Monday, August 12, 2024

Presentación de _Tejerás el destino_ y _Corazón de agua_ durante el mes de la poesía en la ciudad de Nueva York por Xánath Caraza

Presentación de _Tejerás el destino_ y _Corazón de agua_ durante el mes de la poesía en la ciudad de Nueva York por Xánath Caraza

 


El pasado 18 y 20 de abril de este año, como parte del mes de la poesía, se celebró la presentación de los libros Tejerás el destino y Corazón de agua en la ciudad de Nueva York. Aunque de manera retrasada comparto un poco sobre esta experiencia doblemente poética con nuestros lectores.

 




La primera presentación fue en el Westchester Community College. El evento fue organizado por la Doctora Heather Ostman y un concurrido grupo de estudiantes asistió a éste. Después de la presentación tuvimos una sesión de preguntas y respuestas donde se dio la oportunidad de convivir con los jóvenes participantes de manera más cercana y hablar más a fondo sobre Tejerás el destino y Corazón de agua.

 


La segunda presentación, organizada por la serie de poesía Art SPeak, from Page to Performance y Poets & Writers, fue el 20 de abril.  Esta presentación se complementó con un taller de poesía donde Golda Solomon y Katori también participaron. Los asistentes tuvieron la oportunidad de compartir los poemas que escribieron durante el taller. Así mismo, después de la lectura de poesía, vino la parte social, un momento para platicar, disfrutar de algunos bocadillos y firmar libros. Les comparto una foto con Golda y Katori de esa velada poética para el mes de la poesía en Nueva York.

 




Uno de los libros que presenté fue Tejerás el destino / You Will Weave Destiny (FlowerSong Press, 2024) del cual el Dr. Torres-Calderón dice “…trata sobre Macuilxochitzin, poeta nacida en los años más prósperos de la expansión de la civilización Azteca. Hija del consejero real Tlacaélel y sobrina del guerrero Tlatoani Axayácatl”. Cabe mencionar que este libro fue parcialmente escrito con el apoyo del Westchester Community College Humanities Institute en la ciudad Nueva York. Tejerás el destino fue escrito originalmente en español y traducido al inglés por la Dra. Sandra Kingery y Aaron Willsea.

 


El segundo poemario presentado fue Corazón de agua / Heart of Water (SOMOS EN ESCRITO Literary Foundation Press, 2024) del cual Carlos Cumpián dice, “este poemario brinda al lector observaciones sensoriales personales, como referencias a procesos sociales como el confinamiento, vinculada a ciclos naturales, ecológicos”. La Dra. Lambrou agrega “…a este tipo de literatura, literatura de la pandemia, pertenece Corazón de agua: un poemario que habla del aislamiento, de la distancia social que guardamos durante la pandemia, del dolor por la falta de seres queridos, de la muerte de amigos, de familiares y de la nostalgia”. Corazón de agua / Heart of Water fue originalmente escrito en español y traducido al inglés por la Dra. Sandra Kingery.

 


Aprovecho para agradecer a Golda Solomon, poeta laureada de Yonkers, NY, su hospitalidad frente al Hudson. ¡Qué la poesía nos salve!

 

 

 

Friday, August 09, 2024

Fresh Fiction

These unusual, unique and experimental books have been recently released or are set to drop in the next few weeks.  The summaries are provided by the publishers.  You provide the readers. 
________________________


My Chicano Heart:  New and Collected Stories of Love and Other Transgressions
Daniel A. Olivas
University of Nevada Press - August 6

[from the publisher]
My Chicano Heart is a collection of author Daniel A. Olivas’s favorite previously published tales about love, along with five new stories, that explore the complex, mysterious, and occasionally absurd machinations of people who simply want to be appreciated and treasured. Readers will encounter characters who scheme, search, and flail in settings that are sometimes fantastical and other times mundane: a man who literally gives his heart to his wife who keeps it beating safely in a wooden box; a woman who takes a long-planned trip through New Mexico but, mysteriously, without the company of her true love; a lonely man who gains a remarkably compatible roommate who may or may not be real—just to name a few of the memorable and often haunting characters who fill these pages. Olivas’s richly realized stories are frequently infused with his trademark humor, and readers will delight in—and commiserate with—his lovestruck characters.

