Showing posts with label Hecho en Tejas. Show all posts
Showing posts with label Hecho en Tejas. Show all posts

Saturday, December 26, 2009

Times of sharing - Denver '09

The holiday season here seems much about purchasing commodities, "gifts for me" and, even when it involves charitable donations or Christmas presents, being recognized for our giving. However, the capacity to give costly presents is primarily a reflection of happenstance and of itself relates little to our true worth. Even Scrooge became a better, generous person only when forced to see how his miserliness would affect his future. That's a humbug example of altruism.

In my first grade classroom each year, my mexicanitos tend to think the season is about two things: purchased gifts and "gifts for me." So when the school's Holiday Fair opened, they gathered what little money they had and got drawn into the mania. Despite class discussions about the meaning of the season, nearly all the children returned with trinkets and cheap toys they'd bought for themselves. Trying to lecture to or model for them how Christmas should be about something more noble is a lesson not easily taught, at least by me.


When a rich benefactor adopted our school's kindergarten classes, some teachers suggested he spread his philanthropy to more grades, but he preferred just the kinder kids. Thus, approximately 100 children received several outrageously great presents. What I wondered was, how would their unemployed or plain-old-poor parents feel on Christmas day when their hijos opened Dad and Mom's gift that couldn't monetarily compare to what they'd received from the philanthropist?


In an attempt to carry a different message in my own life, this year my family sent out the following invitation:

"Those of us who are (somewhat) employed and (relatively) not destitute like too many in this country are (presently) the lucky ones. My family and I are among those (this year) and would like to share our (current) well-being with others. Come share something creative with us and others. It could be written, spoken, sung, or performed. Drawn, painted, carved or pasted together for show-and-tell. Baked, steamed, homemade, self-portraited, or recently read. Or something entirely different, of your choosing." I myself didn't know how it would be received and who would show up with what. Briefly, here's some of what was shared:

My niece Tonantzin Canestaro-Garcia participated in absentia, via her CD. Go here for a taste of her poesy. You can also catch her verse in Hecho en Tejas: An Anthology of Texas-Mexican Literature, edited by Dagoberto Gilb.

Art teacher Trudy shared her poetry:


"I want to meet me, I've been curled up inside
I haven't come out, thought it better to hide

I want to meet me, how about right now

I need to know and,
don't care about the what or the how

I want to meet me, who I am

what makes me strong,
how do I get through work
all day long,
I want to meet me, not the image or reflection

but the person, I'm constantly perfecting

I want you to meet me, not the old me
but the new
the one who doesn't have to hide,
because I know who I am, do you?
"

Deme shared this seasonally appropriate gem by Neil Gaiman from his collection Smoke and Mirrors. Like much of this strange Englishman's stuff, the entire book is worth a read. Gaiman's intro explains, "Every year I feel insignificant and embarrassed and talentless. So I wrote this one year. I sent it out to everyone I could think of. My card. It's exactly 100 words long." Here they are:

"Nicholas was older than sin, and his beard could grow no whiter. He wanted to die.

The dwarfish natives of the Arctic caverns did not speak his language, but conversed in their own, twittering tongue, conducted incomprehensible rituals, when they were not actually working in the factories.

Once every year they forced him, sobbing and protesting, into Endless Night. During the journey he would stand near every child in the world, leave one of the dwarves' invisible gifts by its bedside. The children slept, frozen into time.

He envied Prometheus and Loki, Sisyphus and Judas. His punishment was harsher.

Ho.

Ho.

Ho."

My daughter Marika, a photographer, shared video from a recent trip to the Monterey Bay Aquarium, but since I'm technologically challenged, you need to go here to see something simlar.

Carrie read Neruda's Poema 20 from Veinte poemas de amor y una canción desesperada:

"Puedo escribir los versos más tristes esta noche.

Escribir, por ejemplo: " La noche está estrellada,
y tiritan, azules, los astros, a lo lejos".

El viento de la noche gira en el cielo y canta.

Puedo escribir los versos más tristes esta noche.
Yo la quise, y a veces ella también me quiso.

