Showing posts with label Robert Maestas. Show all posts
Showing posts with label Robert Maestas. Show all posts

Saturday, December 17, 2011

Authors & tebowing. Artist vote.

by Rudy Ch. Garcia

Tim Tebow wears his religion on his sleeve, obviously. And now there's a craze, since his come-from-behind victories this season, so far. It got me to thinking.

Before there was American football, religion used to be "the opium of the people," although among our gente here and in Latin America, the Catholic Church still serves that function. If Spanish conquistadores or mexicano ricos or American corporations exploited you and your country, you had the Church to assuage your sufferings. The 99% could pray for deliverance from the 1%, which included the Catholic Church prior to the 1910 Mexican Revolution.

Things were so oppressive that the authors of the 1917 Mexican Constitution that arose out of the Revolution reduced the Catholic Church’s influence in Mexico's affairs. It enforced secular education in schools, outlawed monastic vows and orders, curtailed public worship outside Church buildings, denied religious institutions the right to acquire, hold or administer property, declared national property any real estate held by religious institutions through third parties like hospitals and schools, and took away from Church officials any voting or commenting on public affairs. These provisions still stand as one of the most encompassing rebellions against too much religion where it shouldn't be.

"Wearing your heart on your sleeve," like Tebow does, is a phrase attributed to author William Shakespeare from his play Othello, in a line spoken by Iago: "I will wear my heart upon my sleeve" [1.1.65]. Although, people forget that these words weren't about declaring your religious views, because Iago was attempting to deceive Othello. Shakespeare probably took the phrase from the Middle Ages, where a knight dedicated his performance to a woman in the court by wearing her colors or kerchief tied around his arm to show he represented her. In Tebow's case, maybe he's trying to indicate he represents something higher up, but without any deception, maybe.

Now that American football is the opium at least of the American people, it's assumed the role that another author, Karl Marx, described: "Religion is the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions. It is the opium of the people. The abolition of religion as the illusory happiness of the people is the demand for their real happiness. To call on them to give up their illusions about their condition is to call on them to give up a condition that requires illusions." [
Introduction to A Contribution to the Critique of Hegel’s Philosophy of Right.]

As a Denver resident, I'm a de facto Broncos fan. No, I don't go around saying "our" team or "us" in referring to the 1% NFL team, but I do root for them, now. So, I'm not some "Raider-hater" when I say that when Tebow tebows, it's cute, but it's also historical illusion, and seems to imply an inherent arrogance.

The conquistadores and colonists brought over that arrogance in religious forms, from Puritanism to Catholicism, and the indigenous Americans lost their world and were forced to adopt that European opium. Whether it was De Soto or Cortez or Puritans and Pilgrims, the indigenes would learn that the invaders' tebowing was a sign of bad things to come.

Why? Because it signified that the genuflector was not just appealing to his god, but also assumed he was better than his adversaries, subjects or those he was about to conquer. Especially the heathens. The problem with Tebow's tebowing is that he's not facing some "godforsaken heathens."

Next time you see Tebow tebowing, consider what his gesture indicates about his attitude toward the opposing team. He's not just praying to win. Is Tebow asking for his god's assistance against other worshippers who also worship his same god? Why does he deserve to win the game when the other team likely has as many church attendees? Why would his god care to bless the Broncos more than the Patriots, for instance? All things being equal--like as many worshippers on the Patriots as on the Broncos, or as many devout players on the two teams--to appeal for victory over them sounds like trying to make your god take a side when he shouldn't.

I think it makes no more sense than why the Spaniards bowed on the outskirts of Tenochtítlan before they proceeded to destroy the center of Aztec civilization. There's nothing cute about that--just an inherent arrogance. It might make you think twice about what mixing these two opiums represents.

A vote that does count

From Denver artist Robert Maestas comes this news:

The Denver “Art District Best of 2011” nominations are now open. I would appreciate it if you would consider voting on my solo exhibit held in September 2011. The show was entitled “Robert Maestas presents Tribute to 09/11/01." Nominations close at midnight on Monday December 19, 2011.

You can nominate the show by clicking on this link and selecting the category Best Solo Show by a Colorado Artist. In the space provided, type in “Robert Maestas presents Tribute to 09/11/2001.” As a reminder, here is a photograph of that show.

I would appreciate it if you inform all your family, friends and colleagues. Thank you for your support of the arts.

Robert Maestas, Artist

P.S. While you are on the site, scroll down and enter your nomination for “Best Gallery.” If I may, I would recommend CHAC, Denver's Chicano Humanities and Arts Council.