Each story is drawn from Olivas’s nearly twenty-five years of experience writing fiction deeply steeped in Chicano and Mexican culture. Some of the stories are fanciful and full of magic, while others are more realistic, and still others border on noir. All touch upon that most ephemeral and confounding of human emotions: love in all its wondrous forms.

_____________________


Fog at Noon
Tomás González

Translated from Spanish by Andrea Rosenberg
Archipelago Books - Sept. 3

[from the publisher]
What happens when a person goes missing? Told from alternating perspectives, Fog at Noon offers readers the chance to methodically decipher the story of Julia. A conceited “ninny,” somewhat-gifted poet, ravishing temptress, and thorny friend, Julia shapeshifts and sparkles in the blinding light of conflicting narrative. Her raconteurs? A frequently fishy chorus of acquaintances, lovers, sisters-in-law, and friends. And from behind the veil, Julia speaks for herself.

Tomás González writes of the passionate origins of an affair and its precipitous conclusion, of untraceable debts and the liminal realms between the living and the dead, of New York in a blizzard and the Colombian mountain chains cloaked in fog. Readers will be reminded of the propulsive mysteries of Big Little Lies, as much as the incisive literary works of Domenico Starnone, Michael Ondaatje, and Juan Gabriel Vásquez. Andrea Rosenberg’s translation gleams in every line, as we are lured deeper into the elusive world of Fog at Noon.

___________________




From Here to There and Back
Jesse Mancíaz/Xam’le Kuiz
Yanaguana Press - August

[from the publisher]
Jesse Mancíaz/Xam’le Kuiz (Red Feather) is an Esto’k Gna/Carrizo Comecrudo Indian from the Texas Panhandle city of Plainview. As a young child raised by his grandparents (his grandfather was a vaquero and his grandmother was a revered medicine woman and midwife), he learned the value of hard work by toiling in the cotton fields of North Texas. He dropped out of high school and joined a caravan of migrant workers that followed crops across the country. In 1966, when he was 18 years old, he joined the Marine Corps at the height of the Vietnam War and was a fire-team leader responsible for the battlefield performance of a six-man unit in Vietnam. Wounded in combat on two separate occasions, each time he was patched up, pinned with a Purple Heart medal, and returned to the carnage that war is known for.

The inaugural publication of Yanaguana Press, an imprint of Aztlan Libre Press, From Here To There And Back/Three Short Stories & A Poem by Jesse Mancíaz/Xam’le Kuiz is powerful, political and poignant. As an Esto’k Gna, American Indian/Native of Texas writer, Jesse might be Native American Indian Literature’s best kept secret. He’s a gifted and crafted wordsmith that puts you in the middle of the scene and sublimely shocks you into viscerally feeling what you are reading. While he is considered a respected elder and has been writing for many years, this is his first book publication.

You might call the general genre of Jesse’s writings in this collection (besides short story and poetry), Fictional Memoir, because Jesse draws from his own personal life experiences and recollections as a young cotton-picker and migrant field worker, and an 18-year-old Indio Tejano Marine in Vietnam, to fuel his writings that have been fictionalized to a certain extent.

While these stories confront you with some of the horrors of war, and the post-traumatic-stress-disorder that will continue to plague the service men and women and their families for the rest of their lives; as well as the racism, discrimination, exploitation, and other injustices that the Indigenous, Mexican, Central and South American people have to face here in Texas and the U.S., there’s a ray of hope in these writings. They are a cry against war. A cry for a true justicia y libertad for all. A cry for healing. Un grito de amor y paz.

Later.

______________________


Manuel Ramos writes crime fiction. Read his latest story, Northside Nocturne, in the award-winning anthology Denver Noir, edited by Cynthia Swanson, published by Akashic Books.

Thursday, August 08, 2024

Chicanonautica: Sudden Changes, Gonzo Style

by Ernest Hogan

Honest, I had this whole other column ready to go, something happened concerning the projects I was talking about, so I’m putting that one on the back burner. That’s happening a lot these days. History. The future arriving. Maybe a rereading of Alvin Toffler’s Future Shock is in order.


So, what’s Chicanonaut to do?


Sometimes gonzo is the way to go . . .


I don’t quite feel ready to write up the political situation as it pertains to la raza in Arizona. We’re still a target, seen as part of the whole border problem. The Republican goon show had fish-faced cowgirls holding up MASS DEPORTATION NOW signs. Trump was sitting on top of the world with a bloody ear. Then Biden had to go and quit and ruin his plans. Who’s the least senile-sounding candidate now? His only hope is an economic crash and border crisis.