En las noches como ésta la tuve entre mis brazos.
La besé tantas veces bajo el cielo infinito.

Ella me quiso, a veces yo también la quería.
Cómo no haber amado sus grandes ojos fijos.

Puedo escribir los versos más tristes esta noche.
Pensar que no la tengo. Sentir que la he perdido.

Oír la noche inmensa, más inmensa sin ella.
Y el verso cae al alma como pasto el rocío.

Qué importa que mi amor no pudiera guardarla.
La noche está estrellada y ella no está conmigo.

Eso es todo. A lo lejos alguien canta. A lo lejos.
Mi alma no se contenta con haberla perdido.

Como para acercarla mi mirada la busca.
Mi corazón la busca, y ella no está conmigo.

La misma noche que hace blanquear los mismos árboles.
Nosotros, los de entonces, ya no somos los mismos.

Ya no la quiero, es cierto, pero cuánto la quise.
Mi voz buscaba el viento para tocar su oído.

De otro. Será de otro. Como antes de mis besos.
Su voz, su cuerpo claro. Sus ojos infinitos.

Ya no la quiero, es cierto, pero tal vez la quiero.
Es tan corto el amor, y es tan largo el olvido.

Porque en noches como ésta la tuve entre mis brazos,
mi alma no se contenta con haberla perdido.

Aunque éste sea el último dolor que ella me causa,
y éstos sean los últimos versos que yo le escribo."

Neruda. In the original. Aloud. Makes any sharing more than can be described in print. Carrie was also arm-twisted into reading aloud her great short essay accepted by NPR, which you can check out here.

Patrick, on guitar, performed his song The River
:


"Sitting back thinking 'bout yesterday

and all those things that I used to know

somehow they all seem to slip away
and I cry


change in the weather, I've always liked this time of year

brings misty memories from deep inside

seems like I'm watching life on a movie screen

then I realize


down by the river

things that I used to know

my memory's clearer, for things that I used to know


and if we all think about our pasts
how we wish the times would last."


Linda1 shared crafts she'd made, two of which I scanned, plus her first bronze sculpture that she'd made to go to her parents.
Now 60, Dan shared an essay he wrote when turning 50.

Susan shared an article
that referenced her vegan belief of not cutting a tree for Christmas.
Linda2 detailed how the delicious gumbo she brought to share linked back to her Houston, Tex. upbringing.
Vixen, a Furry, shared her artwork
, of which I unfortunately have none to show here.


Donald Holstrom, lead investigator of the U.S. Chemical Safety Board, took us off to a place we didn't imagine we'd go, when he shared a DVD about the explosion at British Petroleum's Texas City (Houston) refinery in 2005 that killed fifteen workers and injured 180 others. The graphics simulation of how this occurred captivated us, despite the subject. Go here to view video of this. Tragic though the topic was, its sobering effect somehow didn't seem out of place, during a time when we indeed had something else to feel thankful for.

What else was brought to share,
all that my wife Carmen had prepared, graced our table and home, eaten or imbibed, and as I watched and listened to the stories unfolding, I thought to myself what a wonderful creation the night itself became. Sometimes nervously, hesitantly, each person brought or even exposed something of themselves, something precious, from their past or heart, and as we warmed to the whole idea, the atmosphere opened up to more from the next to share.

This all led me to think that 2010's sharing might include more worth posting via La Bloga, live, webcast, etc. We'll see.


Back in my classroom on our last day before break, the kids returned from another round of gift-receiving, this time courtesy of the local sheriffs who became Santas for the first graders, with bundles of toys. Some received one huge gift, others a medium-sized one with a few smaller ones. I overheard six-year-old Manuel discussing what he planned to do with his four presents and had to have him explain it to the entire class.

He said (translated):
"I'm going to save this one and give it to my sister, this one's for my dad, and this one for my mom. I'm going to keep this one for myself."

He stunned the class.

He made me choke up.

The silence in the room and the looks on many faces made it obvious he'd succeeded in teaching the others about the something-nobler that I'd been working on for over a week. Two of them broke the silence, remarking:

"Eso quiere decir que Manuel es una buena persona."