Saturday, August 27, 2011

9/11 gente and art news

by Rudy Ch. Garcia

As Teresa Puente, a journalist and blogger on the faculty at Columbia College Chicago and editor and publisher of Latina Voices, states:

"Of the 3,000 people who perished at the Twin Towers, around 20 percent were born outside the United States, according to FactCheck.org. You can read about them and other 9/11 victims in the New York Times' "Portrait of Grief" series.


"There also were dozens of 9/11 victims who were Muslim. President Obama reminded us of this fact and that we are not at war with the Muslim people who are overwhelmingly peaceful.


"There were 14 undocumented spouses and children of workers killed at the Twin Towers who sought permanent residency after the attack, according to the New York Times."

9/11 affected the world, including the Latino world, and in observation of its upcoming 10th anniversary, La Bloga received the following message from Denver reader and artist Robert Maestas:

"You are cordially invited to a “Tribute to 09/11/01” art exhibit at the Chicano Humanities & Arts Council (CHAC) Gallery, 774 Santa Fe Dr. in Denver from August 31 – October 1, 2011.

"As one of the 5,201 official entrants for the World Trade Center Memorial Competition, this exhibit has a very special meaning for me. My artistic tribute is my way of presenting an opportunity for the people of Denver and greater Colorado to recognize, reflect and continue to show their support for the 09/11 remembrance in the upcoming 10-year anniversary.

"Please inform your family, friends and colleagues and thank you for your support of the arts"

Robert Maestas, Artist

www.robertmaestas.com

Es todo, hoy

Thursday, December 02, 2010

Winners & losers

And the Denver winner is . . .

Last month we posted Denver artist Robert Maestas' info about a national competition he'd entered. His story and art piece solidly deserved to win. La Bloga does not claim that our readers put Maestas over the top or anything, but here's a letter from him about the results:

This is an update to tell everyone who voted for “A Father’s Struggle” Thank You! Your support was greatly appreciated and because of your votes the art piece and story was awarded top honors in the "Art With A Story" online gallery exhibition.

If you care to view the original art piece and story, they will be exhibited during January, 2011 (including the January First Friday Artwalk) at Artwork Network Gallery, 878 Santa Fe Drive, Denver, CO. (For further info: 303-388-7420)

Thank you again,
Robert Maestas, artist

Below is the e-mail I received from the Creative Director of Artwork Network:

"We received 83 artist entries in our “Art with a Story” juried show. It was a tough deliberation, for both the public and the jury. We received over 1,500 votes, and had to enlist a fourth juror to help us narrow down our favorites.

"I’m sending this email to say congratulations! Of all those entries, the Public has awarded “A Father's Struggle” with Best Story/Art Combo! This is a fantastic piece, and we’re thrilled you gave us the privilege of hearing the story behind your work.

"Of course one of the prizes that comes along with this honor is an exhibit in the Artwork Network showroom in Denver, Colorado. We want to showcase your winning piece during the month of January 2011 including the January First Friday Artwalk.

"Again, Congratulations!"

(signed) Jessica Bradley
Creative Director
Artwork Network
______________________________________

Y este pendejo . . .

This was brought to our attention by one of Juan Vasquez's nieces from Mexico. It's a great LOL reflection of how the American world (meant in its widest context) has changed. At the same time, it shows that change is not necessarily one smooth path, but instead can result from opposing forces of progress against forces of what?--illness? get-high? You fill in the word you feel is appropriate.

We're only translating the first parts of the piece, since it's one of those things that might be funnier in the original. Even if you only know a little Spanish, the point might be obvious. Specifically, here is how it starts:

"El político más poderoso del
mundo es Negro."
[The most powerful politician in the world is black.]

"El líder del Comité Nacional Republicano es Negro."
[The leader of the Republican National Committee is black.]

Then comes Oprah, Tiger et al, but will you get the end? You'll see. For the remainder, go here.


Friday, November 19, 2010

The season to volunteer & vote

Friday's Bloguista Manuel Ramos is off today taking care of family matters.

From Denver's Su Teatro comes the following:


"We are doing our fall solicitation mailer this Saturday 11/20 and we could surely use some help with it. We start at 9a.m., but we do it as an open house and ask folks to show up sometime between 9 am. and 11 a.m. If we get enough people to help we can sometimes crank it out by noon.

You may not think that stuffing envelopes sounds like fun, but it is surprisingly fun, very social. We will make sure we have good food and lots of good visiting happens during this activity. It is a great way to support Su Teatro and get the satisfied feeling of being productive and seeing the concrete fruits of your labor! :)

Below are dates and times we need help with our upcoming holiday show. Please let me know if you are interested! Hope everyone is well. Please let me know how you are and what is going on, even if you can't volunteer!
Best.
Tanya of Su Teatro

Thursday - Dec. 2, 6:30-10pm
Friday - Dec. 3, 6:30-10pm
Saturday - Dec. 4, 1pm. -4pm & 7pm-10pm
Sunday - Dec. 5, 1pm-4:45

Thursday - Dec. 9, 6:30-10pm
Friday - Dec. 10, 6:30-10pm
Saturday - Dec. 11, 1pm -4p.m. & 7p.m.-10p.m.
Sunday - Dec. 12, 1p.m.-4:45p.m.