As for Harris, I’ll vote for anybody who’s running against Trump. And I am enjoying how she’s forcing the country into the 21st century.


Meanwhile, I’m watching what’s going on in Venezuela.


Awk. I could go on, but then you could just plug into your favorite news source.

 

I do have some good news: Strange Particle Press (y’know, they published my novels and Guerrilla Muralof a Siren’s Song) is coming out with a new anthology Seven to the Stars. It’ll feature a story by me, “Radiation is Groovy, Kill the Pigs” a wild romp with my alter ego, Victor Theremin, the Chicano science fiction writer who lost track of where his life ends and the sci-fi begins, and mutant marijuana—excuse me, cannabis. My wife, Emily Devenport’s “Alternate Universe Ernies” will also be in there, and of course, any resemblance between me and any characters in these stories are purely coincidental, their being works of fiction. Science fiction, at that.


I'm paying attention, soaking it all in. My brain is mixing it up into something that sorta makes sense to me but will at least be entertaining. That seems to be my job. Too bad it doesn’t pay more.


So, be on the lookout for . . . everything.


Ernest Hogan is known as the Father of Chicano Science Fiction. His racial identity is more complicated than that of Kamala Harris. He hopes more people buy Guerrilla Mural of a Siren’s Song: 15 Gonzo Science Fiction Stories—and review it.

Wednesday, August 07, 2024

Pepita Meets Bebita/ Pepita y Bebita

By Ruth Behar and Gabriel Frye-Behar.

Illustrated by Maribel Lechuga.


Publisher: ‎ Knopf Books for Young Readers

Hardcover: ‎ 40 pages

ISBN-10: ‎ 059356698X

ISBN-13: ‎ 978-0593566985

Reading age: ‎ 4 - 8 years


When dog meets baby, it will take a little time and a lot of love for Pepita and Bebita to become the best of friends.

Welcoming a new baby can be hard, especially when you’re used to being the center of attention! When it’s time for Pepita, the puppy of the family, to meet the brand new bebita, she’s in for a few surprises. What do you mean that Mami is too busy to bounce a ball for Pepita? And Papi seriously can't find any time to scratch her ears? This new bebita is a bit of a problem....

But along the way, the two will grow to love one another and become a family with even more smiles and heartwarming moments. From award-winning author Ruth Behar and her son, Gabriel Frye-Behar, comes a true-to-life story about adjusting to new additions and embracing change.



Cuando la perrita Pepita y la bebé, Bebita, se conocen, necesitarán algo de tiempo y mucho amor para convertirse en las mejores amigas.

Darle la bienvenida a un nuevo bebé puede ser difícil, ¡especialmente cuando estás acostumbrado a ser el centro de atención! Cuando Pepita, la cachorra de la familia, conoce a la nueva bebita, se lleva algunas sorpresas. ¿Qué significa que ahora Mami esté demasiado ocupada para lanzarle una pelota a Pepita? ¿Y Papi en serio no encuentra tiempo para rascarle las orejas? Esta nueva bebita es un problema...

Pero sobre la marcha, las dos llegarán a quererse y a convertirse en una familia con muchas más sonrisas y momentos conmovedores. De la galardonada escritora Ruth Behar y su hijo, Gabriel Frye-Behar, llega una historia real sobre cómo adaptarse a la llegada de nuevos miembros y cómo aceptar el cambio.


Review

"A heartwarming reminder to embrace change." —Kirkus Reviews

"Pepita makes an excellent (and adorable) stand-in for new big siblings of the human variety, who might also be wrestling with the challenges of losing the spotlight and reveling in the reward of a sweet, new, babbling, giggling friend." —The Bulletin



Ruth Behar is an acclaimed author of adult fiction and nonfiction, and Lucky Broken Girl--winner of the Pura Belpre Award--is her first book for young readers. She was born in Havana, Cuba, grew up in New York, and has lived and worked in Spain and Mexico. Her honors include a MacArthur "Genius" Award, a John Simon Guggenheim Fellowship, a Fulbright Senior Fellowship, and a Distinguished Alumna Award from Wesleyan University.

Gabriel Frye-Behar is a Brooklyn based writer, filmmaker and photographer. He has a BFA in Film & TV Production from NYU’s Tisch School of the Arts and an MFA in Creative Writing from The New School. He currently teaches in the Drama Department at NYU/Tisch. This is his first picture book and he and his wife can’t wait to share it with their own lovely pepita and bebita.