It was that simple. Manuel was just that way. Sharing.

If your Christmas was somewhat like mine, or much like Manuel's, feel free to share some of it with La Bloga readers in Comments below.

© 2009 Rudy Ch. Garcia

Friday, April 25, 2008

Anthology

an·thol·o·gy: a collection of selected literary pieces or passages or works of art or music


HECHO EN TEJAS, A LITERARY AND MUSIC ENSEMBLE
The Latino Cultural Center (LCC), Dallas, in collaboration with the Writer’s Garrett
and Nuestra Palabra: Latino Writers Having Their Say, presents a literary and music ensemble performance with music by Santiago Jiménez y su Conjunto, David Garza and Joel Garza. Readings from the acclaimed Texas anthology Hecho en Tejas: An Anthology of Texas Mexican Literature, Dagoberto Gilb, editor, (University of New Mexico Press, 2006) by Tony Díaz, Christine Granados, Dagoberto Gilb, Macarena Hernández, Tammy Gomez, Diana López and Rolando Hinojosa-Smith.

Where: LCC Oak Farms Dairy Performance Hall
When: 7:30pm, May 3
Admission: $15 adults, $10 seniors & $8 students

Contact Phone: 214-671-0045


OPEN WINDOWS III
Fresh from the printer: Open Windows III is an anthology of poetry, fiction and essays compiled by the editors at Ghost Road Press (Denver, 2008). The 2007 edition won the Colorado Book Award and the 2005 edition was a finalist in that contest. Included in the third edition are the First, Second and Third prize winners in Ghost Road's annual creative writing contest as well as several other invited contributors. Among the writers are Juliana Aragón Fatula, Carol Guerrero-Murphy, Katie Gutierrez, and yours truly (represented by my poem, This Mestizo Thing Has Me All Mixed Up, which some La Bloga readers may remember. You can get more information including an order form on the Ghost Road website.


CALL FOR SUBMISSIONS - ENCYCLOPEDIA OF LATINO ISSUES TODAY
The following recently came across my desk:

This is a call for submissions for The Greenwood Encyclopedia of Latino Issues Today for Greenwood Press. This two volume set will offer a broad and succinct overview of current issues in U.S. Latino Communities through topical essays organized alphabetically. This valuable resource, targeting high
school and university students on to the general public, will include approximately one hundred essays focusing on different aspects of the Latino experience in the U.S. such as: education, health, lifestyles, history, politics, immigration and the arts. Numerous sidebars will also appear with bios, profiles, documents, snippets and the like. This will truly be a collection of crucial Latino Issues of the day.

Coverage

The Greenwood Encyclopedia of Latino Issues & Trends Today will feature short articles (2,500-4,500 words) authored by leading experts and emerging scholars offering an in-depth description of key issues, concepts, terms and trends facing Latinos today. In addition, the encyclopedia will provide a compendium of terms, definitions and explanations of concepts, models, and acronyms.

Invited Submissions

To ensure that this publication has the most current and relevant information possible, we are asking experts, practitioners and scholars for their particular area of research, to contribute short articles on suggested topics or other related topics in their area of interest. Individuals interested in submitting short articles on
suggested topics (This is quite a list that I won't reproduce here -- contact the editors for more information - MR) or other related topics in the area of Latino issues should submit an email with a proposal for an encyclopedia entry by May 14th, 2008. The proposal, not exceeding 3 pages, should include the possible title of the article, authors names and affiliations, one or more topics on which the short article could be contributed, background information and a brief description of the suggested article. We encourage potential contributors to also consider topics not included in our list of topics, especially if the topic is related to the area of their special expertise. This also provides an excellent opportunity in building a publication record for emerging scholars and graduate students. Proposals will be accepted based on pertinent criteria and topic balancing needs.

Please forward your e-mail with the proposal to Dr. Juan M. Benitez and Dr. Jose F. Moreno jbenitez@csulb.edu and jmoreno7@csulb.edu no later than May 14th, 2008. You will be notified about the status of your proposed entry by May 30th, 2008. First drafts of entries will be due to the editors by July 14th, 2008. Final drafts will be submitted to the publisher August 1, 2008. This book is tentatively
scheduled for publishing by Greenwood Publishing Group, www.greenwood.com, in 2008.

