Studio Open House & Sale: Frank Romero and Friends

Michael Sedano

Frank Romero’s studio looks like any other anonymous structure lining the ill-maintained road at the far southern boundary of Los Angeles’ Boyle Heights. I would have missed the address but for a dozen or so mariachi milling about excitedly, and equally excited gente pulling open a chain link gate disappearing into the magical spaces of the artist’s creative lair.

Romero’s neon and wooden sculptures, drawings and paintings cover the walls of the cavernous space. Collectors and connoisseurs recognize Romero’s signature pieces like the palm trees and carruchas installed at The Cheech. Romero himself sits in the joyous surrounds, accepting commissions for on-the-spot creating.

Numerous artists staff tables and easels displaying their work for sale. One table holds dozens of serigraphs by late master printer Richard Duardo, including several of his iconic Frida Kahlo images. I watch enviously as a visitor gets a bargain print—a slight blemish lowers its cost but not its value.

For many visitors, the highlight of the event is the Plaza de la Raza Mariachi group. High school kids sporting mariachi traje play effectively and several take solos belting out Mexicana hits and a pop hit.