Maribel Lechuga is the illustrator of many children's books, including Ten Beautiful Things and Seaside Stroll. Her recent project, What's in Your Pocket?, received two starred reviews. Maribel loves the environment and animals and recharges her batteries by hiking through the Spanish hills.





Monday, August 05, 2024

Book launch at Vroman’s Bookstore on August 14 for MY CHICANO HEART, a new story collection by Daniel A. Olivas


VROMAN'S BOOKSTORE PRESENTS DANIEL A. OLIVAS,

IN CONVERSATION WITH STEPHANIE YU, DISCUSSES

MY CHICANO HEART

DATE: AUGUST 14, 2024

TIME: 7:00 P.M.

DETAILS AT VROMAN’S WEBSITE

My Chicano Heart is a collection of author Daniel A. Olivas’s favorite previously published tales about love, along with five new stories, that explore the complex, mysterious, and occasionally absurd machinations of people who simply want to be appreciated and treasured. Readers will encounter characters who scheme, search, and flail in settings that are sometimes fantastical and other times mundane: a man who literally gives his heart to his wife who keeps it beating safely in a wooden box; a woman who takes a long-planned trip through New Mexico but, mysteriously, without the company of her true love; a lonely man who gains a remarkably compatible roommate who may or may not be real—just to name a few of the memorable and often haunting characters who fill these pages. Olivas’s richly realized stories are frequently infused with his trademark humor, and readers will delight in—and commiserate with—his lovestruck characters. 

Each story is drawn from Olivas’s nearly twenty-five years of experience writing fiction deeply steeped in Chicano and Mexican culture. Some of the stories are fanciful and full of magic, while others are more realistic, and still others border on noir. All touch upon that most ephemeral and confounding of human emotions: love in all its wondrous forms.

Praise for My Chicano Heart

“Olivas has done it again. In this collection of stories from University of Nevada Press, Olivas has captured the essence of the Southwestern, supernatural story. Each story leads the reader down a darkening path, yet we go completely of our own volition just to see what he will show us. Nothing is free, yet like his hapless characters, we always agree to the bargain.”
     —Kathleen Alcalá, author of Treasures in Heaven: A Novel

“These stories are about love, heartbreak, magic, death and other oddities of our Chicano lives, as only Olivas’s imagination can tell them. I am tempted to say this is one of the most innovative and whimsical collections I have read in years, but then I remember the last one that I read that was just as good was also a collection of stories by Olivas. He is without a doubt one of the master storytellers of our time. A Chicano man who literally gives his heart away to his partner, an arrogant weatherman with Chicano-sized problems, a mystical encounter with Frida Kahlo in Mexico City, these fictions are fun, fast, and frankly fantastic.”
     —Daniel Chacón, author of The Cholo Tree

“Daniel A. Olivas has written fascinating fantastical scenarios in My Chicano Heart, but always with very recognizable human settings and issues. This collection is a portrait of Latinx/Chicana/o life as it is lived today, and there is true voz here that is jammed with feeling and passion. It’s as if all of Olivas’s character’s souls are embattled.” 
     —Yxta Maya Murray, author of The World Doesn’t Work That Way, but It Could

“Love, while universal, is experienced differently from one culture to another. These stories explore its mutations, sometimes in phantasmagorical ways. But they don’t stop with love, delving into other emotions with equal bewilderment. Daniel Olivas is a treasure.”
     —Ilan Stavans, Lewis-Sebring Professor of Humanities and Latin American and Latino Culture, Amherst College, coauthor of Sabor Judío: The Jewish Mexican Cookbook

***

If you can’t make the Vroman’s Bookstore event, visit my events page for other opportunities including a wonderful WORDTheatre live event on August 9 where actors will perform stories from my new collection as well as stories by Luis Rodriguez and Estella González!

Friday, August 02, 2024

Meet Santa Barbara's Youth Poet Laureate on Sunday

 Melinda Palacio



Last week, Jasmine Guerrero Sevilla, a graduate from Santa Ynez High School was named Santa Barbara County Youth Poet Laureate. She will read at the Goleta Valley Library with current City of Santa Barbara Poet Laureate Melinda Palacio on Sunday, August 4 at 2pm, hosted by David Starkey, Santa Barbara's second poet laureate (2009-2011). 