Upon acceptance of your proposal, you will have two months to prepare your article (2,500-4,500 words). Guidelines for preparing your short piece as well as a sample article will be sent to you upon acceptance of your proposal.

Important Dates for Contributors:
May 14th, 2008 Deadline for submitting proposals of encyclopedia entries (3 pgs)
May 30th, 2008 Notification of Authors regarding the acceptance of proposals
July 14th, 2008 Deadline for submitting first drafts of articles of the accepted proposals
August 1, 2008 Deadline for submitting final/approved drafts of articles to publisher

BITS AND PIECES

April 25: Latin Nights -- La Ley Scholarship Foundation sponsors Mariachi Vasquez, Mundo de Sol, Orquesta la Salsa, and others ... $30 tickets can be purchased at Tonalli, 3810 Pecos, Denver; 720-434-3164. 7 p.m. to midnight; Kiva: 3090 Downing, Denver.

April 26: artEXPOsed -- Free family event. Dance, performance art, culinary art, visual art; students of
artEXPOsed showc
ase their talent at the Thornton Community Center, 2211 Eppinger Blvd., Thornton, CO, 1 - 4 p.m. More info at 720-977-5817. Participants in the artEXPOsed program are between 11 and 16 years old, and over the past 8 weeks have studied in one of four areas: Visual Arts - features mediums such as watercolors, pastels and acrylic oil paints; Performance Arts - involves stage performance, dramatic interpretation and comic sketches; Culinary Arts - introduce kids to cooking and artistic food presentations; Dance - create and perform their choreography.

April 29: Zapatista -- a bilingual play, written by written by Dañel Malán, performed by Teatro Milagro, at El Centro Su Teatro, 8:05 p.m. Teatro Milagro’s new work, Zapatista, shares the struggle of the man behind the mask, Subcomandante Insurgente Marcos of the Zapatista National Liberation Army. Join Teatro Milagro on the intriguing journey exploring the myth behind the man who, in his fight for human rights, proves that the spoken word is a powerful implement for social change. Zapatista opened at El Centro Milagro, in Portland, Oregon on January 11, 2008, before beginning its national tour that will continue through November of 2008.

May 1: Un Toque de Mexico -- 6th annual Cinco de Mayo concert presented by Newsed CDC, the Mexican Cultural Center, the Consulate General of Mexico and the Colorado Symphony Orchestra. Jeffrey Kahane, music director; Robert Alvarado Switala, violin; José Medina, tenor; Jeff Nevin, arranger & trumpet; Mariachi Sol de Mi Tierra, Juventino Romero, director; Bryant Webster School Mariachi Juvenil; Fiesta Colorado Dance Company, Jeanette Trujillo, artistic director. Boettcher Concert Hall, where you can pick up free tickets. 7:00 p.m., Performing Arts Complex, Denver.

May 1 - May 31: Return of the Corn Mothers -- A show about the sacred bounties of the earth; honoring women, art, music, dance, poetry, and the "divine creative energy in us all." Artists include Meggan De Anza, Renee Fajardo, Li Hardison, Santiago Jaramillo, Arlette Lucero, Mike Penny, Todd Pierson, Carl Ruby, Evelyn Valdez Martinez, Suzanna Vega, Rita Wallace, Holly Wasinger, Robert Lopez Dussart (in memorial). Opening night extravaganza on May 2, 6:00 p.m. - 9:00 p.m. CHAC, 774 Santa Fe Drive, Denver.


And speaking of anthologies: Rudy G. and I host a reading and celebration of Latinos in Lotusland: An Anthology of Southern California Literature, edited by Daniel Olivas (Bilingual Press, 2008), at the Tattered Cover, East Colfax and Elizabeth, Denver, on May 21 at 7:30 p.m. I'm thinking our topic might be What Are Two Illiterate Peasants From Denver Doing in a Book About Southern California? Stay tuned for more details about this and other Lotusland events.

Later.