarchical insights, joy and protest in the context of love, not division. The afternoon’s readings offer not only respite but medicine.
La Bloga-Tuesday was there with camera in hand and would love to have some of the work to share in an online Floricanto. Ni modo. Poetry readings are meant to be seen and heard in person. These portraits of the writers capture key moments of expression by four superb writers and performers. They include Jennifer Baptiste, Rio Diaz, and Andrea Lee. Lupe Montiel, organized the event.
The gallery walls create an arresting ambiente for the reading. The show, “She Rises, Women of Strength and Beauty,” curated by Ginette Rondeau, features women artists whose work exemplifies the exhibition’s title. In fact, the poets read in front of a large Margaret Garcia canvas that reflects the strength and beauty of the words and the readers themselves.
Portrait Gallery in the Gallery
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| Jennifer Baptiste |
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| Rio Diaz |
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| Andrea "Coach" Lee |
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| Lupe Montiel |




5 comments:
You capture the dissolution of civility and solidarity in our broader society right now better than the journalists do. Definitely with more elegant, heartfelt language. Then you segue to spotlight poetry amidst art, and vice-versa. You honor our poets and their vital place in a turbulent society. You balance all this calmly, convincingly, Michael, and leave us with the timeless, unshakable beauty and power of art uppermost. Thank you for all this.
A friend put this link on my FB page. Thanks for this hope and inspiration.
Sage words my friend that we should heed. Too much strife in our lives at the moment. Nice that the poets read in front of Margaret's "Enchanting Echo Park", a strife-free image of tranquality and beauty.
Michael, your words stayed with me.
In moments when so much feels like it’s unraveling, I believe—deeply—that art must become the place where we return to ourselves. Not to escape, but to remember who we are, what we value, and how we hold each other up with dignity and truth.
For Women’s History Month, I envisioned the exhibition as a tapestry of women in Los Angeles—spanning generations from 15 to 80, across cultures and artistic mediums—each expressing her voice, her story, and her truth.
What you witnessed at El Tranquilo was exactly that intention. A gathering of voices, of women, of stories—each one carrying strength, vulnerability, and light. I am profoundly grateful, and deeply honored to present the work of such extraordinary artists, whose voices embody strength, beauty, and truth.
I am especially grateful to Jennifer Baptiste, Rio Diaz, Andrea Lee, and Lupe Montiel for bringing that spirit into the space with such honesty and power.
She Rises, Women of Strength and Beauty was created as a sanctuary—one that honors resilience, womanhood, and the quiet force of beauty that persists even in difficult times. To see it received as “medicine” is something I will carry with me.
Thank you for seeing it, and for reminding us to hold the center.
With gratitude,
Ginette Rondeau
Curator
Orale, Dr. Mike Sedano. It’s me, Norma Flores. I used to teach in the Speech Department with you at Cal State L.A. Also, I taught Group Communication for Barrio Teachers through the Chicano Studies Dept. at Salazar hall, Many, Many years ago. You may still remember me because you sort of sat in on my job interview when I got hired to go teach at Southwestern College in Chula Vista.
When I was at East Los Angles College and then again at Cal State L.A., I served as public speaking consultant for both Cesar Chavez and Dolores Huerta, whenever they were in town. When I met Cesar, he told me that both he and Dolores were from Sal Si Puedes. And, that’s why they had adopted the slogan, “Si Se Puede.” I guess Ceasar wanted to leave the circumstances of having his family lose their farm and now working for low wages in miserable living conditions. Dolores became a teacher but taught very poor farm working children and spent most of her time trying to get the kids some food and shoes.
Bueno, hombre. Cesar is dead and now the public is very embarrassed about his indiscretions. They are wanting to change the Cesar Chavez public places that bear his name in order to stop him from being a role model to La Chicanada. I never got used to saying that I was going shopping on Cesar Chavez Blvd. Since I grew up taking dancing lessons ,eating pickles and shopping for bargains on Brooklyn Avenue! So it doesn’t bother me way too much that they want to stop calling it Cesar Chavez Blvd.
I’m not too proud of Dolores either, she was no pendeja. She could have figured out a way to not have two babies with Cesar. But, that’s none of my business. I’m still proud of her for contributing most of her life to La Causa. She is a terrific role model for the concept of “Si Se Puede.” That’s why I think that all the old places with the Cesar Chavez name should now be re-named “SI SE PUEDE” Even President Obama asked to use that slogan. We should show our respect to both excellent, dedicated public speakers for la Raza by changing all the Chavez and Huerta places to SI SE PUEDE!
What do you think, hombre? What do all your other highly respected poets and scholars think? Who Knows? Please share your thoughts on this subject with all of us.
In the meantime, at your service, 88 year old former student and veterana de La Causa, Norma Landa Flores
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