Goleta Valley Library, Sunday August 4, 2pm, 500 N. Fairview Avenue, Goleta CA.

(hola bloga, this should be a nice poster but blogger is giving me grief. I hope to return to a normal post next time. For now, a short announcement). 






Thursday, August 01, 2024

A General's Orders

                                                                                     

Richard "Buzz" Hernandez, top middle, blue shirt
 

      I recently attended another family funeral. Sad, of course, but becoming more of a social gathering when you reach my age. At the lunch table, we started telling stories, about the old days, always about the old days. My younger cousins wanted to hear the story, again, about the general. It was a family classic. How could I forget? It's one of those stories that hangs around, as if it happened a year or two ago, not 57. 

     The exact dates are hazy. It might have been December ’67, a lot of us still in shock after hearing Otis Redding’s plane had gone down in a frigid Wisconsin lake. It might have been early 1968, Martin Luther King was still alive, and we hadn’t, yet, been flown into Washington D.C. to quell the riots, or what people began calling “civil disturbance.” At Fort Bragg N. Carolina, all was still fairly quiet, except for the reports of friends dying in the jungles of Vietnam, where a bunch of us had already served, survived, and returned.

     Our friends, "draftees," called us “dumb,” or “pendejos,” depending on the friends, for having enlisted. If we had waited to be drafted and survived the war, we would have already been home, discharged. Instead, most of us, "enlistees," or "RA's" in military parlance, still had, at least, a year-and-a-half left on our commitments to Uncle Sam, pretty torturous when you’re a twenty-year-old and know everybody back home is heavily into “sex, drugs, and rock ‘n roll,” not necessarily in that order.

     Overall, personally, it was a sad time. While in Vietnam, I’d learned my seventeen-year-old cousin, Diane, was fighting leukemia. Luckily, I got to see her when I came home on leave after Vietnam, but when I flew out of L.A., I knew it would only be a matter of time before she’d be gone.

     When the call came, like I said, in late ’67 or early ’68, it hit me hard, I mean, added to all the friends I’d already lost in the war and was still losing. With Diane, it didn’t come as such a shock. She’d been sick a long time, but she lived long enough to fulfill her dream and graduate high school; though, she was too sick to make the walk across the stage. Her friends cheered her on when her name was called. Even though she wasn't there to hear it, I'm sure she felt it from her bed.

     Like many Mexican families, our families were close, so when my older cousin, Richard, AKA “Buzz,” called me in North Carolina to give me the news, he asked if I could make it home for Diane’s funeral. There was no way. I’d just finished a thirty-day leave, and I knew the Army only considered bereavement leaves for immediate family. Richard asked if I’d, at least, put in a request, to make sure. He was like a big brother to me, so, to show respect, I said I’d ask, and, as expected, a few days later, my request came back – denied.

     The battery’s first sergeant, Cromarte, “Top,” we called him, had been my first sergeant in Vietnam, so we had something of a relationship. He approached me, and said, “Cano, sorry about your cousin, but the Army only grants bereavement leaves for immediate family. You know that.” I wasn’t about to argue and explain my cousin was like a sister. I appreciated the fact that “Top” even came up to me to tell, me, personally. They don’t usually do that.

     I called Buzz, who owned a landscape business in Beverly Hills, and gave him the bad news. Out of high school, Buzz played minor league baseball for the Baltimore Orioles. He travelled the country. He quit when he married and had his own kids. He is also one of those people who doesn’t take “no” for an answer, without trying every available means at his disposal. “Can you request an appeal?” He asked.

     I explained there was no bucking the might of the U.S. military. I was barely an E-4, like a corporal. I had little “juice” in the chain of command. If anything, I could get “busted” for questioning an order. I told him to give my regards to everybody at the funeral.

     I don’t recall how it went down exactly, only that I was in the barracks, those newer, modern three-story concrete jobs, spit and shine clean, day and night. Cromarte stepped into the entryway, and called, “Cano, pack up your gear. You got a leave coming.”

     A few of my friends knew I’d requested a leave and been denied, so, for sure, I remember all of us being surprised. They looked at me like, “What the….” I knew enough not to ask questions, just follow orders, so I said, “Yes, first sergeant,” got my stuff, and walked to the battery commander’s office where they gave me my travel orders, everybody standing around the clerk's desk, even the battery commander, a smile on his face. The next thing I’m in L.A. at my cousin’s funeral, walking up to her casket, unpinning the purple heart from my uniform and pinning it to her dress. She'd put up one hell of a fight. 