Thursday - Dec. 16, 6:30-10p.m.
Friday - Dec. 17, 6:30-10p.m.
Saturday - Dec. 18, 1pm.-4p.m. & 7p.m.-10p.m.
Sunday - Dec. 19, 1p.m.-4:45p.m.

Your work will help the December performance of "A Colorado en una noche de Navidad" and in February, "Women of Calypso."

For more information, click here or contact Tanya at 303-296-0219 X110

_____________________________

From Denver artist Robert Maestas comes the following:

If you could please take time out from your busy schedules I would appreciate it if you would click on this link: View and Vote.

to view and vote for my art submission and story entitled “A Father’s Struggle”.

I entered the art piece and the story that relates to the art to Denver's Artwork Networks Online Juried Show “Art with a Story.” The piece is dedicated to my late father and was created as a personal healing process and a way of bringing public awareness to the devastating consequences of diabetes.

Voting is open thru Nov. 24th, 2010.

Thank you so much,
Robert Maestas
Robert Maestas Studios

Saturday, November 06, 2010

One artist response & another's Flash website

This first piece, submitted by Judithe Hernandez, concerns Michael Sedano's post this week of Review: Tunaluna. On-line Floricanto Decision Day in which Sedano reviews alurista's latest book. Judithe is the cover artist. We do this to provide her a forum to share her thoughts and give La Bloga readers insight into an artist's thinking:

I almost never interpret my own work, but you “started this, Michael. (LOL!) So, I will give the readers of the La Bloga a rare insight into my thinking. Although the cover for TunaLuna is a detail of a larger work created in 2009 (before I knew about its publication), Juan Tejeda, publisher of Aztlan Libre Press, saw it on my website and was struck by how right it was for the cover of Alurista’s newest volume of poetry.

This wonderful convergence seems to characterize the complementary nature of my work to Alurista’s over the years. In recent conversations, we have marveled at the way we both seem to work toward to a similar aesthetic objective: he in a very non-linear, non-narrative fashion, and I in a very linear, narrative way. Go figure!


The “luna” in his poetry and in my image is loaded with meaning ancient and modern, sensual and mysterious, emotional and intellectual. The viewer/reader will decide how well be have conveyed these things. For me, as a part of my work for many years, the “ribbon” has been a “literary device” intended to connect the visual elements of a work to tell a story.
In this case, the ribbon weaves its way through the nopalera, very much the same way man makes his way through his earthly life to his next transition. The human hand suggests the presence of man/woman as simply another element in the universe that lives and dies, and creates unseen memories on its journey through life’s thorns and flowers.

Ultimately, I see the poetry in
TunaLuna as snapshots of life; words capturing the fleeting nature of man’s existence and his earthly experience. Actually, another beautiful poem comes to mind; a work by an anonymous Nahuatl poet:

We come but to sleep, we come but to dream,

It is not true that we come to live upon the earth,
Like the grass each spring we are transformed,

Our hearts grow green, put forth their shoots

Our body is a flower,

Its blossoms, and then it withers.

I thought your review of Alurista’s newest volume of poetry was thoughtful, supportive, and fair. His poetry is certainly not linear and it is not intended to be. He and I have had long conversations about how this choice may inhibit some readers from an immediate understanding (and therefore enjoyment) of the work. However, I think that is exactly the purpose. If the reader has been sufficiently intrigued by the first pass, hopefully he will return for several more readings.

Those who do will be rewarded.
Alurista’s work attempts to engage the reader on many levels, even inviting them to read works from bottom-to-top; amazingly the poems work beautifully either way!

Having been a fan for decades, I am thrilled that he seems to be creatively re-energized and is planning more work again. By the way, thanks for mentioning my cover, although “interesting” is not exactly the review for which I would have hoped. LOL!


Abrazos,
Judithe Hernandez
_ _ _ _ _ _ _ _

Artist's new Flash website

Robert Maestas grew up in North Central New Mexico but now resides in Lakewood, CO, a Denver suburb of Denver. Maestas is a self-taught digital artist and has been creating art for over fourteen years. He is a member of the the Chicano Humanities & Arts Council (CHAC) Gallery, Denver.

Click here to explore Maestas' creative pieces, many of which adorn SW homes and businesses, including custom-tile pieces made for my own home. There's a lot of imaginative works, Mexican/Chicano themes, fantasy, the surrealistic and much more. Support the arts today, you'll find it worth your time.

Es todo, hoy

RudyG