     I don’t even recall if I took a military “hop” out of Pope Air Force Base, or I caught a commercial flight. I only knew the army even gave me a month leave, more than the usually shorter one-week bereavement leave they offered, at the time.

     Once home, everybody was happy to see me and thankful I could make it to the funeral. With all the commotion, I didn’t get much of a chance to talk to Buzz, except for the normal chit-chat, but he did say we needed to talk, later. Finally, when the dust cleared, Buzz stopped by my parents’ home, where I was staying. He told me he wanted me to take a little trip with him, so I jumped into his truck.

     We headed up Sunset Boulevard towards Beverly Hills, a route I knew well. I’d been working with him, and his dad, my uncle, Rufino, since I was in elementary school and learned how to hold a rake.

     “You have to go thank the general,” Buzz told me.

     I’m sure I asked questions, like why and what general? Buzz told me one of his clients was General Omar Bradley, retired, who lived up in Trousdale Estates, in the Santa Monica Mountains, in Beverly Hills. At the time, I didn't recognize the general’s name, only the title, “general,” any general, and how did Buzz know a general and get him to, what, pull strings?

     A real charmer, and a suave businessman, Buzz had a good relationship with all his clients, singers, actors, directors, and all sorts of celebrities. He told me he filled General Bradley in on my predicament, about me not being able to go home for his sister Diane’s funeral. It was like a quid pro quo, I guess. If the general did something for Buzz, my cousin had to reciprocate, in some way. The general told Buzz, first, I had to follow the chain of command and request an official leave. He didn’t want to go over anybody’s head if he didn’t’ need to.

     When Buzz reported back to the general that my leave request had been denied, the general had his secretary call the post commander at Fort Bragg and explain the situation, and things began to happen. Man, who was this general?

     We pulled up into the general’s driveway. His home overlooked all of Los Angeles. An assistant, an African American man, sharp, STRAC, answered the door. I later learned he'd been at the general’s side, all through WWII. General Bradley, about six-one or two, greeted us in a large, bright hallway, an interior putting green off to one side, behind a glass wall. He shook my hand, soldier to soldier, respectfully. There is something about “great” people, a certain presence; okay, call it charisma, but it's more than that, metaphysical. Omar Bradley might as well have had an aura around him.

     I looked up at him and, nervously, thanked him. Now that I think back, it was a big deal, a retired general asking another general for a favor over a low-ranking corporal, a nobody. General Bradley began peppering me with questions, where, again, was I stationed, and with whom did I serve. When I said the 82nd Airborne, I could see him beam. “A fine unit. I commanded them in Europe. You were in Vietnam,” he asked? “Yes, sir. I just returned a few months ago.” He asked what unit I’d served with. Again, I could see the pride in his eyes when I said, "The 101st Airborne, sir."

     "I was at Bastogne when they defeated the Germans," he said. Some things you don't forget.

     Everything happened quickly. It was over before I realized. When I returned to Fort Bragg, First Sergeant Cromarte and the battery officers treated me differently, just something about the way they acknowledged me whenever I passed. I’m sure they wanted to know how I merited a general’s attention, but I didn’t volunteer anything. Maybe, it even made all of them walk a little taller knowing they’d done General Omar Bradley a favor.

     It wasn’t until years later, when I began studying history, Vietnam, and WWII, I learned the man whose hand I had shaken wasn’t just any general. Omar Bradley and Dwight Eisenhower had attended West Point together, both playing on the 1912 football team that lost to Jim Thorpe’s Carlyle Indians, coached by Pop Warner, a sporting event dubbed the Army vs. the Indians, a game Thorpe and his smaller, but faster, Indian buddies fought hard to win.

     Bradley had been a second lieutenant on the Mexican border when Pershing invaded in search of Pancho Villa. In WWII, he served directly under Eisenhower who was the supreme commander of all allied forces in Western Europe. General Bradley was General of the Army., commanding the First Army, which included both the 82nd and 101st Airborne Divisions, during the D-Day invasion of Normandy. He finished his career as first Chairman of the Joints Chiefs of Staff and Secretary of Veterans Affairs.

     Like I said, some stories stay with us forever. This is one of them. I'd like to think my next promotion to sergeant came from my own competence and not because of a general's orders, but then, again, who knows for sure.